Dear friend,
A thought: to be happier in your photography and life, seek to shoot MORE photos, not “better” photos.
HAPTIC INDUSTRIES: Creative Tools to Empower You
Why shoot more photos?
This is my rationale:
- The more we shoot, the happier we are.
- You never know when you’re going to make a good photo. Thus, the more you shoot, the higher the likelihood of you making a good photo.
- Photography is a matter of chance, which means no matter how “hard” you try, you cannot guarantee that you will make a good photograph.
What that means is this:
Focus on quantity (shooting a lot) instead of quality (making a good photo) in order to be a more prolific, productive, and happier photographer.
This is my analogy in photography:
Photography is like baseball. The more you swing your bat, the more likely you are to hit a home run.
In photography, the more you click, the more likely you are to make a good photo.
Now, how do we shoot more? Some ideas:
1. Shoot with a small camera
The smaller your camera, the more likely you are going to bring it with you everywhere. The more you carry your camera with you, the more opportunities you will find to make photos.
Use a small camera like RICOH GR II, or just shoot with your phone.
2. Don’t trap yourself within a genre
The worst type of tyranny we can do in our lives is “self-tyranny” — which means, you don’t allow yourself to take photos outside your “genre” or field of interest.
To me, all photography is photography. Thus, don’t limit yourself to a reductive category/genre in photography. Shoot anything and everything.
3. Photograph textures
If you need inspiration for something to shoot, shoot gritty textures on your phone.
As far as phone cameras go, I generally recommend the OnePlus, the Google Pixel with HDR+, or of course the iPhone.
Some photos I shot on a phone, to build my visual acuity, to keep my eye sharp:
For more inspiration of subject-matter to shoot, pick up HOW TO SEE: Visual Guide to Composition, Color, & Editing in Photography and STREET HUNT: Street Photography Field Assignments Manual Print Edition.
4. Shoot more photos of your everyday life
I don’t think photography is just about making art– I think photography is also about documenting your everyday life. When I document my everyday life, I appreciate my life more, and I find more joy in the small details of my everyday life — going on a walk around the block, visiting a local park, or sharing a nice meal with Cindy.
Treat every moment like a photo moment. That means, just look around you, and if anything gives you even a 1% chance of an interesting photo, just shoot it!
5. Shoot blindly and randomly
If you have a hard time finding inspiration or motivation to shoot, just allow yourself to shoot randomly and blindly. Which means, when you’re walking on the streets, just point your camera (somewhere) and just keep clicking. No need to use your viewfinder or LCD screen.
This is one of the best ways to exercise your trigger-finger in photography, and the more randomly you shoot in photography, the more likely you are to make an interesting photo.
For example, I’ve been experimenting with just clicking random photos while crossing busy streets, and sometimes I get photos that I find interesting and I like.
Of course, you should always use your viewfinder whenever possible, and try to frame/compose your scenes as intentionally as you can. But, if your focus is to increase your output of photos, spend more time shooting blindly and randomly.
6. Shoot at the grocery store
We all gotta eat. Whenever you stop by the local grocery store, Costco, or convenience store, take photos inside. You’d be surprised how much interesting stuff you can find.
Some photos I shot while inside a grocery store (Super Tamade, discount grocery store) in Osaka:
7. Shoot macro
One thing I love most about shooting with my RICOH GR II or a phone: the ability of shooting macro (close-up focus). I often use the macro function and the flash, and suddenly I have so many more things I can photograph!
If your camera doesn’t have a macro function, I don’t recommend buying a macro lens. Just use your phone.
You can shoot better macro photos by focusing on details, and not showing the whole photograph. This will create a “curiosity gap“, which makes it more interesting for people to look at your photos:
Conclusion
The more experienced I get as a photographer, I am starting to realize more and more…
Photography isn’t about getting a bunch of likes, getting a bunch of followers, or “fame”/prestige.
Photography is all about having fun, being more adventurous in your everyday life, finding more joy in your everyday life, and having more fun in life/following your curiosity.
So friend, let us not seek to make “better” photos. Let us seek to make more fun photos, and to just shoot more! For us to experiment more, explore more, and to experience more joy in our real life through photography.
NEVER STOP SHOOTING,
ERIC
Find more inspiration to shoot with HAPTIC INDUSTRIES: Creative Tools to Empower You
Photography 101
Dear friend,
If you’re new to photography, start here:
- The Ultimate Beginner’s Guide to Mastering Photography
- Free Photography Bootcamp
- 100 Photography Tips for Beginners
Photography Articles
- Everything is Permitted in Photography!
- 20 Dark Tips How to Shoot Shadow Photos
- How to Give a Constructive Critique in Photography
- 15 Tips How to Shoot Better Selfies
- Photography is All a Matter of Perspective
- Photography Warmup Assignments
- 5 Simple Tips How to Take Better Pictures
- 10 Tips How to Shoot Better Architecture Photography
- 7 Reasons Why I Love Digital Medium-Format Photography
- My Experience Shooting Digital Medium Format in Street Photography
- My Experience Shooting my Friend Wedding on Digital Medium Format
Photography Techniques
- Photo Technique: Look Up
- Street Photography Technique: Overlap
- The Fishing Technique in Street Photography
- The “Bookend” Technique in Street Photography
Everyday Photography
- How to Shoot Better Night Photography
- How to Shoot Better Macro Photography
- Everyday Photography
- 10 Tips How to Take Better Photos of Everyday Life
- 15 Tips How to Shoot Better Selfies
- 10 Tips How to Take Better Photos of Everyday Life
Color Photography 101
- The Ultimate Beginner’s Guide to Color Photography
- Opponent Process Color Theory For Photographers
- Color Theory For Photographers
Photography Philosophy
Photography Inspiration
- How to Become a Self-Confident Photographer
- The Spirit of Becoming a Photographer
- How to Make Better Pictures
- 10 Tips How to Take Better Photos of People
- How to Avoid Boredom in Photography
- How to Master Photography
- A Photographer’s Guide to Seeing
- PRETENTIOUS PHOTOGRAPHY
- Photography Energy Management
- How to Unlock Your Potential in Photography
- There Are No Good or Bad Photos
- The 5 Minute Photographer
- A-Z: PHOTOGRAPHY DICTIONARY by ERIC KIM
- Why I Want to Be a Photography Newbie Forever
- PHOTOGRAPHY FLUX.
- 10 Creative Photography Assignments to Re-Inspire You
- 50 Photography Tips by ERIC KIM
The Fundamentals of Photography
- Make Simple Pictures
- The Art of Reading a Picture
- How to Choose Your Best Photos
- GET CLOSER.
- Keep or Ditch?
- What Makes a Good Photo?
- Why Photography?
- Everyone is a Photographer
- How to take better pictures
- How to take better selfies
- How to Paint With Light
- Why Bokeh is Overrated
Photography Equipment »
- What is the Perfect Camera For You?
- What to Consider When Buying a Camera
- More Megapixels, More Problems
How to Take Better Photos »
- How to Take Better Photos
- How to Capture Emotion in Your Photos
- How to Create a “Curiosity Gap” in Your Photos
Composition Lessons »
- Composition Lesson #1: Triangles
- Composition Lesson #2: Figure-to-ground
- Composition Lesson #3: Diagonals
Photography Assignments »
- 40 Practical Photography Assignments
- 15 Street Photography Assignments
- 25 Photography New Year’s Resolutions
Contact Sheets »
- Street Photography Contact Sheets
- Street Photography Contact Sheets Volume II
- Debunking the “Myth of the Decisive Moment”
Editing (Image Selection) »
Creativity »
Motivation »
- Each Photo You Take is an “Attempt”
- How to Overcome Photographer’s Block
- Why Do You Need “Inspiration” to Shoot?
Post-Processing
- How to Edit Your Photos
- Grain is Beautiful
- Are Filters “Cheating” in Photography?
- Video: Introduction to Editing, Processing, and Workflow in Lightroom
How to Create a Body of Work
Technical Photography Settings
Learn From the Masters of Photography
“He without a past has no future.”
Start here:
- Why Study the Masters of Photography?
- Great Female Master Photographers
- Cheat Sheet of the Masters of Photography
- 100 Lessons From the Masters of Street Photography
- Beginner’s Guide to the Masters of Street Photography
- Download All Articles >
The Masters of Photography
Classics never die:
- Alfred Stieglitz
- Alec Soth
- Alex Webb
- Alexey Brodovitch
- Anders Petersen
- Andre Kertesz
- Ansel Adams
- Araki
- Blake Andrews
- Bruce Davidson
- Bruce Gilden
- Constantine Manos
- Daido Moriyama
- Dan Winters
- David Alan Harvey
- David Hurn
- Diane Arbus
- Dorothea Lange
- Elliott Erwitt
- Eugene Atget
- Eugene Smith
- Fan Ho
- Garry Winogrand
- Gordon Parks
- Helen Levitt
- Henri Cartier-Bresson
- Irving Penn
- Jacob Aue Sobol
- Jeff Mermelstein
- Joel Meyerowitz
- Joel Sternfeld
- Josef Koudelka / Part 2
- Josh White
- Lee Friedlander
- Lisette Model
- Magnum Contact Sheets
- Magnum Photographers
- Mark Cohen
- Martin Parr
- Martine Franck
- Mary Ellen Mark
- Rene Burri
- Richard Avedon
- Richard Kalvar
- Robert Capa
- Robert Frank
- Saul Leiter
- Sergio Larrain
- Sebastião Salgado
- Shomei Tomatsu
- Stephen Shore
- The History of Street Photography
- Todd Hido
- Tony Ray-Jones
- Trent Parke
- Vivian Maier
- Walker Evans
- Weegee
- William Eggleston
- William Klein
- Zoe Strauss