The spirit of becoming is
to know that your art and photography doesn’t have an ultimate destination.
It is to know, that everyday, and with each picture you make… you are in a “state of becoming.”
Let’s be real.
The universe doesn’t give a shit about you or your art or pictures. But, you give a big fuck about how you live your life, how you make art, and how you assert control over your own personal world and reality.
The spirit of becoming as a photographer and artist is this：
To have joy in the process of making pictures, and to have joy in seeing steady improvement, and forward motion in your photography and art.
How does the spirit of becoming feel like?
The spirit of becoming is to feel that you have control and autonomy over your life and art. To have the spirit of curiosity, the innocent eye of a child… to explore the visual world around you. To improve your compositions by tilting the camera (Dutch angles), by making more dynamic and free-flowing, energetic pictures. To satiate your visual appetite for order, and chaos.
The spirit of becoming a photographer is…
The spirit of becoming as a photographer is this：
- Never seek to make a 100% defined or definite “style”. To know that your style is always in a state of change and flux. To NOT DESIRE to “master” photography, and to stick to the same style for the rest of your life.
- To cultivate an “innocent eye” of a child or beginner. To only see opportunities, fun, and excitement. To ignore anyone who tries to superimpose their rules upon you.
- To have fun, and be joyful in the picture making process. To me, I am happiest when in THE MOMENT and the process of making pictures. I derive joy when looking at my pictures and editing and arranging them, but it is a lesser joy than the primary joy of making pictures. I think children prefer to make pictures, and derive less pleasure from looking at their pictures (although they like both taking and looking at their pictures).
- Disregard all the pictures you made in the past. If you started photography all over again today, and you were 8 years old, how would you make pictures? Probably with a phone or a point and shoot camera… in automatic mode.
- What would you want to take pictures of if you were a kid or child?
- Look back at your first pictures when you started as a beginner. Do you still like those pictures? What drove you to make them?
Go forth and make fun pictures for yourself!
Never stop learning, never stop exploring, and never stop having fun.
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BE CREATIVE EVERYDAY,
If you’re new to photography, start here:
- Free Photography Bootcamp
- The Ultimate Beginner’s Guide to Photography
- 100 Photography Tips for Beginners
- How to Make Better Pictures
- 10 Tips How to Take Better Photos of People
- How to Avoid Boredom in Photography
- How to Master Photography
- A Photographer’s Guide to Seeing
- PRETENTIOUS PHOTOGRAPHY
- Photography Energy Management
- How to Unlock Your Potential in Photography
- There Are No Good or Bad Photos
- The 5 Minute Photographer
- A-Z: PHOTOGRAPHY DICTIONARY by ERIC KIM
- Why I Want to Be a Photography Newbie Forever
- PHOTOGRAPHY FLUX.
- 10 Creative Photography Assignments to Re-Inspire You
- 50 Photography Tips by ERIC KIM
The Fundamentals of Photography
- How to Choose Your Best Photos
- GET CLOSER.
- Keep or Ditch?
- What Makes a Good Photo?
- Why Photography?
- Everyone is a Photographer
- How to take better pictures
- How to take better selfies
- How to Paint With Light
- Why Bokeh is Overrated
- What is the Perfect Camera For You?
- What to Consider When Buying a Camera
- More Megapixels, More Problems
- How to Take Better Photos
- How to Capture Emotion in Your Photos
- How to Create a “Curiosity Gap” in Your Photos
- Composition Lesson #1: Triangles
- Composition Lesson #2: Figure-to-ground
- Composition Lesson #3: Diagonals
- 40 Practical Photography Assignments
- 15 Street Photography Assignments
- 25 Photography New Year’s Resolutions
- Street Photography Contact Sheets
- Street Photography Contact Sheets Volume II
- Debunking the “Myth of the Decisive Moment”
- Each Photo You Take is an “Attempt”
- How to Overcome Photographer’s Block
- Why Do You Need “Inspiration” to Shoot?
- How to Edit Your Photos
- Grain is Beautiful
- Are Filters “Cheating” in Photography?
- Video: Introduction to Editing, Processing, and Workflow in Lightroom
How to Create a Body of Work
Technical Photography Settings
Learn From the Masters of Photography
“He without a past has no future.”
- Why Study the Masters of Photography?
- Great Female Master Photographers
- Cheat Sheet of the Masters of Photography
- 100 Lessons From the Masters of Street Photography
- Beginner’s Guide to the Masters of Street Photography
- Download All Articles >
The Masters of Photography
Classics never die:
- Alfred Stieglitz
- Alec Soth
- Alex Webb
- Alexey Brodovitch
- Anders Petersen
- Andre Kertesz
- Ansel Adams
- Blake Andrews
- Bruce Davidson
- Bruce Gilden
- Constantine Manos
- Daido Moriyama
- Dan Winters
- David Alan Harvey
- David Hurn
- Diane Arbus
- Dorothea Lange
- Elliott Erwitt
- Eugene Atget
- Eugene Smith
- Fan Ho
- Garry Winogrand
- Gordon Parks
- Helen Levitt
- Henri Cartier-Bresson
- Irving Penn
- Jacob Aue Sobol
- Jeff Mermelstein
- Joel Meyerowitz
- Joel Sternfeld
- Josef Koudelka / Part 2
- Josh White
- Lee Friedlander
- Lisette Model
- Magnum Contact Sheets
- Magnum Photographers
- Mark Cohen
- Martin Parr
- Martine Franck
- Mary Ellen Mark
- Rene Burri
- Richard Avedon
- Richard Kalvar
- Robert Capa
- Robert Frank
- Saul Leiter
- Sergio Larrain
- Sebastião Salgado
- Shomei Tomatsu
- Stephen Shore
- The History of Street Photography
- Todd Hido
- Tony Ray-Jones
- Trent Parke
- Vivian Maier
- Walker Evans
- William Eggleston
- William Klein
- Zoe Strauss
Take your street photography to the next level:
- August 27 (Friday): SEATTLE MASTER STREET PHOTOGRAPHY WORKSHOP - [NOW LIVE!]
- September 11 (Saturday): DOWNTOWN LA ADVANCED STREET PHOTOGRAPHY WORKSHOP - [NEW!]
Be notified of when new workshops are live here.