Dear friend,
A word of encouragement: realize that you’re already a photographer, and you don’t have anything to “prove” to anybody else, but yourself.
Video: You’re (Already) a Photographer!
DOWNLOAD PDF: You’re (already) a photographer
Why aren’t you a photographer?
It’s weird that nowadays, a lot of us talk down on ourselves and tell other people that, “Oh, I do photography as my hobby, but I’m not a ‘photographer.’”
When we think of the title “photographer”, we think it is only reserved for the few— for people who make a full-time living or profession from it, people who went to school for it, or for people who have a lot of followers/are famous.
But to be frank, this is all silly. Why? You don’t need any “qualifications” or forms of external validation to prove your worth. No, if your passion is making photographs — of course you’re a photographer! A photographer simply means, “Painter or light” or “Maker of photographs.”
Why this snobby elitism in photography?
The reason why there is elitism behind the concept of giving yourself the title of “photographer” is this:
Photographers who spent a lot of time, money, resources, or effort to build their own self-confidence as a photographer feel threatened by others, or feel indignant that anybody can be a photographer.
Consider if you spent 10 years of your life studying photography, or going $200,000 in debt to learn photography. Of course you would feel upset if you heard others who didn’t put in the time or monetary investment (like you did) suddenly call themselves photographers. Poof! You suddenly feel slightly suckered into “wasting” so much time/money/effort to build your credentials, and suddenly you see all these other photographers succeeding without those credentials.
Also, photographers who are in power feel threatened by the democratization of photography. And it is human nature to want to differentiate yourself from others, and also to feel more powerful than others. This is why a lot of photographers try to differentiate themselves from beginner iPhone photographers by owning a big/expensive camera (like a DSLR). Or this is why a lot of these “pro” photographers will only shoot fully manual, to once again, assert their “legitimacy”/knowledge in photography (to differentiate themselves from newbie photographers who can just “point and shoot”).
My propositions for a more democratic and open field of photography
I want to change the culture, the discussion, and the framework of this concept of “photographer”. This is what I believe:
- Anyone who likes to make photographs is a photographer.
- Not everyone makes good photographs (in a more compositional/technical perspective), but that doesn’t really matter. What matters more is whether the photographer is enjoying him/herself or not.
- Photographers who make money from photography or who have gone to school for it, or have invested a lot of money in it shouldn’t feel intimidated, afraid, or threatened by other photographers. The more people who enter the photography sphere, the better. Why? Building the market for photographers will help benefit everyone (consider how by Elon Musk open sourcing Tesla’s patents for electric cars helped propel the whole industry of electric cars forward). Open source is good for business and society.
- The more photographers there are, the better.
- In order for us to succeed as photographers in today’s “Brave new world of photography” is to meaningfully differentiate ourselves, by cross-pollinating our unique skills and talents, and by not competing with others (but focusing on our own self-development as photographers).
Focus on your self-growth as a photographer
This is my modest proposal for photography: let us focus on developing our own skills without needing to attack others, to drag others down. Let us disregard and ignore all the pettiness online on photography. Let us focus on making beautiful images that inspire us and others. Let us continue to keep photography open and democratic for the masses, and let us have the confidence to call ourselves “photographers”, and to realize we are already photographers.
BE BRAVE,
ERIC
Photography 101
Dear friend,
If you’re new to photography, start here:
- The Ultimate Beginner’s Guide to Mastering Photography
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Photography Articles
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- 7 Reasons Why I Love Digital Medium-Format Photography
- My Experience Shooting Digital Medium Format in Street Photography
- My Experience Shooting my Friend Wedding on Digital Medium Format
Photography Techniques
- Photo Technique: Look Up
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- The Fishing Technique in Street Photography
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Everyday Photography
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Color Photography 101
- The Ultimate Beginner’s Guide to Color Photography
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Photography Philosophy
Photography Inspiration
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- The Spirit of Becoming a Photographer
- How to Make Better Pictures
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- How to Avoid Boredom in Photography
- How to Master Photography
- A Photographer’s Guide to Seeing
- PRETENTIOUS PHOTOGRAPHY
- Photography Energy Management
- How to Unlock Your Potential in Photography
- There Are No Good or Bad Photos
- The 5 Minute Photographer
- A-Z: PHOTOGRAPHY DICTIONARY by ERIC KIM
- Why I Want to Be a Photography Newbie Forever
- PHOTOGRAPHY FLUX.
- 10 Creative Photography Assignments to Re-Inspire You
- 50 Photography Tips by ERIC KIM
The Fundamentals of Photography
- Make Simple Pictures
- The Art of Reading a Picture
- How to Choose Your Best Photos
- GET CLOSER.
- Keep or Ditch?
- What Makes a Good Photo?
- Why Photography?
- Everyone is a Photographer
- How to take better pictures
- How to take better selfies
- How to Paint With Light
- Why Bokeh is Overrated
Photography Equipment »
- What is the Perfect Camera For You?
- What to Consider When Buying a Camera
- More Megapixels, More Problems
How to Take Better Photos »
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- How to Create a “Curiosity Gap” in Your Photos
Composition Lessons »
- Composition Lesson #1: Triangles
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Photography Assignments »
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Contact Sheets »
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- Debunking the “Myth of the Decisive Moment”
Editing (Image Selection) »
Creativity »
Motivation »
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- How to Overcome Photographer’s Block
- Why Do You Need “Inspiration” to Shoot?
Post-Processing
- How to Edit Your Photos
- Grain is Beautiful
- Are Filters “Cheating” in Photography?
- Video: Introduction to Editing, Processing, and Workflow in Lightroom
How to Create a Body of Work
Technical Photography Settings
Learn From the Masters of Photography
“He without a past has no future.”
Start here:
- Why Study the Masters of Photography?
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The Masters of Photography
Classics never die:
- Alfred Stieglitz
- Alec Soth
- Alex Webb
- Alexey Brodovitch
- Anders Petersen
- Andre Kertesz
- Ansel Adams
- Araki
- Blake Andrews
- Bruce Davidson
- Bruce Gilden
- Constantine Manos
- Daido Moriyama
- Dan Winters
- David Alan Harvey
- David Hurn
- Diane Arbus
- Dorothea Lange
- Elliott Erwitt
- Eugene Atget
- Eugene Smith
- Fan Ho
- Garry Winogrand
- Gordon Parks
- Helen Levitt
- Henri Cartier-Bresson
- Irving Penn
- Jacob Aue Sobol
- Jeff Mermelstein
- Joel Meyerowitz
- Joel Sternfeld
- Josef Koudelka / Part 2
- Josh White
- Lee Friedlander
- Lisette Model
- Magnum Contact Sheets
- Magnum Photographers
- Mark Cohen
- Martin Parr
- Martine Franck
- Mary Ellen Mark
- Rene Burri
- Richard Avedon
- Richard Kalvar
- Robert Capa
- Robert Frank
- Saul Leiter
- Sergio Larrain
- Sebastião Salgado
- Shomei Tomatsu
- Stephen Shore
- The History of Street Photography
- Todd Hido
- Tony Ray-Jones
- Trent Parke
- Vivian Maier
- Walker Evans
- Weegee
- William Eggleston
- William Klein
- Zoe Strauss