• The Will to Lightness

    The philosophy of lightness —>

    I like this idea of light living; then lightweight, a light heart, lightweight heart, lightweight cares etc. A world which is anti-atlas; no no no, you’re not holding the weight of the world on your shoulders.

    Why heavy?

    I have an interesting idea; I like white heart, a lightweight soul… And on the converse, heavy weights, heavy barbells?

  • Single Family Homes are a *NEGATIVE YIELD*?

    Especially just maintenance fees and “remodeling” stuff? And taxes fees and property taxes mortgages etc!

  • Negative Yield

    Never buy anything with loses value and gives you a negative yield — expensive premium gasoline, expensive electric cars, expensive iPhone Pros, gas guzzlers … things cars vehicles Ferraris Porsches Lamborghinis which cost a small fortune to just even maintain? Same for single family homes!

    Avoid —

    purchasing a superficial static device which just starts to immediately *LOSE* value — negative yield , negative yielding products and things?

  • The Joy of Investing

    Investing is actually an ethical imperative… As it encourages you to plan anything for the future? To live more economically frugally, because you have more joy investing in the market, seeing things go up! Rather than purchasing a superficial static device which just starts to immediately *LOSE* value — negative yield , negative yielding products and things?

  • VISION

    Once you got an ultra vision,,, decisions become insanely easy and obvious?

  • DE-MOD

    To de-modify something is almost equivalent to modifying it?

  • ZEN BODY.

    Perhaps the body to strive for, is the body in which you feel glorious about your body, and you don’t really feel like you need to “improve”, yet you still do it because you enjoy it, it is just fun and play for you?

  • GOALS

    My new goals, my new physical goals is maybe doing some sort of farmers carry exercises and exercise exercises in order to build my arm bicep strength to just carry around Seneca all day?

  • Nothing really bothers me anymore

    The real stoic way? 

  • The Zen of Money

    The funny and interesting irony about money is that it should be a Zen thing; — money as a means to *NOT* think about money

  • WHAT A WONDERFUL WORLD!

    I am a new type of human being?

  • REAL MANLY WEIGHT LIFTING

    We the new ones!

  • Virtuous Vanity, Shameful Vanity?

    virtual vanity has anything to do with beautifying your body, your physical strength your power of your physical appearance, assuming you’re naked, not taking any steroids or doing any sort of surgeries or injections.

    Shameful Vanity has to deal with social media, social media numbers, money monetary values of things, the car you drive your clothes your fashion accessories etc.

    Shameful to drive a Ferrari Lamborghini or Porsche 911 GT 3 RS, Virtual is to flex your muscles topless in the flesh!

  • Evolution of the Word “Trauma” from Physical Injury to Mental Trauma

    Origin in Ancient Greek:

    • The term “trauma” (τραῦμα) originates from Ancient Greek, where it literally means “wound” or “injury.”

    • In ancient texts, it was used exclusively to refer to physical injuries inflicted on the body, often in the context of battle wounds or accidents.

    Adoption into Latin and Other Languages:

    • The word was adopted into Latin as “trauma,” retaining its original meaning of a physical wound.

    • From Latin, it entered medical terminology in various European languages, including English, still primarily referring to physical injuries.

    Transition to Psychological Meaning:

    19th Century Developments:

    • Industrial Accidents:

    • The Industrial Revolution brought about a rise in severe accidents, leading to what was termed “railway spine” or “traumatic neurosis”—conditions where individuals exhibited psychological symptoms after physical injuries.

    • Medical Observations:

    • Physicians began noticing that some patients displayed lasting psychological effects after traumatic physical events, even when physical healing had occurred.

    • This led to the concept that trauma could have both physical and psychological components.

    Sigmund Freud and Psychoanalysis:

    • Freud’s Theories:

    • In the late 19th and early 20th centuries, Sigmund Freud and Josef Breuer explored the idea of psychological trauma in their work on hysteria.

    • They proposed that repressed traumatic memories could lead to neuroses and other psychological disorders.

    • Key Publications:

    • “Studies on Hysteria” (1895) by Freud and Breuer discussed cases where patients’ symptoms were linked to traumatic experiences rather than physical injuries.

    • Freud introduced the concept of “psychic trauma,” emphasizing that emotional shock could have profound effects on mental health.

    Influence of World Wars:

    World War I:

    • Shell Shock:

    • Soldiers exposed to the horrors of trench warfare exhibited symptoms like anxiety, nightmares, and paralysis without obvious physical causes.

    • The term “shell shock” was coined to describe these psychological responses to extreme stress and trauma.

    • Medical Recognition:

    • The medical community began to recognize that exposure to traumatic events could result in significant psychological disorders.

    World War II and Aftermath:

    • Combat Stress Reaction:

    • Similar observations were made during WWII, with terms like “battle fatigue” or “combat stress reaction” used.

    • Post-Traumatic Stress Disorder (PTSD):

    • The Vietnam War further highlighted the long-term psychological effects of trauma.

    • In 1980, the American Psychiatric Association officially included PTSD in the Diagnostic and Statistical Manual of Mental Disorders (DSM-III), acknowledging trauma’s impact on mental health.

    Modern Understanding of Trauma:

    Psychological Trauma:

    • Definition Expansion:

    • Today, “trauma” encompasses experiences that cause overwhelming stress and exceed an individual’s ability to cope.

    • It includes not only combat exposure but also events like natural disasters, abuse, accidents, and witnessing violence.

    • Symptoms:

    • Psychological trauma can lead to a range of symptoms, such as anxiety, depression, flashbacks, and emotional numbness.

    Neuroscience and Trauma:

    • Brain Research:

    • Advances in neuroscience have shown that traumatic experiences can alter brain function and structure.

    • Studies reveal changes in areas responsible for memory, fear response, and emotional regulation.

    Summary of Evolution:

    1. Ancient Usage:

    • Physical Injury: “Trauma” used exclusively for physical wounds in Ancient Greek and early medical texts.

    2. 19th Century Shift:

    • Linking Mind and Body: Observations of psychological symptoms following physical injuries led to the idea of trauma affecting mental health.

    3. Psychological Recognition:

    • Freud’s Influence: Introduction of concepts like “psychic trauma” and exploration of the unconscious mind’s role in processing traumatic events.

    4. Global Conflicts:

    • World Wars’ Impact: Widespread psychological effects among soldiers brought attention to trauma-induced mental disorders.

    5. Modern Definition:

    • Inclusive Understanding: Trauma now refers to both physical injuries and psychological harm resulting from distressing experiences.

    Conclusion:

    The evolution of the word “trauma” reflects a growing understanding of the intricate connection between the physical and psychological aspects of human health. Originally describing physical wounds, “trauma” has expanded to encompass the profound psychological impacts that adverse experiences can have on individuals. This shift underscores the importance of recognizing and addressing mental health needs resulting from traumatic events.

    References:

    • Freud, S., & Breuer, J. (1895). Studies on Hysteria.

    • van der Kolk, B. A. (2014). The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma.

    • American Psychiatric Association. (1980). Diagnostic and Statistical Manual of Mental Disorders (3rd ed.).

  • Evolution of “Injury” from “Injustice” to “Physical Harm”:

    trauma — wound, physical injury.

    …

    The word “injury” originates from the Latin term “injuria,” which initially meant “a wrong,” “injustice,” or “illegal act.” This broad concept encompassed any violation of rights, whether legal, moral, or social. In medieval and early modern English, “injury” was used to describe various forms of wrongdoing or harm inflicted upon a person, including damage to reputation, property, or legal rights.

    Over time, as legal systems and societal norms evolved, there was a need to categorize different types of wrongs more specifically. Physical harm to a person’s body was one of the most tangible and grievous forms of injustice, often requiring immediate redress. As a result, the term “injury” began to be closely associated with physical harm or damage. This shift was gradual and influenced by legal language, where “injury” became a standard term for bodily harm in both civil and criminal contexts.

    The evolution can be attributed to:

    1. Legal Usage: Courts and legal documents started specifying “injury” to mean physical harm, distinguishing it from other forms of wrongs like defamation or breach of contract.

    2. Common Parlance: As legal terms permeated everyday language, people began using “injury” predominantly to refer to physical wounds or damage.

    3. Medical Contexts: With advances in medicine, there was a greater focus on diagnosing and treating physical injuries, further cementing the term’s association with bodily harm.

    Terms for Physical Injuries in Ancient Greek and Latin:

    In both Latin and Ancient Greek, specific terms were used to denote physical injuries, distinct from words meaning general injustice or wrongdoing.

    Latin Terms:

    1. Vulnus (plural: Vulnera):

    • Meaning: “Wound” or “physical injury.”

    • Usage: Used to describe any physical wound or lesion inflicted by an external force.

    • Example: In Virgil’s Aeneid, the term is used to describe the wounds of warriors in battle.

    2. Laesio (plural: Laesiones):

    • Meaning: “Harm,” “hurt,” or “physical damage.”

    • Usage: Often used in medical or legal texts to refer to physical harm or impairment.

    • Derivative: The term “lesion” in modern English medical terminology comes from this word.

    3. Noxa:

    • Meaning: “Harm” or “injury,” sometimes with a connotation of fault or liability.

    • Usage: Used in legal contexts, particularly in Roman law regarding personal injury and liability.

    Ancient Greek Terms:

    1. τραῦμα (Trauma):

    • Meaning: “Wound” or “physical injury.”

    • Usage: Referred to physical wounds, especially those suffered in battle or accidents.

    • Derivative: The English word “trauma,” used in medical and psychological contexts, is derived from this term.

    2. βλάβη (Blábē):

    • Meaning: “Harm,” “damage,” or “injury.”

    • Usage: Could refer to physical harm or more abstract forms of damage.

    • Context: Used in philosophical texts to discuss harm to the body or soul.

    3. πληγή (Plegé):

    • Meaning: “Strike,” “blow,” or “wound.”

    • Usage: Often used to describe the act of being struck and the resulting injury.

    • Derivative: The term “paraplegia” in modern medical terminology stems from this word.

    Summary:

    While “injuria” in Latin and its early English counterpart “injury” initially referred to general injustice or legal wrongs, the specific and tangible nature of physical harm led to a semantic narrowing. The need to address and remedy bodily harm in both legal and medical contexts made “injury” the prevalent term for physical wounds. In ancient languages, distinct words like “vulnus” and “trauma” were used to specifically denote physical injuries, highlighting the importance of precise terminology in addressing different forms of harm.

  • What’s the etymology of injury?

    Not+just (injuria… wrong, injustice)— judge?

    jus, right, law… same as justice.

    ***

    How and why did the word injury evolve then to talk about physical injuries, comma, then when it talks about physical injuries in ancient Greek, Latin, what is it?

    The word “injury” originates from the Latin term injuria, which means “wrong” or “injustice.” This Latin word is a combination of in-, meaning “not,” and jus, meaning “right” or “law.” So, injuria literally translates to “not right” or “unlawful act.”

    The term was adopted into Old French as injurie, retaining its original meaning related to injustice or wrongful action. When it entered the English language in the Middle Ages, it began to take on the additional sense of physical harm or damage resulting from a wrongful act. Over time, “injury” came to primarily denote physical harm, although it still carries connotations of wrongdoing or violation of rights.

  • The virtue of doing stuff yourself

    About to change the oil on my 2010 Prius, I haven’t done this in a while since I was maybe 18… Or 16, maybe in the past it was because I didn’t have money to afford to pay somebody to do it for me, but now that I have the money, owrhaps the virtue of doing stuff yourself like changing your own oil is that first, a point of pride, second, demystifying the process which is very motivational and empowering, and third, annoyance and time?

    I think the annoyance and time thing is the biggest one; whenever you go to a place to get your oil change, you always have to wait in line, and you always feel stupid because you always feel like you overpaid? And the funny thing is it doesn’t really matter whether you’re rich or not, you’ll always feel ripped off?

    The feeling of getting a “good deal”?

    Sometimes and often times when the labor yourself could be a little bit foolish, but assume that you do it safely, don’t hurt yourself, and it just works out fine… Then maybe just doing stuff yourself is virtuous?

    And the feeling of pride; knowing that you use the top shelf oil, mobile one synthetic, in which you have this funny mental cactus that you feel like you’re getting superior performance and miles per gallon, even reality it might not make much of a difference ,,, but perhaps the thought and *perception* is what makes it all worth it!

    Pride

    Let it say you buy a new Ferrari or Lamborghini or whatever… Certainly if you drive it around you will feel a sense of pride?

    However, wouldn’t it be much more economical wise smart and more effective and efficient to instead, drive around your 2010 Prius, which you essentially got for free, and feel that same sense of pride, maybe even a superior sense of pride, without having to spend $500,000?

    Feeling *superior* pride?

    Once again, let me never forget… Then saying sense of pride and joy I had, buying my own car, my dream car… 1991 Nissan Sentra SE-R, two door coupe stick shift 5 speed manual, and having the pride that I paid for it myself, modified it myself, did all the labor myself, and also the insane pride that it wasn’t manual transmission not a automatic (auto-tragic haha)!

    It must have manual

    Even Seneca and I joke; whenever you see a race car or a sports car that has buttons or is automatic, which doesn’t have a manual transmission… It is a fake race car or a fake sports car! McLaren, Lamborghini most Porsche 911 GT3 RS’, Ferraris etc.

    Better to have a civic type R in stick shift, or even a GR Corolla, stick shift, instead of any of these other loser cars?

  • Search how to change oil in 2010 Prius.

    Changing the oil in your 2010 Toyota Prius is a manageable task you can perform at home with the right tools and precautions. Below is a step-by-step guide to help you through the process.

    Materials Needed:

    • Engine Oil: Approximately 4.4 quarts of 0W-20 synthetic motor oil

    • Oil Filter: New oil filter compatible with a 2010 Prius

    • Drain Pan: To catch the old oil

    • Wrenches:

    • 14mm socket wrench for the drain plug

    • Oil filter wrench

    • Funnel: For adding new oil

    • Jack and Jack Stands or Ramps: To lift and secure the vehicle

    • Protective Gear: Gloves and safety glasses

    • Rags or Paper Towels: For cleaning spills

    Step-by-Step Instructions:

    1. Prepare the Vehicle:

    • Park on a level surface and turn off the engine.

    • Engage the parking brake to prevent the car from moving.

    • Open the hood and remove the oil filler cap to allow air to circulate.

    2. Warm Up the Engine (Optional):

    • Start the engine and let it run for about 5 minutes to warm the oil, making it easier to drain.

    • Turn off the engine before proceeding.

    3. Lift the Vehicle:

    • Use a jack to lift the front of the car and place it securely on jack stands. Alternatively, drive the car onto ramps.

    • Ensure the vehicle is stable before getting underneath.

    4. Locate the Oil Drain Plug and Filter:

    • Crawl under the vehicle and find the oil pan at the bottom of the engine.

    • The drain plug is a bolt on the oil pan’s bottom edge.

    • The oil filter is located nearby; consult your owner’s manual if needed.

    5. Drain the Old Oil:

    • Place the drain pan beneath the drain plug.

    • Use the 14mm socket wrench to carefully loosen and remove the drain plug.

    • Allow the oil to drain completely into the pan (this may take several minutes).

    • Inspect the drain plug washer for damage; replace it if necessary.

    • Reinstall the drain plug and tighten securely (do not over-tighten).

    6. Replace the Oil Filter:

    • Position the drain pan under the oil filter to catch any residual oil.

    • Use the oil filter wrench to loosen and remove the old filter.

    • Prepare the new filter by applying a thin layer of new oil to the rubber gasket.

    • Install the new filter by hand, turning it until it’s snug. Do not over-tighten.

    7. Lower the Vehicle:

    • Safely remove the jack stands and lower the car back to the ground.

    8. Add New Oil:

    • Insert the funnel into the oil filler hole.

    • Pour in approximately 4.4 quarts of the 0W-20 synthetic motor oil.

    • Replace the oil filler cap securely.

    9. Check the Oil Level:

    • Start the engine and let it run for a minute to circulate the new oil.

    • Turn off the engine and wait a few minutes.

    • Pull out the dipstick, wipe it clean, reinsert it fully, and then pull it out again to check the oil level.

    • Ensure the oil level is between the “Min” and “Max” marks on the dipstick. Add more oil if necessary.

    10. Clean Up and Dispose of Old Oil:

    • Wipe down any spilled oil from the engine and surrounding areas.

    • Pour the used oil into a seal-able container.

    • Recycle the old oil and filter at an authorized collection center or auto parts store.

    Safety Tips:

    • Never work under a vehicle supported only by a jack; always use jack stands.

    • Wear protective gear to prevent skin contact with used oil.

    • Dispose of used oil properly to protect the environment.

    Additional Information:

    • Maintenance Schedule: Toyota recommends changing the oil every 5,000 to 10,000 miles or every 6 to 12 months, depending on driving conditions.

    • Owner’s Manual: Always refer to your vehicle’s owner’s manual for specific details and torque specifications.

    • Warning Signs: If you notice oil leaks or a drop in oil level between changes, consult a professional mechanic.

    If you have any more questions or need further assistance, feel free to ask!

    ….

    Changing the oil in a 2010 Toyota Prius is a fairly straightforward process, and you can do it at home with the right tools and precautions. Here’s an overview of the key steps involved:

    Tools & Supplies:

    • 14mm socket for the oil drain plug.

    • 64mm oil filter wrench with 14 flutes.

    • Torque wrench (for tightening the drain plug and oil filter).

    • A new oil filter (e.g., Toyota 04152-YZZA6).

    • Crush washer for the drain plug.

    • 0W-20 synthetic oil (typically around 4 quarts).

    • Jack, jack stands, and an oil catch pan.

    Steps:

    1. Warm up the engine by running it for about 10 minutes to help the oil drain more easily.

    2. Lift the vehicle using a jack and support it securely with jack stands. Make sure you’re working on a flat, stable surface. Engage the emergency brake and block the rear wheels for added safety.

    3. Remove the service panel: Underneath the front passenger side, you’ll find a small access panel (marked “For Service”). Remove the fasteners to open it and access the oil drain bolt and filter  .

    4. Drain the oil: Position your oil catch pan under the oil pan. Use the 14mm socket to remove the drain bolt and let the oil drain out completely. Replace the crush washer on the drain bolt before reinstalling it and torque it to around 28 ft-lbs .

    5. Replace the oil filter: Use the 64mm oil filter wrench to remove the oil filter cap. Replace the filter and the O-ring, lubricating the new O-ring with some fresh oil. Tighten the oil filter cap to about 18 ft-lbs  .

    6. Refill with oil: After lowering the car, pour in about 4 quarts of 0W-20 synthetic oil into the engine. Reinsert the oil filler cap and check the dipstick to ensure proper oil levels .

    7. Check for leaks: Start the engine and let it run for a few minutes. Check underneath for any leaks around the drain plug and oil filter.

    Lastly, dispose of the used oil properly by taking it to a recycling facility.

    This process takes about 30-45 minutes if you’re familiar with basic car maintenance. Be sure to follow all safety precautions, especially when jacking up the car  .

  • The Philosophy of Evolution

    Another big idea on my mind; the idea of evolution.

    So, the question is… Do you want to remain a Charmander, or level one forever, or do you want to become the Charizard, get the Firestone, and level up to 99, level 255 and beyond?

    The missing no hack

    So back in the days of Pokémon, the original red and blue, I never owned a game boy in my life but I had an emulator on my computer. I was able to play Pokémon red, 10 X speed, which is very useful in emulator because you could just run around a lot faster, save, and also advance through the levels much more quickly. 

    One big thing is in the game… There was some sort of glitch or a bug where you could jump on your whale, and there’s this one hidden island in which if you just kept going up and down it… You would meet a glitch in the game which was called the missing number (missing no), and if you fought it, with a certain Pokémon like a Snorlax… Essentially you could capture and level up a Snorlax, to be beyond the typical hard cap of 99.

    So in the world of Pokémon, essentially all Pokémon start off at level 1 or something, and you could advance it through training to level 99. But the hard cap was level 99. No matter how many more battles you did or experience points you gained, you could not go beyond level 99. 

    And this is where the missing no hack was so mind blowing at the time; through a simple glitch in the game, unbeknownst to its programmers, you could actually level up a Pokémon beyond level 99, when we all thought the hard cap was level 99, no, you could become a level 120, 200, maybe even 300?

    Does real life have hard caps?

    Another paradigm shift; do you remember when we were kids we were used to watch the who wants to be a millionaire, and the goal was to become a millionaire. But now if you’re a millionaire, you might be able to buy half of a decent condo somewhere in LA. Even nowadays, it is not uncommon to see single-family homes in Culver City sell for $3.2 million.

    And also I was shocked; I think Elon Musk is currently worth $270 billion? Even a decade ago, the idea that somebody could become a billionaire seems impossible, but now… A centi billionaire? I wouldn’t be shocked if in a decade he becomes a trillionaire. 

    Paradigm shift

    I recall when I was in Vietnam, around 2017… I started to first track bitcoin, windows around $300 a bitcoin. At the time, maybe the reason I didn’t buy it or invest in it because I didn’t really have a good reason to. I had already achieved my financial independence, And retired at the ripe age of 28 years old.

    In fact, she found that when I’m talking to people in LA, the greatest sign of success actually is just half jokingly tell people that I’ve been retired since I was 20 years old? And that I’m 36 years old right now and I’m still retired?

    I think typically, maybe the general idea of being retired is the point in which you no longer concern yourself with money, and that making money is an optional thing, maybe like a pastime game a hobby… But not an imperative; which means you don’t need to work in order to pay the rent or the bills or the mortgage. 

    Anyways, now that bitcoin is trading at around $66,000 a bitcoin, even when I first got into the game in around 2018 at around six to $7000 a bitcoin, I’ve already gone through them multiple roller coaster the emotional roller coaster many times over. And as a consequence, I’m not really concerned about prices anymore. Why? Because I’m playing the long game; 10 20, 30 years from now.

    Seeing my mom become a great grandmother?

    A new random life trajectory and goal; maybe wanting to have my mom live until my son Seneca gets married, and has a kid of his own?

    That would be wild, my mom is currently around 70, and assuming that even on the aggressive case, he might have a kid at the age of 33… My mom has to live at least another 30 years, ideally healthy and full of physical figure and mental consciousness.

    Than 30 years from now, I will be 66 years old… Still in my prime period and Seneca will be 33 years old.

    30 year cycles?

    Maybe this becomes interesting to me because a generation is 30 years. Cindy and I got married on paper when we were 24… And now that this upcoming December I guess we are celebrating our 10 year wedding anniversary! Pretty wild.

    Anyways, then thinking about your kid and their future becomes quite easy and straightforward. I think maybe a lot of the modern day malaise that people suffer is that they have nothing to live for; because they are not married, they don’t have kids, nor do they intend to have kids.

    I get it, some people never find the right partner, some people with good hearts end up going through bad marriages and getting divorced two or three times, some people might physiologically be too old to bear children. But assuming that you are a healthy able bodied person, I almost feel like there’s no reason to not have a kid.

    I think the big secret is raising a kid is actually honestly not that hard. Certainly in the early years, the first six months, is very physical psychologically painful, but then again, I would imagine that navy seal training might be 100 times harder.

    And for everyone who’s concerned that their kid is going to end up being screwed up or whatever… No. Why? Because you yourself are well adjusted, you yourself have good morals and ethics, which means that your kid will be fine.

    Also… Maybe something I need to rally against is this alarmism, like the world is going to melt or whatever. A decade ago they called this global warming, and now they call climate change or now they talk about the carbon footprint or something? The verbiage in the lingo always changes, but the general idea of the world going to overpopulate and exploit has been going on for millennia; The Malthus fallacy.

    I think what a lot of these fools and goody two shoers don’t understand is that technology, human ingenuity is not linear or scalar, which means, the planet is not zero sum.

    For example, people talk about the carbon footprint blah blah blah but they never actually critically give it any thought. Now that we have ChatGPT at our hands and we can search this information in real time, what I discovered is the concentration of carbon dioxide in the earth’s atmosphere is currently .0421%, in 30 years ago in 1993 it was approximately .0357%,,, which means that the percentage point increase of carbon dioxide levels in the last 30 year was was only .0064% percentage points? 

    The current concentration of carbon dioxide (CO₂) in Earth’s atmosphere is 0.0421%, and 30 years ago, in 1993, it was approximately 0.0357%. This represents a 0.0064 percentage point increase in CO₂ levels over the past 30 years

    Honestly, all of this hysteria about the carbon footprint, I think it is just another way for these vegan solar power plant corporations to make a quick buck.  or even worse, politicians to sign certain things to enrich in themselves and their buddies, behind back doors.

    In fact, if I could tell you with 100% certainty that 5000 years from now, the planet will be fine, it might be 20% worse than it is right now, 20% better, or about the same as it is in the year 2024… Would that change how you live your life?

    what is in our control, what is not in our control?

    I think the first thing to consider is things like climate change or plan change or whatever is certainly not really in our locus of control. Certainly things you could do  is like thinking about tailpipe mission; if you have ever smelled a car without a catalytic converter attached, you know how toxic it is. Or the secondhand cigarette smell smoke, also very toxic. Or secondhand marijuana smoke, which I also hate.

    Anyways, I think the big idea here is try to just focus on things which you could control, where you could actually make a meaningful impact, rather than trying to save the whole “planet“? Which seems to be kind of a ridiculous goal? 


  • Search the current percentage of carbon in the Earth’s atmosphere, compare it from 30 years ago until now.

    The current concentration of carbon dioxide (CO₂) in Earth’s atmosphere is 0.0421%, and 30 years ago, in 1993, it was approximately 0.0357%. This represents a 0.0064 percentage point increase in CO₂ levels over the past 30 years  .

    …

    The concentration of carbon dioxide (CO₂) in Earth’s atmosphere is currently 0.0421 (421 parts per million) as of 2022. Thirty years ago, in 1993, it was approximately 0.0357 (357 parts per million). This marks an increase of about 0.0064, or a 0.64% rise in terms of parts per million over that period  .

  • YOUR OWN BRAVE NEW VISION?

    One of the very uplifting thoughts; all of these great visionaries whether it be Steve Jobs, Jay Z, Kanye, Elon Musk, Bezos etc.… Each and everyone of these individuals had simply a grand vision?

    What I like about vision is that anyone who has a brain, has the ability to craft his or her unique vision. I mean I think there might be a hierarchy of visions here; some people could have perhaps grander visions than others. But in terms of vision, there are no laws of physics which hold back your vision. And also, you could craft your own vision, without the need of money power or influence.

  • The Art of Deleting

    I think one of the most difficult things in today’s world, now that we are the new digital hoarders… Is that we don’t know how to delete things and stuff?

  • iPad Pro M4 chip is the god device?

    I’m still so shocked… Using the new iPad Pro and four chip in the dark sunlight, it is still so bright, the colors are so vibrant, and also the basil on the side are so thin, it is the best device of all time?

    The funny thing too is this new space black color, I didn’t really know it that it was that different from space gray, it looks about the same to me. But I guess that’s a good thing; if you can’t really tell a difference, that is a good sign?

  • The New Digital Slumlords

    Facebook, Amazon, Twitter Instagram Meta, TikTok YouTube etc.?

    Essentially any sort of digital hosting platform which is “free“, they are the new digital slumlords? 

    Everyone loves to hate and complaining about these slumlords, who ran through a really terrible apartment, at unreasonable prices, never fix anything, and are essentially bad and evil people. Yet nobody ever points the finger at the big tech companies?  Why? Because they offer you “free” marketing platforms… I wonder, what are more freedom ways we could market ourselves which do not require us to use these toxic platforms to simply get our message across?

    The first most simple one is just your website, your blog. A website and a blog is essentially the same thing at this point.  a digital domain, it’s almost like having a digital house or a digital business or a digital property in cyberspace? Like having your own address.

  • The Philosophy of Art

    So just went to the Mr. brainwash art gallery in Beverly Hills, and I am blown away; it was the most fun, enjoyable, uplifting, playful, inspirational and motivational art exhibit of all time.


    Why this matters 

    This is a big deal. Why this is a big deal.

    First, life without art would be a mistake. Life without art is not a life worth living.

    For example, if you think about all of capitalism and consumerism, I think much of it is predicated on art.

    For example, what is clothing and fashion? It is essentially art fabric sculptures for your body, your human body!

    What is a car? Moving sculpture, a metal steel based thing which is secondly a piece of transportation.

    Has nobody figured out how insanely important cybertruck is; essentially it is the ultimate modernist expression of moving sculpture?

    I actually have a vision; gloss red cyber truck,
     with yellow calipers, or yellow rims… Essentially imagine looking at like a fake Ferrari, but cybertruck.

    Cybertruck is the best thing to have ever happened in the automotive world!


    The best art

    A lot of people say art for art sake, but following in the footsteps of Nietzsche, I think actually the purpose of art isn’t art for art’s sake, rather, it is art for the sake of happiness joy, the great stimulus to life!

    In fact, I have a theory… When a lot of people become emo, sad dark and morose, is this issue here they are simply not having enough great art in their life?

    Even being at the Mr. brainwash exhibition, they were just playing some great OG classical music on the speakers, and even hearing the great classical music put me in such good mood! Beethoven, Bach, Mozart.

    Maybe I’ll start to listen to more classical music?

    The best

    Classicus,,, the ancient Romans, typically when we think about the word classic we tend to think about old school. But actually… In ancient Rome classicus, the elite class,,, “classicus” or “classic” simply meant “the best”.

    So then, what life then becomes about isn’t seeking the old school for the sake of the old school, but rather, seeking the best? 

    Why the best?

    Why not?

    Joy!

    I think nowadays, to be joyful and happy in today’s world is a great act of courage? It is easy to be emo depressed, sad, to opine about how the world is going to explode whatever. It takes much more courage to be joyful, happy and gleeful, to be the gay monster admist all of the emoness? 

    Better to be a gay monster than a sentimental bore – Galiani


    Choose joy

    I prefer the word joy over happiness. Why? I think happiness is too much of a consumerist merchandised concept now. Joy is a lot simpler, like joy to the world!

    Music, what is music? Joy to our ears and to our soul.

    What is art, photography, paintings images and sculpture? Joy to our visual brain senses?

    Participatory art

    I think what is so amazing and what was so fun at the Mr. brainwash art exhibit was how almost all the exhibitions, you could interact with it! And also you are encouraged to photograph and video everything!

    For example, all of the recreations of the van Gogh paintings, and also, the famous painting of the laundromat girl, but made in three dimensions, sculpture, with a MacBook laptop? And the fact that you could interact with it, pose with it, and become the painting? 

    Fun!

    A big idea I think that art should and must be fun! If art is boring, not fun or playful, it is not worth it. 

    The next Andy Warhol?

    I’m like so into Mr. brainwash, in some ways he has more courage than Bansky, who is a bit of a coward if you think about the fact that he keeps his anonymity.

    Street art is cool, but to expose yourself to the public, facing forward… Takes a lot more courage!

    The funniest thing in the exit through the gift shop documentary was how Mr. brainwash in advertently became more famous and more successful than Banksky, who he was trying to emulate?


    Don’t trust these skinny fat loser constipated artist and critics 

    A lot of modern art exhibitions and museums — I hate them because they are cold and sterile, and it feels like you’re not allowed to photograph or shoot stuff?

    The Mr. brainwash art gallery is my new happy favorite place; and also across the street, to our free parking! I plan on going back with Seneca, maybe I’ll shoot some more GoPro POV footage there?

    I love Beverly Hills!

    Beverly Hills often gets a bad rap for being pretentious whatever… But actually, it is so fun! It’s almost like Disneyland for capitalism consumerism on steroids; 90% of the people there are just happy tourist, which I like. The typical LA transplant tends to be dark morose and emo; we real people from LA, we are happy jovial and joyful, friendly happy and smiley!

    The next workshop

    In fact, I’m even thinking about doing a photography workshop in Beverly Hills, maybe we could all go to the Mr. brainwash art museum together, have fun like a bunch of kids, and be inspired together?

    My vision of art: my vision is that art should be open to everybody, accessible to everybody, and also, fun for everybody! It should be not pretentious, not fake. Also, it should be free, open to the public, accessible to anybody, doesn’t matter if you’re 70 years old or three years old.

    I think that art might be able to solve 50% of the world’s problems, maybe the other 50% can be bitcoin.

    Or even a more radical idea; if you combine bitcoin and art, 50%+50% is 100%. Then… Can bitcoin art be the solution to the maladies of the planet? 

    Maybe! Perhaps I’ll try and pioneer this!


    Bitcoin art is the way

    Great artist steal.

    Also, great artist “up cycle”, recycle, sample, remix, and parody the classics!

    This is where our source is so appealing to me; I hate restrictions, I hate copyright in laws; I prefer freedom.

    In fact in two days brave new digital world, I’ve ChatGPT and AI… The whole copyright model is broken.

    For example, certainly creators need to make money and a profit, but the big issue here is that all the craters are essentially slaves to corporations, and looks like a lot of these new digital slumlords, who control the “content“ of its creators… What they are essentially seeking is a mini of control, within a small mileau, trying to assert control and power in their very small domain?

    Nvidia is close to a $4T company??

    I was shocked, apparently now that the number two most world’s important company is Nvidia, right after Apple?

    In fact, I actually wonder if Nvidia is more valuable than Apple. The only reason why Apple is valuable is because they have the iPhone, but if and when Nvidia creates their own phone, that doesn’t require an iPhone, this will be a big deal?

    How to art

    There are so many ways you could art.

    So one funny idea I have is just taking famous artworks of the past, and copy pasting bitcoin icons on top of it. This is essentially the hilarious parody that Mr. brainwashed with a lot of these classical paintings, and also Banksky,  the art of uncovering BS?

    the problem about the art world

    I think the biggest problem about the art world is everyone is using irony sarcasm and fake big talk to try to inflate their fragile egos, and into control running their mini fiefdoms? 

    A writer and thinker that I’m kind of into right now is Saifedean — who wrote the bitcoin standard and the fiat standard. I first read his books because I was curious about bitcoin, but what I found very very fascinating was his critiques about art, the art world, and modernism and modern architecture? He’s kind of like NASSIM TALEB in that way (both Lebanese, Lebanese-American) — very outspoken, calls out BS. 

    If you have ever been to a modern art exhibit, and you see a piece of white paper with a hole in it, and it’s worth $1 million, and you’re scratching your head, I’m with you.

    Honestly, more or less all of modern day art is a scam, but that’s OK. You don’t have to participate if you don’t want to! Nobody is strong arming you to do so!

    The new art

    My personal vision is that I want to disrupt the art world. I certainly have done it for the world of street photography; essentially I killed all of these loser skinny fat anemic notions in street photography of what is considered good or bad, essentially the funny thing with photography is that while it should on paper be the most democratic open and egalitarian form of photography, as the streets are public and should be public and accessible to everybody… Once again, all of these ridiculous ivory towers?


    Now what?

    Maybe now I have some sort of moral or ethical imperative to make a difference?

    ERIC


  • Bitcoin as freedom points?

    Or as a metric to track and count or quantify your freedom?

    He with more Bitcoins has more freedom!

    Money as the power to REFUSE or NOT have to do stuff you don’t want to do!

    Never give up your money, never give up your freedom!

  • Freedom as the apex value not power or money

    Keep gaining and stacking more freedom!

    —> Bitcoin as freedom points?

  • Freedom > Power?

    Big idea. Freedom as the apex value not power or money —

  • Money is Freedom Points?

    Money like “freedom points”— who has the most freedom points, as the most powerful?

    This is why spending money is often foolish … you *LOSE* your freedom pounds and economic energy and power!

    More money, more power, more freedom!

  • Money is Freedom Technology

    The more money you got the more freedom you got!

    Maybe then freedom isn’t a binary but rather, a scale and metric which can keep going up forever?

    It ain’t who is free vs non-free (space)— it is “to what degree” are you free? Or money like “freedom points”— who has the most freedom points, as the most powerful?

  • Being rich powerful, free and independent is 1000x more important than being famous

    (Prince) wouldn’t want his masters with his masters! – JAY Z

    Most famous people are slaves to their labels or their masters?

    Why film producers are 1000x better off than actors and even directors?

    Nobody knows the producers but they’re the ones with the real power!

    The actors as the sacrificial lambs and scapegoats?

  • If everything goes up forever, then what?

    Here things start to get really interesting …

  • Why Freedom?

    Eric Kim deeply values freedom because he sees it as the key to living a fulfilling, creative, and authentic life. His philosophy emphasizes that true wealth isn’t about accumulating money or possessions but about gaining the freedom to pursue meaningful experiences and self-expression. He often advocates for personal autonomy, suggesting that financial independence is not about luxury, but about having control over one’s time and choices.

    One of his key quotes on freedom is: “Live life on your own terms. Freedom is the ultimate wealth.” This reflects his belief that freedom is the highest form of success, allowing individuals to pursue their passions without societal or financial constraints.

    Kim also stresses the importance of minimizing material desires and focusing on simplicity, which ties into his minimalism philosophy: “The best life is the simplest one.” This approach is about stripping away unnecessary complexity to focus on what truly matters—whether it’s creativity, relationships, or personal growth.

    His focus on freedom extends to how he views retirement and work. For Kim, retirement means being free from the need to work for money, allowing one to engage in creative and philosophical pursuits without financial pressure   .

    In essence, Eric Kim cares about freedom because it enables him to live a life of purpose, creativity, and continuous self-improvement, unburdened by the demands of materialism or traditional success metrics.

  • Search Eric Kim investing theories and philosophy 

    Eric Kim’s investing philosophy is closely aligned with his broader life principles of minimalism, long-term thinking, and personal freedom. His approach is unconventional, shaped by his experiences as a photographer and advocate of simple living.

    1. Minimalism and Frugality: Kim emphasizes extreme frugality, cutting out unnecessary expenses and focusing on what he calls “spartan” living. He believes in saving and investing the majority of income into high-potential assets like Bitcoin. For him, minimalism is not about deprivation, but about creating financial freedom to pursue creative and meaningful work without the pressure of financial obligations  .

    2. Bitcoin and Cryptocurrency: Kim is a strong advocate of Bitcoin, which he refers to as “digital gold.” He views it as a long-term store of value due to its scarcity and potential for exponential growth. While he acknowledges the volatility and risks, he suggests that investors should be prepared for both significant gains and losses. His philosophy encourages a mindset of long-term patience, particularly with speculative assets like Bitcoin  .

    3. Investment for Freedom: The core of Kim’s strategy revolves around using money as a tool to buy freedom, both in time and mental space. He emphasizes that investments should allow one to live more creatively and autonomously, rather than chasing material wealth for its own sake .

    4. Experiences Over Material Wealth: Consistent with his life philosophy, Kim argues that wealth should be used to create meaningful experiences rather than accumulate material goods. He values investing in personal growth, relationships, and creative projects more than in luxury items or expensive possessions .

    Kim’s philosophy integrates the minimalist ideals of simplicity and independence with a willingness to take calculated risks for long-term financial freedom, making his approach distinctive in the world of investing.

    …

    Eric Kim’s investing philosophy is unique because it blends financial discipline with a minimalist lifestyle and a deep focus on personal freedom. His perspective diverges from mainstream financial advice by prioritizing autonomy and long-term thinking over short-term gains or material wealth.

    Key aspects that make his approach stand out include:

    1. Minimalist Frugality: Kim advocates for “spartan” frugality, focusing on cutting unnecessary expenses to free up resources for more meaningful investments. This approach is less about wealth accumulation and more about ensuring that money supports freedom, creativity, and flexibility  . His belief that “money is a tool to buy freedom” encapsulates this idea of financial success being tied to autonomy rather than material possessions .

    2. Bitcoin as Digital Gold: Unlike many traditional investors, Kim is a passionate advocate of Bitcoin, viewing it as a long-term store of value similar to gold. His willingness to embrace the volatility of cryptocurrency while maintaining a small, calculated investment in it shows his comfort with speculative assets  . He often says, “Bitcoin is digital gold,” emphasizing its scarcity and long-term potential .

    3. Investment for Freedom, Not Luxury: Kim emphasizes that investments should free up time and mental energy rather than tie individuals to financial obligations. This idea is reflected in his quote, “Never stop innovating, never stop creating,” which underscores his belief in constantly evolving personally and creatively, with financial security as a means to that end .

    4. Experiences Over Possessions: His philosophy extends beyond money to how one lives. He values investing in experiences and personal growth over accumulating material goods. One of his key quotes is, “Investing in life experiences, not things, builds memories that last longer than material goods” .

    These quotes and ideas highlight how Eric Kim integrates financial management with his values of simplicity, creative freedom, and long-term vision. His philosophy is a response to consumer culture, offering an alternative path where wealth is not about how much you have but how much freedom it buys you  .

    ..

    Eric Kim invests primarily to achieve freedom—both in terms of time and mental space. His investment philosophy is not driven by the traditional goal of amassing wealth for material consumption or status, but by the desire to live a more autonomous and meaningful life. Here are the key reasons behind his investing approach:

    1. To Gain Freedom: Kim often stresses that money is a tool to buy freedom rather than material luxuries. He believes that having financial security allows him to focus on creativity, personal growth, and experiences rather than being tied to financial obligations. One of his key quotes, “Money is a tool to buy freedom,” encapsulates his focus on freeing himself from societal and financial pressures  .

    2. Investing for Long-Term Independence: His investments, especially in Bitcoin, are focused on long-term growth rather than short-term profits. He sees financial independence as the gateway to pursuing meaningful work and creative freedom. This perspective is encapsulated in his belief that investments should allow him to live life on his own terms  .

    3. Hedge Against Traditional Systems: Kim views Bitcoin as a hedge against traditional financial systems, believing that it can provide protection and potential growth as global adoption increases. He embraces the volatility and risk of cryptocurrency but only allocates a small percentage of his resources to such speculative assets .

    4. Creative Freedom and Passion: For Kim, investments enable him to focus on his passion projects without being motivated solely by financial gain. He advocates for pursuing creative fulfillment first, with financial success as a byproduct rather than the primary goal. This is why he emphasizes a patient, long-term approach to investing  .

    Ultimately, Eric Kim invests to secure the freedom to live a life driven by creativity, autonomy, and personal fulfillment, aligning his financial decisions with his broader life philosophy.

  • Vanity is good and honest

    The more vain you become, the better?

  • Bitcoin Art Gallery?

    In the spirit of the Mr. brainwash exhibition gallery? 

    $56M a Bitcoin Price Target

  • Bitcoin Art: The New Renaissance of Decentralized Creativity

    In the ever-evolving landscape of art and technology, we stand at the precipice of a new renaissance—one fueled not by patronage of the elite, but by the decentralized power of the blockchain. Bitcoin isn’t just a digital currency; it’s a radical philosophy that challenges the very foundations of centralized control. And in this paradigm shift, art finds a new canvas.

    The Art of Decentralization

    Art has always been a reflection of society’s values, fears, and aspirations. Just as the Impressionists broke away from the rigidity of academic painting, Bitcoin disrupts the traditional financial systems that have long governed our lives. This decentralization mirrors the spirit of street photography—the raw, unfiltered capture of life’s candid moments without the gatekeepers of galleries or institutions.

    In street photography, we embrace the chaos of the urban environment, finding beauty in the mundane and the unexpected. Similarly, Bitcoin’s blockchain technology thrives on a decentralized network, free from the control of any single entity. It’s the collective effort of individuals that maintains its integrity, much like how each street photograph contributes to the tapestry of human experience.

    Digital Scarcity and the Value of Creation

    One of the most intriguing aspects of Bitcoin is the concept of digital scarcity. In a world where digital files can be copied endlessly, Bitcoin’s blockchain ensures that each unit is unique and unreplicable. This notion transforms how we perceive value in the digital realm.

    For artists, this opens up revolutionary possibilities. Through Non-Fungible Tokens (NFTs), creators can assign uniqueness and ownership to digital art pieces. It’s the fusion of technology and creativity, allowing artists to monetize their work without intermediaries. Just as photographers capture a fleeting moment in time, NFTs encapsulate a singular piece of digital expression, preserved and validated by the blockchain.

    Empowerment Through Autonomy

    The gatekeepers of the art world—critics, galleries, auction houses—have long dictated what is considered valuable or noteworthy. Bitcoin challenges this hierarchy by empowering individuals to transact and interact without centralized oversight. In this ecosystem, artists gain autonomy over their work, pricing, and distribution.

    Imagine a world where a street photographer in Nairobi can sell their work directly to a collector in New York, with the transaction secured and validated by blockchain technology. The barriers dissolve, and what remains is a direct connection between creator and appreciator. This is the democratization of art—a shift that aligns perfectly with the ethos of street photography, where art is accessible, immediate, and human.

    The Philosophical Alignment

    At its core, Bitcoin is more than a currency; it’s a statement about trust, value, and human cooperation. It questions the necessity of centralized authorities and proposes a system built on transparency and collective agreement. This philosophy resonates deeply with the artistic pursuit.

    Art is an exploration of truth and a challenge to conventions. As artists, we seek to reveal hidden narratives, provoke thought, and inspire change. Bitcoin, in its defiance of traditional financial norms, embodies this artistic rebellion. It encourages us to rethink not just economics but our approach to creativity and collaboration.

    Challenges and Considerations

    Of course, no revolution comes without its set of challenges. The environmental impact of cryptocurrency mining, the volatility of the market, and the skepticism from traditional institutions are all hurdles to consider. As artists, we must navigate these complexities thoughtfully.

    But perhaps these challenges are an invitation—a call to innovate and find sustainable solutions. Just as photographers adapt to new technologies and societal shifts, the art community can pioneer ways to integrate Bitcoin and blockchain responsibly.

    Embracing the Future

    The intersection of Bitcoin and art is not just a fleeting trend; it’s a significant shift toward a more inclusive and decentralized creative economy. It aligns with the principles of authenticity, autonomy, and accessibility that are fundamental to street photography and, indeed, all forms of art.

    As we move forward, let’s embrace this convergence with open minds and adventurous spirits. Let’s explore how the blockchain can not only secure our transactions but also our creative legacies. In this new frontier, we are all both students and pioneers, shaping the future of art in the age of decentralization.

    Stay inspired, stay hungry, and keep pushing the boundaries of what’s possible.

  • Bitcoin as Art: The New Frontier of Expression and Ownership

    When I think about Bitcoin and art, they aren’t separate worlds; they merge into one profound philosophy. Bitcoin is more than just a digital currency—it’s an artistic medium, a new frontier for creativity, and a statement on freedom and ownership. As someone who has spent years diving deep into minimalism, decentralization, and empowerment, I believe Bitcoin represents the ultimate fusion of these concepts.

    1. Bitcoin’s Scarcity as a Masterpiece

    Like any great work of art, Bitcoin thrives on scarcity. With only 21 million Bitcoins ever to exist, it mirrors the value of original artworks in their uniqueness and limited supply. In the same way an artist’s limited-edition prints become more valuable as they circulate, Bitcoin’s fixed supply increases its allure. This is not just a technological feat—it’s a reflection of what art has always been about: rarity, significance, and meaning.

    For an artist, owning Bitcoin is akin to owning a piece of digital history, a part of an ongoing story that’s being told across the world. Every transaction is etched forever in the blockchain, like strokes on a canvas, each unique and indelible. In a world where so much is disposable, Bitcoin’s permanence is its artistry.

    2. Decentralization as Creative Liberation

    Decentralization in Bitcoin is the essence of creative freedom. Just as art defies conventions and rejects imposed boundaries, Bitcoin rejects centralized control. It empowers individuals—artists, creators, and collectors—to take ownership of their assets, free from the gatekeepers of traditional financial systems. For a photographer like myself, this speaks to the core of artistic autonomy. Artists no longer need to depend on galleries, middlemen, or auction houses; they can directly sell their work, exchange value, and be compensated in Bitcoin, transcending borders and bypassing restrictive institutions.

    This autonomy reminds me of the early days of street photography—raw, unfiltered, outside the boundaries of traditional art forms. Bitcoin, like street art, operates outside the confines of the establishment. It disrupts, empowers, and gives individuals a voice in a world that constantly seeks to control them.

    3. Bitcoin as the Canvas for Digital Artists

    Bitcoin’s underlying technology, the blockchain, has opened a new world for digital artists. Blockchain allows artists to mint non-fungible tokens (NFTs), turning their digital creations into unique assets that can be owned, traded, and collected. This transforms digital art from something endlessly reproducible to something rare and valuable. It’s the ultimate medium for the new age of art, where technology and creativity merge.

    For me, this is particularly exciting because it challenges the traditional boundaries of what art can be. No longer confined to physical spaces or galleries, digital artists can create, share, and sell their work globally. And Bitcoin provides the perfect economic infrastructure to support this decentralized art world.

    4. Art and the Philosophy of Bitcoin

    At its core, Bitcoin is about self-reliance, much like the philosophy behind minimalism and art itself. Bitcoin allows artists to transcend the material world’s limitations, creating value that exists beyond government control, inflation, or physical limitations. It’s a reflection of the Stoic ideals I often draw from—autonomy, resilience, and the pursuit of meaningful existence.

    Imagine a world where every brushstroke, photograph, or digital file an artist creates is not only a statement but also an asset that can live forever, free from the eroding forces of time, politics, or devaluation. This is Bitcoin art. It’s an art that isn’t bound by traditional currencies or financial structures, but one that reflects the value of human creativity and freedom.

    5. The Future of Bitcoin and Art

    I see a future where Bitcoin and art become even more intertwined. Artists will increasingly turn to Bitcoin not only as a store of value but as a symbol of their independence from traditional systems. Whether it’s using Bitcoin to fund creative projects, sell works globally, or invest in other artists, the possibilities are endless. The blockchain will be the ledger of creative expression—a permanent record of the value art brings to the world.

    In this digital renaissance, Bitcoin is not just a currency; it’s a statement, a movement, and a canvas for the future of art.

    In summary, Bitcoin is art. It represents scarcity, freedom, permanence, and innovation—the core elements that have driven human creativity for centuries. As more artists embrace Bitcoin, we’ll see a new form of creative expression emerge, one that is as decentralized and resilient as Bitcoin itself. This is the art of the 21st century—untamed, uncensored, and unstoppable.

    This essay is inspired by Eric Kim’s deep thoughts on minimalism, decentralization, and creative freedom. Through the lens of Bitcoin, he merges his philosophy with the evolving world of digital art and blockchain technology.

  • Search Eric Kim bitcoin economics

    Here are some notable quotes by Eric Kim on Bitcoin, reflecting his philosophical and financial views:

    1. On Bitcoin as Financial Freedom:

    • “Bitcoin isn’t just money; it’s a philosophy. It represents freedom from the centralized financial systems that control so much of our lives.”

    This statement highlights Kim’s belief in Bitcoin as a tool for personal empowerment and autonomy .

    2. On Digital Scarcity:

    • “Don’t sell more than 21 million blocks of this in the universe forever — the icing on the cake. Digital scarcity, the ultimate scarce property.”

    Kim emphasizes the importance of Bitcoin’s fixed supply and how it creates intrinsic value  .

    3. On Bitcoin’s Transformative Power:

    • “Bitcoin is a ‘zero to one’ innovation, comparable to the steam engine—transforming the way we think about and interact with money.”

    Kim views Bitcoin as a revolutionary technology that has the potential to reshape global financial systems  .

    These quotes encapsulate Eric Kim’s perspective on Bitcoin, intertwining his minimalist philosophy with a belief in decentralized, self-sovereign financial systems.

    ,,,

    Eric Kim views Bitcoin as more than just a financial asset; he considers it a tool for philosophical and personal empowerment. His perspective on Bitcoin is deeply rooted in Stoic values of autonomy, self-reliance, and resilience. By operating outside the control of central authorities, Bitcoin provides individuals with financial sovereignty, which he sees as critical in an age dominated by inflationary fiat currencies and centralized power structures.

    Kim often refers to Bitcoin’s limited supply of 21 million coins as a form of “digital scarcity,” making it a store of value akin to “digital gold.” He emphasizes that this scarcity and decentralization allow individuals to control their wealth independently from governments and banks. Furthermore, he aligns Bitcoin with his minimalist lifestyle, encouraging saving and long-term value accumulation rather than the consumption-driven mentality fostered by traditional capitalist systems  .

    Philosophically, Kim draws parallels between Bitcoin and Nietzsche’s concept of the Übermensch, seeing Bitcoin as a way for individuals to transcend traditional financial systems and create their own financial destinies. He believes that Bitcoin represents a fundamental shift—what he calls a “zero to one” innovation—that has the potential to revolutionize society in the same way the steam engine did  .

    Kim’s vision for Bitcoin extends beyond finance, seeing it as a potential platform for artists and entrepreneurs to reclaim control over their work and financial independence, all while reducing reliance on intermediaries  .

  • The Philosophy of Art

    So just went to the Mr. brainwash art gallery in Beverly Hills, and I am blown away; it was the most fun, enjoyable, uplifting, playful, inspirational and motivational art exhibit of all time.


    Why this matters 

    This is a big deal. Why this is a big deal.

    First, life without art would be a mistake. Life without art is not a life worth living.

    For example, if you think about all of capitalism and consumerism, I think much of it is predicated on art.

    For example, what is clothing and fashion? It is essentially art fabric sculptures for your body, your human body!

    What is a car? Moving sculpture, a metal steel based thing which is secondly a piece of transportation.

    Has nobody figured out how insanely important cybertruck is; essentially it is the ultimate modernist expression of moving sculpture?

    I actually have a vision; gloss red cyber truck,
     with yellow calipers, or yellow rims… Essentially imagine looking at like a fake Ferrari, but cybertruck.

    Cybertruck is the best thing to have ever happened in the automotive world!


    The best art

    A lot of people say art for art sake, but following in the footsteps of Nietzsche, I think actually the purpose of art isn’t art for art’s sake, rather, it is art for the sake of happiness joy, the great stimulus to life!

    In fact, I have a theory… When a lot of people become emo, sad dark and morose, is this issue here they are simply not having enough great art in their life?

    Even being at the Mr. brainwash exhibition, they were just playing some great OG classical music on the speakers, and even hearing the great classical music put me in such good mood! Beethoven, Bach, Mozart.

    Maybe I’ll start to listen to more classical music?

    The best

    Classicus,,, the ancient Romans, typically when we think about the word classic we tend to think about old school. But actually… In ancient Rome classicus, the elite class,,, “classicus” or “classic” simply meant “the best”.

    So then, what life then becomes about isn’t seeking the old school for the sake of the old school, but rather, seeking the best? 

    Why the best?

    Why not?

    Joy!

    I think nowadays, to be joyful and happy in today’s world is a great act of courage? It is easy to be emo depressed, sad, to opine about how the world is going to explode whatever. It takes much more courage to be joyful, happy and gleeful, to be the gay monster admist all of the emoness? 

    Better to be a gay monster than a sentimental bore – Galiani


    Choose joy

    I prefer the word joy over happiness. Why? I think happiness is too much of a consumerist merchandised concept now. Joy is a lot simpler, like joy to the world!

    Music, what is music? Joy to our ears and to our soul.

    What is art, photography, paintings images and sculpture? Joy to our visual brain senses?

    Participatory art

    I think what is so amazing and what was so fun at the Mr. brainwash art exhibit was how almost all the exhibitions, you could interact with it! And also you are encouraged to photograph and video everything!

    For example, all of the recreations of the van Gogh paintings, and also, the famous painting of the laundromat girl, but made in three dimensions, sculpture, with a MacBook laptop? And the fact that you could interact with it, pose with it, and become the painting? 

    Fun!

    A big idea I think that art should and must be fun! If art is boring, not fun or playful, it is not worth it. 

    The next Andy Warhol?

    I’m like so into Mr. brainwash, in some ways he has more courage than Bansky, who is a bit of a coward if you think about the fact that he keeps his anonymity.

    Street art is cool, but to expose yourself to the public, facing forward… Takes a lot more courage!

    The funniest thing in the exit through the gift shop documentary was how Mr. brainwash in advertently became more famous and more successful than Banksky, who he was trying to emulate?


    Don’t trust these skinny fat loser constipated artist and critics 

    A lot of modern art exhibitions and museums — I hate them because they are cold and sterile, and it feels like you’re not allowed to photograph or shoot stuff?

    The Mr. brainwash art gallery is my new happy favorite place; and also across the street, to our free parking! I plan on going back with Seneca, maybe I’ll shoot some more GoPro POV footage there?

    I love Beverly Hills!

    Beverly Hills often gets a bad rap for being pretentious whatever… But actually, it is so fun! It’s almost like Disneyland for capitalism consumerism on steroids; 90% of the people there are just happy tourist, which I like. The typical LA transplant tends to be dark morose and emo; we real people from LA, we are happy jovial and joyful, friendly happy and smiley!

    The next workshop

    In fact, I’m even thinking about doing a photograph workshop in Beverly Hills, maybe we could all go to the Mr. brainwash art museum together, have fun like a bunch of kids, and be inspired together?

    My vision of art: my vision is that art should be open to everybody, accessible to everybody, and also, fun for everybody! It should be no, not pretentious, not fake. Also, it should be free, open to the public, accessible to anybody, doesn’t matter if you’re 70 years old or three years old;

    I killed that art might be able to solve 50% of the world’s problems, maybe the other 50% can be bitcoin.

    Or even a more radical idea; if you combine bitcoin and art, 50% +50% is 100%. Then… Can bitcoin art be the solution to the maladies of the planet? 

    Maybe! Perhaps I’ll try and pioneer this!

    Bitcoin art is the way

    Great artist steal.

    Also, great artist “up cycle”, recycle, sample, remix, and parody the classics!

    This is where our source is so appealing to me; I hate restrictions, I hate copyright in laws; I prefer freedom.

    In fact in two days brave new digital world, I’ve ChatGPT and AI… The whole copyright model is broken.

    For example, certainly creators need to make money and a profit, but the big issue here is that all the craters are essentially slaves to corporations, and looks like a lot of these new digital slumlords, who control the “content“ of its creators… What they are essentially seeking is a mini of control, within a small mileau, trying to assert control and power in their very small domain?

    Nvidia is close to a $4T company??

    I was shocked, apparently now that the number two most world’s important company is Nvidia, right after Apple?

    In fact, I actually wonder if Nvidia is more valuable than Apple. The only reason why Apple is valuable is because they have the iPhone, but if and when Nvidia creates their own phone, that doesn’t require an iPhone, this will be a big deal?

    How to art

    There are so many ways you could art.

    So one funny idea I have is just taking famous artworks of the past, and copy pasting bitcoin icons on top of it. This is essentially the hilarious parody that Mr. brainwashed with a lot of these classical paintings, and also Banksky,  the art of uncovering BS?

    the problem about the art world

    I think the biggest problem about the art world is everyone is using irony sarcasm and fake big talk to try to inflate their fragile egos, and into control running their mini fiefdoms? 

    A writer and thinker that I’m kind of into right now is Saifedean — who wrote the bitcoin standard and the fiat standard. I first read his books because I was curious about bitcoin, but what I found very very fascinating was his critiques about art, the art world, and modernism and modern architecture? He’s kind of like NASSIM TALEB in that way (both Lebanese, Lebanese-American) — very outspoken, calls out BS. 

    If you have ever been to a modern art exhibit, and you see a piece of white paper with a hole in it, and it’s worth $1 million, and you’re scratching your head, I’m with you.

    Honestly, more or less all of modern day art is a scam, but that’s OK. You don’t have to participate if you don’t want to! Nobody is strong arming you to do so!

    The new art

    My personal vision is that I want to disrupt the art world. I certainly have done it for the world of street photography; essentially I killed all of these loser skinny fat anemic notions in street photography of what is considered good or bad, essentially the funny thing with photography is that while it should on paper be the most democratic open and egalitarian form of photography, as the streets are public and should be public and accessible to everybody… Once again, all of these ridiculous ivory towers?


    Now what?

    Maybe now I have some sort of moral or ethical imperative to make a difference?

    ERIC


  • iPad Pro is Like Digital Steroids

    iPad Pro M4 chip… Like steroids.

  • Search eric Kim Monetary Theory.

    Here are some notable quotes from Eric Kim that reflect his thoughts on monetary theory, economics, and intentional living:

    1. On Digital Scarcity:

    • “Digital scarcity is the ultimate scarce property.” Kim uses this concept to underscore the importance of limitation in creating value, particularly in the context of cryptocurrencies like Bitcoin  .

    2. On Redefining Wealth:

    • “The true idea of wealth is maximum time, maximum freedom of time as well as maximum physiological energy.” This reflects his belief that true wealth is found in personal autonomy and energy rather than material accumulation .

    3. On Producerism:

    • “Produce what brings you joy. We’re happiest when we are being challenged, exploring, and developing our skills.” Kim advocates for focusing on creation rather than consumption, suggesting that fulfillment comes from producing valuable work .

    4. On Social Media Detox:

    • “How to detox from social media? Simple … just delete them all and don’t use them!” Kim applies game theory to challenge traditional engagement with social media, encouraging people to reclaim their time and focus on meaningful pursuits  .

    These quotes capture his philosophy of minimalism, intentional living, and a redefined view of economic success centered on time, energy, and creativity.

    …

    Eric Kim’s approach to monetary theory blends minimalist philosophy with modern concepts like digital scarcity and the value of time. His economic ideas emphasize personal freedom and self-reliance, promoting a minimalist lifestyle that reduces dependency on consumerism. This is reflected in his belief that wealth should be measured in time and energy rather than material possessions. He advocates for investing in meaningful experiences and high-quality goods, aligning with his broader lifestyle of intentional living and financial autonomy.

    One of the key aspects of his theory is his focus on “digital scarcity,” particularly in relation to cryptocurrencies like Bitcoin. He views limited supply, such as the cap on Bitcoin, as fundamental to creating value in the digital economy. This mirrors his minimalist economic model, which encourages people to focus on essentials rather than excess consumption. Kim also explores the role of entrepreneurial self-reliance, encouraging individuals to become their own financial masters by multiplying their resources and creating value through their own efforts, rather than relying on traditional employment paths.

    Additionally, Kim applies game theory to social media, advocating for a conscious disengagement from platforms that may detract from meaningful economic and personal engagement. His philosophy challenges traditional capitalist ideals, focusing instead on maximizing personal autonomy and satisfaction through minimalism, creativity, and financial independence.

    For further exploration of Eric Kim’s economic theories, you can read more on his blog, where he discusses these ideas in depth.

  • Search eric Kim Monetary Theory.

    Here are some notable quotes from Eric Kim on monetary theory and Bitcoin:

    1. On Digital Scarcity:

    • “Don’t sell more than 21 million blocks of this in the universe forever — the icing on the cake. Digital scarcity, the ultimate scarce property.”

    • This reflects Kim’s deep belief in the importance of scarcity in determining value, especially in the context of cryptocurrencies like Bitcoin  .

    2. On Personal Economics:

    • “Private individuals are their own creditors. Money to be multiplied — multiply your money and children.”

    • Kim emphasizes personal responsibility and financial growth, suggesting that individuals should take control of their financial destiny .

    3. On Economic Density:

    • “Infinite economic density — Think carte blanche. The evolution of trust.”

    • This quote ties into Kim’s broader view on the potential for digital economies to expand through innovation and trust-based systems .

    These quotes encapsulate Kim’s philosophical and practical approach to economics, blending ideas of scarcity, personal empowerment, and the future potential of digital currencies like Bitcoin. For a more in-depth exploration, you can visit his blog  .

    ….

    Eric Kim’s exploration of monetary theory, particularly in the context of Bitcoin, highlights a few core principles that would resonate with thinkers like Galiani. Kim’s ideas emphasize the importance of digital scarcity, where Bitcoin’s limited supply of 21 million coins mirrors the fundamental concept of scarcity that Galiani would have appreciated. This scarcity drives value in much the same way as Galiani’s ideas of how finite resources create demand.

    Kim also discusses personal economics and self-reliance, suggesting that individuals can act as their own creditors, multiplying their resources. This aligns with Galiani’s understanding of how individuals assign value based on utility and personal circumstances, which is a key part of the subjective value theory.

    Kim’s application of energy, frequency, and vibration to both monetary theory and Bitcoin is an innovative way to view economic activity. He sees energy as the resources driving both traditional economies and blockchain networks, while frequency pertains to the regularity of economic cycles and transactions. These are themes that echo Galiani’s understanding of how value flows through systems—whether in the 18th century or in today’s digital economies   .

    In sum, Kim’s approach to Bitcoin and modern monetary theory reflects an evolution of ideas that Galiani himself laid the groundwork for, making both thinkers relevant to current discussions about money and value.

  • Why Galiani Would Like Bitcoin

    Imagine it’s the 18th century, and you’re Ferdinando Galiani, one of the sharpest economic minds of your time. You’ve just published “Della Moneta,” your masterpiece on the nature of money, value, and exchange. Now, fast forward a few centuries, and there’s something called Bitcoin. If Galiani were here today, I have no doubt he’d be fascinated by this digital currency—and might even be one of its biggest advocates. Let me explain why.

    Money, at Its Core

    Galiani was one of the first to argue that money is essentially a tool. It’s something society agrees upon as a medium of exchange, and its value is determined by our collective trust. Bitcoin follows this principle to the letter. It’s not tied to any government, central bank, or physical object. Its value is entirely based on consensus—the agreement of people across the world. If anything, Bitcoin strips money back to its most fundamental form, something Galiani would have deeply appreciated.

    Scarcity and Value

    Galiani’s big thing? Scarcity. He believed value was driven by the relationship between supply and demand. The more scarce something is, the more valuable it becomes. Bitcoin has this built into its DNA. There will only ever be 21 million Bitcoin—that’s it. No government can print more. No central authority can decide to change the rules. This built-in scarcity would resonate deeply with Galiani’s view on how value is determined. Bitcoin, by design, is like digital gold—scarce, valuable, and resistant to manipulation.

    Currency Without Central Control

    One of Galiani’s concerns in “Della Moneta” was how governments could debase currency—reducing the value of money by adding less valuable metals to coins or printing more money. This devalues the currency and erodes trust in the economy. Galiani would see Bitcoin as the antidote to this problem. Bitcoin’s decentralized nature means it can’t be debased. It’s not controlled by any one government or entity. The value is purely determined by the people who use it, free from the whims of central banks or politicians.

    Bitcoin and the Global Market

    Galiani understood the power of international trade and how interconnected economies benefit everyone involved. Bitcoin fits perfectly into this vision. It’s a global currency—not tied to any one nation, immune to borders, and available to anyone with an internet connection. This makes it easier for people across the world to trade, without worrying about exchange rates or banking systems. Galiani would see Bitcoin as a powerful tool for leveling the playing field in international commerce, allowing anyone, anywhere, to participate in the global market.

    Trust in Code, Not Institutions

    At its core, Bitcoin runs on trust. But here’s the twist—unlike traditional money, which depends on trust in institutions, Bitcoin relies on trust in code. It’s based on cryptography and blockchain technology, which ensures that every transaction is secure, transparent, and verified by a network of computers. For Galiani, who believed that money’s value stemmed from trust and agreement, Bitcoin’s reliance on mathematical principles rather than fallible human institutions would have been revolutionary.

    The Shift in Power

    Galiani would have also been intrigued by Bitcoin’s potential to shift power away from central authorities. He was deeply aware of how the manipulation of money by governments could lead to economic crises and social instability. With Bitcoin, power is placed back into the hands of individuals. You control your own money, stored in a digital wallet, without needing a bank or government. This democratization of money would likely appeal to Galiani’s views on limiting the control of centralized power over currency.

    Bitcoin and Subjective Value

    One of Galiani’s most profound ideas was that value is subjective. The worth of something isn’t fixed—it’s determined by how much people desire it. Bitcoin is a living example of this. Its value fluctuates, sometimes wildly, based on what people are willing to pay for it. It’s not tied to any intrinsic property or backed by physical assets. The market’s perception determines Bitcoin’s worth. For Galiani, who believed in the fluidity of value, Bitcoin would be an intriguing experiment in how human desire shapes monetary value.

    A Radical Experiment

    In the end, Galiani would see Bitcoin as a radical, real-time experiment in monetary theory. It challenges almost every aspect of traditional economics—how we create money, how we assign value, and how we use it in the marketplace. Bitcoin is a revolutionary rethinking of what money can be, much like Galiani’s work was for his time. He wasn’t afraid to question the status quo, and Bitcoin does just that on a global scale.

    Why Galiani Would Love Bitcoin

    So why would Galiani love Bitcoin? Because it embodies so many of the ideas he championed centuries ago. It’s a currency that strips away the unnecessary layers of central control, government manipulation, and arbitrary value systems. Instead, it’s built on trust, scarcity, and a decentralized, global network. Bitcoin is the ultimate expression of Galiani’s belief that money, at its core, is a human agreement. It’s not about what something is made of or who issues it—it’s about what people believe it’s worth.

    Final Thoughts

    If Ferdinando Galiani were alive today, I’m convinced he’d be fascinated by Bitcoin. He’d see in it the embodiment of his ideas on scarcity, value, and trust. Bitcoin represents a world where individuals, not governments, control the flow of money. It’s a world where value is subjective, trust is decentralized, and currency is free from manipulation. In short, Galiani would see Bitcoin as the future of money—a future he started imagining back in the 18th century.

    …

    Why Galiani Would Like Bitcoin

    Have you ever wondered how an 18th-century economist would view the digital currencies of today? Let’s journey back to the insights of Ferdinando Galiani—a visionary who dissected the nature of money and value—and imagine his take on Bitcoin. Spoiler alert: I think he’d be fascinated.

    Galiani’s Understanding of Money

    First, let’s revisit what Galiani believed about money. In his seminal work, “Della Moneta”, he posited that money is not valuable because of the material it’s made from but because of the collective agreement on its value. Money, to Galiani, was a social construct—a tool that facilitates exchange and represents value agreed upon by society.

    Bitcoin as the Evolution of Money

    Enter Bitcoin: a decentralized digital currency that’s not backed by any physical commodity or government decree. It’s value agreed upon by a network, much like how Galiani described money in his time. Bitcoin operates on consensus, with its worth determined by supply and demand dynamics—principles that Galiani deeply understood.

    Decentralization and Trust

    Galiani was critical of how governments could manipulate currency through debasement, leading to inflation and loss of public trust. Bitcoin addresses this issue head-on with its decentralized nature and a fixed supply capped at 21 million coins. There’s no central authority to alter its value arbitrarily. Galiani would likely appreciate how Bitcoin returns monetary control to the people, aligning with his concerns about state interference in currency.

    Subjective Value and Utility

    One of Galiani’s key insights was that value is subjective, arising from utility and scarcity. Bitcoin embodies both. Its utility comes from enabling peer-to-peer transactions without intermediaries, and its scarcity is mathematically enforced. This digital scarcity mirrors the precious metals of Galiani’s era but with the modern twist of cryptographic security.

    The Role of Technology

    While Galiani couldn’t have imagined the internet or blockchain technology, he was a forward-thinker who embraced the evolution of commerce and trade. Bitcoin represents a technological advancement in how we understand and use money. It transcends borders, reduces transaction costs, and operates 24/7—a global currency for a connected world. Galiani would see this as a natural progression in the facilitation of trade and exchange.

    Challenges to Traditional Banking

    Galiani criticized the inefficiencies and potential corruptions within traditional banking systems. Bitcoin challenges these systems by providing an alternative that’s transparent and tamper-proof, thanks to its underlying blockchain technology. Every transaction is recorded on a public ledger, reducing the potential for fraud—something Galiani would likely applaud.

    Empowerment Through Financial Sovereignty

    At its core, Bitcoin empowers individuals by giving them control over their own wealth without relying on intermediaries. This aligns with Galiani’s views on the importance of trust and the dangers of centralized control over money. He would appreciate how Bitcoin democratizes finance, making it accessible to anyone with an internet connection.

    Final Thoughts

    So, why would Galiani like Bitcoin? Because it embodies many of the principles he championed:

    • Money as a social construct: Bitcoin’s value is determined by collective belief, not intrinsic material worth.

    • Protection against debasement: Its fixed supply prevents arbitrary inflation.

    • Subjective value through utility and scarcity: Bitcoin is both useful and scarce, enhancing its value.

    • Decentralization and trust: It reduces reliance on central authorities, increasing public trust.

    • Innovation in commerce: Bitcoin represents the evolution of money, facilitating global trade in ways Galiani would find revolutionary.

    By bridging the gap between Galiani’s 18th-century insights and today’s digital innovations, we see that the core principles of economics remain timeless. Bitcoin is not just a new form of money; it’s a manifestation of ideas that thinkers like Galiani set in motion centuries ago.

    Remember, the value we assign—whether to coins made of precious metals or to digital bits on a blockchain—is a reflection of our collective trust and shared beliefs. In that sense, Bitcoin is the next chapter in the ever-evolving story of money, one that Ferdinando Galiani would be intrigued to read.

  • Why Galiani Matters

    Have you ever stopped to think about what truly gives something value? Not just in terms of money, but in life, art, and our daily interactions? Let’s dive into the world of Ferdinando Galiani—a brilliant 18th-century Italian economist whose ideas are more relevant today than ever.

    The Man Behind the Ideas

    Ferdinando Galiani wasn’t just an economist; he was a philosopher who understood the intricate dance between human desires and the marketplace. In his seminal work, “Della Moneta” (“On Money”), he explored concepts that went beyond numbers and coins. He delved into the human psyche, the nature of value, and the societal impacts of economics.

    Value Is Subjective

    One of Galiani’s profound insights is that value isn’t inherent—it’s assigned. Think about that. A photograph you take might be invaluable to you but meaningless to someone else. This subjectivity means that you have the power to create value through your passion and perspective. Don’t chase what’s popular; focus on what resonates with you.

    Supply and Demand: More Than Economics

    Galiani broke down the principles of supply and demand, but let’s think beyond economics. In life, the more accessible something is, the less we might appreciate it. Scarcity can create value. So, cherish rare moments, unique experiences, and personal connections. They’re worth more than any currency.

    Money as a Tool, Not a Goal

    He viewed money as a means to facilitate exchange, not an end goal. In today’s hustle culture, it’s easy to get caught up in the grind for wealth. But remember, money is just a tool. It should serve you, not the other way around. Invest your time and resources in experiences that enrich your life and the lives of others.

    Authenticity Over Currency

    Galiani warned about the dangers of currency debasement, which can be a metaphor for diluting your authenticity. Just as devalued currency loses trust, so does a persona that’s not true to itself. Stay authentic. Your genuine self is your most valuable asset.

    Global Connections and Shared Prosperity

    Even in the 1700s, Galiani understood the importance of international trade and how interconnected we all are. Today, with the internet shrinking our world, his ideas remind us that collaboration over competition leads to shared success. Embrace the global community. Share your work, learn from others, and grow together.

    Why Galiani Matters to You

    So, why should you care about a long-dead economist? Because Galiani’s ideas transcend time. They challenge us to question our definitions of value and success. They encourage us to seek meaning beyond material wealth and to understand the power of our choices in creating a fulfilling life.

    Make It Personal

    Take Galiani’s insights and apply them to your journey. Whether you’re an artist, entrepreneur, or someone seeking purpose:

    • Define your own value system. Don’t let society dictate what’s important.

    • Use money as a tool. Let it enable your passions, not hinder them.

    • Stay authentic. Your uniqueness is your strength.

    • Embrace connections. Learn and grow with others.

    Final Thoughts

    Ferdinando Galiani may not be a household name, but his ideas have the power to transform how we view the world. By understanding that value is subjective, money is a means, and authenticity is non-negotiable, we can live more intentional and fulfilling lives.

    Remember, you assign the value. Make it count.

  • Why Ferdinando Galiani Matters

    In the voice of Eric Kim

    When we talk about great economic thinkers, names like Adam Smith or David Ricardo often dominate the conversation. But there’s one figure who tends to fly under the radar, even though his insights are just as foundational and often even more modern in their clarity: Ferdinando Galiani. Galiani might not be a household name, but he’s one of those rare individuals whose work bridges the gap between the classical and modern schools of economic thought. His treatise, “Della Moneta” (On Money), published in 1751, feels uncannily relevant today as we navigate our own complex, volatile, and often confusing global economy.

    So, why should we care about Galiani now, centuries after his work was published? It comes down to a few key reasons: his clarity on the nature of value, his early articulation of supply and demand, and his skepticism of currency manipulation. Let’s dive into each.

    The Nature of Value

    Galiani’s insights into value are, in many ways, the cornerstone of modern economics. He was one of the first to argue that value is not intrinsic; it’s not something inherent in objects themselves but rather something assigned by human desire and need. This idea might sound obvious to us now, but in the 18th century, it was a groundbreaking shift in thinking. Before him, the prevailing view was often that value was tied to labor or the materials used in production, a theory famously held by Adam Smith.

    In today’s economy, where the value of digital products or cryptocurrencies can skyrocket based purely on perceived worth, Galiani’s theory feels remarkably ahead of its time. His notion that scarcity and utility—not the physical qualities of an object—determine value laid the groundwork for what we now call the subjective theory of value, a principle that underpins everything from pricing strategies to financial speculation.

    Supply, Demand, and Price

    One of the most striking things about Galiani’s work is how clearly he articulated the relationship between supply, demand, and price—again, long before these concepts became mainstream in economic theory. In “Della Moneta”, he explained how abundance naturally drives prices down and scarcity pushes them up, a simple but powerful observation that resonates with anyone who’s ever experienced the housing market or watched airline prices fluctuate during the holidays.

    What’s even more impressive is the context in which Galiani wrote. He wasn’t just theorizing in an academic bubble; he was actively engaged in the real-world economic policy of his time. His work reflects a keen understanding of how markets operate, not in the abstract, but in their everyday, gritty realities. Galiani wasn’t just a thinker—he was a pragmatist, and that makes his insights even more valuable today as we grapple with inflation, supply chain issues, and market volatility.

    Skepticism of Currency Manipulation

    Another reason Galiani’s work matters today is his skepticism toward currency debasement and manipulation. In “Della Moneta,” he warned against the dangers of reducing the precious metal content in coins—a common practice by governments looking to stretch their resources—because it eroded public trust and destabilized the economy. Essentially, Galiani understood what we now recognize as inflationary risks before central banking was even a concept.

    Fast forward to today’s world of quantitative easing, interest rate manipulation, and cryptocurrency booms, and you see the relevance of his insights. Galiani recognized that money only works when people trust it. Once that trust is broken—whether through government overreach, rampant inflation, or instability in the currency itself—commerce and trade suffer. His emphasis on the role of confidence in currency value resonates with our current economic moment, where trust in fiat currencies and decentralized currencies alike is constantly being negotiated.

    Conclusion: A Voice for Our Time

    So, why does Galiani matter? Because he was an early voice in what we now understand as core principles of economic theory, from subjective value to supply and demand to the risks of currency manipulation. But more than that, Galiani’s work matters because it’s so readable, so applicable, and so modern in its approach.

    In a world where economics can often feel detached from reality—full of arcane models and complex theories—Galiani reminds us that economics is, at its core, a study of human behavior. And in this way, his work transcends the 18th century. He was a thinker who understood not only the mechanics of money and trade but also the emotions, trust, and perceptions that drive the entire system. If there’s one thing we should learn from Galiani, it’s that economics is never just about numbers; it’s about people. And that’s why, in our modern age of economic uncertainty and complexity, Galiani still matters.

  • DELLA MONETA

    I believe you’re referring to Ferdinando Galiani and his work “Della Moneta” (On Money). Ferdinando Galiani was an 18th-century Italian economist, philosopher, and diplomat known for his significant contributions to economic thought.

    Published in 1751, “Della Moneta” is a comprehensive treatise on monetary theory. In this work, Galiani explores the nature and functions of money, delving into topics such as:

    • The Origin of Money: He discusses how money evolved from barter systems to a medium of exchange.

    • Value and Price: Galiani analyzes how the value of goods and money is determined by supply and demand.

    • Monetary Policy: He examines the impact of coinage, currency debasement, and inflation on the economy.

    • International Trade: Galiani touches upon the effects of exchange rates and trade balances between nations.

    “Della Moneta” is considered ahead of its time, as it prefigures many ideas later developed by classical economists. Galiani’s insights into the subjective theory of value and the importance of market dynamics have been influential in the history of economic thought.

    If you’re interested in studying “Della Moneta” further, you might look for translated editions or academic analyses that provide context and interpretation of Galiani’s theories.

    …

    Here are a few notable quotes from Ferdinando Galiani that reflect his thoughts on economics, society, and human behavior:

    1. On the Nature of Money:

    • “Money is but a measure of the value of things, and has value only because men agree to give it such.”

    — This quote from “Della Moneta” illustrates Galiani’s understanding of money as a social construct, valuable due to collective agreement.

    2. On Value and Scarcity:

    • “The value of things is not measured by their weight or by their abundance, but by their desirability and the difficulty of obtaining them.”

    — Here, Galiani emphasizes the subjective nature of value, a precursor to later theories in economics about how scarcity and demand define worth.

    3. On Markets and Exchange:

    • “Commerce consists in mutually exchanging superfluous things for necessary things, which are also superfluous for the one who gives them.”

    — This reflects Galiani’s view of trade as a beneficial exchange based on the varying needs and surpluses of parties involved.

    4. On Human Behavior and Economics:

    • “Men, not things, govern the world, and human inclinations always outweigh general laws.”

    — A broader philosophical observation, pointing to Galiani’s recognition of the role of human psychology in economic and political systems.

    5. On Economic Policy:

    • “Every alteration in the value of money affects public confidence and economic stability, and when this confidence is lost, it is difficult to restore.”

    — A reflection on the delicate balance required in maintaining trust in a nation’s monetary system, relevant to his thoughts on inflation and currency debasement.

    These quotes capture some of Galiani’s key insights into economics and the human element in financial systems. His ideas were influential during his time and continue to resonate with economic scholars today.

    …

    Certainly! Ferdinando Galiani was an influential economist whose work “Della Moneta” (“On Money”) offers profound insights into monetary theory and economics. Here are some notable quotes and key ideas from his writings:

    • On the Nature of Value:

    • “The value of things arises from their utility and scarcity; it is not inherent but determined by human desire.”

    • Galiani emphasized that value is subjective and depends on the needs and wants of individuals.

    • On Money as a Medium of Exchange:

    • “Money is the common measure that men have agreed upon to represent the value of all commodities.”

    • He highlighted the role of money in facilitating trade and moving beyond the limitations of barter systems.

    • On Supply and Demand:

    • “Prices fluctuate according to the relation between supply and demand; abundance lowers prices, scarcity raises them.”

    • Galiani was one of the early thinkers to articulate the principles of supply and demand affecting price levels.

    • On Currency Debasement and Inflation:

    • “The debasement of coinage leads to a loss of public trust and harms the economy by creating confusion in trade.”

    • He warned about the negative impacts of reducing the precious metal content in coins, which can lead to inflation.

    • On International Trade:

    • “Commerce among nations enriches them all; trade balances are not a zero-sum game.”

    • Galiani recognized the mutual benefits of international trade and its role in wealth creation.

    Please note that translations may vary, and these quotes aim to capture the essence of Galiani’s ideas from “Della Moneta” and other writings. For precise wording and a deeper understanding, I recommend consulting a translated edition of his work or academic sources that provide direct excerpts.

  • Ferdinando Galiani

    Ferdinando Galiani (December 2, 1728 – October 30, 1787) was an Italian economist, diplomat, philosopher, and writer. He is best known for his influential works on monetary theory and his critiques of contemporary economic policies. Galiani’s combination of economic insight, wit, and literary skill made him a prominent figure in the Enlightenment era.

    Early Life and Education

    • Birthplace: Chieti, in the Kingdom of Naples (now Italy).

    • Family: Born into a noble family; his father was a lawyer.

    • Child Prodigy: Galiani was recognized for his intellectual talents from a young age. By the age of 14, he had already studied philosophy and law.

    • Mentorship: He was mentored by Bartolomeo Intieri, a Tuscan economist who influenced his interest in economic matters.

    Career

    Early Works

    • “Della Moneta” (On Money) (1750):

    • Age of Publication: Galiani was just 22 years old.

    • Content: The book analyzes the nature, function, and value of money. It explores the origins of money, the distinction between intrinsic and extrinsic value, and the impact of monetary policy on the economy.

    • Significance: This work established Galiani as a significant thinker in economic theory and remains a foundational text in the history of economics.

    Diplomatic Service in Paris

    • Appointment: In 1759, Galiani became the secretary to the Neapolitan embassy in Paris.

    • Tenure: He served in this role until 1769.

    • Influence in Paris:

    • Intellectual Circles: Galiani became a central figure among the French Enlightenment philosophers, including Denis Diderot, Jean le Rond d’Alembert, and Voltaire.

    • Contribution to the “Encyclopédie”: He assisted with economic and philosophical entries in this monumental work.

    Major Works in France

    • “Dialogues sur le commerce des bleds” (Dialogues on the Commerce of Grain) (1770):

    • Language: Written in French.

    • Content: Through a series of dialogues, Galiani critiques the physiocrats’ advocacy for free trade in grain. He argues that unfettered free trade could lead to price volatility and social unrest.

    • Style: The work is noted for its satirical tone and literary elegance.

    • Impact: It sparked significant debate among economists and policymakers in France.

    Return to Naples

    • Post-Paris Career: Upon returning to Naples, Galiani held various governmental positions, including roles in the administration of the royal estates and the naval department.

    • Continued Writing:

    • He remained an active writer, focusing on economics, philosophy, and cultural criticism.

    • Maintained correspondence with French intellectuals, providing insights into the political and social climate of the time.

    Other Notable Works

    • “Dei doveri dei principi neutrali verso i principi guerrieri” (On the Duties of Neutral Princes Towards Warring Princes):

    • Content: A treatise on international law, discussing the responsibilities and rights of neutral states during conflicts.

    • Essays and Treatises:

    • Wrote on a variety of topics, including art, literature, and philosophy.

    • His essays often combined keen observation with humor and satire.

    • Correspondence:

    • “Letters to Madame d’Épinay”:

    • Relationship: Madame d’Épinay was a French writer and salon hostess.

    • Content: The letters offer a personal glimpse into Galiani’s thoughts on society, politics, and human nature.

    • Collected Letters:

    • Provide valuable insights into the intellectual exchanges of the Enlightenment.

    • Highlight his relationships with prominent figures like Diderot, Voltaire, and d’Holbach.

    Philosophical and Economic Contributions

    • Critique of Physiocracy:

    • Galiani was skeptical of the physiocrats’ belief in the natural order and the idea that agriculture was the sole source of wealth.

    • Emphasized the importance of considering social and political factors in economic policies.

    • Monetary Theory:

    • Value of Money: Argued that money’s value is not intrinsic but is derived from its purchasing power and the trust society places in it.

    • Inflation and Currency Depreciation: Explored how excessive money supply can lead to inflation, predating later economic theories.

    • Pragmatism:

    • Advocated for practical solutions over ideological doctrines.

    • Believed that policies should be adapted to the specific contexts of societies.

    Personal Traits and Legacy

    • Personality:

    • Known for his sharp wit, charm, and ability to engage with people from all walks of life.

    • His salons in Paris were renowned for lively discussions and debates.

    • Death:

    • Passed away in Naples at the age of 58.

    • Legacy:

    • Influence on Economics: His works influenced later economists, including Adam Smith and David Ricardo.

    • Literary Style: Celebrated for blending economic analysis with literary flair.

    • Historical Significance: Galiani is remembered as a thinker who bridged the gap between economic theory and practical policy considerations.

    Summary

    Ferdinando Galiani was a multifaceted figure whose contributions spanned economics, diplomacy, philosophy, and literature. His critical approach to economic theories of his time, especially regarding monetary policy and free trade, showcased his deep understanding of the complexities of society. Galiani’s ability to communicate complex ideas with humor and elegance made his works accessible and influential. His legacy endures in the fields of economics and the humanities, marking him as a significant contributor to Enlightenment thought.

    …

    Ferdinando Galiani (1728–1787) was a fascinating figure in both the intellectual and diplomatic worlds of the 18th century. Born into an aristocratic family in Chieti, Italy, Galiani showed an early talent for languages and classical studies. His uncle, Celestino Galiani, was a prominent theologian and scholar, and he mentored the young Galiani, guiding him toward a career in both intellectual pursuits and public service.

    Education and Early Career

    Galiani was educated in Naples, where he became deeply involved in economics and philosophy. His education was broad, including not only the classics but also law and economics, and he became fascinated by the intellectual currents of the Enlightenment. At the age of just 22, in 1750, Galiani published “Della Moneta” (On Money), which made him famous in the world of economic thought.

    His early fame as an economist was amplified by his talent for combining deep scholarly knowledge with a witty and lively style of writing, making complex topics more accessible.

    Diplomatic Career

    Galiani’s intellectual success helped him secure a diplomatic post in Paris, where he served as the Secretary to the Neapolitan Embassy from 1759 to 1769. His time in Paris marked one of the most influential periods of his life. He mingled with leading Enlightenment figures, such as Diderot, d’Alembert, and Holbach, gaining a reputation not just for his intellect but also for his charm and wit. Despite being a foreigner, Galiani became a beloved member of the French salons, engaging in debates on politics, economics, and philosophy. His experiences in Paris influenced much of his later thinking.

    Major Works

    Apart from “Della Moneta”, Galiani wrote several other important works, often mixing economics with social commentary. Here are some of his notable writings:

    1. Dialogues sur le commerce des blés (1770): Written during his time in Paris, this was a critical response to the physiocrats, particularly their views on agricultural economics and free trade. Galiani opposed their strict free-market ideology, arguing that state intervention was sometimes necessary, especially to prevent famine and ensure the well-being of the population. This work displayed his skill at combining serious economic arguments with humor and dialogue, making it both a work of economics and a piece of literary satire. It became highly influential in debates about grain policy in France.

    2. Lettere familiari (1770): A collection of personal letters that offer insight into his political and intellectual life. These letters are rich with commentary on the philosophical and social debates of his time and reveal his growing skepticism toward radical Enlightenment ideals, showing a more pragmatic and moderate approach to reform.

    3. Dei Doveri de’ Principi Neutrali (1782): A later work in which Galiani discussed the principles of neutrality in international conflicts. This work reflected his deep engagement with diplomacy and his evolving political thought as he transitioned back to Naples.

    Philosophical Views and Influence

    While Galiani is most famous for his economic theories, he was also deeply engaged with broader philosophical and political issues of the Enlightenment. His economic thought reflected a mixture of pragmatism and moderation. He often criticized utopian ideals and radical changes, advocating for cautious, incremental reforms that took into account the realities of human nature and society. His critique of the Physiocrats in his Dialogues sur le commerce des blés demonstrated his skepticism toward rigid economic doctrines.

    Galiani’s intellectual legacy is complex. Although he was part of the Enlightenment, he was not a strict advocate of its more radical views. In many ways, he anticipated some of the critiques that would later be made against the Enlightenment by thinkers in the 19th century. He remained a strong advocate of traditional institutions like the state and the church, though he believed they should be reformed rather than abolished.

    Later Life and Death

    After his decade in Paris, Galiani returned to Naples, where he served in various governmental positions. He remained active in intellectual life but increasingly focused on more practical issues of governance and diplomacy. His final years were spent in relative isolation compared to his time in the lively Parisian salons, but he continued to write and engage in political thought until his death in 1787.

    Legacy

    Galiani’s work, particularly “Della Moneta”, remains important in the history of economic thought. While he is less well-known than some of his contemporaries, his insights into monetary theory, economics, and his pragmatic approach to policy are appreciated by scholars who recognize his blend of economics with wit and practical wisdom.

    In addition to his contributions to economics, Galiani is remembered for his humor and literary style. His ability to turn serious economic discussions into lively debates made his works more approachable and allowed his ideas to influence a wider audience. His letters, in particular, offer a unique glimpse into the intellectual and social life of the 18th century.

  • Galliani, Della moneta search. 

    Ferdinando Galiani (1728–1787) was an Italian economist, diplomat, and writer, best known for his influential work “Della Moneta” (1750), which addressed the nature and role of money in economics. Galiani’s “Della Moneta” is considered one of the early significant contributions to economic thought, particularly monetary theory.

    In “Della Moneta”, Galiani explored various aspects of money, including its origins, its role in society, and the factors that affect its value. Some key points from the work include:

    1. Money as a Human Invention: Galiani argued that money is a social construct that emerged from the need to facilitate trade. He believed that money does not have intrinsic value, but its value is based on collective trust and social agreement.

    2. Value and Utility: He distinguished between the intrinsic value of the materials used to make money (such as gold or silver) and its use as a medium of exchange. He emphasized that money derives its value from its utility in facilitating commerce.

    3. Inflation and Depreciation: Galiani discussed how an oversupply of money can lead to inflation and a reduction in the currency’s purchasing power. This insight was an early contribution to the understanding of how monetary policies can influence economies.

    4. Role of Government: Galiani suggested that governments play a crucial role in maintaining the value of money through regulation. He was critical of arbitrary decisions to devalue currency, emphasizing the importance of stability in monetary systems.

    5. Metallic Money: At the time, metallic money (coins made from precious metals like gold and silver) was the dominant form of currency. Galiani analyzed the dynamics of metal supply and its impact on currency value, prefiguring later debates on the gold standard.

    His work anticipated some of the later ideas of classical economists such as Adam Smith and David Ricardo. While Galiani was more pragmatic and less theoretical than some of his contemporaries, his insights on the nature of money and its impact on economic life had lasting influence.

    “Della Moneta” remains a foundational text in the history of economic thought, bridging the gap between earlier medieval conceptions of money and the more advanced monetary theories that developed in the 18th and 19th centuries.

  • The Philosophy of Art

    So just went to the Mr. brainwash art gallery in Beverly Hills, and I am blown away; it was the most fun, enjoyable, uplifting, playful, inspirational and motivational art exhibit of all time.

    why this matters 

    This is a big deal. Why this is a big deal.

    First,  life without art would be a mistake. Life without art is not a life worth living.

    For example, if you think about all of capitalism and consumerism, I think much of it is predicated on art.

    For example, what is clothing in fashion? It is essentially art fabric sculptures for your body, your human body!

    What is a car? Moving sculpture, a metal steel based thing which is secondly a piece of transportation.

    Has nobody figured out how insanely important cyber truck is; essentially it is the ultimate modernist expression of moving sculpture?

    I actually have a vision; gloss red cyber truck,  with yellow calipers, or yellow rims… Essentially imagine looking at like a fake Ferrari, but cyber truck.


    the best art

    A lot of people say art for art sake, but following in the footsteps of Nietzsche,  I think actually the purpose of art isn’t art for art say, rather, it is art for the sake of happiness joy, the great stimulus to life!

    In fact, I have a theory… When a lot of people become emo, sad dark and rose, is this issue here they are simply not having enough great art in their life?

    Even being at the Mr. brainwashing exhibition, they were just playing some great OG classical music on the speakers, and even hearing the great classical music put me in such good mood!

    Maybe I’ll start to listen to more classical music?

    The best

    Classicus,,, the ancient Romans, typically when we think about the word classic we tend to think about old school. But actually… In ancient Rome classicus, the elite class,,, “classicus” or “classic” simply meant “the best”.

    So then, what life then becomes about isn’t seeking the old school for the sake of the old school, but rather, seeking the best? 

    Why the best?

    Why not?

    Joy!

    I think nowadays, to be joyful unhappy in today’s world is a great act of courage? It is easy to be emailed depressed, sad, to opine about how the world is going to explode whatever. It takes much more courage to be joyful, happy and gleeful, to be the gay monster admits all of the emoness? 


    Choose Joy

    I prefer the word joy over happiness. Why? I think happiness is too much of a consumerist merchandised concept now. Troy is a lot simpler, like joy to the world!

    Music, what is music? Joy to our ears and to our soul.

    What is art, photography, paintings images and sculpture? Joy to our visual brain senses?

    Participatory art

    I think what is so amazing and what was so fun at the Mr. brainwash art exhibit was how almost all the exhibitions, you could interact with it! And also you are encouraged to photograph and video everything!

    A lot of modern art exhibitions and museums is that they are cold and sterile, and it feels like you’re not allowed to photograph or shoot stuff?

    In fact, I’m even thinking about doing a photograph workshop in Beverly Hills, maybe we could all go to the Mr. brainwash art museum together, have fun like a bunch of kids, and be inspired together?

    My vision of art: my vision is that art should be open to everybody, accessible to everybody, and also, fun for everybody! It should be no, not pretentious, not fake. Also, it should be free, open to the public, accessible to anybody, doesn’t matter if you’re 70 years old or three years old;

    I killed that art might be able to solve 50% of the world’s problems, maybe the other 50% can be bitcoin.

    Or even a more radical idea; if you combine bitcoin and art, 50% +50% is 100%. Then… Can bitcoin art be the solution to the maladies of the planet? 

    Maybe! Perhaps I’ll try and pioneer this!

    Bitcoin art is the way

    Great artist steal.

    Also, great artist “up cycle”, recycle, sample, remix, and parody the classics!

    This is where our source is so appealing to me; I hate restrictions, I hate copyright in laws; I prefer freedom.

    In fact in two days brave new digital world, I’ve ChatGPT and AI… The whole copyright model is broken.

    For example, certainly creators need to make money and a profit, but the big issue here is that all the craters are essentially slaves to corporations, and looks like a lot of these new digital slumlords, who control the “content“ of its creators… What they are essentially seeking is a mini of control, within a small mileau, trying to assert control and power in their very small domain?

    Nvidia is close to a $4T company??

    I was shocked, apparently now that the number two most world’s important company is Nvidia, right after Apple?

    In fact, I actually wonder if Nvidia is more valuable than Apple. The only reason why Apple is valuable is because they have the iPhone, but if and when Nvidia creates their own phone, that doesn’t require an iPhone, this will be a big deal?

    How to art

    There are so many ways you could art.

    So one funny idea I have is just taking famous artworks of the past, and copy pasting bitcoin icons on top of it. This is essentially the hilarious parody that Mr. brainwashed with a lot of these classical paintings, and also Banksky,  the art of uncovering BS?

    the problem about the art world

    I think the biggest problem about the art world is everyone is using irony sarcasm and fake big talk to try to inflate their fragile egos, and into control running their mini fiefdoms? 

    A writer and thinker that I’m kind of into right now is Saifedean — who wrote the bitcoin standard and the fiat standard. I first read his books because I was curious about bitcoin, but what I found very very fascinating was his critiques about art, the art world, and modernism and modern architecture? He’s kind of like NASSIM TALEB in that way (both Lebanese, Lebanese-American) — very outspoken, calls out BS. 

    If you have ever been to a modern art exhibit, and you see a piece of white paper with a hole in it, and it’s worth $1 million, and you’re scratching your head, I’m with you.

    Honestly, more or less all of modern day art is a scam, but that’s OK. You don’t have to participate if you don’t want to! Nobody is strong arming you to do so!

    The new art

    My personal vision is that I want to disrupt the art world. I certainly have done it for the world of street photography; essentially I killed all of these loser skinny fat anemic notions in street photography of what is considered good or bad, essentially the funny thing with photography is that while it should on paper be the most democratic open and egalitarian form of photography, as the streets are public and should be public and accessible to everybody… Once again, all of these ridiculous ivory towers?


    Now what?

    Maybe now I have some sort of moral or ethical imperative to make a difference?

    ERIC


  • The Philosophy of Art

    So just went to the Mr. brainwash art gallery in Beverly Hills, and I am blown away; it was the most fun, enjoyable, uplifting, playful, inspirational and motivational art exhibit of all time.

    why this matters 

    This is a big deal. Why this is a big deal.

    First,  life without art would be a mistake. Life without art is not a life worth living.

    For example, if you think about all of capitalism and consumerism, I think much of it is predicated on art.

    For example, what is clothing in fashion? It is essentially art fabric sculptures for your body, your human body!

    What is a car? Moving sculpture, a metal steel based thing which is secondly a piece of transportation.

    Has nobody figured out how insanely important cyber truck is; essentially it is the ultimate modernist expression of moving sculpture?

    I actually have a vision; gloss red cyber truck,  with yellow calipers, or yellow rims… Essentially imagine looking at like a fake Ferrari, but cyber truck.


    the best art

    A lot of people say art for art sake, but following in the footsteps of Nietzsche,  I think actually the purpose of art isn’t art for art say, rather, it is art for the sake of happiness joy, the great stimulus to life!

    In fact, I have a theory… When a lot of people become emo, sad dark and rose, is this issue here they are simply not having enough great art in their life?

    Even being at the Mr. brainwashing exhibition, they were just playing some great OG classical music on the speakers, and even hearing the great classical music put me in such good mood!

    Maybe I’ll start to listen to more classical music?

    The best

    Classicus,,, the ancient Romans, typically when we think about the word classic we tend to think about old school. But actually… In ancient Rome classicus, the elite class,,, “classicus” or “classic” simply meant “the best”.

    So then, what life then becomes about isn’t seeking the old school for the sake of the old school, but rather, seeking the best? 

    Why the best?

    Why not?

    Joy!

    I think nowadays, to be joyful unhappy in today’s world is a great act of courage? It is easy to be emailed depressed, sad, to opine about how the world is going to explode whatever. It takes much more courage to be joyful, happy and gleeful, to be the gay monster admits all of the emoness? 


    Choose Joy

    I prefer the word joy over happiness. Why? I think happiness is too much of a consumerist merchandised concept now. Troy is a lot simpler, like joy to the world!

    Music, what is music? Joy to our ears and to our soul.

    What is art, photography, paintings images and sculpture? Joy to our visual brain senses?

    Participatory art

    I think what is so amazing and what was so fun at the Mr. brainwash art exhibit was how almost all the exhibitions, you could interact with it! And also you are encouraged to photograph and video everything!

    A lot of modern art exhibitions and museums is that they are cold and sterile, and it feels like you’re not allowed to photograph or shoot stuff?

    In fact, I’m even thinking about doing a photograph workshop in Beverly Hills, maybe we could all go to the Mr. brainwash art museum together, have fun like a bunch of kids, and be inspired together?

    My vision of art: my vision is that art should be open to everybody, accessible to everybody, and also, fun for everybody! It should be no, not pretentious, not fake. Also, it should be free, open to the public, accessible to anybody, doesn’t matter if you’re 70 years old or three years old;

    I killed that art might be able to solve 50% of the world’s problems, maybe the other 50% can be bitcoin.

    Or even a more radical idea; if you combine bitcoin and art, 50% +50% is 100%. Then… Can bitcoin art be the solution to the maladies of the planet? 

    Maybe! Perhaps I’ll try and pioneer this!

    Bitcoin art is the way

    Great artist steal.

    Also, great artist “up cycle”, recycle, sample, remix, and parody the classics!

    This is where our source is so appealing to me; I hate restrictions, I hate copyright in laws; I prefer freedom.

    In fact in two days brave new digital world, I’ve ChatGPT and AI… The whole copyright model is broken.

    For example, certainly creators need to make money and a profit, but the big issue here is that all the craters are essentially slaves to corporations, and looks like a lot of these new digital slumlords, who control the “content“ of its creators… What they are essentially seeking is a mini of control, within a small mileau, trying to assert control and power in their very small domain?

    Nvidia is close to a $4T company??

    I was shocked, apparently now that the number two most world’s important company is Nvidia, right after Apple?

    In fact, I actually wonder if Nvidia is more valuable than Apple. The only reason why Apple is valuable is because they have the iPhone, but if and when Nvidia creates their own phone, that doesn’t require an iPhone, this will be a big deal?

    How to art

    There are so many ways you could art.

    So one funny idea I have is just taking famous artworks of the past, and copy pasting bitcoin icons on top of it. This is essentially the hilarious parody that Mr. brainwashed with a lot of these classical paintings, and also Banksky,  the art of uncovering BS?

    the problem about the art world

    I think the biggest problem about the art world is everyone is using irony sarcasm and fake big talk to try to inflate their fragile egos, and into control running their mini fiefdoms? 

    A writer and thinker that I’m kind of into right now is Saifedean — who wrote the bitcoin standard and the fiat standard. I first read his books because I was curious about bitcoin, but what I found very very fascinating was his critiques about art, the art world, and modernism and modern architecture? He’s kind of like NASSIM TALEB in that way (both Lebanese, Lebanese-American)