In praise of the film 7 samurai by Akira Kurosawa:
- First of all, the film is hilarious. The jokes in the movie are heart-warming.
- The character development is fantastic. Each character in the film has depth, and growth and change throughout the film.
- Strong differentiation between the characters of the film. Especially the ‘outcast’ samurai (Mifune) who steals the show.
- Phenomenal composition. No other film has so many ‘screenshottable’ scenes. The fact it was shot in the 1950s blows my mind– the ingenuity of the compositions, framing, and the triangle compositions.
- Great story. You cheer for the underdogs, and the building of the 7 samurai team is a great narrative.
- Sweet relationships between the samurai, which brings a huge smile to your face.
- Beautiful use of light.
- Strong philosophy here — lots of great quotes. For example the badass Samurai with the scar on his face– ‘A man only interested in testing his own limits’. A good inspiration for myself. Also — the inspiration of being a Samurai (becoming a masterful individual, solo).
CINEMA BY KIM
Cinema and film as a great stimulus, aid and teacher for photographers and visual artists alike.
Cinematography and life lessons:
Cinema and Film Reviews
- BLADE RUNNER (1982 Original) Cinematography Review & Thoughts vs the New Version (2049)
- Blade Runner 2049 Film Review + Cinematography Composition Analysis
- REVIEW: Justice League (Snyder Cut)
- What Makes a Great Movie/Film?
- Iron Man (1) Film Cinema Review
- JOKER FILM REVIEW + Cinematography Composition
- Ghost in the Shell Anime (1995) Cinematography, Composition, Philosophy Review
- Once Upon a Time in Hollywood Cinematography and Film Review
Space Films
- Ad Astra Cinematography Composition Film Review
- 2001 Space Odyssey
- Part 5: Epic Cinematography of 2001 Space Odyssey by Stanley Kubrick
- Part 4: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 3: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 2: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 1: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
Cinema and philosophy
GODFATHER
Gangster Films
ACTION FILMS
CITIZEN KANE:
Articles on Cinema
Great Cinema
- Part 1: Throne of Blood Cinematography by Akira Kurosawa
- Part 1: Spartacus Cinematography and Philosophy Lessons from Stanley Kubrick
- Part 1: Philosophy and Cinematography of Full Metal Jacket
- Part 3: MATRIX Philosophy and Cinematography
- Part 2: MATRIX Philosophy and Cinematography
- Part 1: MATRIX Philosophy and Cinematography
- Part 4: Epic Cinematography of 2001 Space Odyssey by Stanley Kubrick
- Part 3: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 2: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 1: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Stanley Kubrick: Master Photographer and Film-Maker
- Lessons Ridley Scott Has Taught Me about Life, Art, and Cinema
- Part 2: Cinematography and Composition Lessons from All the Money in the World (2017) film by Ridley Scott
- Part 1: Cinematography and Composition Lessons from All the Money in the World (2017) film by Ridley Scott
- Cinematography Composition Techniques for Photographers
- Rashomon (1950)
- Ran (Chaos) by Akira Kurosawa
- FIGHT CLUB
- FURY (2014)
- THE MATRIX
- AKIRA PART I / AKIRA PART II
- Batman: The Dark Knight
- Dr. Strange
- Suicide Squad
- Kendrick Lamar: HUMBLE.