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Don’t Share Dull Photos
Dear friend,
A suggestion when you’re working on photography projects, or selecting/editing your best work. Don’t share dull/boring photos:
I had this idea when reading Nassim Taleb‘s new ‘Skin in the game’ book, where in his preface he mentions that he wrote his book to be a “non-dull” reading experience. Which is interesting to me– because we don’t always know what is ‘exciting’ or ‘good’, but we generally know what is dull/boring.
Of course, what is dull/boring for me isn’t always dull and boring to you.
So the practical recommendation is this:
Don’t share any of your own photos that you find boring/dull.
I went down a bit of a rabbit hole, studying the etymology of the word, ‘dull’.
Upon going to Wiktionary, I learned the definition of ‘dull‘:
Proto-Indo-European *dʰwel-, *dʰewel- (“to dim, dull, cloud, make obscure, swirl, whirl”)
To dull means (in proto-indo-European) to ‘dim, cloud, make obscure’. Which means, dull things lack sharpness or clarity.
What is the opposite of dull? Sharp — able to cut easily.
But interesting enough, the word ‘sharp’ goes into Latin with the word ‘acerbic’ (bitter/sour), which I find interesting, because we usually relate ‘sharp’ as knives, not a ‘sharp’ taste. More info on the word ‘acer‘ (which also happened to be the name of my first computer – the ‘Acer Aspire’ — which is a good name now that I think about it).
Anyways, I don’t think you can control whether your photos will be ‘interesting’ or ‘boring’ when you’re out shooting. The only way is through the editing/selecting process.
You have bundles upon bundles of hay (all your thousands of photos), and you have to find the few golden needles within (your good photos).
So as a practical takeaway– recognize the fact that you cannot always control whether you will make good photos or not when you’re on the streets. Rather, be diligent when you’re combing through your photos, and seek to only share photos that you find interesting, meaningful, and non-dull!
Here is a selection of more of my photos from my ‘CITY OF ANGELS‘ project — painted on top with the iPad Screenshot tool. Here is a video tutorial of me doing it with Henri Cartier Bresson’s Photos:
Kind of similar to what William Klein did with his contact sheets (he painted on top of his contact sheets, and made these artwork in itself):
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If you want a quality-education in street photography, I recommend either buying, borrowing, or browsing though some of the books below. Books that are bolded are some of my personal favorites.
- Magnum Contact Sheets
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- Street Photography Now
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- Diane Arbus: A monograph
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- Andre Kertesz (Editions Hazan)
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- Garry Winogrand: The Animals
- Bruce Gilden by Stern Magazine
- Bruce Gilden: A Beautiful Catastrophe
- Bruce Gilden: Haiti
- Bruce Gilden: After The Off
- Bruce Gilden: Facing New York
- Bystander: A History of Street Photography
- Joel Meyerowitz
- Jun Abe: Citizens
- William Eggleston: Chromes
- William Eggleston: Guide
- William Eggleston: Before Color
- Stephen Shore: Uncommon Places
- Daido Moriyama: The World Through My Eyes
- Alex Webb: Istanbul
- Alex Webb: The Suffering Of Light
- Jeff Mermelstein: Sidewalk
- Walker Evans
- Fred Herzog: Photographs
- Vivian Maier
- William Klein: Contacts
- Joel Sternfeld: American Prospects
- Martin Parr: The Last Resort
- Martin Parr: Small World
- Tony Ray-Jones: Best Of
- Josef Koudelka: Gypsies
- Anders Peterson: French Kiss
- Anders Petersen: Cafe Lehmitz
- Zoe Strauss: America
- Henri Cartier-Bresson: “The Decisive Moment”
- Josef Koudelka: Exiles
- Anders Petersen
- The Education of a Photographer
- David Hurn: On Being a Photographer
- David Gibson: The Street Photographer’s Manual
- Siegfried Hansen – hold the line
- Matt Stuart: All that Life Can Afford
- The Photographer’s Playbook: 307 Assignments and Ideas
- Trent Parke: Minutes to Midnight
- Trent Parke: The Christmas Tree Bucket
- Trent Parke: The Black Rose
- Harry Gruyaert
- Gus Powell: The Lonely Ones
- Alec Soth: Songbook
- Ping Pong Conversations: Alec Soth with Francesco Zanot
- Constantine Manos: A Greek Portfolio
- Constantine Manos: American Color
- Constantine Manos: American Color 2
- David Alan Harvey: Divided Soul
- Photographers’ Sketchbooks
- Harry Callahan: Retrospective
- Slide Show: The Color Photographs of Helen Levitt
- Mark Cohen: Frame
- Saul Leiter: Early Color
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- Dan Winters: Road to Seeing
- Todd Hido: Photography Workshop Series
- Mary Ellen Mark: Photography Workshop Series
- The Open Road: Photography and the American Roadtrip
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- Kaushal Parikh: “Fragments of a Spinning Rock”
- Sunlanders by Sean Lotman
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- Zen in the Art of Street Photography
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