October 2019

The Impulse to Photograph

Something which interests me:

What motivates us to photograph?

Meaning:

  1. What is the initial impulse which motivates us to photograph something?
  2. Are there more optimal conditions to photograph?
  3. How do we determine what (or what not) to photograph?
  4. How do we determine how many photos of a certain scene to photograph?
  5. Why photograph?

Practical thoughts:

What I Truly Desire

What I truly desire in my life:

  1. Get stronger (physically): Desire to increase my “one rep max” in all my lifts.
  2. Getting more muscular: Continue to build my muscle mass while keeping my body fat percentage under 10%.
  3. Making great products which inspire, motivate, and empower artists, creators, and photographers (HAPTIC INDUSTRIES).
  4. Never running out of motivation and inspiration to make new art.
  5. Discover new levels and depths of truth (philosophical “truthiness”).
  6. Living to 120-140 years old with “hyper health”.

What’s interesting about these things: they are 100% dependent on myself. Perhaps this are the best life goals to have? To battle with physics, time, and effort/willpower instead of public opinion.

Why is Willpower Moralized?

So this is interesting to me:

Society scorns us when we have ‘weak willpower’. When we don’t have strong enough willpower to resist temptations, eating junk food, etc.

We are taught, “If you train yourself to have enough willpower, you can do, prevent, and achieve anything!”

Possible vs Probable

A thought:

We must think in terms of possibility (physics, first principles) not probability (being “realistic”).

Anyone can live a basic, comfortable, and mediocre life by simply following orders, being industrious, and listening to the rules. But if it is your ambition for a new type of elevation in life, you must think in terms of what’s possible (governed by the law of physics).

Powerlifting while Fasting

I’ve religiously been intermittent fasting the last 2+ years (no breakfast and lunch, only dinner) with great success. A new level of energy, focus, and strength has been unlocked within myself.

Also a new discovery:

I’m actually stronger when powerlifting and in a fasted state.

Why is this so? My theory:

Monochrome Photo Abstracts

Something fun I’ve been doing:

Select monochrome photos I like then turn them into abstract illustration-images.

What is the benefit of this?

  1. I discover the compositional and visual “gist” of an image.
  2. Fun activity to keep my eyes and visual senses sharp.
  3. Deeper understanding of my images.

Shoot it or lose it.

Perhaps this should be our adage as photographers:

Shoot it or lose it.

This means that our fitness as photographers relies on us shooting on a daily basis. Like exercising on a daily basis, or eating on a daily basis, being creative and artistic on a daily basis.

Like good Aristotle said — we perfect ourself and skills through our habits. So if we make shooting new photos (all day, everyday) our habit, certainly we can reach perfection in our photography!

I Move

I move, I groove to my own tune
I’m the first mover, the air cleaver, the movement needer.

I love to dance. I’ve light feet. Protein heavy, fed with meat.

Smile and greet, soft bed sheets. Tidy and neat, yet chaotic and heavy.

Steady with my artistic production, steadfast and strong.

Life is short, art is long!

ERIC

POETRY >

Photographic Thriving

If we think that happiness (eudaimonia according to Aristotle) is legitimate (happiness as human thriving), perhaps our happiness as photographer-artists is “photographic thriving”.

This means:

  1. Extreme optimism, joy, and fun in making new photos
  2. Deep appreciation for your past photos
  3. Deep joy in all parts of the photographic process (walking, shooting, selecting, processing, and sharing your photos).

So the practical question:

How do we thrive as photographers?

The Poetics of Photography

Just finished reading “The Poetics” by Aristotle (loved it) and came across this idea from him regarding poetry and art. He states that poets attempt the following in their stories (in terms of their presentation):

  1. Things as they are (reality)
  2. Things as they are thought to be (perception)
  3. Things as they ought to be (philosophy)

Which makes me think: we as photographers also have a poetic sense. And the question is with our photography do we desire to show reality how it is (objective reality), how we think it to be (our personal perception of reality), or how we think it should be (our philosophy)?

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