To start, I don’t consider myself a master. But, I have mastered myself, and I have mastered photography for myself.
Henri Cartier-Bresson: the original master of photography we must surpass and overcome.
1. Shoot yourself!
I’ve studied the masters of photography for a long time, and there is no formula.
All wisdom in photography:
Or a better way to think:
That means, know who you are as a person. Know your personal preferences. Know what you like to shoot and what you don’t like to shoot.
For me, I know:
- I like to photograph human beings.
- I know my life is limited, therefore I will only focus on photographing personally-meaningful moments to me.
- I see myself as a street sociologist. I shoot street photography to understand cities, urban architecture, human interactions, and to document the human soul.
What are your preferences in photography? Why do you shoot photos? This is the first step to self-knowledge in photography.
2. Master your tools
Stick with one camera, one lens for at least a year. Then when you are ready to graduate and move on, then pick up a new camera system.
Don’t move onto a new camera setup, until you’ve mastered the gear you (already) have.
3. Exploit your opportunities
We are all given decisive moments in life. It is our power to seize those opportunities, or not.
In photography, it is rare you see a good moment. You can’t control that.
But, you can control how many photos you shoot of a scene. You can control how hard to “work a scene.” To learn more, study CONTACT SHEETS.
The best way to understand how to make better photos: learn how to NOT waste good photo opportunities.
Work the scene by:
- Shooting both horizontal and verticals of the scene.
- Trying to shoot as many photos as possible: I try to shoot 30, 40, 50 photos of a scene if possible.
- 25% principle: When in doubt, shoot 25% more than you think you should.
My favorite photo book: MAGNUM CONTACT SHEETS. To debunk the myth that great photographers only get the shot in one photo.
4. Copy the masters, then kill them.
Whoever says they have never been influenced or inspired by other photographers or artists are talking bullshit. Even Henri Cartier-Bresson was inspired by his masters, like Matisse, and a lot of other surrealists during his time.
Pro tip: to find better sources of inspiration, study who YOUR masters studied under.
All art ultimately imitates nature (study FRACTALS).
- Find inspiration from the masters, and collect data, information, techniques, style, and mood. Then when you have collected enough pollen of inspiration, create your own unique honey.
- Blatantly steal from others, but give credit where credit is due.
- Aim to be GOOD, not original. (Bauhaus concept)
5. Never stop shooting or publishing
If you’re not growing, you’re dying.
Never stop learning from all of art. Never be satisfied. Seek more artistic wisdom, ideas, and power. Steal liberally, but REMIX the art you consume.
Like a human stomach, you ingest diffeeent foods, and you turn that food into fuel….to power your body and metabolism. If you go 100 days without eating, you will certainly die.
If you go 100 days without consuming great art, how can you stay creatively alive?
For me, I consume all art. No boundaries.
Study Bauhaus, Cubism, Renaissance art, modern architecture (Frank Lloyd Wright), and other geniuses who married the humanities with technology. Good books to study: Einstein, and Steve Jobs by Walter Isaacson.
Find inspiration from those who dream big. Walt Disney, Elon Musk, Howard Hughes, all the great titans.
No boundaries, no limits. Only mental, intellectual, physical, and artistic growth.
Let’s master photography together: JOIN ERIC KIM FORUM.
“He without a past has no future.”
- Why Study the Masters of Photography?
- Great Female Master Photographers
- Cheat Sheet of the Masters of Photography
- 100 Lessons From the Masters of Street Photography
- Beginner’s Guide to the Masters of Street Photography
The Masters of Photography
- Alfred Stieglitz
- Alec Soth
- Alex Webb
- Anders Petersen
- Andre Kertesz
- Ansel Adams
- Blake Andrews
- Bruce Davidson
- Bruce Gilden
- Constantine Manos
- Daido Moriyama
- Dan Winters
- David Alan Harvey
- David Hurn
- Diane Arbus
- Dorothea Lange
- Elliott Erwitt
- Eugene Atget
- Eugene Smith
- Fan Ho
- Garry Winogrand
- Gordon Parks
- Helen Levitt
- Henri Cartier-Bresson
- Irving Penn
- Jacob Aue Sobol
- Jeff Mermelstein
- Joel Meyerowitz
- Joel Sternfeld
- Josef Koudelka / Part 2
- Josh White
- Lee Friedlander
- Magnum Contact Sheets
- Magnum Photographers
- Mark Cohen
- Martin Parr
- Mary Ellen Mark
- Rene Burri
- Richard Avedon
- Richard Kalvar
- Robert Capa
- Robert Frank
- Saul Leiter
- Sergio Larrain
- Sebastião Salgado
- Shomei Tomatsu
- Stephen Shore
- The History of Street Photography
- Todd Hido
- Tony Ray-Jones
- Trent Parke
- Vivian Maier
- Walker Evans
- William Eggleston
- William Klein
- Zoe Strauss
If you’re new to photography, start here:
- Free Photography Bootcamp
- The Ultimate Beginner’s Guide to Photography
- 100 Photography Tips for Beginners
- A Photographer’s Guide to Seeing
- PRETENTIOUS PHOTOGRAPHY
- Photography Energy Management
- How to Unlock Your Potential in Photography
- There Are No Good or Bad Photos
- The 5 Minute Photographer
- A-Z: PHOTOGRAPHY DICTIONARY by ERIC KIM
- Why I Want to Be a Photography Newbie Forever
- PHOTOGRAPHY FLUX.
- 10 Creative Photography Assignments to Re-Inspire You
- 50 Photography Tips by ERIC KIM
The Fundamentals of Photography
- GET CLOSER.
- Keep or Ditch?
- What Makes a Good Photo?
- Why Photography?
- Everyone is a Photographer
- How to take better pictures
- How to take better selfies
- How to Paint With Light
- Why Bokeh is Overrated
- What is the Perfect Camera For You?
- What to Consider When Buying a Camera
- More Megapixels, More Problems
- How to Take Better Photos
- How to Capture Emotion in Your Photos
- How to Create a “Curiosity Gap” in Your Photos
- Composition Lesson #1: Triangles
- Composition Lesson #2: Figure-to-ground
- Composition Lesson #3: Diagonals
- 40 Practical Photography Assignments
- 15 Street Photography Assignments
- 25 Photography New Year’s Resolutions
- Street Photography Contact Sheets
- Street Photography Contact Sheets Volume II
- Debunking the “Myth of the Decisive Moment”
- Each Photo You Take is an “Attempt”
- How to Overcome Photographer’s Block
- Why Do You Need “Inspiration” to Shoot?
- How to Edit Your Photos
- Grain is Beautiful
- Are Filters “Cheating” in Photography?
- Video: Introduction to Editing, Processing, and Workflow in Lightroom
How to Create a Body of Work
Technical Photography Settings