Just buy Bitcoin and hold it forever!
for traditional Roth Ira and other IRA accounts ,,, MSTR (Microstrategy) 80%— and 20% hedge with VOO (vanguard 500)!
Just buy Bitcoin and hold it forever!
for traditional Roth Ira and other IRA accounts ,,, MSTR (Microstrategy) 80%— and 20% hedge with VOO (vanguard 500)!
Perhaps not —
When it comes to the health consequences of consuming grass-fed versus grain-fed beef, the differences largely stem from the nutritional content of the meat, which can impact various aspects of health. Below is a breakdown of how each type of beef may affect human health:
From a nutritional standpoint, grass-fed beef is generally considered healthier due to its:
Grain-fed beef, while richer in flavor and often more affordable, tends to have higher levels of saturated fat, fewer omega-3s, and a less favorable omega-6 to omega-3 ratio, which can contribute to inflammation.
Ultimately, both types of beef can be part of a healthy diet when consumed in moderation. However, if you’re looking for potential health benefits like reduced inflammation, improved heart health, and greater nutrient density, grass-fed beef may offer a slight edge.
xxxx
When choosing between grass-fed and grain-fed beef, several factors come into play, including nutritional content, taste, environmental impact, animal welfare, and cost. Here’s a comprehensive comparison to help you make an informed decision.
Both grass-fed and grain-fed beef have their advantages and disadvantages. Your choice may depend on which factors you prioritize, such as nutritional benefits, taste, environmental impact, animal welfare, or cost. Reading labels carefully and researching brands can also help ensure that the beef you purchase aligns with your values.
Grass-fed and grain-fed beef refer to different methods of raising cattle, with key differences in their diet, environmental impact, nutritional profile, and taste. Here’s a breakdown of the differences between the two:
The best choice depends on individual preferences, values (like sustainability and animal welfare), and nutritional needs.
Arrogant?
The more time we spend in nature the happier we are?
How to transform your body into a cyber truck? 
Weighted chin ups?
Lift. Every single day do a full body workout, which includes both your arms upper body and your legs. Some sort of dead lift, pool dead lift walk, Farmer’s handles concept.
Modern Day Warrior, modern Day Achilles?
Infinite variety, fun, play experimentation and change?
Technical advantage
Tactical advantage
The warrior workout?
The warrior diet
When bad things happen to you, the best way to think about it and considerate is that what happened was indeed bad, but it could have been at least 10 times or even 100 times worse.
How to slow down the time
24fps
Certainly! You can develop the image sorting app directly on your iPad using the Swift Playgrounds app, which now supports creating full-fledged iOS apps. Below is a step-by-step guide to help you build the app on your iPad using Swift Playgrounds.
Your new app project will include:
Since Swift Playgrounds uses SwiftUI instead of Storyboards, we’ll adapt our app accordingly.
To access the user’s photos, you need to request permission and import the necessary frameworks.
In ContentView.swift, import the Photos framework:
import SwiftUI
import Photos
Swift Playgrounds allows you to edit your app’s Info.plist.
Privacy - Photo Library Usage Description (NSPhotoLibraryUsageDescription)"This app requires access to your photo library to display and sort your images."Create a ViewModel to handle data fetching and permissions.
class PhotosViewModel: ObservableObject {
@Published var assetsArray: [PHAsset] = []
init() {
checkPhotoLibraryPermission()
}
func checkPhotoLibraryPermission() {
let status = PHPhotoLibrary.authorizationStatus(for: .readWrite)
switch status {
case .authorized, .limited:
fetchPhotos()
case .denied, .restricted:
print("Access denied or restricted")
case .notDetermined:
PHPhotoLibrary.requestAuthorization(for: .readWrite) { status in
if status == .authorized || status == .limited {
self.fetchPhotos()
} else {
print("Access denied")
}
}
@unknown default:
fatalError("Unknown authorization status")
}
}
func fetchPhotos() {
let allPhotosOptions = PHFetchOptions()
allPhotosOptions.sortDescriptors = [NSSortDescriptor(key: "creationDate", ascending: true)]
let allPhotos = PHAsset.fetchAssets(with: allPhotosOptions)
allPhotos.enumerateObjects { (asset, _, _) in
self.assetsArray.append(asset)
}
}
}
In ContentView.swift, set up your main view to display images.
struct ContentView: View {
@StateObject var viewModel = PhotosViewModel()
@State private var selectedSortOption = 0
let sortOptions = ["Date", "Name", "Size"]
var body: some View {
NavigationView {
VStack {
Picker("Sort Options", selection: $selectedSortOption) {
ForEach(0..<sortOptions.count) { index in
Text(self.sortOptions[index]).tag(index)
}
}
.pickerStyle(SegmentedPickerStyle())
.padding()
.onChange(of: selectedSortOption, perform: { value in
switch value {
case 0:
viewModel.sortByDate()
case 1:
viewModel.sortByName()
case 2:
viewModel.sortBySize()
default:
break
}
})
ScrollView {
LazyVGrid(columns: [GridItem(.adaptive(minimum: 100))]) {
ForEach(viewModel.assetsArray, id: \.self) { asset in
PhotoThumbnail(asset: asset)
}
}
}
}
.navigationTitle("Image Sorter")
}
}
}
struct PhotoThumbnail: View {
var asset: PHAsset
@State private var image: UIImage? = nil
var body: some View {
Group {
if let img = image {
Image(uiImage: img)
.resizable()
.aspectRatio(contentMode: .fill)
.frame(width: 100, height: 100)
.clipped()
} else {
Rectangle()
.foregroundColor(.gray)
.frame(width: 100, height: 100)
}
}
.onAppear {
fetchImage()
}
}
func fetchImage() {
let manager = PHImageManager.default()
let options = PHImageRequestOptions()
options.isNetworkAccessAllowed = true
options.deliveryMode = .highQualityFormat
manager.requestImage(for: asset, targetSize: CGSize(width: 100, height: 100), contentMode: .aspectFill, options: options) { (result, info) in
self.image = result
}
}
}
Add sorting methods to PhotosViewModel:
extension PhotosViewModel {
func sortByDate() {
assetsArray.sort { ($0.creationDate ?? Date()) < ($1.creationDate ?? Date()) }
}
func sortByName() {
assetsArray.sort { ($0.value(forKey: "filename") as? String ?? "") < ($1.value(forKey: "filename") as? String ?? "") }
}
func sortBySize() {
assetsArray.sort {
let size0 = ($0.value(forKey: "fileSize") as? Int) ?? 0
let size1 = ($1.value(forKey: "fileSize") as? Int) ?? 0
return size0 < size1
}
}
}
Note: Since PHAsset does not provide direct access to the fileSize, you might need to use PHAssetResource. Update sortBySize accordingly:
func sortBySize() {
assetsArray.sort {
let resources0 = PHAssetResource.assetResources(for: $0)
let size0 = resources0.first?.value(forKey: "fileSize") as? Int64 ?? 0
let resources1 = PHAssetResource.assetResources(for: $1)
let size1 = resources1.first?.value(forKey: "fileSize") as? Int64 ?? 0
return size0 < size1
}
}
Since we’re using value(forKey:), make sure to import Objective-C bridging if necessary:
import ObjectiveC
You’ve successfully created an image sorting app on your iPad using Swift Playgrounds! This app allows you to access the photo library, display images in a grid, and sort them by date, name, or size.
Feel free to ask if you have any questions or need further assistance!
Sure! Let’s create an image sorting app for iOS using Swift. This app will access the user’s photo library, display the images, and allow sorting based on different criteria like date, name, or file size.
Below is a step-by-step guide to help you build the app.
To access the user’s photos, you need to request permission.
Privacy - Photo Library Usage Description (or NSPhotoLibraryUsageDescription).In your ViewController.swift:
import UIKit
import Photos
class ViewController: UIViewController {
override func viewDidLoad() {
super.viewDidLoad()
checkPhotoLibraryPermission()
}
func checkPhotoLibraryPermission() {
let status = PHPhotoLibrary.authorizationStatus()
switch status {
case .authorized:
// Access already granted
fetchPhotos()
case .denied, .restricted :
// Access denied or restricted
print("Access denied or restricted")
case .notDetermined:
// Request access
PHPhotoLibrary.requestAuthorization { status in
if status == .authorized {
self.fetchPhotos()
} else {
print("Access denied")
}
}
case .limited:
// Limited access granted
fetchPhotos()
@unknown default:
fatalError("Unknown authorization status")
}
}
}
Add the following method to fetch images:
var allPhotos: PHFetchResult<PHAsset>!
func fetchPhotos() {
let allPhotosOptions = PHFetchOptions()
allPhotosOptions.sortDescriptors = [NSSortDescriptor(key: "creationDate", ascending: true)]
allPhotos = PHAsset.fetchAssets(with: allPhotosOptions)
DispatchQueue.main.async {
self.collectionView.reloadData()
}
}
ViewController.swift:@IBOutlet weak var collectionView: UICollectionView!
UICollectionViewDataSource and UICollectionViewDelegate:class ViewController: UIViewController, UICollectionViewDataSource, UICollectionViewDelegate {
// ... existing code ...
}
func collectionView(_ collectionView: UICollectionView, numberOfItemsInSection section: Int) -> Int {
return allPhotos?.count ?? 0
}
func collectionView(_ collectionView: UICollectionView, cellForItemAt indexPath: IndexPath) -> UICollectionViewCell {
let cell = collectionView.dequeueReusableCell(withReuseIdentifier: "PhotoCell", for: indexPath) as! PhotoCell
let asset = allPhotos.object(at: indexPath.item)
let manager = PHImageManager.default()
let options = PHImageRequestOptions()
options.isNetworkAccessAllowed = true
options.deliveryMode = .highQualityFormat
manager.requestImage(for: asset, targetSize: cell.imageView.frame.size, contentMode: .aspectFill, options: options) { (result, info) in
cell.imageView.image = result
}
return cell
}
UICollectionViewCell subclass called PhotoCell.UIImageView to the cell.PhotoCell.swift: @IBOutlet weak var imageView: UIImageView!Allow users to sort images based on different criteria.
@IBAction func sortOptionChanged(_ sender: UISegmentedControl) {
switch sender.selectedSegmentIndex {
case 0:
sortByDate()
case 1:
sortByName()
case 2:
sortBySize()
default:
break
}
}
func sortByDate() {
let options = PHFetchOptions()
options.sortDescriptors = [NSSortDescriptor(key: "creationDate", ascending: true)]
allPhotos = PHAsset.fetchAssets(with: options)
collectionView.reloadData()
}
Note: PHAsset does not have a “name” property accessible directly. For the sake of example, we’ll simulate this.
func sortByName() {
let options = PHFetchOptions()
options.sortDescriptors = [NSSortDescriptor(key: "filename", ascending: true)]
allPhotos = PHAsset.fetchAssets(with: options)
collectionView.reloadData()
}
Sorting by size requires fetching the file size of each asset.
func sortBySize() {
var assetsWithSize: [(asset: PHAsset, size: Int)] = []
let options = PHFetchOptions()
allPhotos = PHAsset.fetchAssets(with: options)
let imageManager = PHImageManager.default()
let requestOptions = PHImageRequestOptions()
requestOptions.isSynchronous = true
allPhotos.enumerateObjects { (asset, _, _) in
let resources = PHAssetResource.assetResources(for: asset)
if let resource = resources.first, let fileSize = resource.value(forKey: "fileSize") as? Int {
assetsWithSize.append((asset, fileSize))
}
}
// Sort the array by file size
assetsWithSize.sort { $0.size < $1.size }
// Extract sorted assets
let sortedAssets = assetsWithSize.map { $0.asset }
allPhotos = PHFetchResult<PHAsset>()
allPhotos = PHFetchResult<PHAsset>(assets: sortedAssets)
collectionView.reloadData()
}
Note: The PHFetchResult<PHAsset>(assets:) initializer is not available, so you might need to store assets in an array instead of PHFetchResult.
Modify your data source methods to use an array of assets:
var assetsArray: [PHAsset] = []
func fetchPhotos() {
let allPhotosOptions = PHFetchOptions()
allPhotosOptions.sortDescriptors = [NSSortDescriptor(key: "creationDate", ascending: true)]
let allPhotos = PHAsset.fetchAssets(with: allPhotosOptions)
allPhotos.enumerateObjects { (asset, _, _) in
self.assetsArray.append(asset)
}
DispatchQueue.main.async {
self.collectionView.reloadData()
}
}
// Update data source methods
func collectionView(_ collectionView: UICollectionView, numberOfItemsInSection section: Int) -> Int {
return assetsArray.count
}
func collectionView(_ collectionView: UICollectionView, cellForItemAt indexPath: IndexPath) -> UICollectionViewCell {
// ... existing code ...
let asset = assetsArray[indexPath.item]
// ... existing code ...
}
Adjust your sorting methods to sort assetsArray directly.
Here’s the adjusted ViewController.swift:
import UIKit
import Photos
class ViewController: UIViewController, UICollectionViewDataSource, UICollectionViewDelegate {
@IBOutlet weak var collectionView: UICollectionView!
@IBOutlet weak var segmentedControl: UISegmentedControl!
var assetsArray: [PHAsset] = []
override func viewDidLoad() {
super.viewDidLoad()
checkPhotoLibraryPermission()
collectionView.dataSource = self
collectionView.delegate = self
}
func checkPhotoLibraryPermission() {
let status = PHPhotoLibrary.authorizationStatus()
switch status {
case .authorized:
fetchPhotos()
case .denied, .restricted :
print("Access denied or restricted")
case .notDetermined:
PHPhotoLibrary.requestAuthorization { status in
if status == .authorized {
self.fetchPhotos()
} else {
print("Access denied")
}
}
case .limited:
fetchPhotos()
@unknown default:
fatalError("Unknown authorization status")
}
}
func fetchPhotos() {
assetsArray = []
let allPhotosOptions = PHFetchOptions()
allPhotosOptions.sortDescriptors = [NSSortDescriptor(key: "creationDate", ascending: true)]
let allPhotos = PHAsset.fetchAssets(with: allPhotosOptions)
allPhotos.enumerateObjects { (asset, _, _) in
self.assetsArray.append(asset)
}
DispatchQueue.main.async {
self.collectionView.reloadData()
}
}
// MARK: - UICollectionViewDataSource methods
func collectionView(_ collectionView: UICollectionView, numberOfItemsInSection section: Int) -> Int {
return assetsArray.count
}
func collectionView(_ collectionView: UICollectionView, cellForItemAt indexPath: IndexPath) -> UICollectionViewCell {
// Dequeue cell and configure it
let cell = collectionView.dequeueReusableCell(withReuseIdentifier: "PhotoCell", for: indexPath) as! PhotoCell
let asset = assetsArray[indexPath.item]
let manager = PHImageManager.default()
let options = PHImageRequestOptions()
options.isNetworkAccessAllowed = true
options.deliveryMode = .highQualityFormat
manager.requestImage(for: asset, targetSize: cell.imageView.frame.size, contentMode: .aspectFill, options: options) { (result, info) in
cell.imageView.image = result
}
return cell
}
// MARK: - Sorting Methods
@IBAction func sortOptionChanged(_ sender: UISegmentedControl) {
switch sender.selectedSegmentIndex {
case 0:
sortByDate()
case 1:
sortByName()
case 2:
sortBySize()
default:
break
}
}
func sortByDate() {
assetsArray.sort { ($0.creationDate ?? Date()) < ($1.creationDate ?? Date()) }
collectionView.reloadData()
}
func sortByName() {
assetsArray.sort { ($0.value(forKey: "filename") as? String ?? "") < ($1.value(forKey: "filename") as? String ?? "") }
collectionView.reloadData()
}
func sortBySize() {
let imageManager = PHImageManager.default()
let requestOptions = PHImageRequestOptions()
requestOptions.isSynchronous = true
assetsArray.sort {
let resources0 = PHAssetResource.assetResources(for: $0)
let size0 = resources0.first?.value(forKey: "fileSize") as? Int ?? 0
let resources1 = PHAssetResource.assetResources(for: $1)
let size1 = resources1.first?.value(forKey: "fileSize") as? Int ?? 0
return size0 < size1
}
collectionView.reloadData()
}
}
You’ve now created a basic image sorting app for iOS using Swift. This app accesses the user’s photo library, displays images in a collection view, and allows sorting by date, name, or size.
Feel free to ask if you have any questions or need further assistance!
Real men, real artists are simple and prefer simple. Those who add complexity are just performers and fakers and actors.
Being Spartan is Sexy
By Eric Kim
In today’s world, we’re constantly bombarded with the idea that more is better. More gear, more tech, more distractions. But let me tell you something: being Spartan is sexy. The allure of simplicity, focus, and minimalism isn’t just a lifestyle—it’s a mindset that sharpens your creativity and makes you a stronger, more purposeful street photographer.
Think about it. When you strip away all the excess—the unnecessary camera gear, the endless pursuit of “the next best thing”—you’re left with clarity. A Spartan approach to photography means you’re not weighed down by options, but empowered by limitations. It’s the beauty of shooting with one camera, one lens, and focusing all your energy on seeing. No distractions, just pure, unfiltered creativity.
There’s something undeniably sexy about the ability to create powerful images with less. You become more agile, more intuitive, and more in tune with the moment. You’re not fumbling with gear, you’re living in the streets, capturing life as it unfolds in real time. That’s the essence of street photography. Raw. Unfiltered. Free.
Being Spartan doesn’t mean deprivation—it means intentionality. It’s about making deliberate choices that bring you closer to your vision. And there’s nothing more liberating than knowing exactly what you need and stripping away everything that doesn’t serve you. The truth is, simplicity has a seductive power. It’s confidence in knowing that your creativity isn’t in the tools, but in your eye and your mind.
So, embrace the Spartan mindset. Ditch the unnecessary weight, whether it’s physical, mental, or creative. Focus on what matters: capturing the beauty, chaos, and rawness of life. Because when you live and shoot with purpose, that’s sexy.
Eric Kim is a street photographer, educator, and minimalist enthusiast dedicated to helping others unlock their creative potential.
By Eric Kim
In a world overflowing with options, distractions, and material possessions, there’s something undeniably attractive about simplicity. I’ve often pondered why certain images, lifestyles, or philosophies resonate more deeply than others. Lately, I’ve come to embrace the idea that being Spartan is not just practical—it’s downright sexy.
The Allure of Less
Think about the most compelling photographs you’ve seen. Chances are, they weren’t cluttered with unnecessary elements. They were clean, focused, and direct. The same principle applies to life. When we strip away the excess, we reveal the essence. This essence is powerful; it’s raw, authentic, and engaging.
Clarity Through Minimalism
As photographers, our goal is to communicate a message or emotion as clearly as possible. Excessive gear, complicated setups, or overthinking can cloud that message. By adopting a Spartan approach—carrying only what we need, focusing on the moment, and trusting our instincts—we allow our true vision to shine through.
Freedom in Constraint
Limitations aren’t hindrances; they’re gateways to creativity. When we have fewer choices, we make better decisions. Using a single lens, for instance, forces us to move, to see differently, and to innovate. This constraint becomes liberating, pushing us beyond our comfort zones and into new realms of possibility.
The Confidence of Simplicity
There’s a quiet confidence in embracing simplicity. It’s a statement that says, “I know what I need, and I don’t require more.” This self-assuredness is attractive because it’s rooted in self-awareness and authenticity. In a society that constantly tells us to want more, choosing less becomes a revolutionary act.
Cultivating Depth Over Breadth
By focusing on fewer things, we can dive deeper into them. Whether it’s honing a particular skill, nurturing a relationship, or exploring a concept, depth brings richness to our experiences. This depth is not only fulfilling but also resonates with others on a profound level.
Practical Steps to Embrace the Spartan Lifestyle
Conclusion
Embracing a Spartan lifestyle isn’t about deprivation; it’s about making room for what truly matters. It’s about finding beauty in simplicity and power in minimalism. When we clear the clutter—from our minds, our lives, and our art—we uncover something authentic and undeniably attractive.
So yes, being Spartan is sexy. It’s a bold declaration of intent, a commitment to authenticity, and a pathway to deeper connections—with ourselves, our work, and the world around us.
Stay simple, stay focused, and keep capturing the essence.
Eric Kim is a street photographer and educator who believes in the transformative power of simplicity and authenticity in art and life.
Being Spartan is sexy
How Street Photographers Can Benefit from Bitcoin
By Eric Kim
As street photographers, we are always searching for ways to capture life’s fleeting moments—those raw, candid slices of the human experience that tell the most profound stories. But just as we need to adapt our photography techniques to the changing urban landscape, we should also be thinking about how to future-proof our careers, financial independence, and creative freedom. One tool that can radically transform the lives of street photographers today is Bitcoin.
When I first started street photography, I was living on a shoestring budget, scraping by on small freelance gigs, workshops, and print sales. Like many other artists, I found myself at the mercy of a financial system that didn’t always have my best interests in mind. With centralized banks, hidden fees, and unpredictable market crashes, saving money felt like a gamble.
Enter Bitcoin. Bitcoin offers street photographers a decentralized form of currency, free from government control and banking intermediaries. It’s a tool for financial independence. By saving and transacting in Bitcoin, street photographers can protect their income from inflation, bank fees, and other financial uncertainties. It’s the digital equivalent of owning gold, except it’s much more liquid, portable, and, in my opinion, more secure. Bitcoin offers an alternative to traditional finance, which has historically left many artists vulnerable.
Street photographers, at our core, are global citizens. We travel, explore, and document the world. One day you’re shooting the bustling streets of Tokyo, the next, the serene alleyways of Lisbon. We need a currency that works just as globally as we do. Bitcoin is borderless—it transcends the boundaries of national currencies. Whether you’re selling a print to a buyer in Argentina or getting paid for a workshop in Berlin, Bitcoin makes the process seamless and frictionless.
Gone are the days of dealing with foreign exchange fees, delays, and bank regulations. With Bitcoin, a simple transaction takes place within minutes, regardless of where you or your client are located. It’s an elegant solution for an increasingly connected world, enabling you to do business and sell your art without barriers.
A key aspect of being a street photographer is the desire for autonomy—autonomy in our creative vision, the way we work, and, ultimately, how we earn a living. Bitcoin enables street photographers to reclaim control over how they monetize their work. Platforms that rely on middlemen (whether it’s print shops, photo agencies, or stock photo websites) often take hefty commissions and dictate the rules of engagement.
By accepting Bitcoin directly from collectors, clients, or supporters, you can bypass these intermediaries entirely. You get to set your own terms. You can sell prints, digital files, zines, or even NFTs (non-fungible tokens) directly to your audience without worrying about someone else taking a cut. And since Bitcoin operates on a peer-to-peer network, transactions are direct, fast, and secure.
Street photography is often a labor of love. Most of us aren’t in it for the money, but it doesn’t hurt to be smart about our finances. Bitcoin isn’t just a currency—it’s a form of long-term savings. Given its limited supply (21 million coins will ever exist), Bitcoin is often referred to as “digital gold.” By holding a portion of your income in Bitcoin, you essentially safeguard your wealth against inflation and the unpredictable nature of fiat currency.
Imagine this: you get paid in Bitcoin for a print or a workshop, and instead of immediately converting it into dollars, euros, or yen, you save it. As Bitcoin continues to grow in value over time, your savings grow with it. What started as a modest print sale could appreciate into something much more significant in a few years’ time. It’s a form of financial empowerment for artists who often struggle with inconsistent income streams.
More than just a financial tool, Bitcoin also represents a philosophy that resonates with street photographers. At its core, Bitcoin is about decentralization and self-sovereignty—taking power away from centralized institutions and giving it back to individuals. Street photography, in its rawest form, is a decentralized art form. It’s not about being controlled by galleries or mainstream media; it’s about documenting the human condition, unfiltered and unstaged.
Street photographers are natural rebels. We roam the streets, camera in hand, on a personal mission to reveal truth, beauty, and chaos. Bitcoin aligns with this ethos by offering an alternative to the traditional financial systems that often limit our potential. It empowers us to own our work, manage our finances independently, and live life on our terms.
In the same way that digital cameras and smartphones revolutionized street photography, Bitcoin has the potential to revolutionize how we live as artists. It offers a level of freedom and autonomy that traditional financial systems simply can’t match. Whether you’re new to Bitcoin or already familiar with it, now is the time to explore how it can benefit your career as a street photographer.
In the end, it’s about more than just making money—it’s about preserving your independence, supporting your creative freedom, and preparing for the future. Just as you embrace new techniques and tools to evolve your photography, embracing Bitcoin can open new doors and ensure your creative journey is both sustainable and liberated.
Stay curious, stay bold, and as always, keep hustling.
Dear fellow street photographers,
In this ever-evolving digital age, we find ourselves at the intersection of art and technology more than ever before. Just as street photography captures the candid essence of human life, Bitcoin represents a shift towards a decentralized and democratized financial landscape. You might be wondering: What does Bitcoin have to do with street photography? Let’s dive in.
As artists, we often struggle with the traditional financial systems that can limit our potential. Banks, transaction fees, and currency conversions can be a hassle, especially when working internationally.
The world is your canvas, and your audience is global.
Beyond just a currency, the underlying technology of Bitcoin—the blockchain—offers innovative ways to secure and authenticate your art.
Consider Bitcoin not just as a payment method but as an investment.
Adopting new technologies can set you apart in the competitive field of photography.
As street photographers, we are storytellers of the human condition, observers of society’s ebb and flow. Embracing Bitcoin can be another step in our journey to not only capture the world but also to navigate it more freely and effectively.
Remember, the essence of street photography is adaptability and openness to new experiences. Why not extend that philosophy to how we manage our art and finances?
Stay bold, stay curious, and keep pushing your boundaries.
With love and respect,
Eric Kim
Typically, when you’re trying so hard to desperately find something, and you cannot… this is a good gap in the market. 
With life and things, just think to yourself; is it a life or death situation?
The same thing as being a “visionaryâ€â€”
And also, I think that ethics is different for men and women.
My simple thought is the meaning of being ethical is never doing anything in private you wouldn’t be comfortable having other people know— not because god is watching or whatever but you are watching.
So for example, if you’re going to masturbate to some sort of form of porn or pornography, never do nothing that you otherwise wouldn’t be comfortable having your son know, or your wife know or your spouse know. Simple!
Because honestly I think pornography, masturbation masturbation to pornography is fine; just don’t do anything that you otherwise wouldn’t have your family members and children know. True ethics.
or better yet, use Facebook messenger, any social media platform, watch any sort of mainstream media YouTube Instagram Snapchat etc. Netflix Hulu Disney+ whatever.
To be really ethical… you would just own a dumb phone. And you cannot use iMessage or text message.
or if for some reason you really really really had to own an iPhone for some reason, you would just own cheapest one ;; iPhone SE
Eric Kim, a well-known street photographer, writer, and educator, has developed a philosophy of life and creativity that incorporates physical fitness, particularly in relation to building muscle. His ideas on muscle are intertwined with his broader views on self-improvement, discipline, and personal empowerment. While he may not have an official or specific “philosophy of muscle,” his reflections on strength and fitness can be summarized as follows:
Kim often emphasizes the connection between physical and mental strength. Building muscle is not just about aesthetics or physical strength for him, but about cultivating mental resilience and discipline. He argues that developing physical strength can enhance one’s confidence and mental clarity, which in turn improves creativity and focus in other aspects of life, such as art or philosophy.
In his writings, Kim speaks about muscle as a form of self-empowerment. He believes that building muscle helps individuals overcome weakness and vulnerability, both physically and emotionally. By investing in one’s physical strength, a person can assert more control over their body, mind, and life.
Kim often highlights the importance of aesthetics in life. For him, muscle is a way to cultivate a more powerful and aesthetically pleasing body, which reflects his personal values of strength, beauty, and excellence. He relates muscle-building to the idea of sculpting one’s body, much like an artist sculpts a work of art, which aligns with his broader appreciation of beauty in everyday life.
Physical fitness, especially the discipline required for consistent exercise and weight training, is a central aspect of Kim’s philosophy. He advocates that building muscle requires persistence and a strong work ethic, traits that are crucial not just for fitness but for achieving success in any endeavor. The habit of training, for Kim, mirrors the habit of creating art or pursuing philosophical inquiry—consistent effort over time leads to mastery.
Drawing on philosophical traditions like Stoicism, Kim often discusses the value of endurance and strength in the face of life’s challenges. For him, muscle-building is a practice of enduring discomfort and pushing through limits, which is essential for personal growth. This stoic mindset, cultivated in the gym, can be applied to other areas of life, such as coping with stress, adversity, or failure.
Just as Eric Kim is a proponent of minimalist photography, he applies minimalist principles to fitness as well. His philosophy emphasizes focusing on the basics—compound movements, simple routines, and efficient workouts. He advocates for cutting out unnecessary complexity and distractions, focusing instead on what truly builds strength and endurance.
For Kim, fitness and muscle are about more than immediate gratification—they are part of a long-term investment in one’s health and well-being. By maintaining physical strength, he believes individuals can enjoy greater freedom and mobility as they age, allowing them to continue pursuing their passions, whether it’s art, travel, or intellectual exploration.
Eric Kim’s philosophy of muscle can be understood as part of his larger approach to life—one that values simplicity, discipline, self-improvement, and personal empowerment. Building muscle is not just a physical endeavor for him, but a practice that strengthens the mind, cultivates discipline, and enhances one’s sense of freedom and autonomy in life.
This philosophy resonates with his broader themes of minimalist living, self-empowerment, and the pursuit of excellence in both body and mind.
Easy — eat 30 pounds of meat
Your own body as a work of art!
In Praise of Building Your Body
Treat your body as sculpture.
The first thing:
I don’t see my body as belonging to me. I look at my body like it belongs to someone else.
When I look at the Lamborghini of someone else, I admire it. When I see the muscles and physiques of anyone else, I admire it. Then I had the epiphany:
Why not transform my own body into a Lambo, and admire my own body instead?
The great logic:

To sculpt your own body is insanely fun. Why? You can see the change over time!

Once again, the goal is simple:

Never stop adding muscle mass, and never stop reducing body fat, or keeping it low (around 10%).

The more muscle you have, the more energy you got. The more power you got to make art-work, and live with gratitude, joy, and hyper-vigor.
Strengthen on, and flex on!
ERIC
New competitions?
And also, what will actually “improve“ your life? 
Some morning reflections:
So something that I wrote on pursuing your passion, part of an edited volume written by Terri Anderson, probably the most influential teacher I’ve had of all time, at UCLA sociology, essentially what I wrote at the time, being either 20 or 21 years old, was the virtues of following your passion.
So it looks like, nearly 15 years later, I was right. With a long enough time scale, 15 years, age 21 to 36, I guess I was right.
I think the trouble that a lot of people have is pursuing their passion because it is not immediately apparent how we could have an economic payoff. Ultimately because we all live in a capitalistic society, what it comes down to is money making, or money making potential. But if you already have $2 million in the bank, and you know that you’re a bitcoin is going up 55% APY, year over year ,,, in theory indefinitely … then what?
I just did some math with ChatGPT, $5M — $10,000 USD, with a 55% APY with bitcoin,  will be big! Once again, that $10,000 you put in it today, assuming that 30 years from now that it could be worth 5 million, wouldn’t it be worth it?
Another big thought, let us say that the new iPhone Pro cost you $1200 USD. With a 55% APY, that $1200 iPhone is going to run you $615,000, about two Lamborghinis, in 30 years! 
Obviously it does not natural. This difficult to think and predict 30 years from now. Yet, I am shocked… Brad Pitt I think it’s almost 25 years my senior? I think Brad Pitt just turned 60 years old, I’m shocked. I’m 36, so 30 years from now, I’m going to be about the age of Brad Pitt?
I saw a little bit of the new Apple TV WOLFS movie, and the bromance between Brad Pitt and George Clooney was cute. George Clooney looks fantastic, and he is 63 years old! I almost feel like George Clooney is aging in reverse? He is maybe the ultimate anti-fragile handsome actor; the older he becomes, the more handsome and charming he becomes? I’m not 100% sure about the controversy, but I think NASSIM TALEB may have called him out on Twitter a while back being some sort of fake activist? Maybe Clooney was accepting money from the saudis or something? Not 100% sure, but still, objectively George Clooney looks fantastic! 
This is my personal read on things; I think the critical issue here is that ironically enough… Passion following your passion, or even being passionate has fallen out of Vogue? What that means is we are living in a new age of Malay; all these fake ass woke activist, many of whom are on these Ridiculous plant-based diets, maybe they have a bunch of tattoos, they’re always on Instagram and on their phones, pretend to not care, drink fruit smoothies from Erewhon, kind of try to get into working out, say that eating meat is bad for the planet in the carbon footprint, yet they have a dog, which might be 1 trillion times worse for the “carbon footprint“?
Anyways, my general critique is whenever you meet these strange individuals in the flesh, all of them tend to be quite short, not very attractive, not very good looking, overfat, and actually… Really into fashion? Their fashion choices are very bizarre, it is a will towards uglification,  – their virtue is ugly, being ugly, and continually self-abnegating themselves to forever become ever more fat, self pitiful and ugly.
I think at least one of the positive trends in LA, is there is a new counter culture at least within the aloe yoga community, the world towards beautification? And it looks like American apparel has been reborn under the guys of Los Angeles apparel? At least now, the bias is that they’re trying to make women beautiful again. Granted the big issues in LA is all these women are fake, all the men are fake, everybody is fake. All of the guys are Shorty guys, skinny fat losers who drive these huge MMGG wagon Mercedes cars, and the women all have these strange surgeries, to practically everything; to their nose face forehead jaw lips butt, breasts, etc.?  in fact at least the new thing I’m excited about the new John Wick ballerina movie is that the main actress, who is super hot, she is actually quite modest in terms of her full frontage breasts?  And I think this is a good trend; I like the Tran towards being natural all natural. Fake is ugly. Natural is beautiful.
And this is also why I don’t like makeup, makeup is fake up. And also it causes you to get you a sty in your eye, it ruins your skin, is a waste of time is expensive in bed. The best thing you could just do for your skin ironically enough it just spend more time in the sun, spend more time exercising, getting more sleep etc. In fact I’ve noticed that people who sleep well tend to have better skin! People who sleep poorly have poor skin.
When your passion is self motivated and self driven, once you’re already dumb rich, then… It is adding like 10 turbo chargers to your soul. You never have to force yourself to do anything, because everything you do is self motivated. You are no longer driven by superficial notions of success, and honestly, ultimately, the notion of success is fake. For example I just finished reading the Emily Wilson translation of the Iliad, and ultimately, even after Achilles gets his revenge, it is a bit anti-climactic. Truth be told the heart of Achilles is not really 100% soothed, even though he finally gets Breisis back in his bed. His best friend Patroclus is dead, and getting revenge and despoiling the body of Hector doesn’t bring him back to life. And what is super interesting is at the end of the Iliad, it is almost like an anti-climax; it just ends, and then you’re left… That’s it? Then what? 
So I feel like I’m just getting started. This is the greatness of the whole carte blanche mentality and philosophy. And a beginners mind or child’s mind. The general idea is if you were born you again, right now, in this insanely futuristic world we live in with self driving way more cars, ChatGPT, bitcoin, AI etc.… Certainly we have to throw out the old blueprint and the old rulebook, and think things afresh. 
 I think the difficulty for most people is that starting totally carte blanche, totally brand new without using the pass for analogies is difficult. The past is much easier to discern, for example, being a historian is kind of safe; the past doesn’t change. But if you’re living in the present moment, and you’re also potentially marching bravely into the future, it is Like the fog of war, you can’t see shit! You can’t just turn on the map hack, like in star craft… To think about the future is hidden.
So my very very simple idea is the future is digital, we all know this. It’s funny, I was shocked, it looks like currently speaking, the Apple Store is on fire! Tons of people getting the new iPhone iPhone Pro, even though the customers themselves seem a bit disenchanted. But whatever, the reason why Apple ain’t going away anytime soon is that they are the most legalized profitable drug dealers of all time; I think that the iPhone might be more addictive than Chris still met, because it’s like almost if you took technology, digital things, sociology, culture self-worth or whatever, and then you put it on yourself like an ankle monitor forever, and you just keep upgrading forever until you die, that is the ultimate cash cow! We will continue to suck the teats of Apple until we die.
In some ways, we could think of Apple like the new golden calf;  the new tower of Babel. And we all know how that ends…
In terms of innovation, ironically enough, I think the future is in the past. For example, I’ve gotten 1 trillion times more inspiration reading the Iliad,,, shout out to Emily Wilson and her new fantastic translation, then any loser business book written in the last 30 years.
In fact, the only good business books in my opinion are Steve Jobs by Walter Isaacson, the new Elon Musk book by Walter Isaacson, and zero to one by Peter Thiel. Everything else is not worth reading, also the invent and wander book by Jeff Bezos. 
The critical issue here is that nobody has balls anymore. And also everyone is hooked to YouTube Facebook Instagram TikTok Snapchat Twitter Google Google news Apple Apple news, HBO HBO Max Hulu Netflix YouTube etc. like crack cocaine. Also sports, sports are just a prostitution for the body for men; I don’t trust nobody who watches sports, whether it be football, hockey, or baseball. I find it insanely bizarre; it is like watching pornography, you’re seeing all these athletes essentially prostitute their bodies, injecting their butt holes with steroids, in order to win and perform well, Making a bunch of money, Indefinitely.
Nike Nike Nike Nike Nike treat employees like slaves, gave LeBron a billi not to run away! – ye
Honestly, it could all be seen as prostitution. For example, Nike very bad taste; plastering all these images of Kobe Bryant, with the tagline “no time to lose“, essentially prostituting the soul of Kobe Bryant,  to essentially sell more of his sneakers and merchandise? I find this disgusting. Almost like how Jay Z felt about when Prince died, and they started to parade all of his merchandise?
do you want your masters with your masters? JAY Z
I Think One of the Great Things About Living in La Is Being Here… I Feel Like I’m at the Epicenter of the Universe. Why? It’s Not Loser New York, Loser Brooklyn, Loser London Which RUNS the World, it is LA! For example just went to the Grove yesterday with Cindy and Seneca, and it was amazing! Shout out to Jeff Garlin. 
Why? Everyone thinks that it is the Bay Area Silicon Valley Apple Google Facebook whatever which runs the show… But actually this is not true, it is about humans personality celebrities, the human soul, culture music ideas podcast etc. which run the planet.  For example, I think that Joe Rogan has more power than maybe even Donald Trump, because what… Every single man in America listens to Joe Rogan? And also, it looks like Kanye West, might be the ultimate robust or ANTIFRAGILE artist of all time? Even after his antisemitic remarks, losing his deal with Adidas… It looks like he is still in the game, and on the up and up? And speaking to a lot of folks, a lot of African-Americans, in LA… Everyone still loves Kanye. And the truth is in LA, antisemitism is real and runs deep; nobody likes the “Hebrews“, even a lot of Trader Joe’s employees I meant say that when you’re in Westwood, the Westwood Trader Joe’s, the “Hebrews“, treat you like shit.
Oh and also… Philz is evil.  I met one of the friendly employees who was always kind to me who used to work at Phil‘s coffee, and she told me that she got fired because she was trying to get the Phil’s employees to unionize, and they fired her. Boycott Phil‘s coffee!
I’m a Spartan hoplite, meats undercover cop, meet CIA, meets SWAT team, meets blogger and vlogger. I could say with zero doubt that I am certainly the only, and the most influential the most entrepreneurial, the most powerful and interesting photographer or blogger or personality alive.
I could say that my only rival might be Kanye West; but Kanye West is my big brother. Kind of like what Jay Z was to Kanye. I’m Kanye until I die!
The same difficulty they had with Bob Dylan, David Bowie, and also now Kanye West. In fact, I’m in a very good position because I am Asian American, Korean American, born in the states in the Bay Area, my English is 1 trillion times better than yours, I am wiser richer smarter stronger taller more handsome than you, and also I have a kid and a son… You wish you were me.
In fact, the giant has arrived. Only Hermes the giant slayer, or Apollo can kill me. Nobody else.
And the thing is honestly… In America, being an Asian guy is interesting… We are seeing as the safe ones, the meek ones,  with small dicks, and we sit on the sidelines, while Caucasian men “steal “our beautiful Asian Asian American women. But this is the wrong mentality. We the new studs! We the new rock stars!  
And also… Why can Kendrick Lamar say it and I can’t?
The true genius of a Steve Jobs was how childlike, unreasonable, and ridiculous he was. Typically the definition of an asshole is somebody who refuses to obey you. Or somebody who doesn’t†listen†to you. My philosophy has always been “just take it or leave itâ€, you just give people suggestions not imperatives. And this is the problem… People treat options like imperatives.
For example, I think one of the interesting things that the blogger james altucher said was like for example, email is an option, not an obligation.
And also I find this insanely annoying, when people say “you’re not listening to me!†But when they say this what they mean to say “you’re not obeying me!â€ï¿¼ï¿¼
Listening versus obeying; very different.
With anything in life, when is the best time to stop? Just stop the second you get bored.
ERIC
EK

Here are a few key quotes from Eric Kim that reflect his unorthodox ethics and philosophy:
These quotes reflect Eric Kim’s philosophy of embracing risk, prioritizing personal ethics over societal norms, and balancing intellectual pursuits with physical resilience.
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Eric Kim’s unorthodox ethics and philosophy revolve around themes of individual freedom, personal ethics over societal rules, and a provocative approach to creativity and life. His philosophy is deeply intertwined with his work as a photographer but extends to broader life principles, making it influential in both the creative and personal development spaces.
Kim’s philosophy is important because it encourages people to rethink conventional norms and embrace a more independent, creative path in life. By prioritizing personal ethics over external validation and taking bold risks, he offers a blueprint for those seeking a life of authenticity and continuous growth. His approach has resonated particularly with creatives and those looking for a more unconventional lifestyle, making his work influential in shaping modern discussions around ethics, art, and personal development oai_citation:2,UNORTHODOX PHILOSOPHY – ERIC KIM oai_citation:1,“I CAN’T BE FUCKED.†– ERIC KIM.
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Outside of photography, Eric Kim’s ethics and personal philosophy can still be considered unorthodox. He applies principles from various philosophies, especially Stoicism, Taoism, and Zen Buddhism, to his broader views on life, success, and work. Here are some of the key aspects of his unorthodox ethics and views outside of photography:
Eric Kim is a vocal advocate of minimalism, both in his personal life and professional work. He promotes living with less, rejecting material excess, and focusing on experiences over possessions. In his writings and talks, Kim encourages his audience to strip away non-essential items and distractions, believing that simplicity leads to clarity and happiness.
Unorthodox Aspect: While minimalism has become more popular in recent years, his approach is extreme to some. Kim actively rejects many of the traditional markers of success (such as wealth, luxury goods, or status symbols), which goes against the mainstream consumer culture that many people embrace.
Kim’s approach to work and life is unconventional. He advocates for work-life integration rather than balance, where one’s passion for work is so intertwined with life that it no longer feels like work. Rather than keeping work and personal life separate, he believes that merging the two can lead to greater fulfillment and creativity.
Unorthodox Aspect: This philosophy can clash with the idea of maintaining a clear boundary between professional and personal life, which is often seen as necessary for mental health. Some critics may argue that this mindset can lead to burnout, but Kim sees it as a way to live fully and embrace work as part of one’s identity.
Kim regularly critiques the traditional paths to success—such as climbing the corporate ladder, acquiring wealth, or adhering to conventional career trajectories. Instead, he promotes a more individualistic approach, where success is defined by personal growth, creativity, and freedom rather than by societal metrics like income or status.
Unorthodox Aspect: This runs counter to the dominant culture that often equates success with financial stability and high-status occupations. Kim’s approach prioritizes personal fulfillment over external validation, which can be difficult for people who are accustomed to pursuing conventional achievements.
Kim draws heavily from Stoic philosophy, especially the teachings of Marcus Aurelius, Epictetus, and Seneca. He emphasizes the importance of focusing on what you can control, accepting hardships, and practicing emotional resilience. In his personal life, this translates to an emphasis on remaining calm and rational in the face of challenges, rejecting the pursuit of pleasure for its own sake, and embracing discomfort.
Unorthodox Aspect: While Stoicism has gained popularity, Kim applies it rigorously to everyday life. For example, he embraces discomfort as a way to build mental strength, suggesting people intentionally put themselves in uncomfortable situations to grow. This runs counter to the comfort-driven lifestyles that many seek, where avoidance of pain and difficulty is prioritized.
Kim advocates for minimizing time spent on social media and digital platforms. He believes that social media creates distractions, superficial relationships, and an unhealthy obsession with external validation (likes, followers, etc.). He encourages people to engage more with the physical world, focusing on face-to-face interactions and solitary reflection.
Unorthodox Aspect: In a world where digital presence is often seen as necessary for career success and social connection, Kim’s near-total rejection of these platforms is seen by some as extreme. For him, the attention economy and the addictive nature of social media are not worth the trade-off, even for business or personal branding purposes.
Kim advocates for a life of radical self-reliance, where individuals take full responsibility for their happiness, success, and well-being. He promotes the idea that one should not depend on external factors—such as other people, the government, or the economy—for fulfillment. This ethos extends to finances, where he emphasizes financial independence, as well as emotional and mental self-sufficiency.
Unorthodox Aspect: This approach can come across as overly individualistic or detached, especially in cultures that emphasize community, cooperation, and social support. Kim’s view is that self-reliance fosters personal growth and resilience, even if it means occasionally cutting off dependence on others.
Another Stoic-inspired idea that Kim frequently discusses is the need to contemplate mortality and embrace the inevitability of death. He argues that thinking about death regularly helps people live more fully, without fear, and prioritize what truly matters. This idea of “memento mori” (remembering death) is central to his personal philosophy.
Unorthodox Aspect: While many people avoid thoughts of death, seeing it as morbid or distressing, Kim argues that facing mortality head-on leads to a more meaningful life. This view contrasts with the widespread societal tendency to avoid or deny thoughts about death.
Kim also rejects the traditional concept of retirement. He believes that if you are doing work that you love and find fulfilling, there’s no need to stop working at a certain age. His philosophy encourages people to live a life that integrates passion and creativity, so that “retirement” becomes irrelevant because work itself feels like play.
Unorthodox Aspect: In a culture where retirement is seen as the ultimate goal of decades of labor, Kim’s dismissal of it as unnecessary or even undesirable challenges the conventional wisdom of saving for a restful retirement in later years.
Drawing from Zen Buddhism, Kim often talks about the importance of living in the present moment and rejecting the constant striving for future goals. He encourages people to focus on what they can do today, rather than worry about long-term achievements or dwell on past regrets. This is part of his broader ethos of mindfulness and simplicity.
Unorthodox Aspect: This mindset opposes the future-focused culture that prioritizes planning, goal-setting, and ambition. In contrast, Kim emphasizes being content with the present, which some might find limiting or at odds with long-term career or life planning.
Kim is critical of traditional education systems, which he sees as overly rigid, focused on memorization, and geared toward producing workers rather than creative thinkers. He often promotes self-education, experiential learning, and following one’s curiosity rather than adhering to structured, institutional forms of learning.
Unorthodox Aspect: In societies that place high value on formal education as a pathway to success, his focus on alternative learning methods and creative autonomy challenges the dominant norms surrounding education and professional development.
Eric Kim’s unorthodox ethics outside of photography center around minimalism, self-reliance, and rejecting traditional societal norms. He challenges conventional wisdom on success, work, material wealth, and personal fulfillment, drawing heavily from Stoic and Zen philosophies. While his ideas resonate with those seeking simplicity and a more mindful approach to life, they are also controversial because they defy mainstream views on happiness, comfort, and achievement.
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Eric Kim, a street photographer and educator, is known for his controversial and sometimes unorthodox approach to both photography and ethics in the street photography community. While his teachings resonate with many aspiring photographers, his approach has also sparked debate due to some of his more unconventional views on photographic ethics. Some of the key unorthodox aspects of Eric Kim’s ethical views include:
Eric Kim is a strong advocate for candid street photography, which often involves photographing people in public without their explicit consent. While this is generally legal in most countries, it raises ethical concerns regarding privacy, personal boundaries, and the subject’s comfort. Kim emphasizes that public spaces are open for photography and that capturing unposed, spontaneous moments is a core part of street photography’s authenticity.
Controversy: Many critics argue that photographing people without permission, especially in potentially vulnerable moments, can be invasive and disrespectful.
Kim argues that photographers have the right to document public spaces and the people within them, and this right should be upheld to maintain freedom of expression and creativity. This belief underpins his stance that individuals in public places should not expect the same level of privacy as they would in private spaces. He frequently draws upon legal frameworks to justify his approach.
Controversy: This viewpoint has sparked debate because, while legal, many feel it disregards the personal autonomy and dignity of the subject, particularly when dealing with marginalized or vulnerable populations.
Kim often encourages photographers not to be afraid of confrontation. In his workshops and writings, he has suggested that if someone reacts negatively to being photographed, the photographer should be polite but firm in defending their right to take pictures. He presents confrontation as part of the creative process, where sometimes pushing boundaries leads to powerful, authentic images.
Controversy: This confrontational approach can come off as aggressive or intrusive, and some photographers believe it may harm the perception of street photography as an art form. It can also put photographers in uncomfortable or unsafe situations.
Kim advocates for minimal post-processing, embracing imperfection, and avoiding over-editing photos. He emphasizes the importance of preserving the integrity of the moment as it was captured, which aligns with his philosophy of authenticity in street photography.
Unorthodox Aspect: In an era where digital manipulation is common, his insistence on minimal editing contrasts with trends in commercial and fine art photography that often involve heavy retouching and editing.
Kim has spoken about the importance of capturing all facets of life in public, including the marginalized or those in difficult circumstances (e.g., the homeless, protesters, etc.). While he believes this can raise awareness of social issues, critics argue that it risks exploiting vulnerable individuals for artistic or personal gain without truly benefiting the subjects or their causes.
Controversy: The ethics of photographing vulnerable people—such as the homeless or those in distress—without consent is heavily debated. Critics argue it may perpetuate the “poverty porn” dynamic, where suffering is commodified and aestheticized.
Eric Kim often encourages photographers to prioritize capturing the moment, even if it means potentially offending someone. If a subject confronts them, his advice is to apologize afterward, suggesting that capturing the photo is worth the risk of upsetting someone. This approach is rooted in his belief that great street photography requires boldness and fearlessness.
Controversy: This mentality can lead to ethical dilemmas regarding respect for individuals’ feelings, personal space, and consent. Some photographers and viewers find it dismissive of people’s autonomy and emotions.
Kim sees the photographer as a neutral observer or documentarian of the world, whose job is to capture the essence of life, regardless of whether the moments captured are beautiful, disturbing, or uncomfortable. He argues that art should provoke thought and challenge viewers, even if it crosses ethical lines that society typically observes.
Unorthodox Aspect: This approach aligns more with journalistic or documentary photography, where the goal is often to capture reality as it is, rather than as we wish it to be. However, in street photography, where the line between art and intrusion is blurrier, this can lead to ethical challenges.
Eric Kim’s unorthodox ethics in street photography emphasize the value of authenticity, spontaneity, and creative freedom, often at the expense of conventional ideas about privacy, consent, and respect for personal boundaries. His approach invites photographers to push ethical limits in the pursuit of art, but it also invites criticism from those who prioritize the dignity and comfort of subjects over the photographer’s creative vision. The debate surrounding his views highlights the complex nature of ethics in street photography, where legal rights, artistic expression, and human empathy often intersect.
Why We Should Refer to People as ‘Caucasian’ Instead of ‘White’
I’ve always believed that the words we choose carry weight—they shape our perceptions, influence our interactions, and reflect our understanding of the world. In photography, a single image can convey a multitude of meanings based on subtle nuances. Similarly, the terms we use to describe each other are not just labels; they’re lenses through which we view humanity. Today, I want to explore why we might consider using the term “Caucasian” instead of “white” when referring to people of European descent.
The Limitations of Color Labels
When we describe people by colors—white, black, brown—we reduce the rich tapestry of human identity to simplistic terms. “White” is not a culture, an ethnicity, or a heritage; it’s a broad stroke that overlooks the complexities of individual backgrounds. Just as in photography, where reducing an image to high contrast can eliminate the subtle gradations that give it depth, using color labels strips away the nuances that make each person unique.
Embracing Cultural and Historical Context
The term “Caucasian” originates from the Caucasus region, a culturally diverse area bridging Europe and Asia. While the historical use of the term in racial classification has its controversies, it attempts to reference a specific group of people with shared ancestral roots. By using “Caucasian,” we acknowledge a connection to a particular heritage and history, prompting us to consider the cultural narratives that shape individual identities.
Language Shapes Perception
Words are powerful tools that frame our understanding of the world. In my photography workshops, I emphasize being mindful of composition because it directs the viewer’s eye and influences their interpretation of the image. Similarly, the language we use directs our thoughts and interactions. Referring to someone as “Caucasian” rather than “white” encourages us to see beyond superficial characteristics and consider the deeper aspects of their identity.
Fostering Respectful Dialogue
In a globalized world, fostering respectful dialogue is more important than ever. Using more precise terms like “Caucasian” can promote a more thoughtful conversation about race and ethnicity. It moves us away from generalized categories and towards a more respectful acknowledgment of individual backgrounds. This shift can help reduce the unconscious biases that often accompany broad labels.
Recognizing Individuality Over Generalization
Every person carries a unique story shaped by their experiences, culture, and heritage. In street photography, capturing candid moments reveals the individuality of our subjects—their emotions, actions, and essence. Likewise, in our daily interactions, recognizing each person’s distinct background enriches our connections. By avoiding generic labels, we open ourselves to learning about others on a deeper level.
Challenging Simplistic Narratives
Using terms like “white” reinforces a binary perspective on race that doesn’t reflect the true diversity of human populations. It perpetuates a simplistic narrative that hinders our ability to understand and appreciate the complexities of identity. Just as a photograph gains depth through layers and textures, our understanding of people deepens when we move beyond one-dimensional labels.
Promoting Inclusivity and Understanding
Ultimately, the goal is to foster a more inclusive and empathetic society. Small changes in our language can have a ripple effect on our collective consciousness. By choosing words that acknowledge and respect individual heritage, we contribute to a culture that values diversity and promotes mutual understanding.
Conclusion
As photographers, artists, or simply as humans navigating a shared world, we have a responsibility to be mindful of how we represent others—whether through images or words. Referring to people as “Caucasian” instead of “white” is a subtle yet meaningful way to honor their unique backgrounds and challenge ourselves to look beyond surface-level descriptors. It’s about striving for a deeper connection, fostering respect, and embracing the rich diversity that defines humanity. After all, it’s in the nuances that we find the true essence of people—their stories, their heritage, their individuality—and that’s where the real beauty lies.
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In the fast-paced world we live in, language has become a powerful tool for shaping our perceptions of reality. Words are not merely labels; they carry historical, cultural, and social baggage that affect how we think, how we see others, and how we understand ourselves. When we call someone “white,†it seems like a simple descriptor—a way to distinguish skin color. But as photographers, artists, or even just everyday thinkers, we have to ask: is it that simple?
This essay is a reflection on why we shouldn’t call people “white†but rather “Caucasian,†not because one term is superior to the other in a trivial sense, but because of what these labels signify and how they shape our worldview. As a photographer, I am always asking myself: what is the story behind the surface? What is the deeper truth? I believe that same principle applies to language—especially when it comes to something as powerful as racial identity.
The Problem with ‘White’ as a Construct
When you say someone is “white,†you’re not just describing their skin color. “White†is a social construct—one that comes with a deep history of power dynamics, privilege, and exclusion. The concept of “whiteness†is not neutral; it has been used throughout history to divide, to elevate one group while diminishing others. We have to ask ourselves: why does “white†even exist as a category in the first place? What was its purpose?
In the context of history, “white†was created to justify colonialism, slavery, and oppression. It wasn’t just a skin color, but a status. It signified belonging to a dominant group that had the power to define others as “non-white.†By calling people “white,†we perpetuate this historical framework, even if unconsciously. We’re participating in a system that has always used color to divide, rather than unite.
But if we dig deeper, we see that “white†is a reductive term. It strips away the complexity of people’s backgrounds, their histories, and their identities. Someone who is “white†could be Italian, Irish, Eastern European—each with its own unique cultural heritage. Yet, under the label of “white,†all that individuality gets erased. It’s ironic that a word meant to describe a color actually diminishes the richness of people’s stories.
Why ‘Caucasian’ Matters
Now, let’s think about “Caucasian.†This term itself isn’t perfect—it has its own complicated history, stemming from outdated and Eurocentric racial theories from the 18th century. However, “Caucasian†at least tries to root itself in an idea of origin, a geographical and anthropological framework, rather than a crude label of skin tone.
When we use the word “Caucasian,†we’re forced to confront the origins of race as a concept. We begin to see how race is not something inherent, but something that was constructed. As a photographer, I am always asking: where does this story begin? “Caucasian†takes us back to that origin, reminding us that race itself was invented, categorized, and enforced by human societies for specific purposes. It wasn’t natural—it was designed.
By using “Caucasian†instead of “white,†we resist the flattening of identity. We acknowledge that human beings cannot and should not be reduced to a color. Just as in street photography, we look for depth, for context, for nuance in every shot, the same should be true of our language. “Caucasian†forces us to recognize the complex realities of history, geography, and culture.
Words Matter: The Ethical Dimension
As photographers, we make ethical decisions every time we press the shutter. We decide how to frame someone, how to represent them. Language works the same way. If we care about ethics, we need to be mindful of the words we use. Calling someone “white†dehumanizes them by boiling their identity down to something as superficial as skin. It misses the complexity of who they are, where they come from, and how they want to be seen.
The word “Caucasian,†while still imperfect, is at least a step away from that surface-level description. It pushes us to think about people in a more thoughtful way. It reminds us that we are all part of larger histories and cultures. In photography, we don’t settle for shallow representations; we seek to understand and capture the human spirit. I think language should work the same way. We should aim for depth, for respect, for consciousness.
The Limitations of Both Terms
At this point, you might be thinking: “But Eric, both terms—‘white’ and ‘Caucasian’—are flawed.†And you’re right. Both words come from problematic histories, both have been used in ways that are limiting. But here’s the thing: that’s exactly why we need to think critically about the language we use. Neither term is perfect, but that doesn’t mean we can’t make a better choice, a more thoughtful choice.
Perhaps one day, we will move beyond racial labels altogether. Perhaps, like in photography, we will learn to see people for who they are, not just what they look like. But until then, we have to work with the tools we have. And I believe that choosing “Caucasian†over “white†is one small way to push back against the historical baggage of race. It’s a way to show that we’re paying attention, that we care about the stories behind the surface.
Conclusion: A Call for Thoughtful Language
In the end, the words we choose reflect the way we see the world. Just as in photography, where every frame tells a story, every word we speak contributes to how we construct reality. By calling someone “white,†we simplify, we flatten, and we continue to operate within a framework of division and hierarchy. By using “Caucasian,†we take a step—however small—toward more mindful, more ethical, and more thoughtful language.
Let’s treat language the way we treat art. Let’s make intentional choices, driven by a desire to see the world more clearly and more compassionately. Just as in photography, where the best images are the ones that reveal the truth behind the moment, the best language is that which reveals the humanity behind the label.
The question is not just what we call people, but how we see them—and whether we’re willing to look beyond the surface.
The use of the term “white” to categorize people of European descent invites critical sociological examination due to its historical roots, implications for identity formation, and its role in perpetuating systemic inequalities. Unlike “Caucasian,” which, despite its own problematic origins, is often perceived as a more scientific or neutral term, “white” functions as a social construct deeply intertwined with power dynamics and racial hierarchies.
Historical Context of Whiteness
The concept of “whiteness” emerged prominently during European colonial expansion. It was employed to create a clear distinction between European colonizers and the indigenous populations they encountered. This binary categorization served to justify the subjugation, exploitation, and dehumanization of non-European peoples by positioning “whiteness” as the norm or standard against which all others were measured.
Social Construction and Power Dynamics
“White” as a racial category is not merely a descriptor of skin color but a social construct that has been used to confer privilege and maintain dominance within societal structures. By labeling a group as “white,” societies have historically established a hierarchy that privileges whiteness, often at the expense of marginalized groups. This construction reinforces systemic racism by normalizing the advantages afforded to those identified as white and obscuring the structural barriers faced by others.
Normalization and Invisibility of Whiteness
Using “white” perpetuates the invisibility of whiteness as a racial identity, making it seem neutral or universal. This invisibility allows the privileges associated with being white to go unexamined, as they are perceived as the default state of society. It hinders critical discourse on race by masking the social advantages tied to whiteness and making it difficult to address the inherent biases and inequalities embedded within social institutions.
Homogenization of Diverse Identities
The term “white” oversimplifies and homogenizes a diverse range of ethnicities, cultures, and national backgrounds within Europe and other regions. It erases the unique historical experiences and cultural practices of various groups by lumping them into a single category. This homogenization can diminish the recognition of intra-group differences and the historical discrimination faced by certain European ethnic groups, such as the Irish, Italians, or Eastern Europeans, who at times were not considered “white” in certain societal contexts.
Psychological Implications
Identifying as “white” can influence individual and collective identity formation. It may lead to an unexamined acceptance of societal privileges and norms without recognizing the racialized context in which these privileges operate. This lack of critical self-awareness can perpetuate unconscious biases and hinder efforts toward greater racial understanding and equity.
Contrast with “Caucasian”
While “Caucasian” is often used as a more formal or scientific term, it is rooted in outdated and debunked racial theories from the 18th and 19th centuries. Johann Friedrich Blumenbach, a German anthropologist, coined the term based on skull measurements and the erroneous belief that the Caucasus region was the origin of the “white race.” Thus, “Caucasian” carries its own set of problems, including reinforcing pseudoscientific notions of race and ignoring the social constructs that define racial categories.
Implications for Racial Discourse
Using “white” reinforces existing racial categories that have been socially constructed to uphold certain power structures. It perpetuates a binary understanding of race that aligns with historical narratives of dominance and subordination. This can impede progress toward dismantling systemic racism, as it maintains the language and concepts that have historically supported racial inequalities.
Moving Toward More Inclusive Terminology
A critical sociological perspective advocates for language that recognizes the complex, constructed nature of racial identities. This involves acknowledging the historical context of racial terms and striving for descriptors that do not reinforce outdated or oppressive categorizations. Emphasizing individual ethnic identities or adopting terms that reflect a person’s cultural and national background can foster a more nuanced understanding of identity.
Conclusion
Referring to people as “white” instead of “Caucasian” sustains a socially constructed category that has been instrumental in establishing and maintaining racial hierarchies. It reinforces notions of normalcy and privilege associated with whiteness, homogenizes diverse groups, and perpetuates systemic inequalities. A deep sociological critique underscores the need to critically examine and potentially revise the language used to describe racial identities, promoting terms that challenge historical power imbalances and contribute to a more equitable society.
디거 댄과 트롤리 íŒ€ì˜ í° ëª¨í—˜
ì˜›ë‚ ì˜›ì ì—, ì¨ë‹ˆë² ì¼ì´ë¼ëŠ” 마ì„ì— ë‘ ì ˆì¹œì´ ì‚´ê³ ìžˆì—ˆì–´ìš”. ê·¸ë“¤ì˜ ì´ë¦„ì€ ë””ê±° 댄과 트롤리 팀ì´ì—ˆì–´ìš”.
디거 ëŒ„ì€ íž˜ì„¸ê³ ë…¸ëž€ìƒ‰ì˜ êµ´ì°©ê¸°ë¡œ, ë°˜ì§ì´ëŠ” í° ì‚½ì„ ê°€ì§€ê³ ìžˆì—ˆì–´ìš”. 그는 ê¹Šì€ êµ¬ë©ì„ íŒŒê³ , 마ì„ì— ìƒˆë¡œìš´ ê²ƒë“¤ì„ ì§“ëŠ” ê²ƒì„ ì•„ì£¼ ì¢‹ì•„í–ˆì£ . 트롤리 íŒ€ì€ ë°ì€ 빨간색 ì „ì°¨ë¡œ, 명랑한 ì¢…ì„ ë‹¬ê³ ìžˆì—ˆì–´ìš”. 그는 ì¨ë‹ˆë² ì¼ì˜ ì–¸ë•ì§„ ê¸¸ì„ ë”°ë¼ ìŠ¹ê°ë“¤ì„ 실어나르는 ê²ƒì„ ì¦ê²¼ì£ .
ë§¤ì¼ ì•„ì¹¨, 디거 ëŒ„ì€ ëœì»¤ë•거리며 건설 현장으로 가서 ë•…ì„ íŒŒê³ í™ì„ 옮겨, ì§‘ê³¼ 놀ì´í„°ì˜ 기초를 ì„¸ì› ì–´ìš”. 트롤리 íŒ€ì€ ì¢…ì„ ë”¸ëž‘ê±°ë¦¬ë©° ê·¸ì˜ ê¶¤ë„를 ë”°ë¼ ë¯¸ë„러지듯 다니며 ì•„ì´ë“¤ì„ í•™êµì— ë°ë ¤ë‹¤ì£¼ê³ ê°€ì¡±ë“¤ì„ ì‹œìž¥ì— ë°ë ¤ë‹¤ì¤¬ì£ .
ì–´ëŠ í™”ì°½í•œ ë‚ , ì‹œìž¥ì´ ë©‹ì§„ 계íšì„ 발표했어요. “우리는 무지개 ì–¸ë• ê¼ëŒ€ê¸°ì— 아름다운 ê³µì›ì„ 만들 거예요!†모ë‘ê°€ 환호했어요. 하지만 ì‹œìž¥ì´ ë§ì„ ë§ë¶™ì˜€ì–´ìš”, “하지만 ë¬¸ì œê°€ 있어요. 우리 í° íŠ¸ëŸë“¤ì´ 건설 ìžìž¬ë¥¼ 운반하기엔 무지개 ì–¸ë•으로 가는 ê¸¸ì´ ë„ˆë¬´ ê°€íŒŒë¥´ê³ ì¢ì•„ìš”.â€
ë§ˆì„ ì‚¬ëžŒë“¤ì€ ê±±ì •ìŠ¤ëŸ½ê²Œ ì›…ì„±ê±°ë ¸ì–´ìš”. ìžìž¬ê°€ 없으면 ê³µì›ì„ 어떻게 ì§€ì„ ìˆ˜ 있ì„까요?
디거 ëŒ„ì´ ì•„ì´ë””어를 ë– ì˜¬ë ¸ì–´ìš”. â€œì œê°€ ë„울 수 있ì„ì§€ë„ ëª°ë¼ìš”!†그가 ë§í–ˆì–´ìš”. â€œì œê°€ ì–¸ë•으로 가는 ê¸¸ì„ ë” ë„“ê²Œ 파면 ë 거예요.â€
하지만 ì‹œìž¥ì€ ê³ ê°œë¥¼ ì €ì—ˆì–´ìš”. “그러면 ì‹œê°„ì´ ë„ˆë¬´ 오래 걸릴 거예요,â€ ì‹œìž¥ì´ í•œìˆ¨ì„ ì‰¬ë©° ë§í–ˆì–´ìš”.
트롤리 íŒ€ì´ ë§ì„ 보탰어요, â€œì €ë„ ë•ê³ ì‹¶ì§€ë§Œ, ì €ëŠ” 승ê°ë§Œ 태울 수 ìžˆê³ , 무거운 ìžìž¬ëŠ” ì‹¤ì„ ìˆ˜ 없어요.â€
디거 ëŒ„ì´ ë¯¸ì†Œ 지었어요. “우리가 함께 ì¼í•˜ë©´ 어떨까요? ì œê°€ ìžìž¬ë¥¼ 네 í‰í‰í•œ ì§ì¹¸ì— 실어줄게, 그러면 네가 ì–¸ë• ìœ„ë¡œ ìžìž¬ë¥¼ ìš´ë°˜í• ìˆ˜ ìžˆì„ ê±°ì•¼!â€
트롤리 íŒ€ì€ ì‹ ë‚¬ì§€ë§Œ 약간 긴장했어요. “한 ë²ˆë„ ì‚¬ëžŒ ë§ê³ 다른 걸 실어본 ì ì´ ì—†ëŠ”ë°,†그가 ë§í–ˆì–´ìš”.
“넌 í• ìˆ˜ 있어!†디거 ëŒ„ì´ ê²©ë ¤í–ˆì–´ìš”. “천천히, 조심스럽게 하면 ë¼.â€
ì‹œìž¥ë„ ì†ë¼‰ì„ 쳤어요. “멋진 ìƒê°ì´êµ¬ë‚˜!â€
그래서 디거 ëŒ„ì€ ë²½ëŒ, ì‹ë¬¼, 벤치 ë“±ì„ íŠ¸ë¡¤ë¦¬ íŒ€ì˜ í‰í‰í•œ ì§ì¹¸ì— 조심스럽게 실어줬어요. 뿌우-í•˜ê³ ê²½ì ì„ ìš¸ë¦¬ê³ ë”¸ëž‘ë”¸ëž‘ ì¢…ì„ ìš¸ë¦¬ë©° 트롤리 íŒ€ì€ ë¬´ì§€ê°œ ì–¸ë•ì„ í–¥í•´ 출발했어요. ë§ˆì„ ì‚¬ëžŒë“¤ì€ ê·¸ê°€ 꾸준히 나아가는 ëª¨ìŠµì„ ë³´ê³ ê°íƒ„했어요.
ì–¸ë•ì˜ ì¤‘ê°„ì¯¤ 올ë¼ì™”ì„ ë•Œ, 트롤리 íŒ€ì€ ì¡°ê¸ˆ 피곤해졌어요. “넌 í• ìˆ˜ 있어!†아래ì—서 디거 ëŒ„ì´ ì‘ì›í–ˆì–´ìš”. “조금만 ë” ê°€ë©´ ë¼!â€
ëª¨ë“ íž˜ì„ ëª¨ì•„, 트롤리 íŒ€ì€ ë§ˆì¹¨ë‚´ ì–¸ë• ê¼ëŒ€ê¸°ì— ë„착했어요. 모ë‘ê°€ 환호했어요!
ê·¸ ë‹¤ìŒ ë©°ì¹ ë™ì•ˆ, 디거 댄과 트롤리 íŒ€ì€ í•¨ê»˜ ì¼í•˜ë©° 필요한 ëª¨ë“ ìžìž¬ë¥¼ 운반했어요. ê·¸ë¦¬ê³ ë§ˆì¹¨ë‚´, 아름다운 ê³µì›ì´ 완성ë˜ì—ˆì–´ìš”. í™”ë ¤í•œ 꽃, 그네, ê·¸ë¦¬ê³ ë°˜ì§ì´ëŠ” 분수까지 있는 ë©‹ì§„ ê³µì›ì´ì—ˆì£ .
개장ì‹ì—서, ì‹œìž¥ì€ ê·¸ë“¤ì—게 ê°ì‚¬ë¥¼ 표했어요. “디거 댄과 트롤리 íŒ€ì€ ìš°ë¦¬ê°€ 함께 ì¼í•˜ë©´ ì–´ë–¤ ìž¥ì• ë¬¼ë„ ê·¹ë³µí• ìˆ˜ 있다는 ê²ƒì„ ë³´ì—¬ì¤¬ì–´ìš”!â€
ë§ˆì„ ì‚¬ëžŒë“¤ì€ ë°•ìˆ˜ë¥¼ ì¹˜ê³ , ì•„ì´ë“¤ì€ 새로운 ê³µì›ì—서 깔깔거리며 놀았어요. ê·¸ë‚ ì´í›„로, 디거 댄과 트롤리 íŒ€ì€ íŒ€ì›Œí¬ê°€ 무엇ì´ë“ 가능하게 ë§Œë“ ë‹¤ëŠ” ê²ƒì„ ê¹¨ë‹¬ì•˜ì–´ìš”.
ë
xxx
Digger Dan and Trolley Tim’s Big Adventure
Once upon a time in a town called Sunnyvale, there lived two best friends: Digger Dan and Trolley Tim.
Digger Dan was a strong, yellow excavator with a big, shiny scoop. He loved to dig deep holes and help build new things for the town. Trolley Tim was a bright red trolley with a cheerful bell. He enjoyed carrying passengers up and down the hilly streets of Sunnyvale.
Every morning, Digger Dan would rumble to the construction site to dig and move dirt, building foundations for houses and playgrounds. Trolley Tim would ring his bell and glide along his tracks, picking up children for school and families heading to the market.
One sunny day, the mayor announced a wonderful plan. “We are going to build a beautiful park at the top of Rainbow Hill!” he declared. Everyone cheered, but then the mayor added, “But we have a problem. The road up Rainbow Hill is too steep and narrow for our big trucks to carry the building materials.”
The townspeople murmured with worry. How could they build the park without the materials?
Digger Dan had an idea. “Maybe I can help!” he said. “I can dig a wider path up the hill.”
But the mayor shook his head. “That would take too long,” he sighed.
Trolley Tim chimed in, “I wish I could help, but I can only carry passengers, not heavy materials.”
Digger Dan smiled. “What if we work together? I can load the materials onto your flatbed, and you can carry them up the hill!”
Trolley Tim was excited but a little nervous. “I’ve never carried anything but people before,” he said.
“You can do it!” encouraged Digger Dan. “We’ll go slowly and carefully.”
The mayor clapped his hands. “That’s a splendid idea!”
So, Digger Dan carefully loaded bricks, plants, and benches onto Trolley Tim’s flatbed. With a toot of his horn and a ring of his bell, Trolley Tim began his journey up Rainbow Hill. The townspeople watched in awe as he chugged along, determined to reach the top.
Halfway up the hill, Trolley Tim felt a little tired. “You can do it!” cheered Digger Dan from below. “Just a bit further!”
Gathering all his strength, Trolley Tim made it to the top of the hill. Everyone cheered!
For the next few days, Digger Dan and Trolley Tim worked together, transporting all the materials needed. Soon, the beautiful park was finished, complete with colorful flowers, swing sets, and even a sparkling fountain.
At the grand opening, the mayor thanked them both. “Digger Dan and Trolley Tim showed us that by working together, we can overcome any obstacle!”
The townspeople clapped and the children laughed as they played in the new park. From that day on, Digger Dan and Trolley Tim knew that teamwork made anything possible.
The End
xxx
Once upon a time in a busy town, there lived two best friends: Digger, a hardworking yellow machine that loved digging holes, and Trolley, a cheerful red cart that carried heavy loads up and down the streets. They worked together every day at the construction site, helping to build new parks, schools, and homes for the townspeople.
One sunny morning, Digger woke up extra excited. “Trolley! Trolley! Today’s the big day! We get to build the town’s new playground!†Digger shouted, bouncing up and down with excitement.
Trolley smiled and jingled his little bell. “That sounds like so much fun! The children will love it.â€
They rolled over to the site, where the town mayor was waiting. “Good morning, Digger and Trolley,†the mayor said. “We need you both to work together to make the best playground in the whole town.â€
Digger and Trolley were ready to get started. But as they looked at the big, open field, they realized it was full of rocks and dirt that needed to be cleared. “I’ll dig up the dirt and rocks, and you can carry them away, Trolley!†Digger said confidently.
Digger’s big, strong arm reached down, scooping up the dirt and lifting large rocks out of the ground. But soon, Digger realized there was a problem—there was so much dirt! “Oh no, I’m digging too fast for Trolley to keep up,†Digger said, worried.
Trolley tried his best to keep up, but his little wheels were getting tired from going back and forth. He was doing his job so well, but the piles were growing faster than he could carry them away.
Trolley stopped and thought for a moment. “We need a better plan, Digger. What if we work together, but at a slower pace? That way, we can both get the job done without getting too tired.â€
Digger paused, thinking about his friend’s idea. “That’s a great plan! Let’s do it together.â€
So, Digger started digging a little slower, while Trolley took his time carrying the dirt and rocks to the dump site. As they worked together at the same pace, they noticed something wonderful. They weren’t just working—they were having fun! Digger hummed a little tune, and Trolley rang his bell in rhythm.
The children of the town watched from the side, excited for their new playground to be ready. They cheered Digger and Trolley on, and soon, the field was cleared, the holes were dug, and the playground began to take shape.
By the end of the day, the playground was finished—a beautiful space with swings, slides, and a sandbox for all the children to enjoy.
The mayor came by to see their work and was amazed. “Digger and Trolley, you’ve built the best playground this town has ever seen!â€
The two friends looked at each other and smiled. “We couldn’t have done it without teamwork,†Digger said.
“And listening to each other,†Trolley added with a jingle.
From that day on, whenever Digger and Trolley worked on a project, they always remembered to go at a pace that worked for both of them. Together, they built many more parks and playgrounds, each one better than the last, and they always had fun along the way.
And so, the town’s children played happily, knowing that Digger and Trolley would always be there, working side by side to build new adventures for everyone.
The End.
Bitcoin > Tech
What matters more?
Ultimately the health of your family, whether physical or metaphorical is the number one thing. 
The woke religion
Once something is boring, stop it. 
Here are some top sociological quotes from Eric Kim, along with links to further reading:
These quotes highlight Eric Kim’s unique intersection of sociology and street photography, offering a blend of academic theory and practical application through visual art.
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Eric Kim, while not a traditional sociologist, integrates sociological theory into his work as a street photographer. He studied sociology at UCLA, which deeply influenced his approach to photography. Kim sees street photography as a form of “applied sociology,” using his camera to explore and document human interactions, group dynamics, and societal behaviors. His work bridges art and social science, offering a visual narrative that engages with themes like capitalism, societal norms, and digital culture.
Kim reflects on various sociological ideas, such as social dominance theory and the effects of capitalism. He also touches on the role of digital capitalism and post-monetary societies, exploring how technology and economics shape societal structures. Through his photography, Kim challenges societal norms and fosters free thinking by documenting everyday social phenomenaã€5】ã€6】.
This unique combination of sociological thought and visual storytelling positions him as a “sociologist with a camera,” using his art to analyze and critique contemporary societyã€7】ã€8】.
Eric Kim is a renowned street photographer, educator, and blogger who integrates philosophical and sociological theories into his work. He is known for encouraging photographers to delve beyond technical skills and explore the deeper meanings behind their art. By blending concepts from philosophy and sociology, he aims to inspire a more mindful and impactful approach to photography.
Philosophical Influences:
Sociological Perspectives:
Educational Contributions:
By intertwining philosophical thought and sociological analysis, Eric Kim offers a unique perspective that elevates photography from mere image-making to a profound exploration of humanity and self.
It doesn’t really matter whether it is true or not… What is more important and critical are the implications; like, as a consequence of it… Why does it matter … what is the significance of it?
Therefore I feel like the intelligent path forward is assume that everyone is lying, and bad. And then after that, figure out how to proceed.
I think a lot of thinkers and philosophers have it wrong; too often than not, a lot of philosophers focus on truth seeking and truth finding. Yet, the reason why this is not a good strategy is that there is no such thing as truth or ultimate truth. I think there are certain degrees of truth, I called this “truthinessâ€, to quote Stephen Colbert, but still… The truth almost doesn’t matter. But I think what matters more is embodied reality, lived reality, real experiences, real life implications. And this is where I prefer sociology; it has to deal with the real human beings.
Implications > Truth

relegere, relegate ,,, to read again, to do over again, over again. Or same as “regular†or “regulate�
ritual practices, worship, cult.
correct practice over correct belief — orthopraxy, orthodoxy.
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The differences in how “religion” is understood in Greek, Latin, and modern contexts are important because they show how the concept has changed over time.
1. Changes in the Concept of Religion
- Ancient Integration: For the Greeks and Romans, religion was part of everyday life and government. There was no separation between religious and secular activities.
- Modern Separation: Today, religion is often seen as a separate area of life, distinct from government and daily activities.
2. From Practices to Beliefs
- Focus on Rituals: Ancient cultures emphasized performing the correct rituals to honor the gods, focusing on actions rather than personal beliefs.
- Focus on Beliefs: In modern times, there’s more emphasis on personal faith and what individuals believe, not just on rituals.
3. Community vs. Individual
- Collective Experience: Religion in ancient times was about community and shared practices that brought people together.
- Personal Experience: Today, religion can be a personal journey, focusing on individual beliefs and experiences.
4. Understanding Cultural Differences
- Recognizing these differences helps us understand how ancient societies functioned and prevents us from applying modern ideas to historical contexts.
5. Impact on Society
- Ancient Societies: Religion guided laws, social norms, and was integrated into all aspects of life.
- Modern Societies: Religion often exists alongside other belief systems, and there’s a focus on religious freedom and diversity.
Summary
The significance of these differences is that they highlight the evolution of religion from a communal, practice-oriented aspect of life to a more individualistic and belief-centered concept. This evolution affects how we understand history, interact with different cultures, and organize our societies today.
The significance of these differences lies in how they reflect the evolving understanding of religion as a concept and practice across different cultures and historical periods. Analyzing these variations illuminates the ways in which societies perceive the divine, structure their rituals, and integrate spirituality into daily life.
1. Evolution of the Concept of Religion
- Ancient Integration vs. Modern Separation: In ancient Greek and Roman contexts, there was no clear distinction between the sacred and the secular; religious practices were interwoven with civic duties and daily life. In contrast, modern English often treats religion as a distinct sphere separate from other aspects of life.
- From Practice to Belief: The ancient focus on orthopraxy (correct practice) highlights a communal approach to the divine, emphasizing rituals and ceremonies. The modern emphasis on orthodoxy (correct belief) reflects a shift towards individual faith and doctrinal correctness.
2. Cultural and Social Understanding
- Community vs. Individuality: In Greek and Roman societies, religion was a collective experience that reinforced social cohesion and identity. Modern interpretations often highlight personal belief systems and individual spirituality.
- Role of Rituals: The meticulous observance of rituals in ancient times was seen as essential for maintaining harmony with the gods and ensuring societal well-being. Today, while rituals remain important, there is a greater focus on personal faith experiences and moral codes.
3. Linguistic and Philosophical Implications
- Etymological Roots Reflect Worldviews:
- “Relegere” (to read again) implies a scholarly or contemplative approach to the divine, emphasizing continuous engagement and reflection.
- “Religare” (to bind together) suggests a relational aspect, highlighting connections between humans and the divine or among community members.
- Shifts in Meaning: The evolution of the term from its Latin roots to modern usage demonstrates how language adapts to changing philosophical and theological perspectives.
4. Influence on Religious Practices and Interfaith Relations
- Understanding Diversity: Recognizing these differences helps in appreciating the variety of religious expressions and practices across cultures and times.
- Interpreting Ancient Texts: Knowledge of how ancient societies understood religion aids in accurate interpretation of historical documents, religious texts, and philosophical works.
5. Impact on Modern Society
- Secularization and Pluralism: The modern separation of religion from other societal spheres reflects processes of secularization and the development of pluralistic societies where multiple belief systems coexist.
- Legal and Ethical Frameworks: Differing concepts of religion influence contemporary legal definitions and the way religious freedom and expression are legislated and protected.
6. Academic and Theological Significance
- Comparative Religion Studies: The differences highlight the importance of context in the study of religion, encouraging scholars to avoid projecting modern definitions onto ancient practices.
- Theological Development: Understanding the historical evolution of religious concepts informs theological discourse and the development of religious doctrines.
Summary
The significance of these differences is multifaceted:
- They reveal how the concept of religion is not static but has evolved, influenced by cultural, historical, and linguistic contexts.
- They underscore the shift from a communal and practice-oriented approach to a more individualistic and belief-centered understanding.
- They highlight the importance of context in interpreting religious practices and beliefs, both historically and in contemporary society.
- They contribute to a deeper understanding of how religions shape and are shaped by the societies in which they exist, affecting everything from social structures to personal identities.
By appreciating these differences, we gain insight into the complex ways humans relate to the sacred, construct meaning, and establish communal bonds through shared or divergent religious expressions.
The term “religion” has a rich and complex etymology that traces back to Latin, with debated origins and interpretations over time. Understanding how “religion” was perceived in Greek and Latin contexts compared to modern English sheds light on the evolution of the concept itself.
The English word “religion” originates from the Latin word “religio”, but its exact root is a matter of scholarly debate:
Understanding these differences highlights how the concept of religion has evolved from being an inseparable aspect of daily life and civic duty in ancient times to a more defined and institutionalized system in the modern world.
And also, what will actually “improve“ your life? 
Some morning reflections:
So something that I wrote on pursuing your passion, part of an edited volume written by Terri Anderson, probably the most influential teacher I’ve had of all time, at UCLA sociology, essentially what I wrote at the time, being either 20 or 21 years old, was the virtues of following your passion.
So it looks like, nearly 15 years later, I was right. With a long enough time scale, 15 years, age 21 to 36, I guess I was right.
I think the trouble that a lot of people have is pursuing their passion because it is not immediately apparent how we could have an economic payoff. Ultimately because we all live in a capitalistic society, what it comes down to is money making, or money making potential. But if you already have $2 million in the bank, and you know that you’re a bitcoin is going up 55% APY, year over year ,,, in theory indefinitely … then what?
I just did some math with ChatGPT, $5M — $10,000 USD, with a 55% APY with bitcoin,  will be big! Once again, that $10,000 you put in it today, assuming that 30 years from now that it could be worth 5 million, wouldn’t it be worth it?
Another big thought, let us say that the new iPhone Pro cost you $1200 USD. With a 55% APY, that $1200 iPhone is going to run you $615,000, about two Lamborghinis, in 30 years! 
Obviously it does not natural. This difficult to think and predict 30 years from now. Yet, I am shocked… Brad Pitt I think it’s almost 25 years my senior? I think Brad Pitt just turned 60 years old, I’m shocked. I’m 36, so 30 years from now, I’m going to be about the age of Brad Pitt?
I saw a little bit of the new Apple TV WOLFS movie, and the bromance between Brad Pitt and George Clooney was cute. George Clooney looks fantastic, and he is 63 years old! I almost feel like George Clooney is aging in reverse? He is maybe the ultimate anti-fragile handsome actor; the older he becomes, the more handsome and charming he becomes? I’m not 100% sure about the controversy, but I think NASSIM TALEB may have called him out on Twitter a while back being some sort of fake activist? Maybe Clooney was accepting money from the saudis or something? Not 100% sure, but still, objectively George Clooney looks fantastic! 
This is my personal read on things; I think the critical issue here is that ironically enough… Passion following your passion, or even being passionate has fallen out of Vogue? What that means is we are living in a new age of Malay; all these fake ass woke activist, many of whom are on these Ridiculous plant-based diets, maybe they have a bunch of tattoos, they’re always on Instagram and on their phones, pretend to not care, drink fruit smoothies from Erewhon, kind of try to get into working out, say that eating meat is bad for the planet in the carbon footprint, yet they have a dog, which might be 1 trillion times worse for the “carbon footprint“?
Anyways, my general critique is whenever you meet these strange individuals in the flesh, all of them tend to be quite short, not very attractive, not very good looking, overfat, and actually… Really into fashion? Their fashion choices are very bizarre, it is a will towards uglification,  – their virtue is ugly, being ugly, and continually self-abnegating themselves to forever become ever more fat, self pitiful and ugly.
I think at least one of the positive trends in LA, is there is a new counter culture at least within the aloe yoga community, the world towards beautification? And it looks like American apparel has been reborn under the guys of Los Angeles apparel? At least now, the bias is that they’re trying to make women beautiful again. Granted the big issues in LA is all these women are fake, all the men are fake, everybody is fake. All of the guys are Shorty guys, skinny fat losers who drive these huge MMGG wagon Mercedes cars, and the women all have these strange surgeries, to practically everything; to their nose face forehead jaw lips butt, breasts, etc.?  in fact at least the new thing I’m excited about the new John Wick ballerina movie is that the main actress, who is super hot, she is actually quite modest in terms of her full frontage breasts?  And I think this is a good trend; I like the Tran towards being natural all natural. Fake is ugly. Natural is beautiful.
And this is also why I don’t like makeup, makeup is fake up. And also it causes you to get you a sty in your eye, it ruins your skin, is a waste of time is expensive in bed. The best thing you could just do for your skin ironically enough it just spend more time in the sun, spend more time exercising, getting more sleep etc. In fact I’ve noticed that people who sleep well tend to have better skin! People who sleep poorly have poor skin.
When your passion is self motivated and self driven, once you’re already dumb rich, then… It is adding like 10 turbo chargers to your soul. You never have to force yourself to do anything, because everything you do is self motivated. You are no longer driven by superficial notions of success, and honestly, ultimately, the notion of success is fake. For example I just finished reading the Emily Wilson translation of the Iliad, and ultimately, even after Achilles gets his revenge, it is a bit anti-climactic. Truth be told the heart of Achilles is not really 100% soothed, even though he finally gets Breisis back in his bed. His best friend Patroclus is dead, and getting revenge and despoiling the body of Hector doesn’t bring him back to life. And what is super interesting is at the end of the Iliad, it is almost like an anti-climax; it just ends, and then you’re left… That’s it? Then what? 
So I feel like I’m just getting started. This is the greatness of the whole carte blanche mentality and philosophy. And a beginners mind or child’s mind. The general idea is if you were born you again, right now, in this insanely futuristic world we live in with self driving way more cars, ChatGPT, bitcoin, AI etc.… Certainly we have to throw out the old blueprint and the old rulebook, and think things afresh. 
 I think the difficulty for most people is that starting totally carte blanche, totally brand new without using the pass for analogies is difficult. The past is much easier to discern, for example, being a historian is kind of safe; the past doesn’t change. But if you’re living in the present moment, and you’re also potentially marching bravely into the future, it is Like the fog of war, you can’t see shit! You can’t just turn on the map hack, like in star craft… To think about the future is hidden.
So my very very simple idea is the future is digital, we all know this. It’s funny, I was shocked, it looks like currently speaking, the Apple Store is on fire! Tons of people getting the new iPhone iPhone Pro, even though the customers themselves seem a bit disenchanted. But whatever, the reason why Apple ain’t going away anytime soon is that they are the most legalized profitable drug dealers of all time; I think that the iPhone might be more addictive than Chris still met, because it’s like almost if you took technology, digital things, sociology, culture self-worth or whatever, and then you put it on yourself like an ankle monitor forever, and you just keep upgrading forever until you die, that is the ultimate cash cow! We will continue to suck the teats of Apple until we die.
In some ways, we could think of Apple like the new golden calf;  the new tower of Babel. And we all know how that ends…
In terms of innovation, ironically enough, I think the future is in the past. For example, I’ve gotten 1 trillion times more inspiration reading the Iliad,,, shout out to Emily Wilson and her new fantastic translation, then any loser business book written in the last 30 years.
In fact, the only good business books in my opinion are Steve Jobs by Walter Isaacson, the new Elon Musk book by Walter Isaacson, and zero to one by Peter Thiel. Everything else is not worth reading, also the invent and wander book by Jeff Bezos. 
The critical issue here is that nobody has balls anymore. And also everyone is hooked to YouTube Facebook Instagram TikTok Snapchat Twitter Google Google news Apple Apple news, HBO HBO Max Hulu Netflix YouTube etc. like crack cocaine. Also sports, sports are just a prostitution for the body for men; I don’t trust nobody who watches sports, whether it be football, hockey, or baseball. I find it insanely bizarre; it is like watching pornography, you’re seeing all these athletes essentially prostitute their bodies, injecting their butt holes with steroids, in order to win and perform well, Making a bunch of money, Indefinitely.
Nike Nike Nike Nike Nike treat employees like slaves, gave LeBron a billi not to run away! – ye
Honestly, it could all be seen as prostitution. For example, Nike very bad taste; plastering all these images of Kobe Bryant, with the tagline “no time to lose“, essentially prostituting the soul of Kobe Bryant,  to essentially sell more of his sneakers and merchandise? I find this disgusting. Almost like how Jay Z felt about when Prince died, and they started to parade all of his merchandise?
do you want your masters with your masters? JAY Z
I Think One of the Great Things About Living in La Is Being Here… I Feel Like I’m at the Epicenter of the Universe. Why? It’s Not Loser New York, Loser Brooklyn, Loser London Which RUNS the World, it is LA! For example just went to the Grove yesterday with Cindy and Seneca, and it was amazing! Shout out to Jeff Garlin. 
Why? Everyone thinks that it is the Bay Area Silicon Valley Apple Google Facebook whatever which runs the show… But actually this is not true, it is about humans personality celebrities, the human soul, culture music ideas podcast etc. which run the planet.  For example, I think that Joe Rogan has more power than maybe even Donald Trump, because what… Every single man in America listens to Joe Rogan? And also, it looks like Kanye West, might be the ultimate robust or ANTIFRAGILE artist of all time? Even after his antisemitic remarks, losing his deal with Adidas… It looks like he is still in the game, and on the up and up? And speaking to a lot of folks, a lot of African-Americans, in LA… Everyone still loves Kanye. And the truth is in LA, antisemitism is real and runs deep; nobody likes the “Hebrews“, even a lot of Trader Joe’s employees I meant say that when you’re in Westwood, the Westwood Trader Joe’s, the “Hebrews“, treat you like shit.
Oh and also… Philz is evil.  I met one of the friendly employees who was always kind to me who used to work at Phil‘s coffee, and she told me that she got fired because she was trying to get the Phil’s employees to unionize, and they fired her. Boycott Phil‘s coffee!
I’m a Spartan hoplite, meats undercover cop, meet CIA, meets SWAT team, meets blogger and vlogger. I could say with zero doubt that I am certainly the only, and the most influential the most entrepreneurial, the most powerful and interesting photographer or blogger or personality alive.
I could say that my only rival might be Kanye West; but Kanye West is my big brother. Kind of like what Jay Z was to Kanye. I’m Kanye until I die!
The same difficulty they had with Bob Dylan, David Bowie, and also now Kanye West. In fact, I’m in a very good position because I am Asian American, Korean American, born in the states in the Bay Area, my English is 1 trillion times better than yours, I am wiser richer smarter stronger taller more handsome than you, and also I have a kid and a son… You wish you were me.
In fact, the giant has arrived. Only Hermes the giant slayer, or Apollo can kill me. Nobody else.
And the thing is honestly… In America, being an Asian guy is interesting… We are seeing as the safe ones, the meek ones,  with small dicks, and we sit on the sidelines, while Caucasian men “steal “our beautiful Asian Asian American women. But this is the wrong mentality. We the new studs! We the new rock stars!  
And also… Why can Kendrick Lamar say it and I can’t?
The true genius of a Steve Jobs was how childlike, unreasonable, and ridiculous he was. Typically the definition of an asshole is somebody who refuses to obey you. Or somebody who doesn’t†listen†to you. My philosophy has always been “just take it or leave itâ€, you just give people suggestions not imperatives. And this is the problem… People treat options like imperatives.
For example, I think one of the interesting things that the blogger james altucher said was like for example, email is an option, not an obligation.
And also I find this insanely annoying, when people say “you’re not listening to me!†But when they say this what they mean to say “you’re not obeying me!â€ï¿¼ï¿¼
Listening versus obeying; very different.
With anything in life, when is the best time to stop? Just stop the second you get bored.
ERIC
EK

OK, this is insanely important. Why? We humans we will not stop searching for things. We will continually look for new sources of information insights etc., and currently we are all using Google, but very very soon we will all be using searchGPT and ChatGPT instead.
A storm is coming, I could feel it in my bones. I think the true entrepreneur innovator or disruptor, we could just sense it.
Unfathomable
When in doubt, delay.
Is it a feature or a bug?
Useful idiots
Xxx
Esg
ESG stands for Environmental, Social, and Governance. It refers to a set of criteria that investors, companies, and organizations use to evaluate how sustainable, ethical, and socially responsible a business or investment is. Here’s a breakdown of the components:
Investors are increasingly using ESG criteria to identify risks and opportunities related to environmental sustainability, social impact, and governance practices, as they believe companies with strong ESG practices are more likely to perform well in the long run.
Xxx
What’s the bigger economic vector?
Real estate, real estate distortions?
Back to the future moment, ideological superstructure?
X
Who made trillions of dollars off of it… And also, who profits from? I almost wonder if the whole thing is that when people become distracted… Somebody profits off of it? Question; who profits from our distractions?
How do you grow an economy?
We need productivities; how do we increase our productivity?
ChatGPT will make you more productive! Obviously.
Stagnation is bad
Questions;: will your children be better off than you? Of course!
Middle class people; people whose kids will not be better off in them? Either about the same, or… Even worse?
How to increase your class 
Why is tech in a bear market? 
What’s allowed, what’s not allowed? 
The tech is not enough anymore? 
How dare you censor me!
The future of search
Eric Kim’s website and blog rank highly in search engine results due to a combination of factors that align well with search engine optimization (SEO) best practices. Here are the key reasons:
In summary, Eric Kim’s high search rankings result from a synergistic combination of quality content, strategic SEO practices, strong community presence, and consistent user engagement. By providing valuable resources and maintaining best practices, his website naturally attracts both visitors and search engine favorability.
xxx
Eric Kim’s website and blog rank high in search results for a variety of reasons, leveraging both technical and content-based SEO strategies. Here are the main factors that contribute to his strong search engine rankings:
In conclusion, Eric Kim’s website ranks high in search due to a combination of high-quality, targeted content, good SEO practices, user engagement, and strong domain authority. His consistent focus on street photography and related topics, combined with SEO-friendly site architecture and backlinking, makes his site an authoritative resource in the photography niche.
x
Ranking highly in search engine results is crucial for several reasons, especially for someone like Eric Kim who runs a blog or website. Here’s why it matters:
In short, high search rankings create a virtuous cycle of visibility, credibility, audience engagement, and revenue potential. For Eric Kim, it means his work and expertise in street photography are continually discovered, helping him build a lasting influence and connection with his audience.
x
Understanding why Eric Kim’s website and blog rank highly in search results matters for several reasons:
In summary, exploring why Eric Kim’s website ranks highly is significant because it offers insights into effective online strategies, impacts industry dynamics, and contributes to the broader understanding of how valuable content can achieve prominence in the digital landscape.
Prophetic?
Proud I wrote it!
Does it really exist?
Slippery
Multicultural
Diversity
Diversification is bad
.
Ambiguous title
Myth false god worship
The diversity god
Hypnotized
The orange gorilla
“Not even wrongâ€
Thesis
Anti western vs non western?
Identity politics
.
Paradoxes
Don’t be or become identical
.
Nobody cares what your identity is.
Identity makes you different and unique or the same
X vs Y
A is not A?
Speech codes
Campus Wars
What were we not paying attention to?
Distracting?
.
General stagnation
Sciences Crown Jewels
Economics , real economics
Economic Growth?
Greater economic expectations?
Distractions ***
Diversity is a false god or idol
Political correct person –> Stalin in Moscow follow party lines
.
Communism CCP
anti CCP
.
THE META QUESTION
think science
Think Cyber
.
All engineering was bad ?
Computer science least bad
Not “scienceâ€
Take our civilization to the next level
.
Hardcore Sciences
Just don’t blow up the world
Get to the frontier –>
.
Think Bitcoin
Not the traditional markets
.
Science & Tech and military
College debt
The emperor has no clothes
Autopilot
$2T student debt
.
Anti college – winning side
Debt is the Devil
Ask very hard questions
Internal echo chamber
Elite
Mandarin examination
Economic Power
Philosophy Podcast
.
Wages > All
.
Mass insanity
Economic or Class advantageous
.
More cheaper
Think Money
.
Honestly when it all comes down to it… It is and should be about money. And economics.
Economics > Money
My theory about decisions, decision-making theory etc.… It should be super easy, super obvious, done in half a second without blinking. If you have to think too long about making a decision, don’t do it because if you think too long, this typically is a sign that it is a bad decision.
And also trust your gut. Your gut knows best.
How to gain balls for investing
I love the extremes!
The extremes invigorate me? 
Xxx
Just outperform the S&P index 
$295,000–> $440,000, $450,000, wow $140,000 gain?
Bitch be grateful! - pusha T
How to Zen the fuck out
When is it good to be impulsive, when not? 
Check your investments as in frequently as possible because it will always annoy you.
Start in Culver City, and expand outwards
think Long,—
I have an interesting thought; if you are to look at your account your balances, your investments whether traditional or bitcoin or crypto bitcoin etc… Convert your iPhone into only monochrome view. A strange thing I’ve learned is when you see the red, it immediately puts you into shock value, even if the market is down or your assets are down just 2%? This is terrible! Even if your assets were down 1%, and you still see red… It will put you in a panic fight or flight mode?
Monochrome is better for your nerves?
Own your own opinion
Future Fashion
Fashion is for ugly people
I seek a clever or more satisfying solution?
Entrepreneur just means someone who has a passion for risk taking
Don’t hate me because I got more testosterone than you!
It’s never too late.
VISION.
And also, what will actually “improve“ your life? 
Some morning reflections:
So something that I wrote on pursuing your passion, part of an edited volume written by Terri Anderson, probably the most influential teacher I’ve had of all time, at UCLA sociology, essentially what I wrote at the time, being either 20 or 21 years old, was the virtues of following your passion.
So it looks like, nearly 15 years later, I was right. With a long enough time scale, 15 years, age 21 to 36, I guess I was right.
I think the trouble that a lot of people have is pursuing their passion because it is not immediately apparent how we could have an economic payoff. Ultimately because we all live in a capitalistic society, what it comes down to is money making, or money making potential. But if you already have $2 million in the bank, and you know that you’re a bitcoin is going up 55% APY, year over year ,,, in theory indefinitely … then what?
I just did some math with ChatGPT, $5M — $10,000 USD, with a 55% APY with bitcoin,  will be big! Once again, that $10,000 you put in it today, assuming that 30 years from now that it could be worth 5 million, wouldn’t it be worth it?
Another big thought, let us say that the new iPhone Pro cost you $1200 USD. With a 55% APY, that $1200 iPhone is going to run you $615,000, about two Lamborghinis, in 30 years! 
Obviously it does not natural. This difficult to think and predict 30 years from now. Yet, I am shocked… Brad Pitt I think it’s almost 25 years my senior? I think Brad Pitt just turned 60 years old, I’m shocked. I’m 36, so 30 years from now, I’m going to be about the age of Brad Pitt?
I saw a little bit of the new Apple TV WOLFS movie, and the bromance between Brad Pitt and George Clooney was cute. George Clooney looks fantastic, and he is 63 years old! I almost feel like George Clooney is aging in reverse? He is maybe the ultimate anti-fragile handsome actor; the older he becomes, the more handsome and charming he becomes? I’m not 100% sure about the controversy, but I think NASSIM TALEB may have called him out on Twitter a while back being some sort of fake activist? Maybe Clooney was accepting money from the saudis or something? Not 100% sure, but still, objectively George Clooney looks fantastic! 
This is my personal read on things; I think the critical issue here is that ironically enough… Passion following your passion, or even being passionate has fallen out of Vogue? What that means is we are living in a new age of Malay; all these fake ass woke activist, many of whom are on these Ridiculous plant-based diets, maybe they have a bunch of tattoos, they’re always on Instagram and on their phones, pretend to not care, drink fruit smoothies from Erewhon, kind of try to get into working out, say that eating meat is bad for the planet in the carbon footprint, yet they have a dog, which might be 1 trillion times worse for the “carbon footprint“?
Anyways, my general critique is whenever you meet these strange individuals in the flesh, all of them tend to be quite short, not very attractive, not very good looking, overfat, and actually… Really into fashion? Their fashion choices are very bizarre, it is a will towards uglification,  – their virtue is ugly, being ugly, and continually self-abnegating themselves to forever become ever more fat, self pitiful and ugly.
I think at least one of the positive trends in LA, is there is a new counter culture at least within the aloe yoga community, the world towards beautification? And it looks like American apparel has been reborn under the guys of Los Angeles apparel? At least now, the bias is that they’re trying to make women beautiful again. Granted the big issues in LA is all these women are fake, all the men are fake, everybody is fake. All of the guys are Shorty guys, skinny fat losers who drive these huge MMGG wagon Mercedes cars, and the women all have these strange surgeries, to practically everything; to their nose face forehead jaw lips butt, breasts, etc.?  in fact at least the new thing I’m excited about the new John Wick ballerina movie is that the main actress, who is super hot, she is actually quite modest in terms of her full frontage breasts?  And I think this is a good trend; I like the Tran towards being natural all natural. Fake is ugly. Natural is beautiful.
And this is also why I don’t like makeup, makeup is fake up. And also it causes you to get you a sty in your eye, it ruins your skin, is a waste of time is expensive in bed. The best thing you could just do for your skin ironically enough it just spend more time in the sun, spend more time exercising, getting more sleep etc. In fact I’ve noticed that people who sleep well tend to have better skin! People who sleep poorly have poor skin.
When your passion is self motivated and self driven, once you’re already dumb rich, then… It is adding like 10 turbo chargers to your soul. You never have to force yourself to do anything, because everything you do is self motivated. You are no longer driven by superficial notions of success, and honestly, ultimately, the notion of success is fake. For example I just finished reading the Emily Wilson translation of the Iliad, and ultimately, even after Achilles gets his revenge, it is a bit anti-climactic. Truth be told the heart of Achilles is not really 100% soothed, even though he finally gets Breisis back in his bed. His best friend Patroclus is dead, and getting revenge and despoiling the body of Hector doesn’t bring him back to life. And what is super interesting is at the end of the Iliad, it is almost like an anti-climax; it just ends, and then you’re left… That’s it? Then what? 
So I feel like I’m just getting started. This is the greatness of the whole carte blanche mentality and philosophy. And a beginners mind or child’s mind. The general idea is if you were born you again, right now, in this insanely futuristic world we live in with self driving way more cars, ChatGPT, bitcoin, AI etc.… Certainly we have to throw out the old blueprint and the old rulebook, and think things afresh. 
 I think the difficulty for most people is that starting totally carte blanche, totally brand new without using the pass for analogies is difficult. The past is much easier to discern, for example, being a historian is kind of safe; the past doesn’t change. But if you’re living in the present moment, and you’re also potentially marching bravely into the future, it is Like the fog of war, you can’t see shit! You can’t just turn on the map hack, like in star craft… To think about the future is hidden.
So my very very simple idea is the future is digital, we all know this. It’s funny, I was shocked, it looks like currently speaking, the Apple Store is on fire! Tons of people getting the new iPhone iPhone Pro, even though the customers themselves seem a bit disenchanted. But whatever, the reason why Apple ain’t going away anytime soon is that they are the most legalized profitable drug dealers of all time; I think that the iPhone might be more addictive than Chris still met, because it’s like almost if you took technology, digital things, sociology, culture self-worth or whatever, and then you put it on yourself like an ankle monitor forever, and you just keep upgrading forever until you die, that is the ultimate cash cow! We will continue to suck the teats of Apple until we die.
In some ways, we could think of Apple like the new golden calf;  the new tower of Babel. And we all know how that ends…
In terms of innovation, ironically enough, I think the future is in the past. For example, I’ve gotten 1 trillion times more inspiration reading the Iliad,,, shout out to Emily Wilson and her new fantastic translation, then any loser business book written in the last 30 years.
In fact, the only good business books in my opinion are Steve Jobs by Walter Isaacson, the new Elon Musk book by Walter Isaacson, and zero to one by Peter Thiel. Everything else is not worth reading, also the invent and wander book by Jeff Bezos. 
The critical issue here is that nobody has balls anymore. And also everyone is hooked to YouTube Facebook Instagram TikTok Snapchat Twitter Google Google news Apple Apple news, HBO HBO Max Hulu Netflix YouTube etc. like crack cocaine. Also sports, sports are just a prostitution for the body for men; I don’t trust nobody who watches sports, whether it be football, hockey, or baseball. I find it insanely bizarre; it is like watching pornography, you’re seeing all these athletes essentially prostitute their bodies, injecting their butt holes with steroids, in order to win and perform well, Making a bunch of money, Indefinitely.
Nike Nike Nike Nike Nike treat employees like slaves, gave LeBron a billi not to run away! – ye
Honestly, it could all be seen as prostitution. For example, Nike very bad taste; plastering all these images of Kobe Bryant, with the tagline “no time to lose“, essentially prostituting the soul of Kobe Bryant,  to essentially sell more of his sneakers and merchandise? I find this disgusting. Almost like how Jay Z felt about when Prince died, and they started to parade all of his merchandise?
do you want your masters with your masters? JAY Z
I Think One of the Great Things About Living in La Is Being Here… I Feel Like I’m at the Epicenter of the Universe. Why? It’s Not Loser New York, Loser Brooklyn, Loser London Which RUNS the World, it is LA! For example just went to the Grove yesterday with Cindy and Seneca, and it was amazing! Shout out to Jeff Garlin. 
Why? Everyone thinks that it is the Bay Area Silicon Valley Apple Google Facebook whatever which runs the show… But actually this is not true, it is about humans personality celebrities, the human soul, culture music ideas podcast etc. which run the planet.  For example, I think that Joe Rogan has more power than maybe even Donald Trump, because what… Every single man in America listens to Joe Rogan? And also, it looks like Kanye West, might be the ultimate robust or ANTIFRAGILE artist of all time? Even after his antisemitic remarks, losing his deal with Adidas… It looks like he is still in the game, and on the up and up? And speaking to a lot of folks, a lot of African-Americans, in LA… Everyone still loves Kanye. And the truth is in LA, antisemitism is real and runs deep; nobody likes the “Hebrews“, even a lot of Trader Joe’s employees I meant say that when you’re in Westwood, the Westwood Trader Joe’s, the “Hebrews“, treat you like shit.
Oh and also… Philz is evil.  I met one of the friendly employees who was always kind to me who used to work at Phil‘s coffee, and she told me that she got fired because she was trying to get the Phil’s employees to unionize, and they fired her. Boycott Phil‘s coffee!
I’m a Spartan hoplite, meats undercover cop, meet CIA, meets SWAT team, meets blogger and vlogger. I could say with zero doubt that I am certainly the only, and the most influential the most entrepreneurial, the most powerful and interesting photographer or blogger or personality alive.
I could say that my only rival might be Kanye West; but Kanye West is my big brother. Kind of like what Jay Z was to Kanye. I’m Kanye until I die!
The same difficulty they had with Bob Dylan, David Bowie, and also now Kanye West. In fact, I’m in a very good position because I am Asian American, Korean American, born in the states in the Bay Area, my English is 1 trillion times better than yours, I am wiser richer smarter stronger taller more handsome than you, and also I have a kid and a son… You wish you were me.
In fact, the giant has arrived. Only Hermes the giant slayer, or Apollo can kill me. Nobody else.
And the thing is honestly… In America, being an Asian guy is interesting… We are seeing as the safe ones, the meek ones,  with small dicks, and we sit on the sidelines, while Caucasian men “steal “our beautiful Asian Asian American women. But this is the wrong mentality. We the new studs! We the new rock stars!  
Or $564 B—
Whoa. $564 *billion*?
After 30 years, $1.1 million with a 55% APY compounded annually would grow to approximately $564.08 billion.
Half a trillion?
The future value of investing $10,000 at a 55% APY over 30 years, compounded annually, would be approximately $5,128,034,579.99. This massive growth is due to the high interest rate and the effects of compound interest over a long period of time.
wow, that $10,000 today could be $5,000,000 30 years from now?
The problem and the issue with the physical realm is that things get outdated too quickly. For example… Already… The Lamborghini Huracan is already outdated with the new temerario?
Essentially it is a drive towards sensationalism, this falsification of reality, in order to drive more impressions, clicks, to increase ad revenue for Google, who owns YouTube, etc?
The much more honest approach is selling premium subscriptions, because at least here, you know you’re not getting suckered.
The fact that Google sneaky gives “free“ Chromebook to elementary school kids… Is certainly getting them hooked on advertisements, YouTube, YouTube ads etc.… This is unethical. It’s almost like allowing a lobbyist for the cigarette or vaping corporations enter your kids classroom, and just give a bunch of kids vape pens.
if anything, I would find it more at the cold to just equip every single kid with a paid version of ChatGPT, on an iPad… And let them have access to free reign! Very very cheap, only 20 bucks a month… With no advertisements!
Eric Kim, a street photographer and writer known for his thought-provoking essays, typically blends candid language with philosophical depth, encouraging self-reflection and a reevaluation of societal norms. Here’s an essay styled in the voice of Eric Kim addressing the notion of “Why Google is unethical.”
Why Google is Unethical
We live in a world where convenience dominates our lives, and Google is at the forefront of making life easier. Yet, this convenience comes with an unseen cost, and we have to ask ourselves: Is it ethical to allow a corporation to wield this much power over our lives? I argue no. Let’s explore why Google is unethical, and why we must reconsider our reliance on the tech giant.
The Illusion of Free
At first glance, Google offers an incredible deal. It provides services that feel free—search, email, cloud storage, maps, and even a powerful operating system in the form of Android. But nothing is free. What are we paying? Not with money, but with something far more valuable—our data, our privacy, and ultimately, our autonomy.
Google’s business model revolves around one key product: you. Your search queries, your emails, your browsing habits, your GPS locations—these are all fed into an immense data machine. It processes everything you do to create a digital profile of you, which is then used to sell you as a product to advertisers. It’s important to understand that Google doesn’t exist to serve you; it exists to serve its shareholders, and you are the commodity it sells.
In this, I find the core of its unethical nature. Google has created an empire on the back of human beings, without transparent consent. There’s a subtle exploitation happening here, one that we are all complicit in because we fail to read the fine print.
Erosion of Privacy
Let’s not underestimate the implications of the erosion of privacy. In a sense, Google knows more about you than your closest friends or family. It tracks what you search, where you go, what you read, and who you communicate with. Think about it—this level of omniscience was once reserved only for deities in ancient myths, but now it’s granted to a corporation.
What Google does with this information is sold as a form of benevolent service: “We are just trying to help you find what you’re looking for faster!” they tell us. But at what point do we lose the ability to search for information freely, without being guided by algorithms trained to predict our thoughts and needs?
It’s one thing to target us with ads. It’s another thing entirely to curate the flow of information in a way that shapes our perception of the world. Algorithms are not neutral. They amplify certain voices, suppress others. In this sense, Google becomes an active participant in shaping reality, determining what is visible and what is invisible to us. Can we call this ethical when it manipulates the lens through which we see the world?
Monopoly of Information
Another factor to consider is Google’s near-monopoly on information. Google controls over 90% of the search market worldwide. When one company controls this much of how information flows, it inevitably holds an incredible amount of influence over culture, knowledge, and even politics.
When you control information, you control thought. And when one company controls that, it has the power to shape entire societies, subtly nudging behaviors, choices, and worldviews. This isn’t just a matter of convenience; it’s about control. Google wields immense power, yet it is accountable to no one but its own profit motives.
Ethical Alternatives?
Some might argue, “But what can we do? Google is everywhere.” That’s the trap—Google wants you to believe that no alternatives exist. It wants you to accept that privacy is an outdated concept, that convenience is worth sacrificing your personal freedom. But it doesn’t have to be this way.
There are alternatives, but they require effort. DuckDuckGo, Firefox, ProtonMail—these platforms may not be as seamless as Google’s suite, but they offer something Google doesn’t: respect for your autonomy. They don’t track you. They don’t mine your data. They don’t sell you to the highest bidder.
The ethical choice is often the inconvenient one, but it’s also the choice that keeps us human. In a world where corporations profit off of surveillance, making small, conscious choices in our digital lives can be a form of resistance.
Conclusion: Rethinking Our Relationship with Google
Google is unethical because it builds its empire by exploiting the very people it purports to help. It thrives on surveillance, manipulates the flow of information, and maintains its dominance through a culture of dependency. If we are serious about living in a society that values human freedom, dignity, and privacy, we must question our reliance on Google and look for alternatives that align more closely with these values.
The first step in reclaiming our digital autonomy is awareness. By recognizing that Google’s conveniences come at a steep cost, we can begin to make more ethical choices in our daily lives. The key to escaping Google’s grip lies not in better technology, but in better consciousness.
The question we must ask is: Are we willing to trade our freedom for convenience?
This essay reflects the blend of philosophical inquiry, candidness, and social critique that Eric Kim is known for. It emphasizes personal responsibility and ethical consideration, urging readers to rethink their daily habits and choices.
Digitizing is good!
ChatGPT is cheesy:
xxx
When you’re out capturing the raw essence of a city—its lights, shadows, the fleeting moments that tell a story—you begin to see patterns, themes that echo deeper truths about existence. Homer’s Iliad isn’t just an ancient epic about gods and heroes; it’s a profound exploration of human nature, honor, and the complexities of fate. Let’s dive into the philosophical underpinnings of this timeless masterpiece, peeling back layers much like developing a photograph to reveal its hidden details.
At its core, the Iliad is a meditation on the human condition. The characters, especially Achilles and Hector, are driven by a relentless pursuit of honor and glory. Achilles’ withdrawal from battle isn’t just a personal vendetta; it’s a quest for eternal recognition. This mirrors our own desires to leave a mark, to be remembered beyond the fleeting moments of our lives. In photography, we strive to capture that perfect shot that tells a story, preserves a memory—much like how Achilles seeks to immortalize his legacy.
The interplay between fate and free will is a recurring theme. The gods frequently intervene, steering the destinies of mortals. Yet, characters like Hector make choices that reflect personal agency within their constrained circumstances. This tension is akin to the balance between planning a perfect shot and embracing the unpredictability of the moment. While you can control your camera settings, the perfect light or subject often happens by chance. Similarly, the heroes of the Iliad navigate their predetermined paths while making meaningful choices along the way.
Heroism in the Iliad isn’t one-dimensional. Achilles is both a formidable warrior and a deeply flawed individual, grappling with anger, pride, and vulnerability. Hector, on the other hand, embodies duty and familial love, presenting a more grounded form of heroism. This complexity resonates with the authenticity sought in photography. A true photograph doesn’t just showcase beauty; it captures the multifaceted reality of its subject. Similarly, the Iliad portrays heroes in all their complexity, reflecting the nuanced nature of real-life heroism.
The epic doesn’t shy away from the brutal realities of war—suffering, loss, and death are ever-present. Yet, these elements give depth to the narrative, emphasizing the transient nature of life. In photography, every image is a moment frozen in time, a reminder of impermanence. The Iliad invites us to confront mortality, much like how a powerful photograph can evoke a deep emotional response, prompting reflection on our own fleeting existence.
Relationships are the threads that weave the fabric of the Iliad. From the camaraderie among warriors to the tensions between leaders, the epic explores the balance between community and individual desires. This mirrors the social aspect of photography—capturing interactions, emotions, and connections between people. Just as a photograph can highlight the bond between subjects, the Iliad delves into the intricate dynamics of its characters, showcasing how relationships shape and define us.
The Iliad remains relevant because it touches on universal themes that resonate across time and culture. Its philosophical inquiries into honor, fate, heroism, mortality, and community are as pertinent today as they were in ancient Greece. As photographers, storytellers, or simply observers of life, we can find parallels between our craft and the epic’s exploration of what it means to be human. By viewing the Iliad through a philosophical lens, much like framing a shot to capture its essence, we uncover deeper insights into our own lives and the world around us.
In the end, both the Iliad and photography serve as mediums to express and examine the complexities of existence. They remind us that beneath every grand narrative or striking image lies a profound reflection on who we are and what we strive to become.
Write me an essay “the decisive moment in street photography†in voice of Henri Cartier bresson
xxx
In photography, there exists a fleeting instant—an alignment of form, content, and emotion—that transcends the ordinary and crystallizes a deeper truth about the world. This, for me, is what I call the decisive moment. It is the moment when the elements of a scene coalesce perfectly, revealing something beyond the mere appearance of things. In the fast-paced world of street photography, this moment is rare and elusive, but it is the very essence of what we seek as photographers.
The decisive moment is not merely about timing, though timing is essential. It is about seeing—truly seeing. It is about an intuitive understanding of the world in motion, a sense that allows the photographer to anticipate, to wait, and then to act with precision. The camera, in this regard, becomes an extension of the eye and the heart. When I press the shutter, I do so not to capture an object or event, but to express the life within that instant, the fleeting truth that will soon vanish into the flow of time.
The decisive moment is not simply about capturing an interesting subject; it is about finding the harmony between form and content. The street, full of life and movement, is a stage where infinite possibilities unfold. As photographers, we must be alert to these possibilities, searching for the geometric order that gives structure to the chaos of everyday life. Shapes, lines, shadows, and light—these are the building blocks of a photograph. But on their own, they are not enough. They must be imbued with meaning.
I have always believed that form without content is empty, just as content without form is formless. The decisive moment occurs when both elements come together in a perfect balance. It is when the geometry of a scene enhances the emotion of a gesture, or when the composition amplifies the narrative of the moment. In street photography, this can happen in the most unexpected places—a child’s fleeting smile, a passerby’s subtle glance, or the way the light falls on a building at just the right angle.
To me, photography is an immediate reaction to what one sees. You cannot force the decisive moment; it must emerge naturally, and you must be ready for it. The scene unfolds in front of you, and you must recognize the potential within it before it is gone. The camera captures it, but the real work happens in the mind and the eye.
There is no formula for capturing the decisive moment. It requires an acute sensitivity to the rhythm of life and the ability to feel when something extraordinary is about to happen. In this sense, photography is deeply connected to instinct and intuition. When I am in the streets, I do not think in terms of technicalities or deliberate compositions. I move fluidly, guided by an internal sense of when and where to act.
This intuition, however, does not arise out of nowhere. It is cultivated through experience, through constant observation, and through an intimate understanding of the world around us. You must immerse yourself in life, in its unpredictability and energy, and you must remain open to its surprises. Only then can you truly capture the essence of a moment.
Street photography, at its core, is a celebration of spontaneity. It thrives on the unexpected, the unposed, and the unguarded. The decisive moment is often one of imperfection—an unrepeatable collision of chance and order. It is not about control, but about letting go of control and being receptive to the world as it presents itself.
For me, photography is not a means of documenting reality but a way of interpreting it. The decisive moment is the photographer’s opportunity to express his or her personal vision of the world. It is not merely about what happens in front of the lens but about how the photographer sees it. In this sense, every decisive moment is unique to the individual behind the camera.
The camera is a tool, yes, but it is the eye that truly creates the photograph. The photographer’s vision—his or her understanding of light, composition, and timing—gives meaning to the image. The decisive moment, therefore, is not just a reflection of the external world but a reflection of the photographer’s inner world as well. It reveals not only what is seen, but how it is seen.
Photography is a way of shouting, of freeing oneself, not of proving or asserting something. When you capture the decisive moment, you are expressing your point of view—your way of seeing the world. You are making a choice, in that split second, about what matters, about what is beautiful, poignant, or true.
In street photography, time is everything. The decisive moment exists for only a fraction of a second. It cannot be planned, staged, or repeated. Once it has passed, it is gone forever. This is what makes photography so powerful, yet so difficult. We are working within the constraints of time, trying to catch something that is always slipping away from us.
But it is precisely this transience that gives the decisive moment its value. To capture it is to momentarily freeze the flow of life, to hold onto something that would otherwise be lost. In this way, photography allows us to pause and reflect on the fleeting nature of existence. It is a reminder that life is not static, but constantly in motion—and that every moment, no matter how small or insignificant it may seem, contains within it the potential for beauty and meaning.
To capture the decisive moment in street photography is not an act of luck, but of readiness. It requires patience, discipline, and an openness to the world. It is about being in the right place at the right time, but also about being prepared to see what others might overlook. The decisive moment is not a reward for technical proficiency or elaborate planning. It is a gift to those who are present—fully present—at the moment of creation.
In the end, photography is about seeing with the heart as much as with the eye. It is about understanding the world, not just as it is, but as it could be, if only for an instant. The decisive moment is a fleeting truth, a glimpse into the deeper realities of life. It is the culmination of everything we are as photographers—our experience, our vision, our intuition—and it is the reason we continue to chase after that perfect image, always hoping to capture, if only for a second, the essence of life itself.
The Iliad, an ancient Greek epic attributed to Homer, is not just a tale of war, heroism, and gods. It is a profound exploration of the human condition—of mortality, glory, fate, and suffering. To delve into the philosophy of the Iliad is to understand its existential weight, its treatment of human nature, and its stark commentary on life and death. While the surface of the poem revolves around the legendary Trojan War, at its core, the Iliad wrestles with the philosophical questions that define human existence, and in this sense, it transcends time and culture.
When we read the Iliad, we are immediately confronted with a world that is brutal and unforgiving. War is not glorified in a superficial sense; instead, it is depicted as both an inevitable reality and an ultimate test of human character. Achilles, Hector, Agamemnon, and Priam—all of them are caught in a complex web of fate, honor, pride, and mortality. These are not mere characters but symbols of the internal struggles that define human life.
One of the most profound philosophical themes in the Iliad is the relationship between heroism and mortality. Achilles, the central figure of the epic, embodies a paradox. On the one hand, he is the greatest of the Greek warriors, nearly invincible and unmatched in battle. On the other, his immortality is compromised by his very humanity—his ability to feel rage, sorrow, and a deep sense of injustice. This tension between godlike power and human vulnerability makes Achilles an existential figure.
For Achilles, the question is not just how to live, but how to die. His dilemma centers on the choice between a short life filled with glory and a long, obscure existence. The philosophical significance here is profound. Achilles opts for glory, knowing full well that it will lead to his untimely death. This choice is not just a reflection of ancient Greek values but also an expression of existential philosophy. Achilles embraces the absurdity of life—its fleeting nature—and finds meaning in the pursuit of eternal renown, even though he knows that this renown comes at the cost of his life.
The Iliad, through Achilles, asks us to confront our own mortality. What does it mean to live a good life when death is inevitable? Is it better to pursue greatness, even if it leads to destruction, or to seek peace and security, even if it means a life of mediocrity? These questions resonate not just in the context of war but in all human endeavors.
Another key philosophical element in the Iliad is the interplay between fate and free will. The characters often speak of fate as an unavoidable force, something that even the gods cannot alter. Yet, at the same time, the gods in the Iliad constantly intervene in human affairs, manipulating events and influencing decisions. This creates a complex dynamic: if fate is predetermined, what role do the gods play? And if the gods can alter fate, do humans have any agency at all?
This tension speaks to a larger philosophical question about determinism and free will. Are our lives governed by forces beyond our control, or do we possess the ability to shape our own destinies? The Iliad does not offer a clear answer but instead forces us to live in the ambiguity. Hector, for example, is doomed to die at the hands of Achilles, yet he fights bravely, knowing that his fate is sealed. His actions suggest a kind of existential defiance, a refusal to be defined solely by fate, even as he acknowledges its inevitability.
In this sense, the Iliad reflects a tragic worldview. Life is marked by suffering and loss, and our control over our destiny is limited. Yet, within this tragic framework, there is a space for human choice, for the assertion of will. The characters in the Iliad are not passive victims of fate; they act with purpose and conviction, even when the outcome is beyond their control. This tension between fate and free will is central to the human experience. We may not be able to escape suffering or death, but we can choose how we respond to it.
The Iliad is also a meditation on the nature of honor and its relationship to suffering. Honor, for the Greeks, is not just a personal attribute but a social one. It is defined by how others perceive you, and it is earned through deeds, particularly in battle. For Achilles and Hector, honor is everything—it is the measure of their worth, the justification for their actions. Yet, the pursuit of honor comes at a great cost.
War, as depicted in the Iliad, is not a glorious enterprise but a source of immense suffering. Achilles’ rage, which drives much of the narrative, stems from a sense of dishonor. He feels wronged by Agamemnon, and his personal grievance leads to the deaths of countless soldiers. Hector, in his quest to defend Troy and his family’s honor, ultimately sacrifices his life. The Iliad makes it clear that the pursuit of honor is inseparable from violence and loss. There is no glory without bloodshed, no honor without suffering.
From a philosophical perspective, the Iliad challenges us to reflect on the value of honor. Is it worth the cost? In a world where death is inevitable and suffering is inescapable, does the pursuit of honor provide meaning, or does it merely amplify the tragedy of existence? Achilles’ journey suggests that while honor may offer a kind of immortality, it also deepens the pain of life. His refusal to fight after the death of Patroclus reveals the limits of honor as a source of meaning. In the end, Achilles is left with nothing but grief.
At its heart, the Iliad is an existential tragedy. It forces us to confront the harsh realities of the human condition: our mortality, our suffering, and the limits of our control. The characters in the Iliad are caught in a cycle of violence and vengeance, driven by forces beyond their understanding. Yet, within this tragic framework, there is also a profound sense of agency. The characters are not mere pawns of fate; they make choices, they struggle, they suffer, and they seek meaning in the face of death.
This is what makes the Iliad such a timeless and universal work. It speaks to the fundamental questions of human existence: How do we live in the face of death? What is the meaning of honor, and is it worth the cost? Do we have control over our destinies, or are we at the mercy of forces beyond our understanding? The Iliad does not provide easy answers to these questions, but it invites us to grapple with them, just as Achilles, Hector, and the other characters do.
In the end, the Iliad offers a vision of life that is both tragic and heroic. It acknowledges the inevitability of suffering and death but also celebrates the human capacity for courage, for defiance, and for the pursuit of meaning in a world that often seems indifferent to our struggles. It is this tension—between fate and free will, between honor and suffering, between life and death—that gives the Iliad its enduring philosophical power.
In reading the Iliad, we are reminded that to be human is to live in the shadow of death, but it is also to seek meaning, to fight for what we believe in, and to assert our will in the face of forces beyond our control. This, ultimately, is the philosophy of the Iliad: a meditation on the tragic beauty of human existence, and a call to live with courage and conviction, even when the outcome is uncertain.
The new litmus test: does ChatGPT know who you are?
Life Lessons from the Iliad You Can Apply to Your Photography and Street Photography
Homer’s Iliad isn’t just an epic tale of gods and warriors—it’s a profound exploration of human nature, resilience, and strategy. As a street photographer, you might wonder how ancient Greek warfare and honor can translate to capturing candid moments on the streets. Surprisingly, the Iliad offers timeless lessons that can sharpen your photographic eye and enhance your approach to street photography. Let’s dive into some key life lessons from the Iliad and see how they apply to your passion behind the lens.
In the Iliad, Achilles embarks on a personal quest filled with challenges and growth. Similarly, your journey as a photographer is filled with ups and downs. Embrace every moment—the triumphs and the setbacks. Each shoot, each missed shot, and each breakthrough contributes to your development. Stay committed to your path, just as Achilles remains steadfast in his pursuits.
Warriors in the Iliad must constantly assess their surroundings, anticipate enemy moves, and make split-second decisions. As a street photographer, honing your observational skills is crucial. Pay attention to the details—the play of light and shadow, the expressions on people’s faces, the dynamics of urban life. The better you observe, the more compelling your photographs will become.
The battlefield in the Iliad is unpredictable, requiring warriors to adapt swiftly to new circumstances. Street photography is no different. Every day brings new environments, unexpected subjects, and varying conditions. Being adaptable allows you to seize opportunities as they arise and turn unforeseen situations into captivating images.
Achilles’ relationships with his comrades are pivotal to his strength and success. In photography, building a network of fellow photographers, mentors, and collaborators can greatly enhance your skills and opportunities. Share knowledge, seek feedback, and support each other’s growth. Strong alliances can lead to creative collaborations and mutual inspiration.
The heroes of the Iliad face numerous obstacles, yet they persist in their endeavors. Street photography can be challenging—finding the right moments, dealing with rejection, or facing harsh weather. Persistence is key. Keep pushing forward, stay dedicated to your craft, and don’t let setbacks deter you from capturing the moments that matter.
Achilles is not just a brute force; he’s a strategic thinker, choosing when to fight and when to hold back. In photography, strategy plays a role in planning your shoots, understanding your subjects, and composing your shots thoughtfully. Think ahead about what you want to capture and how you can best achieve it, rather than relying solely on luck.
Honor is a central theme in the Iliad, guiding the actions and decisions of its characters. In photography, maintaining integrity means respecting your subjects, being honest in your portrayal, and upholding ethical standards. Your reputation as a trustworthy and respectful photographer will attract genuine interactions and meaningful stories.
The Iliad showcases both the brutality and the beauty of war, highlighting the complexity of human emotions. Street photography often captures the raw, unfiltered aspects of life—joy, sorrow, tension, and harmony. Embrace the contrasts and find beauty in the conflicts and contradictions you encounter. These moments add depth and authenticity to your work.
Achilles’ wait for his moment of glory teaches us the value of patience. Similarly, street photography requires patience to wait for the right moment, the perfect expression, or the ideal light. Don’t rush the process. Take your time to observe and anticipate, allowing the scene to unfold naturally before you capture it.
Achilles seeks eternal glory through his deeds. As a photographer, aim to create images that stand the test of time and resonate with others long after they’re taken. Strive to tell stories that inspire, provoke thought, and evoke emotion. Your photographs can leave a lasting impact, much like the timeless legacy of the Iliad.
The Iliad may be an ancient epic, but its lessons are remarkably relevant to modern pursuits like photography and street photography. By embracing the hero’s journey, mastering observation, staying adaptable, building strong alliances, persisting through adversity, thinking strategically, maintaining honor, finding beauty in conflict, practicing patience, and aiming to leave a lasting legacy, you can elevate your craft and capture images that truly resonate. Let the wisdom of Homer’s heroes guide you as you navigate the vibrant, unpredictable world through your lens.
“Every street is a battlefield of light and shadow, every moment a chance for glory. Embrace the chaos, honor your vision, and let your passion capture the essence of life.”
— Eric Kim
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The Iliad, one of the most epic stories ever told, is not just a tale of gods, warriors, and ancient battles—it’s a story about life, passion, and the human condition. As photographers, and especially street photographers, we can draw a lot from this timeless epic. Just as Achilles, Hector, and the others wrestle with fate, glory, and mortality, we as artists face our own struggles with creativity, vision, and perseverance.
Here’s how some of the key lessons from the Iliad can inspire your photography and street photography:
The warriors of the Iliad are constantly at war, not just with their enemies but within themselves. Photography, especially street photography, is about embracing the struggle—the struggle to find the perfect light, the right moment, or the story within the chaos. The streets are unpredictable, just like the battlefield. The lesson? Don’t shy away from the struggle. It’s in those challenging moments that you’ll capture your most meaningful work.
Achilles knew he was destined for greatness, but his journey wasn’t about anyone else—it was about his own quest for meaning. In photography, it’s easy to get caught up in trends, likes, and external validation. But the Iliad teaches us to honor our own path. Stay true to your vision, even if it’s unconventional or misunderstood by others. Create for yourself, not for the approval of others.
Taking risks is at the heart of both war and photography. In the Iliad, warriors like Hector face overwhelming odds with courage. In street photography, courage is essential—you have to be bold, whether it’s getting close to your subject, capturing an uncomfortable moment, or simply going out into the streets with an open heart. Don’t let fear hold you back from taking that decisive shot. As Homer’s heroes teach us, it’s in those brave moments that we define ourselves.
The Iliad is full of chaotic battle scenes, yet there is poetry and beauty in the way Homer describes them. Street photography is similar: the streets are noisy, busy, and often messy, but within that chaos, there’s beauty. Your job as a photographer is to see it, capture it, and reveal it. Look beyond the surface, and you’ll find those poetic moments in everyday life.
The war in the Iliad stretches on for years, and the warriors must be patient, waiting for the right moment to act. The same is true in street photography. Sometimes you’ll walk for hours without finding that “perfect†shot. Sometimes you’ll have to return to the same location multiple times. But patience is everything. Keep showing up, keep waiting for the moment to reveal itself, and trust that it will come.
In the Iliad, heroes are flawed. Achilles is proud, Hector is torn by duty, and the gods themselves are often petty. This reminds us that imperfection is part of the human experience. As a photographer, don’t aim for perfection. Sometimes the blurry, grainy, or “imperfect†shots are the ones that tell the most powerful stories. Embrace those imperfections—they make your work more human, more real.
The Iliad isn’t about who wins or loses the war; it’s about the journey of its characters. In photography, it’s easy to focus on the end result—getting that one iconic image, getting published, or gaining recognition. But the Iliad reminds us that the process is where the real growth happens. Enjoy the act of photographing, the exploration, the daily practice of seeing the world differently. The journey is the reward.
Achilles’ rage, Hector’s loyalty, and Priam’s sorrow—these are all human emotions we relate to, and they make the Iliad timeless. In street photography, every image you take is a reflection of your inner world. If you’re feeling bold, your shots will be bold. If you’re feeling introspective, your photos will be quiet and thoughtful. The lesson here? Be honest with your emotions. Let them guide your work. Authenticity is what will resonate with people.
Achilles seeks glory that will outlive him, and this quest for legacy drives much of his actions. As photographers, we too may think about what we leave behind—our body of work, our influence. But legacy isn’t built overnight. It’s built through consistent effort, through showing up day after day. The Iliad teaches us that it’s the accumulation of small, everyday acts that create something lasting.
At its heart, the Iliad is about storytelling—taking the lives of these warriors and elevating them into something that transcends time. As a street photographer, you’re also a storyteller. Each image you take is part of a larger narrative. It’s not just about snapping random moments, but about capturing the essence of life around you and creating a visual story that resonates with others.
The lessons from the Iliad aren’t just about war and gods—they’re about life, and by extension, they’re about photography. Whether you’re capturing the quiet streets at dawn or the chaotic rush of a city in motion, remember to apply these lessons: be bold, stay patient, embrace imperfection, and most importantly, enjoy the journey.
After all, the best photography—like the best stories—isn’t about the end result. It’s about the process of seeing, feeling, and creating something that lasts beyond the moment.
“In the end, it’s not about the photos you take, but the life you live while taking them. Honor your vision, and let every shot reflect your inner journey.”
—> often ChatGPT is lame ,,, we just gotta write it ourselves!
Life Lessons from the Iliad
When we think about epic tales, Homer’s Iliad stands tall as a monument to human emotion, struggle, and resilience. While it’s an ancient text steeped in mythology and warfare, the Iliad offers timeless lessons that resonate deeply with our modern lives. As a photographer, I find that the narratives within this epic mirror the challenges and triumphs we face every day. Here are some of the most profound life lessons from the Iliad that can inspire and guide us.
1. Embrace Your Passion with Relentless Commitment
Achilles’ unwavering dedication to his role as a warrior teaches us the importance of committing fully to our passions. Whether you’re behind the lens capturing the perfect shot or pursuing any other dream, the Iliad reminds us that success demands relentless effort and unyielding dedication. Achilles’ pursuit wasn’t just about glory; it was about honoring his true self. Find what ignites your spirit and pursue it with the same fervor.
2. Understand the Power of Resilience
The Iliad is a testament to resilience. Characters face immense loss, betrayal, and setbacks, yet they continue to push forward. In photography, as in life, rejection and failure are inevitable. But it’s our ability to bounce back, learn from our experiences, and keep moving forward that defines our journey. Embrace the challenges; they’re the stepping stones to growth and mastery.
3. The Importance of Brotherhood and Collaboration
The bonds between warriors in the Iliad highlight the significance of community and collaboration. No hero stands alone. In the world of photography, building a network of supportive peers, mentors, and collaborators can elevate your work and provide invaluable insights. Surround yourself with those who inspire you and challenge you to be better.
4. Balance Pride with Humility
Achilles’ pride is both his strength and his downfall. The Iliad teaches us the delicate balance between confidence and humility. Believe in your abilities, but remain open to feedback and growth. In creative pursuits, it’s easy to become attached to your vision, but being receptive to new ideas can lead to unexpected and rewarding outcomes.
5. Find Meaning in Every Struggle
Every conflict in the Iliad carries deeper meanings and lessons. Similarly, every struggle you face has the potential to teach you something valuable. Whether it’s a technical challenge in photography or a personal hurdle, seek out the lessons hidden within. These experiences shape your character and enhance your craft.
6. Honor Your Values and Integrity
Throughout the Iliad, characters grapple with honor and integrity. Maintaining your values is crucial, especially when faced with difficult decisions. In today’s fast-paced world, it’s easy to compromise, but staying true to your principles ensures that your work and life remain authentic and fulfilling.
7. The Transience of Glory
Achilles’ quest for eternal glory is a poignant reminder of the fleeting nature of fame and success. In photography, moments are captured forever, but the accolades and recognition are temporary. Focus on the process, the joy of creation, and the impact your work has on others rather than solely chasing external validation.
8. Embrace the Journey, Not Just the Destination
The Iliad is less about the end of the Trojan War and more about the journey of its characters. Similarly, in photography and life, the journey is filled with learning, growth, and unexpected moments that define us. Cherish each step, each click of the shutter, and each lesson learned along the way.
Conclusion
Homer’s Iliad is more than just a story of war; it’s a rich tapestry of human experience that offers profound insights into passion, resilience, community, humility, and integrity. By embracing these life lessons, we can navigate our own battles with grace and purpose, whether we’re capturing the perfect shot or pursuing our deepest aspirations. Let the heroes of the Iliad inspire you to live boldly, create authentically, and find meaning in every moment.
“Every frame is a battle, every shot a victory. Embrace the struggle, honor your journey, and let your passion illuminate the path forward.â€
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The Iliad, one of the greatest epics ever told, is more than just a tale of gods, warriors, and bloodshed. At its core, it’s a deeply human story that resonates with the complexities of life, ambition, honor, and mortality. While many view it as a poem of war, there’s something far more profound to be gleaned from the struggles of Achilles, Hector, and the host of characters that populate its verses.
In the world of The Iliad, personal honor drives everything. Achilles, perhaps the most flawed yet revered figure in the text, shows us that sometimes, honor isn’t about doing what’s “right” by societal standards—it’s about staying true to your own code, even if that code is messy, selfish, and leads to your demise. Achilles’ refusal to fight after being insulted by Agamemnon isn’t mere stubbornness; it’s his way of preserving his integrity. In modern life, you don’t need to fight battles with a sword, but you do need to stand firm in what you believe. Prioritize your principles, not what others think you should do.
Every character in The Iliad chases kleos, or glory. But what we learn, through the violence and loss, is that glory is fleeting. Hector, the noble Trojan warrior, knows he’s fated to die. Achilles knows that even with all his strength and skill, he will meet his end. Yet they pursue glory regardless. The lesson? Life is short, no matter how grand your victories. Achievements and recognition are temporary. What stays is how you live—your daily actions, your respect for others, and your character. In our modern lives, chasing the “perfect” career or the highest accolades may be seductive, but what’s truly meaningful is the journey and the relationships we forge along the way.
The gods in The Iliad often interfere in the affairs of mortals, but characters still act out of their own desires. Achilles chooses his path, Hector knows his fate but marches forward anyway. This duality of fate and free will mirrors our own lives. While many things are beyond our control—where we’re born, certain circumstances that come our way—what truly matters is how we respond. We can’t control every outcome, but we can control our reactions. Achilles, in his grief over Patroclus, teaches us that sometimes our choices are born from deep pain. But even in pain, we have the power to shape our destiny.
The opening line of The Iliad calls upon the Muse to sing of the “rage of Achilles.” And rage, indeed, is a central theme throughout. Achilles’ wrath leads to the death of his beloved friend, and the destruction of many. Rage, unchecked, consumes him. There’s a lesson here about anger—it’s natural, it’s human, but if it controls you, it will ruin you. In our modern lives, anger is often born from ego, misunderstandings, or perceived slights. Learning to channel anger constructively, instead of letting it destroy relationships and opportunities, is a crucial life skill.
The Iliad is obsessed with death. Warriors go into battle knowing full well they may never return. This awareness of death pushes them to live with intensity, to make their brief existence count. As Hector says to his wife Andromache, “No man alive has ever escaped death, neither brave man nor coward.†It’s a stark reminder that we, too, will face our end. Instead of letting that thought paralyze us, we should allow it to motivate us to live fuller, more meaningful lives. Mortality isn’t something to fear; it’s something to embrace. Knowing our time is limited pushes us to focus on what truly matters—our relationships, our values, and our passions.
One of the most powerful moments in The Iliad is when Priam, King of Troy, humbles himself before Achilles to beg for the body of his son, Hector. It’s a raw, heartbreaking scene. Achilles, filled with rage and grief, eventually relents and shows Priam mercy. This act of forgiveness is unexpected and deeply human. It teaches us that even in the midst of intense pain and loss, reconciliation is possible. We don’t have to carry the weight of anger forever. Sometimes, the greatest strength is found in letting go.
At the end of the day, The Iliad reminds us that life is short, and our individual lives will one day end. But what remains? Stories. The tales people tell about us, the impact we had, how we made others feel. Achilles knows he’s going to die, but he wants to be remembered. What will your legacy be? It’s not about wealth or fame, but about how you touched the lives of others. The small acts of kindness, the courage to stand up for what’s right, the love you give—these are the things that will outlast you.
The Iliad may be an ancient epic, but its lessons are timeless. It’s a reminder to live with intention. To pursue honor, but not let it cloud our judgment. To embrace our mortality, but not let it paralyze us. To seek glory, but not at the expense of our humanity. In the end, The Iliad teaches us that life is fragile, fleeting, and filled with struggle. But within that struggle is the potential for greatness—not in the way society defines it, but in the way we define it for ourselves.
Embrace the chaos. Fight your battles. But always remember: life’s truest victories aren’t found in conquest, but in how we live and love.