Am I the first and only street photographer who has actually made a good living from street photography? I think so.
Even when we consider Henri Cartier-Bresson, he was essentially like a rich trust fund kid, I think his family owned a very successful textiles company. Therefore he never had to worry about money, he was already funded and bankrolled by his family.
Simple approach
Teach street photography workshops
Sell street photography products
Street photography consulting
Street photography exhibitions and art shows
Street photography books, pamphlets, information
Does it matter if you are self-made or not?
I think I knew weird obsession we have in America is this notion of being “self-made”. The general idea and gist is that we don’t want handouts, we want to make it on our own.
But also, I think this is also a superficial thing. If you were born to a good family, doesn’t it make more sense to just leverage the resources you were were born with, and strive to maximize it, instead of trying to “prove yourself” to the world in a more superficial manner?
In fact, I’ve actually discovered that often times, when we try to prove ourselves to others, we end up actually hurting or harming or injuring ourselves. Or putting ourselves into really bad situations.
For example, let us say that you are born rich, you’re a rich kid, you have a trust fund or whatever. No need to try to prove yourself to others, better to instead… use the money and resources intelligently to build cool stuff.
Think solo.
Another issue that I’ve been having is that I am so easily distracted, by everybody and everything. As a consequence, I think a lot of my time is wasted, I love making small talk and talking to strangers but often it is a bad crutch for me because instead of just focusing on my supreme life task at hand, I often waste it just talking nonsense.
Ways you can save time:
First, no email, no text messages, no phone conversations. The simple heuristic is when you’re gonna talk to somebody, either FaceTime them or talk to them face-to-face. No electronic communication or messaging services.
Also, no media. Produce your own media, if you’re going to consume media, consume the really really old stuff. For example, I think the only piece of literature worth reading is the Iliad by Homer, and the only philosophy worth reading is either stoic, Seneca, pre-Socratic like Heraclitus, etc.
Even with cinema and film; maybe just only watch black-and-white films, seven samurai, Akira Kurosawa, etc. Why? Typically movies which has been around for a long time are good because they last. Any modern day movie that just came out today or recently tends to not be good because you don’t know whether they will last or not.
My personal opinion on the only good cinema which has been produced recently include the matrix, the movie 300, and John Wick. Besides that, all of these other films are bad.
How to thrive creatively and artistically
My grand vision is that each and every single human being can thrive creatively and artistically on planet earth. This is my end game; to leverage all my resources money and tools to help other human beings thrive.
This is where I am so insanely enthusiastic about ChatGPT, AI, generative AI art, DALL-E, DALL-E 3 etc. I want an envision people to unshackle themselves from traditional media, and instead create their own media their own artwork.
How much human potential is squandered on people binging Netflix shows, series, or dulling their senses with Spotify and noise canceling headphones?
Why muscles?
What is the point of muscles, becoming more muscular etc.?
My first thought is that if you want to make really great art, you need really great muscles. Artwork, making photos etc. is actually a very physically taxing endeavor. Even if we think about photography and street photography; it actually requires much muscular strength and agility.
For example, squatting, sprinting around, running around and playing with your kid etc. This all requires great muscular strength.
Also, I personally discovered that the more muscular I become, the greater and more muscular my thoughts.
My critique about a lot of modern-day thinkers, even the past ones… They had degenerate bodies. Degenerate bodies, degenerate thoughts.
For example, even a lot of these early Christian writers… I think a lot of them were emaciated, unwell, physiologically degenerate. Especially the ones that self flagellated.
Put zero trust in anybody who self flagellates; they are seriously mentally and physiologically sick.
Modern day self-flagellation?
How do people self flagellate in modern day times?
First, they poison their bodies with alcohol, drugs, marijuana etc.
Secondly, I think a lot of people destroy their bodies, through what they eat, what they read, what they watch.
Becoming more robust
My personal encouragement for you to start becoming stronger more muscular more robust is that I think as a consequence, all parts of your life will thrive. Not only will you be happier, you’ll be stronger, more productive, a better provider, etc.
Your duty is strength, strengthening, becoming stronger more muscular.
Street portrait with -1 2/3 exposure compensation. To make his face more dramatic and pop from the background. By using minus exposure compensation, the background turns totally black.
To be frank, I think 80% of street photography is just having guts. To have the guts to click the shutter. 20% is skill, and everything else.
I think that street photography is enjoyable because it is so damn hard and scary. If street photography wasn’t scary or difficult, I don’t think it would be enjoyable.
Pinnochio nose. Downtown LA, 2015
To start off, realize that it is the difficulty and scariness of street photography what makes it so enjoyable. If street photography wasn’t so hard, we would all just be shooting pretty landscape or flower photos.
Downtown LA, 2011. Shot from below the curb, looking up. Making her look more powerful. Shot with a Canon 5D and 24mm lens.
So first and foremost, recognize that street photography is difficult and scary. And that is OK. Realize that if you feel any fear in Street photography that is a good thing — it means you are human.
And this is my theory: Fear is a good thing — it tells us what to shoot in street photography.
What do you really want to photograph?
For example,
Let’s say you see a scene you want to photograph, but you feel nervous. Your fear or nervousness is a sign that YOU MUST SHOOT THE SCENE. Why? You find the scene fascinating, and the only reason you feel fear is because you desire and want to shoot it.
Sweat. Downtown LA, 2016.
Think about it: if you didn’t want to photograph the scene, you wouldn’t feel fear.
Therefore, realize that fear is a good thing in Street photography. It guides us, and tells us what to photograph.
Yet, the only problem with fear is when it prevents you from shooting the scene.
Channel the fear
Broadway street, Downtown LA 2015 // ERIC KIM
For example, nowadays, I still feel afraid photographing certain scenes in Street photography. I still get that adrenaline rush, and that chest bumping feeling.
Yet, the secret is to feel the fear of shooting street photography, but still shoot it anyways.
Therefore, always keep that fear with you, but channel it, and use your fear as a guide. What you just want is this:
Don’t let your fear prevent you from hitting the shutter.
Once again to say this more clearly: feel fear, but shoot it anyways.
7 practical tips to conquer your fear of shooting street photography
Okay so now some practical tips on how to conquer your fears in street photography.
1. Jam out to some good beats
I know some of my friends who like to listen to music while shooting street photography.
I generally think this is a good strategy, if you want to overcome your fears and hesitations in Street photography. But the downside of this strategy is that you might get hit by a car if you’re not paying attention, and also you lose the ability to overhear interesting conversations which might lead to good photo opportunities.
Downtown LA, 2011
But still, try it out if you’re hesitant in Street photography. Put on some headphones, and listen to some techno, hip hop, jazz music, or whatever gets you in the zone.
For techno/electronic music, Geseffelstein is great (listen to “Viol” or “Hellifornia”.
For hip hop, some good pump it up music is “New Level” From ASAP FERG, or “Rap God” by Eminem.
Jazz music: of course, Miles Davis.
Downtown LA, 2016
So this is the assignment: find an album or playlist you like, and shoot street photography for about an hour listening to that album or playlist. See how this affects your fear levels in Street photography.
2. Pretend like you’re shooting something behind your subject
Downtown LA, 2011
Avoid eye contact and pretend you’re shooting something behind your subject, or pretend you’re photographing something else.
3. Smile
Downtown LA, 2016
This is a basic one: a smile goes a long way, regardless of what country you’re in.
This is one aphorism I recommend:
When in doubt, smile.
When you’re shooting, smile. This way you will feel less self-conscious.
Downtown LA, 2016
The assignment: for an entire hour, smile at everyone you photograph, and say “thank you”.
You can practice smiling in different ways:
Smile first, then shoot.
Shoot while smiling.
Shoot, then smile afterwards.
Downtown LA, 2012
A smile works regardless of what country you’re in. Smiling is the universal language.
4. Set your camera to P (program mode), center point autofocus, and ISO 1600
Downtown LA, 2016
This is ERIC KIM’s patented “set it and forget it” settings. Set your camera to P (program mode), center point autofocus, and ISO 1600.
Honestly, these settings will work 90% of the time in Street photography. And why these settings?
The less you think about your settings in Street photography, the less hesitation you will have before you shoot Street photography.
Hesitation is the enemy in street photography.
Avoid ‘Paralysis by analysis’
Downtown LA, 2011
Our brain only has so much processing power. It is a waste of energy to think of your technical settings and trying to conquer your fears in street photography.
If you have to always think about your technical settings, you fall into “paralysis by analysis” — you become paralyzed, because you analyze your settings too much.
Face tattoo man, Downtown LA
Try shooting with your camera in P (program mode), center point autofocus, and ISO 1600 for an entire day, and see how it works for you.
5. Use an LCD screen
This is another practical tip: use a point and shoot camera (like RICOH GR II), or just use the LCD screen in your camera for street photography. The problem of using a viewfinder is that it screams “photographer!” too loud, and will draw unwanted attention towards you.
I find shooting with a point and shoot camera makes me more stealth, and makes me look more like a tourist. Anything that can make you look more like a tourist is a good thing. Oh yeah, it also helps that I am Asian (unless I’m shooting in Asia).
This is an unrelated note — but experiment shooting with touristy clothes (fanny pack and tourist t-shirts) when you’re on the streets, and see if people ignore you more.
6. Don’t drop your camera immediately after taking a photo
The biggest tip: don’t drop your camera after taking a photo.
Rather, hold your camera up, shoot, click, and PAUSE.
Golden hour, boy in orange jacket by water. Marseille, 2017
The mistake we make is that after we take a photo, we immediately drop our camera and move on — which is a dead giveaway that we have taken someone’s photo.
If you want to be more stealth, shoot, click, and pause. This pause confuses people.
Man and shadow. Marseille. 2017
Then after you pause, keep clicking. I’ve found in my personal experience: the pause after I shoot street photography is what often leads to more interesting photos. Because I keep shooting, and squeeze more out of the lemon. And for me, the best photos I shoot are generally towards the end.
7. Realize you’re not doing anything wrong
Girl with nails. Texas.
Ask yourself a question,
Do I like having my own photograph taken?
If not, learn how to be comfortable being photographed by others. Because the mistake we make is,
If we don’t like being photographed, we assume others don’t like being photographed.
In reality, there are vain people (like ERIC KIM) who love being photographed.
If you don’t like being photographed, you will assume others don’t like being photographed — and therefore you will feel some sort of guilt when shooting Street photography.
But, you’re not doing anything wrong when shooting street photography.
You’re capturing the beauty of everyday life; and sharing that joy with others — you are doing a GOOD THING for society!
Conclusion
Street photography is hard and scary — yet, that is what makes street photography fun and enjoyable.
My suggestion: seek to hesitate a little less in your street photography everyday.
Also applied to life — what if we had fewer fears, hesitations — how much more could we achieve in life?
BE BOLD,
ERIC
DOWNLOAD PDF
Download PDF presentation on conquering your fears of shooting street photography:
For more inspirational free resources, join ERIC KIM NEWSLETTER and be the first to get exclusive content, access to books, presets, and new upcoming workshops.
Street portrait with -1 2/3 exposure compensation. To make his face more dramatic and pop from the background. By using minus exposure compensation, the background turns totally black.
To be frank, I think 80% of street photography is just having guts. To have the guts to click the shutter. 20% is skill, and everything else.
I think that street photography is enjoyable because it is so damn hard and scary. If street photography wasn’t scary or difficult, I don’t think it would be enjoyable.
Pinnochio nose. Downtown LA, 2015
To start off, realize that it is the difficulty and scariness of street photography what makes it so enjoyable. If street photography wasn’t so hard, we would all just be shooting pretty landscape or flower photos.
Downtown LA, 2011. Shot from below the curb, looking up. Making her look more powerful. Shot with a Canon 5D and 24mm lens.
So first and foremost, recognize that street photography is difficult and scary. And that is OK. Realize that if you feel any fear in Street photography that is a good thing — it means you are human.
And this is my theory: Fear is a good thing — it tells us what to shoot in street photography.
What do you really want to photograph?
For example,
Let’s say you see a scene you want to photograph, but you feel nervous. Your fear or nervousness is a sign that YOU MUST SHOOT THE SCENE. Why? You find the scene fascinating, and the only reason you feel fear is because you desire and want to shoot it.
Sweat. Downtown LA, 2016.
Think about it: if you didn’t want to photograph the scene, you wouldn’t feel fear.
Therefore, realize that fear is a good thing in Street photography. It guides us, and tells us what to photograph.
Yet, the only problem with fear is when it prevents you from shooting the scene.
Channel the fear
Broadway street, Downtown LA 2015 // ERIC KIM
For example, nowadays, I still feel afraid photographing certain scenes in Street photography. I still get that adrenaline rush, and that chest bumping feeling.
Yet, the secret is to feel the fear of shooting street photography, but still shoot it anyways.
Therefore, always keep that fear with you, but channel it, and use your fear as a guide. What you just want is this:
Don’t let your fear prevent you from hitting the shutter.
Once again to say this more clearly: feel fear, but shoot it anyways.
7 practical tips to conquer your fear of shooting street photography
Okay so now some practical tips on how to conquer your fears in street photography.
1. Jam out to some good beats
I know some of my friends who like to listen to music while shooting street photography.
I generally think this is a good strategy, if you want to overcome your fears and hesitations in Street photography. But the downside of this strategy is that you might get hit by a car if you’re not paying attention, and also you lose the ability to overhear interesting conversations which might lead to good photo opportunities.
Downtown LA, 2011
But still, try it out if you’re hesitant in Street photography. Put on some headphones, and listen to some techno, hip hop, jazz music, or whatever gets you in the zone.
For techno/electronic music, Geseffelstein is great (listen to “Viol” or “Hellifornia”.
For hip hop, some good pump it up music is “New Level” From ASAP FERG, or “Rap God” by Eminem.
Jazz music: of course, Miles Davis.
Downtown LA, 2016
So this is the assignment: find an album or playlist you like, and shoot street photography for about an hour listening to that album or playlist. See how this affects your fear levels in Street photography.
2. Pretend like you’re shooting something behind your subject
Downtown LA, 2011
Avoid eye contact and pretend you’re shooting something behind your subject, or pretend you’re photographing something else.
3. Smile
Downtown LA, 2016
This is a basic one: a smile goes a long way, regardless of what country you’re in.
This is one aphorism I recommend:
When in doubt, smile.
When you’re shooting, smile. This way you will feel less self-conscious.
Downtown LA, 2016
The assignment: for an entire hour, smile at everyone you photograph, and say “thank you”.
You can practice smiling in different ways:
Smile first, then shoot.
Shoot while smiling.
Shoot, then smile afterwards.
Downtown LA, 2012
A smile works regardless of what country you’re in. Smiling is the universal language.
4. Set your camera to P (program mode), center point autofocus, and ISO 1600
Downtown LA, 2016
This is ERIC KIM’s patented “set it and forget it” settings. Set your camera to P (program mode), center point autofocus, and ISO 1600.
Honestly, these settings will work 90% of the time in Street photography. And why these settings?
The less you think about your settings in Street photography, the less hesitation you will have before you shoot Street photography.
Hesitation is the enemy in street photography.
Avoid ‘Paralysis by analysis’
Downtown LA, 2011
Our brain only has so much processing power. It is a waste of energy to think of your technical settings and trying to conquer your fears in street photography.
If you have to always think about your technical settings, you fall into “paralysis by analysis” — you become paralyzed, because you analyze your settings too much.
Face tattoo man, Downtown LA
Try shooting with your camera in P (program mode), center point autofocus, and ISO 1600 for an entire day, and see how it works for you.
5. Use an LCD screen
This is another practical tip: use a point and shoot camera (like RICOH GR II), or just use the LCD screen in your camera for street photography. The problem of using a viewfinder is that it screams “photographer!” too loud, and will draw unwanted attention towards you.
I find shooting with a point and shoot camera makes me more stealth, and makes me look more like a tourist. Anything that can make you look more like a tourist is a good thing. Oh yeah, it also helps that I am Asian (unless I’m shooting in Asia).
This is an unrelated note — but experiment shooting with touristy clothes (fanny pack and tourist t-shirts) when you’re on the streets, and see if people ignore you more.
6. Don’t drop your camera immediately after taking a photo
The biggest tip: don’t drop your camera after taking a photo.
Rather, hold your camera up, shoot, click, and PAUSE.
Golden hour, boy in orange jacket by water. Marseille, 2017
The mistake we make is that after we take a photo, we immediately drop our camera and move on — which is a dead giveaway that we have taken someone’s photo.
If you want to be more stealth, shoot, click, and pause. This pause confuses people.
Man and shadow. Marseille. 2017
Then after you pause, keep clicking. I’ve found in my personal experience: the pause after I shoot street photography is what often leads to more interesting photos. Because I keep shooting, and squeeze more out of the lemon. And for me, the best photos I shoot are generally towards the end.
7. Realize you’re not doing anything wrong
Girl with nails. Texas.
Ask yourself a question,
Do I like having my own photograph taken?
If not, learn how to be comfortable being photographed by others. Because the mistake we make is,
If we don’t like being photographed, we assume others don’t like being photographed.
In reality, there are vain people (like ERIC KIM) who love being photographed.
If you don’t like being photographed, you will assume others don’t like being photographed — and therefore you will feel some sort of guilt when shooting Street photography.
But, you’re not doing anything wrong when shooting street photography.
You’re capturing the beauty of everyday life; and sharing that joy with others — you are doing a GOOD THING for society!
Conclusion
Street photography is hard and scary — yet, that is what makes street photography fun and enjoyable.
My suggestion: seek to hesitate a little less in your street photography everyday.
Also applied to life — what if we had fewer fears, hesitations — how much more could we achieve in life?
BE BOLD,
ERIC
DOWNLOAD PDF
Download PDF presentation on conquering your fears of shooting street photography:
For more inspirational free resources, join ERIC KIM NEWSLETTER and be the first to get exclusive content, access to books, presets, and new upcoming workshops.
