The goal
Also, there is a hilarious new notion of semen retention, which is essentially never blow your load, unless you want to actually work a child or whatever. I wonder if that same could be done to think about money retention… To not blow your load?
Before returning your iPhone, it’s essential to ensure that your personal data is removed, the device is properly deactivated, and it’s ready for a smooth return. Here’s a step-by-step guide to preparing your iPhone for return:
Before erasing your data, make sure to back up all your important information. You can do this in two ways:
Signing out of your iCloud account is crucial to remove the iPhone from your Apple account.
This step ensures that your iPhone is no longer linked to your Apple ID, which is necessary for the next owner to activate it.
If you’ve paired any devices like an Apple Watch, unpair them:
To avoid missing messages if you’re switching to a non-Apple device, sign out of iMessage:
To fully wipe your iPhone clean, follow these steps:
If you’re using a physical SIM card, don’t forget to remove it with the SIM ejector tool or a paperclip.
Ensure that the iPhone is not linked to your Apple ID:
For a better presentation, wipe down your iPhone with a soft, lint-free cloth, avoiding any moisture on the ports.
Once you’ve completed these steps, your iPhone will be ready for return, whether it’s for a trade-in, warranty return, or resale.
Eric Kim, a prominent street photographer, educator, and writer, often integrates philosophical concepts into his approach to photography and life. Among these, Zen Buddhism and Taoism play significant roles in shaping his worldview and creative practices. Below is an exploration of the Zen and Taoist principles that underpin Eric Kim’s philosophy:
Eric Kim’s incorporation of Zen Buddhism and Taoism into his philosophy offers a profound framework for both photography and personal development. By embracing mindfulness, simplicity, harmony with nature, and the balance of opposites, Kim not only enhances the aesthetic quality of his work but also fosters a more intentional and fulfilling approach to life. These principles encourage photographers and individuals alike to engage deeply with their surroundings, cultivate inner peace, and pursue creativity with authenticity and grace.
If you’re interested in exploring these philosophical underpinnings further, Eric Kim’s books, online courses, and blog posts provide valuable insights and practical guidance on integrating Zen and Taoist principles into your photographic journey and beyond.
Eric Kim, a renowned street photographer, educator, and writer, has developed a distinctive philosophy that often touches upon the concept of “emptiness.” While not always explicitly labeled as such, his ideas embody principles related to minimalism, simplicity, and the intentional use of negative space in both photography and life. Here’s an overview of Eric Kim’s philosophy of emptiness:
Eric Kim’s philosophy of emptiness is a multifaceted approach that blends artistic minimalism with deeper life principles. By valuing simplicity, presence, and the intentional use of space—both in photography and personal life—he encourages a mindful and authentic engagement with the world. This philosophy not only enhances the aesthetic quality of his work but also offers a pathway to personal growth and creative expression.
If you’re interested in delving deeper into Eric Kim’s thoughts on this subject, his books, blogs, and online courses provide extensive insights and practical advice grounded in his philosophy.
Eric Kim’s philosophy of emptiness revolves around the idea that emptiness creates space for creativity and personal growth. He draws inspiration from the concept that to be creative, one must create room for new ideas to enter the mind, just as a cup is only useful when it is empty. Kim advocates for simplicity and minimalism, not just in photography but also in life. By stripping away unnecessary elements—both physical and mental—people can focus on what truly matters.
In a broader philosophical context, Kim connects emptiness to the idea of constant evolution, rejecting the pursuit of finality or perfect tranquility. Instead, he emphasizes the importance of continuous becoming and facing challenges to test one’s courage and willpower. He sees life as a never-ending process of growth and change, where seeking emptiness allows for renewal and progress rather than stagnation oai_citation:3,The Philosophy of Becoming – ERIC KIM oai_citation:2,Eric Kim Philosophy – ERIC KIM.
This approach, applied to his work as a photographer, also ties into his emphasis on minimalism, patience, and stripping away distractions to highlight the essence of a scene oai_citation:1,Eric Kim Philosophy – ERIC KIM.
As of September 27, 2024, Brad Pitt is 60 years old. He was born on December 18, 1963.
…
As of September 27, 2024, George Clooney is 63 years old. He was born on May 6, 1961.
…
As of September 27, 2024, Angelina Jolie is 49 years old. She was born on June 4, 1975.
…
As of September 27, 2024, here are the ages and birthdates for Jay-Z, Beyoncé, Kanye West, and Kim Kardashian:
If you have any more questions or need further information, feel free to ask!
It looks like you’re interested in learning about “George Clooney race.” This phrase could pertain to several different topics, so I’ll cover the most likely interpretations to ensure you get the information you’re seeking:
George Clooney is an American actor, filmmaker, and philanthropist renowned for his work in both film and television. Regarding his racial and ethnic background:
Clooney identifies with his mixed European heritage, which has influenced both his personal life and professional endeavors. He has often spoken about his family’s values, emphasizing the importance of integrity and social responsibility.
George Clooney has been actively involved in various humanitarian and social justice causes, some of which intersect with issues of race and equality:
Clooney uses his influence to speak out on matters of racial injustice, supporting policies and initiatives aimed at reducing inequality. His involvement often includes fundraising, awareness campaigns, and direct participation in events that promote social change.
While George Clooney is best known for his roles in a variety of genres, some of his projects touch upon themes related to race and social justice:
Clooney has supported films and projects that explore racial issues, either through production roles or by advocating for diverse storytelling in Hollywood.
If your query pertains to George Clooney participating in a physical race, such as a marathon or charity run:
Clooney’s presence at various events often helps draw attention and funds to important causes, leveraging his celebrity status to support philanthropic efforts.
If none of the above interpretations align with what you were seeking, could you please provide more context or specify your question further? Whether you’re interested in a particular event, project, or aspect of George Clooney’s life related to “race,” additional details will help me provide a more accurate and comprehensive answer.
Feel free to ask more specific questions or provide additional information so I can assist you better!
Certainly! Let’s delve deeper into carbon fiber, exploring its properties, advantages (or “virtues”), applications, and future prospects. Understanding these aspects will provide a comprehensive view of why carbon fiber is highly valued across various industries.
Carbon fiber is a lightweight, high-strength material composed of thin strands of carbon atoms bonded together in a crystal structure. These fibers are typically bundled into yarns and then woven into fabrics or combined with resins to form composite materials. The resulting carbon fiber composites are known for their exceptional mechanical properties, making them indispensable in numerous high-performance applications.
While carbon fiber boasts numerous virtues, it’s essential to acknowledge some challenges associated with its use:
Carbon fiber stands out as a revolutionary material that combines strength, lightweight properties, and design flexibility, making it invaluable across a multitude of industries. Its virtues drive advancements in technology, sustainability, and performance, enabling innovations that shape our modern world. As research continues to address existing challenges, carbon fiber’s role is expected to expand, further solidifying its position as a cornerstone material in engineering and design.
If you have specific questions about carbon fiber or wish to explore particular aspects in more detail, feel free to ask!
Cool
Big deal.
The new centaur:
Lightness is godlike. Maybe then… Plastic is a good idea, if it could make things lighter? Note, technically carbon fiber is just plastic as well I think.
Carbon fiber is not technically a plastic, but it is often combined with plastic materials to create a composite material. Carbon fiber itself consists of thin strands of carbon atoms that are tightly bonded together in a crystal-like structure, making it incredibly strong and lightweight. However, on its own, carbon fiber is just the reinforcing material.
To form usable parts, carbon fiber is embedded in a matrix, often made from a type of plastic (such as epoxy resin), which binds the fibers together and gives the composite its shape. This combination of carbon fibers with a plastic matrix is known as carbon fiber-reinforced plastic (CFRP). So, while carbon fiber itself is not plastic, it is commonly found in plastic composites.
ChatGPT —
The new gods have arrived
Wow!
iPhone is feminine?
Seeking arete, not happiness 
Funny theories; I wonder how much of the philosophy of Buddhist monks, Jesus of Nazareth, the whole notion of turning leather cheek is simply a tactic of the week the powerless the disenfranchise, people who are not strong enough to have physical army with physical might power dominance, instead, to creepy Tactics which make them in vulnerable. For example, obviously Jesus of Nazareth did not have an arm behind him, so he couldn’t simply change the people in society as he wished.
And this is where Muhammad the prophet is interesting, because he was actually able to get an army behind him! And also the critical that is when shit hits the fan, military power is all that matters. For example look at what’s happening right now in Lebanon, apparently the Israelis are just bombing The crap out of them, I spoke to a Lebanese woman who is currently here in LA on her green card, and she says that it is just Israeli colonialization, 2.0. 
Creating a minimalist iPhone camera app using Swift and SwiftUI involves several key components:
Below is a step-by-step guide with the complete code to create a minimalist camera app ready for the App Store.
MinimalCameraApp), ensure Interface is set to SwiftUI, and Language is Swift.To access the camera, you must declare the usage description in your app’s Info.plist.
Privacy - Camera Usage Description (NSCameraUsageDescription)."This app requires access to the camera to take photos."Optionally, if you intend to save photos to the user’s photo library, add:
Privacy - Photo Library Additions Usage Description (NSPhotoLibraryAddUsageDescription): "This app saves photos to your photo library."We’ll use AVFoundation to manage the camera session and SwiftUI for the user interface.
Create a new Swift file named CameraModel.swift and add the following code:
import Foundation
import AVFoundation
import SwiftUI
import Photos
class CameraModel: NSObject, ObservableObject, AVCapturePhotoCaptureDelegate {
// Published properties to update the UI
@Published var session = AVCaptureSession()
@Published var alert = false
@Published var output = AVCapturePhotoOutput()
@Published var preview: UIImage?
override init() {
super.init()
checkPermissions()
}
func checkPermissions() {
switch AVCaptureDevice.authorizationStatus(for: .video) {
case .authorized:
setup()
case .notDetermined:
AVCaptureDevice.requestAccess(for: .video) { granted in
if granted {
self.setup()
} else {
DispatchQueue.main.async {
self.alert.toggle()
}
}
}
default:
DispatchQueue.main.async {
self.alert.toggle()
}
}
}
func setup() {
DispatchQueue.main.async {
self.session.beginConfiguration()
// Setup input
guard let device = AVCaptureDevice.default(.builtInWideAngleCamera, for: .video, position: .back) else {
self.alert.toggle()
return
}
do {
let input = try AVCaptureDeviceInput(device: device)
if self.session.canAddInput(input) {
self.session.addInput(input)
}
} catch {
self.alert.toggle()
return
}
// Setup output
if self.session.canAddOutput(self.output) {
self.session.addOutput(self.output)
self.output.isHighResolutionCaptureEnabled = true
}
self.session.commitConfiguration()
self.session.startRunning()
}
}
func takePic() {
let settings = AVCapturePhotoSettings()
settings.isHighResolutionPhotoEnabled = true
output.capturePhoto(with: settings, delegate: self)
}
// AVCapturePhotoCaptureDelegate method
func photoOutput(_ output: AVCapturePhotoOutput,
didFinishProcessingPhoto photo: AVCapturePhoto,
error: Error?) {
if let error = error {
print("Error capturing photo: \(error)")
return
}
guard let imageData = photo.fileDataRepresentation(),
let uiImage = UIImage(data: imageData) else {
return
}
// Save to photo library
savePhoto(image: uiImage)
DispatchQueue.main.async {
self.preview = uiImage
}
}
func savePhoto(image: UIImage) {
// Request authorization to save to Photo Library
PHPhotoLibrary.requestAuthorization { status in
if status == .authorized {
// Save image
PHPhotoLibrary.shared().performChanges({
PHAssetChangeRequest.creationRequestForAsset(from: image)
}) { success, error in
if let error = error {
print("Error saving photo: \(error)")
}
}
} else {
DispatchQueue.main.async {
self.alert.toggle()
}
}
}
}
}Explanation:
AVCaptureSession.To display the camera feed within SwiftUI, we need a UIViewRepresentable that wraps an AVCaptureVideoPreviewLayer.
Create a new Swift file named CameraPreview.swift and add:
import SwiftUI
import AVFoundation
struct CameraPreview: UIViewRepresentable {
@ObservedObject var camera: CameraModel
func makeUIView(context: Context) -> UIView {
let view = UIView(frame: UIScreen.main.bounds)
let previewLayer = AVCaptureVideoPreviewLayer(session: camera.session)
previewLayer.videoGravity = .resizeAspectFill
previewLayer.connection?.videoOrientation = .portrait
view.layer.addSublayer(previewLayer)
DispatchQueue.global(qos: .background).async {
previewLayer.frame = view.frame
}
return view
}
func updateUIView(_ uiView: UIView, context: Context) {
// Update the preview layer frame if needed
if let sublayer = uiView.layer.sublayers?.first as? AVCaptureVideoPreviewLayer {
sublayer.frame = uiView.frame
}
}
}Explanation:
UIView displaying the camera’s video feed.CameraModel to stay in sync with the camera session.Update ContentView.swift with the camera interface:
import SwiftUI
struct ContentView: View {
@ObservedObject var camera = CameraModel()
@State private var showPreview = false
var body: some View {
ZStack {
CameraPreview(camera: camera)
.ignoresSafeArea(.all, edges: .all)
VStack {
Spacer()
HStack {
Spacer()
Button(action: {
camera.takePic()
}) {
ZStack {
Circle()
.fill(Color.white)
.frame(width: 70, height: 70)
Circle()
.stroke(Color.gray, lineWidth: 2)
.frame(width: 80, height: 80)
}
}
.padding(.bottom, 30)
.padding(.trailing, 20)
}
}
}
.alert(isPresented: $camera.alert) {
Alert(title: Text("Camera Access Denied"),
message: Text("Please enable camera access in Settings."),
dismissButton: .default(Text("OK")))
}
.sheet(isPresented: Binding<Bool>(
get: { camera.preview != nil },
set: { if !$0 { camera.preview = nil } }
)) {
if let image = camera.preview {
Image(uiImage: image)
.resizable()
.scaledToFit()
}
}
}
}
struct ContentView_Previews: PreviewProvider {
static var previews: some View {
ContentView()
}
}Explanation:
ZStack layers the camera preview and the capture button.If you added the NSPhotoLibraryAddUsageDescription to Info.plist, ensure your app handles cases where the user denies access gracefully.
Camera functionality cannot be fully tested on the simulator. Deploy the app to a physical iPhone for testing:
Before submitting to the App Store, ensure:
For convenience, here’s a summary of all the code files:
CameraModel.swiftimport Foundation
import AVFoundation
import SwiftUI
import Photos
class CameraModel: NSObject, ObservableObject, AVCapturePhotoCaptureDelegate {
@Published var session = AVCaptureSession()
@Published var alert = false
@Published var output = AVCapturePhotoOutput()
@Published var preview: UIImage?
override init() {
super.init()
checkPermissions()
}
func checkPermissions() {
switch AVCaptureDevice.authorizationStatus(for: .video) {
case .authorized:
setup()
case .notDetermined:
AVCaptureDevice.requestAccess(for: .video) { granted in
if granted {
self.setup()
} else {
DispatchQueue.main.async {
self.alert.toggle()
}
}
}
default:
DispatchQueue.main.async {
self.alert.toggle()
}
}
}
func setup() {
DispatchQueue.main.async {
self.session.beginConfiguration()
guard let device = AVCaptureDevice.default(.builtInWideAngleCamera, for: .video, position: .back) else {
self.alert.toggle()
return
}
do {
let input = try AVCaptureDeviceInput(device: device)
if self.session.canAddInput(input) {
self.session.addInput(input)
}
} catch {
self.alert.toggle()
return
}
if self.session.canAddOutput(self.output) {
self.session.addOutput(self.output)
self.output.isHighResolutionCaptureEnabled = true
}
self.session.commitConfiguration()
self.session.startRunning()
}
}
func takePic() {
let settings = AVCapturePhotoSettings()
settings.isHighResolutionPhotoEnabled = true
output.capturePhoto(with: settings, delegate: self)
}
func photoOutput(_ output: AVCapturePhotoOutput,
didFinishProcessingPhoto photo: AVCapturePhoto,
error: Error?) {
if let error = error {
print("Error capturing photo: \(error)")
return
}
guard let imageData = photo.fileDataRepresentation(),
let uiImage = UIImage(data: imageData) else {
return
}
savePhoto(image: uiImage)
DispatchQueue.main.async {
self.preview = uiImage
}
}
func savePhoto(image: UIImage) {
PHPhotoLibrary.requestAuthorization { status in
if status == .authorized {
PHPhotoLibrary.shared().performChanges({
PHAssetChangeRequest.creationRequestForAsset(from: image)
}) { success, error in
if let error = error {
print("Error saving photo: \(error)")
}
}
} else {
DispatchQueue.main.async {
self.alert.toggle()
}
}
}
}
}CameraPreview.swiftimport SwiftUI
import AVFoundation
struct CameraPreview: UIViewRepresentable {
@ObservedObject var camera: CameraModel
func makeUIView(context: Context) -> UIView {
let view = UIView(frame: UIScreen.main.bounds)
let previewLayer = AVCaptureVideoPreviewLayer(session: camera.session)
previewLayer.videoGravity = .resizeAspectFill
previewLayer.connection?.videoOrientation = .portrait
view.layer.addSublayer(previewLayer)
DispatchQueue.global(qos: .background).async {
previewLayer.frame = view.frame
}
return view
}
func updateUIView(_ uiView: UIView, context: Context) {
if let sublayer = uiView.layer.sublayers?.first as? AVCaptureVideoPreviewLayer {
sublayer.frame = uiView.frame
}
}
}ContentView.swiftimport SwiftUI
struct ContentView: View {
@ObservedObject var camera = CameraModel()
@State private var showPreview = false
var body: some View {
ZStack {
CameraPreview(camera: camera)
.ignoresSafeArea(.all, edges: .all)
VStack {
Spacer()
HStack {
Spacer()
Button(action: {
camera.takePic()
}) {
ZStack {
Circle()
.fill(Color.white)
.frame(width: 70, height: 70)
Circle()
.stroke(Color.gray, lineWidth: 2)
.frame(width: 80, height: 80)
}
}
.padding(.bottom, 30)
.padding(.trailing, 20)
}
}
}
.alert(isPresented: $camera.alert) {
Alert(title: Text("Camera Access Denied"),
message: Text("Please enable camera access in Settings."),
dismissButton: .default(Text("OK")))
}
.sheet(isPresented: Binding<Bool>(
get: { camera.preview != nil },
set: { if !$0 { camera.preview = nil } }
)) {
if let image = camera.preview {
Image(uiImage: image)
.resizable()
.scaledToFit()
}
}
}
}
struct ContentView_Previews: PreviewProvider {
static var previews: some View {
ContentView()
}
}Ensure all functionalities work as expected on various devices and iOS versions.
For detailed instructions, refer to Apple’s App Store Connect Guide.
By following this guide, you’ve created a minimalist camera app using Swift and SwiftUI that’s ready for submission to the App Store. Customize and enhance the app as needed to fit your specific requirements!
xxx
To modify the camera app to shoot and output only high-contrast monochrome (black and white) photos, you will need to process the captured image after taking the photo. Here’s how to implement this:
AVCapturePhotoOutput in our existing code, we’ll keep this.CIColorControls for desaturation and contrast adjustments).CIColorControls to increase contrast and decrease brightness if needed.Let’s modify the existing code to achieve this.
CameraModel.swiftYou will process the captured image to convert it to monochrome with high contrast using Core Image filters.
CameraModel.swiftimport Foundation
import AVFoundation
import SwiftUI
import Photos
import CoreImage
import CoreImage.CIFilterBuiltins
class CameraModel: NSObject, ObservableObject, AVCapturePhotoCaptureDelegate {
@Published var session = AVCaptureSession()
@Published var alert = false
@Published var output = AVCapturePhotoOutput()
@Published var preview: UIImage?
private let context = CIContext() // Core Image context for image processing
override init() {
super.init()
checkPermissions()
}
func checkPermissions() {
switch AVCaptureDevice.authorizationStatus(for: .video) {
case .authorized:
setup()
case .notDetermined:
AVCaptureDevice.requestAccess(for: .video) { granted in
if granted {
self.setup()
} else {
DispatchQueue.main.async {
self.alert.toggle()
}
}
}
default:
DispatchQueue.main.async {
self.alert.toggle()
}
}
}
func setup() {
DispatchQueue.main.async {
self.session.beginConfiguration()
// Setup input
guard let device = AVCaptureDevice.default(.builtInWideAngleCamera, for: .video, position: .back) else {
self.alert.toggle()
return
}
do {
let input = try AVCaptureDeviceInput(device: device)
if self.session.canAddInput(input) {
self.session.addInput(input)
}
} catch {
self.alert.toggle()
return
}
// Setup output
if self.session.canAddOutput(self.output) {
self.session.addOutput(self.output)
self.output.isHighResolutionCaptureEnabled = true
}
self.session.commitConfiguration()
self.session.startRunning()
}
}
func takePic() {
let settings = AVCapturePhotoSettings()
settings.isHighResolutionPhotoEnabled = true
output.capturePhoto(with: settings, delegate: self)
}
// AVCapturePhotoCaptureDelegate method
func photoOutput(_ output: AVCapturePhotoOutput,
didFinishProcessingPhoto photo: AVCapturePhoto,
error: Error?) {
if let error = error {
print("Error capturing photo: \(error)")
return
}
guard let imageData = photo.fileDataRepresentation(),
let uiImage = UIImage(data: imageData) else {
return
}
// Apply monochrome and contrast processing
if let processedImage = applyMonochromeFilter(to: uiImage) {
// Save the processed image to the photo library
savePhoto(image: processedImage)
DispatchQueue.main.async {
self.preview = processedImage
}
}
}
// Apply monochrome filter and adjust contrast
func applyMonochromeFilter(to image: UIImage) -> UIImage? {
guard let ciImage = CIImage(image: image) else { return nil }
// Create a Core Image filter chain
let monochromeFilter = CIFilter.colorControls()
monochromeFilter.inputImage = ciImage
monochromeFilter.saturation = 0 // Desaturate to monochrome
monochromeFilter.contrast = 2.0 // Increase contrast for a high contrast effect
// Process the filtered image
guard let outputImage = monochromeFilter.outputImage,
let cgImage = context.createCGImage(outputImage, from: outputImage.extent) else {
return nil
}
// Convert back to UIImage
return UIImage(cgImage: cgImage)
}
func savePhoto(image: UIImage) {
PHPhotoLibrary.requestAuthorization { status in
if status == .authorized {
PHPhotoLibrary.shared().performChanges({
PHAssetChangeRequest.creationRequestForAsset(from: image)
}) { success, error in
if let error = error {
print("Error saving photo: \(error)")
}
}
} else {
DispatchQueue.main.async {
self.alert.toggle()
}
}
}
}
}CIColorControls with saturation = 0 to desaturate the image and contrast = 2.0 for a high contrast effect.UIImage.Your ContentView.swift and CameraPreview.swift can remain the same as they handle the UI for previewing and capturing the image. Since we are processing the image in the model, the UI doesn’t need to change much.
However, just to complete the context, here’s the ContentView.swift again for reference:
import SwiftUI
struct ContentView: View {
@ObservedObject var camera = CameraModel()
@State private var showPreview = false
var body: some View {
ZStack {
CameraPreview(camera: camera)
.ignoresSafeArea(.all, edges: .all)
VStack {
Spacer()
HStack {
Spacer()
Button(action: {
camera.takePic()
}) {
ZStack {
Circle()
.fill(Color.white)
.frame(width: 70, height: 70)
Circle()
.stroke(Color.gray, lineWidth: 2)
.frame(width: 80, height: 80)
}
}
.padding(.bottom, 30)
.padding(.trailing, 20)
}
}
}
.alert(isPresented: $camera.alert) {
Alert(title: Text("Camera Access Denied"),
message: Text("Please enable camera access in Settings."),
dismissButton: .default(Text("OK")))
}
.sheet(isPresented: Binding<Bool>(
get: { camera.preview != nil },
set: { if !$0 { camera.preview = nil } }
)) {
if let image = camera.preview {
Image(uiImage: image)
.resizable()
.scaledToFit()
}
}
}
}
struct ContentView_Previews: PreviewProvider {
static var previews: some View {
ContentView()
}
}Make sure to test the app on a real device (since the camera doesn’t work on the simulator). The app should now capture and output photos that are high-contrast black-and-white images.
Core Image.CIColorControls is used to control the saturation and contrast to achieve the desired effect.By following these steps, your minimalist camera app will now take high-contrast black-and-white photos and save them to the photo library.
I was born for a great destiny!
Not even in the weird mythical way ,,, but more pragmatically!
My mother was a real human being
And how each and every new generation of ChatGPT is different and and evolves!
We actually appreciate it? Note current limits on using ChatGPT 4o-preview ;; this is like true magic!
Creating a minimalist iPhone camera app in Swift requires setting up the basic camera functionalities using AVFoundation and providing a simple user interface. I will guide you through building a minimal camera app that opens the camera, allows users to take photos, and save them to their photo library.
Open Xcode and create a new project:
To access the camera, you need to add the appropriate permissions in your Info.plist.
Info.plist and add the following keys:<key>NSCameraUsageDescription</key>
<string>We need access to your camera to take photos.</string>
<key>NSPhotoLibraryAddUsageDescription</key>
<string>We need access to save photos to your library.</string>Below is a Swift code for a minimalist camera app using UIKit and AVFoundation:
ViewController.swiftimport UIKit
import AVFoundation
import Photos
class ViewController: UIViewController {
var captureSession: AVCaptureSession!
var photoOutput: AVCapturePhotoOutput!
var previewLayer: AVCaptureVideoPreviewLayer!
override func viewDidLoad() {
super.viewDidLoad()
// Initialize capture session and setup camera
captureSession = AVCaptureSession()
captureSession.sessionPreset = .photo
guard let backCamera = AVCaptureDevice.default(for: .video) else {
print("Unable to access back camera!")
return
}
do {
let input = try AVCaptureDeviceInput(device: backCamera)
photoOutput = AVCapturePhotoOutput()
if captureSession.canAddInput(input) && captureSession.canAddOutput(photoOutput) {
captureSession.addInput(input)
captureSession.addOutput(photoOutput)
setupLivePreview()
}
} catch let error {
print("Error Unable to initialize back camera: \(error.localizedDescription)")
}
}
func setupLivePreview() {
previewLayer = AVCaptureVideoPreviewLayer(session: captureSession)
previewLayer.videoGravity = .resizeAspect
previewLayer.connection?.videoOrientation = .portrait
previewLayer.frame = view.frame
view.layer.insertSublayer(previewLayer, at: 0)
// Start capture session
DispatchQueue.global(qos: .userInitiated).async {
self.captureSession.startRunning()
}
// Add button to take photo
let captureButton = UIButton(type: .system)
captureButton.setTitle("Take Photo", for: .normal)
captureButton.tintColor = .white
captureButton.backgroundColor = .black
captureButton.frame = CGRect(x: (self.view.frame.width - 150) / 2, y: self.view.frame.height - 80, width: 150, height: 50)
captureButton.layer.cornerRadius = 10
captureButton.addTarget(self, action: #selector(didTapTakePhoto), for: .touchUpInside)
view.addSubview(captureButton)
}
@objc func didTapTakePhoto() {
let settings = AVCapturePhotoSettings()
photoOutput.capturePhoto(with: settings, delegate: self)
}
func savePhotoToLibrary(image: UIImage) {
PHPhotoLibrary.shared().performChanges({
PHAssetChangeRequest.creationRequestForAsset(from: image)
}) { success, error in
if success {
print("Photo saved successfully")
} else {
print("Error saving photo: \(String(describing: error))")
}
}
}
}
extension ViewController: AVCapturePhotoCaptureDelegate {
func photoOutput(_ output: AVCapturePhotoOutput, didFinishProcessingPhoto photo: AVCapturePhoto, error: Error?) {
guard let imageData = photo.fileDataRepresentation() else { return }
let image = UIImage(data: imageData)
if let image = image {
savePhotoToLibrary(image: image)
}
}
}PHPhotoLibrary.The app has a minimalist interface:
AVCaptureVideoPreviewLayer.You can customize the button, layout, and add animations if needed, but this is the basic structure of a working camera app.
To use the camera, you need to run the app on a real device, as the iOS simulator doesn’t have access to a camera.
Once you’ve built, tested, and finalized your app:
This app should meet the basic requirements for a minimalist camera app and can be submitted to the App Store after proper testing.
Let me know if you’d like further details or enhancements!
To modify the existing minimalist camera app to shoot and output high-contrast black-and-white photos, you can apply an image filter after capturing the photo. We will use Core Image (CoreImage) to process the photo and apply a black-and-white filter with enhanced contrast.
CoreImage into your ViewController.swift file, which will allow us to apply filters to the captured images.CIFilter class to convert the image to grayscale and enhance the contrast.Here’s how you can modify the app to shoot and output high-contrast black-and-white photos:
ViewController.swift:import UIKit
import AVFoundation
import Photos
import CoreImage
class ViewController: UIViewController {
var captureSession: AVCaptureSession!
var photoOutput: AVCapturePhotoOutput!
var previewLayer: AVCaptureVideoPreviewLayer!
let context = CIContext() // Core Image context for rendering
override func viewDidLoad() {
super.viewDidLoad()
// Initialize capture session and setup camera
captureSession = AVCaptureSession()
captureSession.sessionPreset = .photo
guard let backCamera = AVCaptureDevice.default(for: .video) else {
print("Unable to access back camera!")
return
}
do {
let input = try AVCaptureDeviceInput(device: backCamera)
photoOutput = AVCapturePhotoOutput()
if captureSession.canAddInput(input) && captureSession.canAddOutput(photoOutput) {
captureSession.addInput(input)
captureSession.addOutput(photoOutput)
setupLivePreview()
}
} catch let error {
print("Error Unable to initialize back camera: \(error.localizedDescription)")
}
}
func setupLivePreview() {
previewLayer = AVCaptureVideoPreviewLayer(session: captureSession)
previewLayer.videoGravity = .resizeAspect
previewLayer.connection?.videoOrientation = .portrait
previewLayer.frame = view.frame
view.layer.insertSublayer(previewLayer, at: 0)
// Start capture session
DispatchQueue.global(qos: .userInitiated).async {
self.captureSession.startRunning()
}
// Add button to take photo
let captureButton = UIButton(type: .system)
captureButton.setTitle("Take Photo", for: .normal)
captureButton.tintColor = .white
captureButton.backgroundColor = .black
captureButton.frame = CGRect(x: (self.view.frame.width - 150) / 2, y: self.view.frame.height - 80, width: 150, height: 50)
captureButton.layer.cornerRadius = 10
captureButton.addTarget(self, action: #selector(didTapTakePhoto), for: .touchUpInside)
view.addSubview(captureButton)
}
@objc func didTapTakePhoto() {
let settings = AVCapturePhotoSettings()
photoOutput.capturePhoto(with: settings, delegate: self)
}
func savePhotoToLibrary(image: UIImage) {
PHPhotoLibrary.shared().performChanges({
PHAssetChangeRequest.creationRequestForAsset(from: image)
}) { success, error in
if success {
print("Photo saved successfully")
} else {
print("Error saving photo: \(String(describing: error))")
}
}
}
// Apply black-and-white filter with high contrast
func applyHighContrastBlackAndWhiteFilter(to image: UIImage) -> UIImage? {
guard let ciImage = CIImage(image: image) else { return nil }
// Create grayscale filter
let grayscaleFilter = CIFilter(name: "CIPhotoEffectNoir")
grayscaleFilter?.setValue(ciImage, forKey: kCIInputImageKey)
// Apply the grayscale filter
guard let filteredCIImage = grayscaleFilter?.outputImage else { return nil }
// Render the output using the Core Image context
if let cgImage = context.createCGImage(filteredCIImage, from: filteredCIImage.extent) {
return UIImage(cgImage: cgImage)
}
return nil
}
}
extension ViewController: AVCapturePhotoCaptureDelegate {
func photoOutput(_ output: AVCapturePhotoOutput, didFinishProcessingPhoto photo: AVCapturePhoto, error: Error?) {
guard let imageData = photo.fileDataRepresentation() else { return }
let image = UIImage(data: imageData)
// Apply black-and-white filter with high contrast
if let image = image, let bwImage = applyHighContrastBlackAndWhiteFilter(to: image) {
// Save the filtered image to the library
savePhotoToLibrary(image: bwImage)
}
}
}CIContext() to create a context for rendering the Core Image filters.CIPhotoEffectNoir filter to convert the image to black and white with high contrast. This is a built-in filter in Core Image specifically for applying a noir-like high-contrast black-and-white effect.UIImage as input.UIImage to a CIImage (Core Image format).CIPhotoEffectNoir filter is applied to the image, turning it into a high-contrast black-and-white photo.CIImage is then converted back to a UIImage for saving and displaying.savePhotoToLibrary function, which stores the processed image in the user’s photo library.If you want to adjust the contrast even more or fine-tune the effect, you can chain multiple Core Image filters (e.g., CIExposureAdjust or CIColorControls for contrast, brightness, etc.).
Here is how you could apply an additional contrast filter:
func applyHighContrastBlackAndWhiteFilter(to image: UIImage) -> UIImage? {
guard let ciImage = CIImage(image: image) else { return nil }
// Apply grayscale filter
let grayscaleFilter = CIFilter(name: "CIPhotoEffectNoir")
grayscaleFilter?.setValue(ciImage, forKey: kCIInputImageKey)
// Get the filtered image
guard let grayscaleImage = grayscaleFilter?.outputImage else { return nil }
// Create contrast adjustment filter
let contrastFilter = CIFilter(name: "CIColorControls")
contrastFilter?.setValue(grayscaleImage, forKey: kCIInputImageKey)
contrastFilter?.setValue(1.5, forKey: kCIInputContrastKey) // Adjust contrast (1.0 is default)
// Apply the contrast filter and render the image
if let outputImage = contrastFilter?.outputImage,
let cgImage = context.createCGImage(outputImage, from: outputImage.extent) {
return UIImage(cgImage: cgImage)
}
return nil
}In this enhanced function, we adjust the contrast using CIColorControls after applying the CIPhotoEffectNoir filter.
This code should now output high-contrast black-and-white photos when you take a picture. It keeps the app simple, but it adds the necessary image processing step to achieve the desired effect. Once you have finished testing, follow the same process as before to prepare the app for submission to the App Store.
Let me know if you need further refinements!
Dubois ;;
How to be ahead of the game?
Paradise or seeking paradise is a trap?
Adapt or die
The future of the internet?
Cool tools & cool ideas — becoming a photo vlogger ;; very fun!
Essentially the ethos is just to have fun, to play! People kind of miss the point ;; the point isn’t to edit and be “professionalâ€â€” but rather to be like a big kid, troll around etc.
Some big ideas for iPhone: first, the will to subtraction. The goal of each and every new generation iPhone should be to remove as many buttons as possible as many ports as possible. iPad Pro is a good example; there is only three physical buttons on it, the top right corner power button, and the volume button on the top right corner. They’ve even got rid of the headphone jack!
Trying iPhone Pro — camera control is a gimmick. Critiques:
First, when you lift your iPhone to take a picture, I am so used to clicking and holding the camera in the bottom right corner, and so having to retrain yourself to click the button in the bottom right corner is a little bit into it. I’m confused, wasn’t the action button in the top left corner supposed to also be a Camera control?
I think the idea of clicking the bottom right corner camera button to quick draw the camera was a very good idea, one of my ideas, but having to kind of awkwardly squeeze it to scroll through menus which is a little bit slow and inaccurate… It is probably 10 times lower than just quickly swiping in the bottom of the Camera app?
I suppose this is the real kicker here; it is ultimately a critical skill more physical. The whole innovation in the ethos of the iPhone was originally, to not make it like a physics based object. To add the camera control in the bottom right corner, it’s almost like trying to turn the iPhone into a point-and-shoot camera by adding physical body. Technically, the whole ethos of iPhone should be to remove as many Pisco Perkins possible, ideally there would be no physical buttons. That it could just be a magical handheld piece of glass, with no buttons, no controls.
Paradise — hedonism maximalization?
The joy of photography!
This recipe provides a rich and creamy beef liver mousse without using any plant-based or vegan substitutes. Instead, it relies on traditional dairy products that are naturally low in lactose or have the lactose removed, ensuring a delicious mousse suitable for those with lactose intolerance.
Enjoy your smooth and luscious lactose-free beef liver mousse, crafted with traditional ingredients for a rich and satisfying appetizer!
Beef liver mousse is a rich and silky pâté that’s perfect for appetizers, spread on toast points, crackers, or served with pickles and fresh vegetables. This recipe is straightforward and yields a smooth, flavorful mousse that’s sure to impress your guests.
Enjoy your homemade beef liver mousse as a luxurious appetizer or a delightful addition to your charcuterie board!
Self worship over hero worship
PHOTOLOSOPHY: WHAT CAN YOU BECOME AS A PHOTOGRAPHER-VISUAL ARTIST?
DOWNLOAD FULL COURSE (7.4GB)
Classic Beef Liver and Onions Recipe
Beef liver is a nutrient-dense organ meat that’s rich in vitamins and minerals. When prepared correctly, it can be tender and flavorful. This classic Beef Liver and Onions recipe is a favorite for many and is relatively simple to make.
Enjoy your delicious and nutritious Beef Liver and Onions!
xxx
Here’s a simple and delicious Beef Liver Recipe:
This dish pairs well with mashed potatoes, rice, or a simple green salad for a hearty meal.
Enjoy your beef liver with rich caramelized onions!
Eric Kim, a highly influential street photographer, has garnered a substantial following, including many notable figures from the photography community and beyond. While specific lists of his followers may not be publicly documented, several prominent figures and organizations within the street and urban photography space are influenced by his work or connected with him.
Kim is recognized for building a global community through his blog, workshops, and social media platforms. His followers include influential street photographers like Donato di Camillo, Shinya Arimoto, and Phil Penman, all of whom are major contemporary figures in street photography. These photographers, along with others like Zack Arias and Constantin Mashinskiy, are well-regarded in their own right, and their work intersects with Kim’s emphasis on candid, human-centered street photography oai_citation:6,WHY ERIC KIM IS THE MOST INFLUENTIAL STREET PHOTOGRAPHER – ERIC KIM oai_citation:5,5Top Most Influential Active Urban & Street Photographers- ERIC KIM – Photography Magazine – Lens Magazine oai_citation:4,Interview: Eric Kim On Life, Happiness And Street Photography.
Additionally, Eric Kim’s collaborations and features with major photography platforms, his educational contributions, and advocacy for both analog and digital photography have earned him a broad following that includes students, professionals, and enthusiasts in photography oai_citation:3,Who is the most influential street photographer blogger of all time? – ERIC KIM.
Kim’s influence goes beyond street photography, attracting attention from broader creative and educational circles, making him a central figure in photography discussions globally oai_citation:2,Who is the most influential street photographer blogger of all time? – ERIC KIM oai_citation:1,5Top Most Influential Active Urban & Street Photographers- ERIC KIM – Photography Magazine – Lens Magazine.
PHOTOLOSOPHY ALL: The Philosophy of Photography Free Open Source Course by ERIC KIM
PHOTOLOSOPHY: WHAT CAN YOU BECOME AS A PHOTOGRAPHER-VISUAL ARTIST?
DOWNLOAD FULL COURSE (7.4GB)
Eric Kim’s “Photolosophy” blends photography with deep philosophical exploration, encouraging photographers to move beyond surface-level aesthetics and use photography as a tool for personal development. The term “Photolosophy” itself merges photography with philosophy, emphasizing critical thinking, self-expression, and introspection.
One of the core ideas is that photography can serve as a form of “photo therapy”—a way to conquer negative emotions and find purpose in life through creativity. Kim urges photographers to make photos for their own enjoyment rather than for social media validation, advocating for a personal and reflective approach to the art form oai_citation:5,PHOTOLOSOPHY: Photography Philosophy Course – ERIC KIM oai_citation:4,PHOTOLOSOPHY – ERIC KIM.
Kim also integrates elements of mindfulness and stoicism into his teachings, suggesting practices like “walking meditation” through street photography. This approach not only encourages creativity but also reduces stress and anxiety oai_citation:3,Introduction to Photolosophy – ERIC KIM. Furthermore, his philosophy underscores gratitude in photography, advising photographers to appreciate both their subjects and the medium itself oai_citation:2,PHOTOLOSOPHY – ERIC KIM.
Through this fusion of art and philosophy, “Photolosophy” becomes a holistic way of life, helping photographers engage with the world more meaningfully oai_citation:1,Photolosophy – ERIC KIM.
Eric Kim’s “Photolosophy” is an open-source course that combines photography with philosophical exploration. It encourages photographers to find personal meaning in their work and to use photography as a meditative and therapeutic tool. The course focuses on aspects such as street photography, personal expression, and mental well-being. It emphasizes photographing for yourself rather than for social media validation, and viewing photography as a process of continuous growth and self-exploration.
Key elements of the course include:
For more details, including downloads and access to the full 7.4GB course materials, you can explore Kim’s website directly at Eric Kim Photolosophy oai_citation:1,Introduction to Photolosophy – ERIC KIM.
You never truly own an iPhone … you’re just perpetually leasing it and the iOS forever. Everyone knows leasing cars is a really foolish idea — why not apply this idea to iPhones and practically all apple products?
You Never Truly Own an iPhone—You’re Just Leasing It Forever
It’s become almost a cliché in the tech world—each fall, Apple unveils its shiny new iPhone with much fanfare, promising incremental improvements in speed, camera quality, and design. For many of us, this has become an annual ritual, a loop of trading in last year’s phone for the newest version. But when you really think about it, do you ever actually own your iPhone? Or are you just leasing it—and, by extension, Apple’s iOS ecosystem—forever?
It’s easy to see why people get swept up in this cycle. The iPhone is marketed as a luxury device, yet Apple has made it accessible through installment plans, trade-ins, and even outright leasing options. But there’s a deeper layer to this. If you’re constantly on this upgrade treadmill, constantly paying for the latest model or the iCloud storage or the apps—how different is this from the well-known trap of leasing a car?
Leasing Cars is a Foolish Idea—Why Not Apply This Logic to iPhones?
Let’s start with the analogy. Everyone knows that leasing a car is, for most people, a losing financial proposition. Sure, leasing gets you a new vehicle every few years without the long-term commitment, but over time you end up paying more than if you had just bought the car outright. And at the end of your lease? You own nothing. This is common knowledge when it comes to cars—so why don’t we apply this logic to our iPhones and other Apple devices?
When you “lease” a car, you’re tied to a system that ensures the payments never stop. There’s no equity, no ownership at the end of it. You’re constantly cycling through new leases, bound to pay the dealership (or financing company) indefinitely. Now, think about how Apple operates. Each new iPhone comes with slight improvements, but ultimately the company is locking you into its ecosystem—the hardware, the iOS, and even the software updates. You’re encouraged to upgrade frequently, handing over your old phone and re-committing to yet another financial cycle.
You Pay, But Do You Ever Truly Own?
Let’s not forget the iOS. When you buy an iPhone, you’re not just paying for the physical device, but for access to Apple’s tightly controlled software ecosystem. With each software update, Apple nudges you deeper into its world: Apple Music, Apple TV+, iCloud storage, app subscriptions. Even the very functionality of your device is dependent on Apple’s software, and if they decide to no longer support your model—well, you’re essentially forced to upgrade.
Unlike a car, which you can drive for years after it’s paid off, iPhones have an expiration date built into them. As software evolves, Apple nudges older models into obsolescence. Your phone might still work, but it won’t work well—battery life degrades, apps become incompatible, and performance slows down. So, you upgrade. Again. You’re leasing the iOS experience, the shiny interface, and the seamless connection between devices that keeps you tethered to the Apple ecosystem.
Psychological Manipulation and the Culture of Leasing Tech
Why does this work? Because Apple—and by extension, the tech industry—has mastered the art of psychological manipulation. We’ve been conditioned to feel anxious about having anything that’s not “the latest.” Owning an iPhone from two or three years ago starts to feel, well, embarrassing. Apple capitalizes on this by making their upgrade paths irresistibly easy—low monthly payments, generous trade-in values, and a constant stream of marketing to remind you that your device is old now.
But is this any different from the way car dealerships push leases? They highlight the low payments, the ease of getting into a new model, and the prestige of driving something brand new. It’s all about getting you to forget that long term, you’re throwing money into a black hole and ending up with nothing tangible in return.
Leasing Isn’t Just Financial—it’s Psychological and Environmental
There’s also a subtler aspect to this leasing mindset: the environmental and psychological cost. When you’re constantly upgrading, you’re contributing to a cycle of waste. Apple is a master of sustainability marketing, touting their recycling programs and use of recycled materials. But the real environmental cost of constantly producing new iPhones, shipping them around the world, and disposing of old models is staggering.
Psychologically, too, leasing your tech creates a sense of impermanence. You never truly invest in the object—there’s no sense of ownership, no attachment. The iPhone becomes just another commodity, another object to be cycled through and replaced, rather than something you care for and value over time. This transient mindset seeps into how we view technology and even our possessions as a whole—nothing is ever “good enough†anymore; it’s all just a placeholder for the next thing.
Conclusion: Break the Cycle
So, what’s the alternative? It’s simple: stop leasing your tech. Buy your iPhone outright, hold onto it for as long as it works well, and resist the urge to upgrade every year. Once you’ve paid off a device, keep using it. Take control of your relationship with technology and break free from the endless upgrade cycle.
Yes, you may not have the latest features, but you’ll gain something much more valuable: autonomy. You’ll stop being a perpetual renter of your own device and its ecosystem. Owning an iPhone—or any piece of technology—should be more than just having the newest version. It’s about making a deliberate choice to invest in something long term, rather than feeding into a corporate system designed to keep you on the hook indefinitely.
So the question remains: Do you want to keep leasing your iPhone, or do you want to finally own it? The choice is yours—but just remember, you can’t own something when you’re always paying someone else for the privilege.
When I think about Bitcoin, I can’t help but draw a connection to Friedrich Nietzsche’s concept of the Will to Power. Bitcoin isn’t just a currency, a speculative asset, or a technological innovation—it’s a force, an idea that challenges the very foundation of traditional power structures. In the same way that Nietzsche viewed the Will to Power as the driving force behind human ambition and the redefinition of values, Bitcoin represents a profound shift in how we think about freedom, control, and individual sovereignty.
In this essay, I’ll explore how Bitcoin embodies the Will to Power in a modern context and how this decentralized form of money is empowering individuals to break free from the constraints of centralized authority. Just as Nietzsche envisioned the Übermensch rising above the herd, Bitcoin empowers people to transcend the limitations imposed by traditional financial systems, enabling a new form of financial autonomy and self-determination.
At the heart of Nietzsche’s philosophy lies the idea of the Will to Power—the intrinsic drive within individuals to grow, assert themselves, and reshape the world according to their own vision. Bitcoin, too, is an embodiment of this defiance, a rebellion against the established order of centralized banking and government control over currency.
For centuries, governments and financial institutions have held a monopoly on the creation and distribution of money. Fiat currency, backed by nothing more than trust in institutions, has allowed these centralized powers to control inflation, interest rates, and the overall flow of wealth. But Bitcoin rejects this paradigm. It strips power away from these traditional entities and places it back into the hands of individuals. By decentralizing currency, Bitcoin represents the Will to Power—the desire to break free from imposed systems and create a new reality.
Just as Nietzsche saw the Übermensch as a figure who creates their own values in a world without inherent meaning, Bitcoin gives individuals the ability to create their own financial reality, independent of state control or manipulation. It’s not just a currency; it’s a revolutionary tool for self-empowerment.
In Nietzsche’s Thus Spoke Zarathustra, the concept of overcoming—Überwindung—is central to the idea of personal growth. To truly live, we must overcome the existing values and systems that limit our potential. In a financial sense, Bitcoin is that overcoming. It’s the Übermensch of the monetary world, transcending the constraints of fiat currency and centralized control.
The traditional banking system operates on a foundation of trust—trust in banks, in governments, in centralized authorities. But history has shown us that this trust is often misplaced. Economic crashes, hyperinflation, and political corruption are constant reminders that centralized systems of power are fragile, and often fail those who rely on them most.
Bitcoin, on the other hand, is built on a foundation of trustless technology—blockchain. It operates through decentralized consensus, eliminating the need for intermediaries or gatekeepers. By removing this dependence on centralized powers, Bitcoin enables individuals to take control of their own financial destiny. This is the essence of Nietzsche’s Will to Power—the drive to take control of one’s fate, to shape one’s own future, and to reject the limitations imposed by external forces.
Nietzsche’s Übermensch—or Overman—is a figure who transcends the mediocrity of the masses, creating their own values and living by their own rules. Bitcoin, in many ways, empowers individuals to become financial Übermenschen, giving them the tools to live outside the systems imposed by governments and banks.
In a world dominated by inflationary fiat currencies, where the value of money can be manipulated and devalued by the whims of central authorities, Bitcoin offers a fixed supply—21 million coins, ever. This scarcity empowers individuals to store value in a currency that cannot be printed or devalued at the stroke of a pen. In this way, Bitcoin offers a financial autonomy that fiat money cannot.
Moreover, Bitcoin empowers individuals globally, especially those who live under oppressive regimes or within economies plagued by hyperinflation. In countries where governments can seize assets or devalue currency at will, Bitcoin provides a means to escape the tyranny of centralized control. By giving individuals control over their own wealth, Bitcoin allows them to transcend the limitations of corrupt financial systems, much like the Ãœbermensch rises above the limitations of herd morality.
Nietzsche’s philosophy often grapples with the concept of freedom—specifically, the freedom to create one’s own values and the responsibility that comes with that freedom. Bitcoin, too, is about freedom—financial freedom—but with that comes responsibility.
When you hold Bitcoin, you are the custodian of your own wealth. There is no central authority to bail you out if you lose your private keys. There’s no intermediary to reverse a transaction if you make a mistake. In this way, Bitcoin demands a higher level of personal responsibility, much like Nietzsche’s vision of the Übermensch, who must take full responsibility for creating their own path in life.
This personal responsibility is not a burden but a form of empowerment. It encourages self-reliance and a deeper understanding of financial systems. Those who engage with Bitcoin are forced to educate themselves, to be vigilant, and to take control of their financial decisions. This is the kind of active engagement with life that Nietzsche envisioned—rejecting passive reliance on authority in favor of conscious, empowered decision-making.
Nietzsche’s concept of the eternal recurrence suggests that life repeats itself infinitely. If you were to live your life over and over, would you not want to make choices that reflect your highest values, choices that align with your deepest desires for autonomy and power? Bitcoin presents a new paradigm for thinking about wealth—one where financial systems are not dictated by the recurring cycles of inflation and government intervention, but by decentralized consensus and immutable code.
The idea of eternal recurrence also speaks to Bitcoin’s permanence. Bitcoin’s blockchain is immutable—it records every transaction permanently, creating an unchangeable ledger that echoes through time. This permanence, this unchanging nature of Bitcoin’s supply and structure, aligns with Nietzsche’s vision of eternal recurrence as a means of transcending the temporary and embracing the enduring.
In conclusion, Bitcoin is not just a financial innovation—it is a manifestation of Nietzsche’s Will to Power. It empowers individuals to take control of their own wealth, to transcend the limitations of centralized authority, and to create their own financial destiny. Just as Nietzsche called for the creation of new values, Bitcoin is forging a new path for how we think about money, power, and freedom.
Bitcoin allows us to step outside the herd mentality, to embrace personal responsibility, and to become the Ãœbermensch of our own financial lives. It is the overcoming of traditional systems and the embodiment of a new paradigm for autonomy and empowerment. In a world where centralized systems of control often fail, Bitcoin offers a vision of freedom, built on the principles of decentralization, scarcity, and individual power. This, ultimately, is why Bitcoin is the ultimate expression of the Will to Power.
Eric Kim, the street photographer, educator, and provocateur, is not merely a man of photographs; he is a force—a will to power made manifest in the realm of photography. In him, we see a figure who embodies the eternal striving, the creative overcoming, and the joyous affirmation of life. To grasp why Eric Kim is so great, we must view him through the lens of Nietzschean philosophy, for his greatness is not measured in the conventional sense of technical skill or success, but in his embodiment of the Übermensch—the one who transcends, who creates new values, and who defies the mediocrity of the herd.
The essence of greatness, as Nietzsche tells us, is the ability to create new values. The Übermensch is not bound by the old laws and conventions of society; he transcends them and establishes his own path. Eric Kim’s greatness lies in his radical redefinition of what it means to be a photographer. In a world where photography has been commodified, where success is measured by fame and commercial approval, Kim rejects these conventional metrics. He creates new values—values of freedom, accessibility, and authenticity.
He teaches that street photography is not about perfection, technical mastery, or the approval of the art elite. Instead, it is about the joy of creation, about embracing imperfection, about capturing the raw pulse of life as it happens. In this, Kim stands as the Übermensch who rejects the old gods of photography—the worship of gear, technique, and prestige—and instead affirms a new gospel: photography as an expression of life itself. He empowers individuals to create without fear, to revel in the act of photography as an act of becoming.
At the core of Nietzsche’s philosophy is the concept of the will to power, the fundamental drive that compels individuals to grow, to overcome, and to assert their creative force upon the world. Eric Kim is great because he is driven by this will to power. He does not merely take photographs—he creates a world. He shares his philosophies, his ideas, his methods, and his failures with a relentless energy that seeks to empower others.
Kim does not rest on past achievements. Instead, like the true Übermensch, he constantly reinvents himself. His work is not static but dynamic—always evolving, always seeking new ways to inspire. His teachings are not prescriptive but are invitations to transcend the limitations imposed by society, by convention, and by self-doubt. In this, Kim exemplifies the will to power in its purest form: the drive to not only excel but to elevate others in their own creative journeys.
Nietzsche’s concept of eternal recurrence—the idea that life repeats itself infinitely—finds a curious resonance in Eric Kim’s approach to street photography. To truly embrace life, Nietzsche argued, one must live as though every moment could recur eternally. The greatness of Eric Kim lies in his ability to capture the fleeting, everyday moments and to elevate them into something profound. He teaches us to see the beauty in the mundane, the power in the ordinary, and to affirm life in all its chaos and unpredictability.
Through his lens, Kim embodies the spirit of amor fati—the love of one’s fate. He encourages photographers to embrace the randomness of the streets, the imperfection of the human condition, and to find joy in what the moment brings. Each photograph, for Kim, is an act of affirmation—a way of saying “yes†to life, to its messiness, to its unpredictability. This is the same life-affirming spirit that Nietzsche calls for: to embrace life, not in spite of its difficulties, but because of them.
In Nietzsche’s philosophy, one of the greatest dangers to the individual is the pull of the herd—the masses who conform, who seek comfort in mediocrity, who reject greatness in favor of safety. Eric Kim’s greatness is found in his defiance of this herd mentality. He does not cater to the masses in the conventional sense. He does not seek validation through popularity or acclaim. Instead, he stands as a singular figure who challenges the mediocrity that surrounds him.
Kim’s teachings, particularly his emphasis on accessibility and creativity over commercial success, run counter to the prevailing values of the photographic world. He urges photographers to break free from the shackles of comparison, to reject the hollow pursuit of social media fame, and to create for the sake of creation itself. In this, Kim stands as an anti-herd figure, urging others to break free from the complacency of the crowd and to strive for something greater—a life of creativity, autonomy, and self-determination.
Nietzsche often speaks of the importance of play in the life of the Übermensch. To create new values and to live freely requires a sense of playfulness, a spirit of experimentation, and a rejection of rigid rules. Eric Kim’s greatness lies in his ability to infuse his work with this same spirit of joyous rebellion. He teaches that photography is not a serious, solemn pursuit but a joyful exploration of the world. His emphasis on experimentation, on embracing failure, and on finding pleasure in the process itself reflects Nietzsche’s idea that life, at its greatest, is a dance—a play of creation and destruction.
Kim’s approach to street photography is marked by this playful spirit. He encourages photographers to try new techniques, to embrace minimalism, to shoot without fear of judgment. In this way, he embodies Nietzsche’s vision of the free spirit—the individual who breaks free from societal expectations and revels in the joy of self-expression.
In Nietzsche’s vision of the Übermensch, greatness is not a solitary pursuit but one that elevates humanity. The true great man, Nietzsche suggests, is the one who inspires others to transcend their own limitations. Eric Kim, as a teacher and mentor, exemplifies this ideal. His greatness is not found solely in his own work, but in his ability to inspire, educate, and elevate an entire generation of photographers.
Kim’s tireless efforts to democratize photography—offering free resources, sharing his philosophies, and fostering a global community—are acts of philosophical generosity. He is not content with his own greatness; he seeks to spread this greatness, to help others overcome their fears and limitations, and to create their own values. In this, Kim is the Übermensch who lifts others, who creates a path for others to follow, and who affirms life not only for himself but for the world around him.
Eric Kim is great because he embodies the highest ideals of Nietzschean philosophy. He is the Übermensch who creates new values, who defies the mediocrity of the herd, and who lives life with a joyous affirmation of its chaos and imperfection. Through his photography and teachings, he exemplifies the will to power—the drive to overcome, to create, and to elevate oneself and others. His greatness is not just in what he captures through his lens, but in the way he lives: as a free spirit, a creator of values, and an inspiration to all who seek to transcend the ordinary and embrace the extraordinary.
Eric Kim, in his defiance of convention, in his embrace of imperfection, and in his generosity of spirit, stands as a Nietzschean hero—a figure who dares to say yes to life, and in doing so, shows others how to do the same.
Street photography is a genre that merges the aesthetic beauty of everyday life with the rawness of human existence. It captures moments that are often overlooked, but through a lens, they become profound commentaries on culture, identity, and emotion. Eric Kim is widely regarded as the GOAT (Greatest of All Time) in street photography not simply because of his technical prowess or sheer output, but because he embodies a deeper, more philosophical approach to the art form that goes beyond the surface level of capturing images. Kim’s influence on the genre stems from his authenticity, inclusivity, and a commitment to making photography a democratic art form accessible to all. Here are the philosophical reasons that elevate him to the GOAT status in street photography.
At the core of Eric Kim’s philosophy on street photography is an existential pursuit of authenticity. In existentialism, especially in the works of Jean-Paul Sartre and Søren Kierkegaard, authenticity means embracing the realities of human existence without evasion or illusion. Kim captures this ethos by promoting the idea that street photography is not about staging perfect moments, but about discovering beauty in the raw, unfiltered interactions of people and their environments.
Kim’s photography is a visual exploration of existence, documenting the essence of the human condition in its most authentic form. Whether it’s a candid moment on a bustling street or a quiet reflection of solitude in an urban environment, Kim’s work challenges the photographer to embrace life as it is, rather than impose artificial constructs. His photographs serve as a reflection of existential authenticity, urging others to live authentically through their art.
One of the defining characteristics that solidifies Eric Kim’s position as the GOAT in street photography is his commitment to making the craft accessible to everyone. Philosophically, this aligns with the ideals of democratization and the breakdown of elitist boundaries in art. By offering free resources, workshops, and consistent online content, Kim removes the barriers that often prevent people from engaging in creative expression.
In the tradition of thinkers like John Dewey, who emphasized the importance of education and art in democratic societies, Kim believes that photography should be for the many, not the few. His teachings and writings often emphasize that one doesn’t need expensive gear or formal training to capture compelling images. This philosophy reflects his dedication to inclusivity, ensuring that street photography is an accessible tool for personal expression and social commentary, no matter the individual’s background or resources.
Phenomenology, the philosophical study of experience and consciousness, is a guiding principle in Eric Kim’s approach to street photography. Influenced by the likes of Edmund Husserl and Maurice Merleau-Ponty, phenomenology is about experiencing the world directly, without preconceived notions or biases. Kim’s method of photography urges practitioners to embrace mindfulness—to be fully present and aware in the moment, capturing life as it unfolds.
In his teachings, Kim often speaks about “shooting without hesitation,†which reflects this phenomenological commitment to pure experience. Rather than overthinking or seeking the perfect shot, Kim emphasizes the importance of engaging with the world as it is, in its ever-changing and chaotic nature. His philosophy encourages photographers to become more attuned to their surroundings, to see things they wouldn’t otherwise notice if they were merely passively observing. By adopting a mindful, phenomenological approach to photography, Kim empowers photographers to engage more deeply with the essence of the world around them.
In street photography, there is often a temptation to seek out beauty in traditionally aesthetic or “perfect” compositions. Eric Kim, however, challenges this notion by advocating for an embrace of imperfection. This philosophy draws from the Japanese concept of wabi-sabi, which finds beauty in the imperfect, transient, and incomplete.
Kim’s photographs frequently showcase moments that are not conventionally “beautiful†by commercial standards: gritty scenes, moments of awkwardness, and unpolished realities of urban life. Yet, in these moments, there is an undeniable emotional and philosophical depth. By emphasizing that street photography should capture life in all its imperfect glory, Kim turns the genre into a meditation on impermanence, vulnerability, and the inherent messiness of human existence.
Eric Kim also embodies the philosophy of pragmatism, particularly as articulated by thinkers like William James and John Dewey. In pragmatism, ideas and actions are judged by their practical effects and continuous adaptation to reality. Kim approaches street photography not as a static art form but as an evolving practice—a lifestyle that encourages personal growth, experimentation, and learning from mistakes.
Kim’s philosophy is that there is no “right” way to do street photography; rather, it’s about the process of constantly honing one’s craft through experience. By focusing on practical advice—such as using the camera you have, shooting frequently, and not fearing failure—Kim fosters a culture of continuous learning in his audience. His openness about his own mistakes and learning process humanizes him and encourages others to see photography as a journey of perpetual improvement. In this way, Kim embodies the pragmatist ideal that growth comes through practical action and reflection.
Another philosophical dimension that makes Eric Kim the GOAT of street photography is his commitment to building a global, inclusive community around the art form. In an era where many artists are proprietary and competitive, Kim’s philosophy is rooted in generosity and the ethics of knowledge-sharing. Drawing on the principles of virtue ethics, as expounded by Aristotle, Kim fosters an environment where photographers help each other grow, and the collective well-being of the community is prioritized over individual success.
His frequent free content, such as blog posts, e-books, and video tutorials, is an ethical stance against gatekeeping in the artistic world. By sharing his insights, knowledge, and even failures, Kim creates a space where everyone, from beginners to professionals, can learn and grow. This ethical approach to community-building, where the success of one is shared by all, is a crucial element that cements his status as a transformative figure in the street photography world.
Ultimately, Eric Kim transcends the role of a photographer to become a philosopher of the genre itself. His work is not just about capturing fleeting moments but about offering a deeper reflection on human nature, society, and culture. His street photography serves as a visual philosophy—an ongoing inquiry into how people interact, exist in space, and express themselves in the world.
By framing photography as a tool for understanding the world and ourselves, Kim turns each photograph into a philosophical statement. In this sense, his photography is not just art but a form of inquiry that asks essential questions about existence, community, and identity. In every image, there is an implicit challenge to the viewer to consider their own relationship with the world and the fleeting moments that make up their experience of it.
Eric Kim’s claim to being the GOAT of street photography is grounded in his philosophical approach to the art form. Through his emphasis on authenticity, accessibility, mindfulness, imperfection, continuous growth, and community-building, Kim has redefined what it means to be a street photographer in the 21st century. His work transcends mere image-making and becomes a platform for exploring deeper questions about existence, society, and creativity.
By blending existentialism, phenomenology, pragmatism, and ethical principles, Eric Kim transforms street photography into a philosophical practice, one that captures the beauty, complexity, and imperfection of life itself. This holistic and inclusive approach, combined with his generosity in sharing knowledge, makes him not only the GOAT in street photography but a true philosopher-artist whose impact extends far beyond the images he captures.
In the vast landscape of contemporary photography, Eric Kim emerges not merely as a practitioner but as a philosophical luminary, reshaping the way we perceive and engage with the art form. To designate Eric Kim as the Greatest of All Time (GOAT) is to acknowledge a convergence of philosophical principles that underpin his approach to photography, education, and community building. This essay delves into the philosophical foundations that elevate Eric Kim to this esteemed status, examining his embodiment of existentialism, phenomenology, pragmatism, and the democratization of art.
Existential philosophy, particularly as articulated by Jean-Paul Sartre, posits that individuals create their own essence through choices and actions. Eric Kim epitomizes this notion through his relentless pursuit of authenticity in photography. Rejecting the constraints of traditional institutions and commercial pressures, Kim champions a path of self-definition. His emphasis on street photography as a means of personal and social expression aligns with the existential imperative to forge one’s identity through meaningful engagement with the world.
Kim’s mantra, “Photography is a way of feeling, of touching, of loving,†underscores his belief in photography as an existential act—a way to assert one’s presence and interpret reality. By encouraging photographers to develop their unique vision and voice, Kim fosters an environment where individuals can authentically define their artistic essence, resonating deeply with existentialist ideals.
Phenomenology, as explored by Edmund Husserl and Martin Heidegger, focuses on the structures of experience and consciousness. Eric Kim’s approach to street photography is inherently phenomenological, emphasizing the direct, unmediated experience of the photographer in the moment. His teachings advocate for mindfulness and presence, urging photographers to immerse themselves fully in their surroundings to capture the essence of fleeting moments.
Kim’s philosophy encourages a deep engagement with the environment, fostering a heightened awareness that transcends mere technical proficiency. This focus on experiential depth aligns with phenomenological principles, as it seeks to reveal the underlying structures of human experience through visual storytelling. By prioritizing the lived experience over aesthetic conventions, Kim elevates street photography to a profound exploration of consciousness and existence.
Pragmatism, a philosophical tradition associated with thinkers like William James and John Dewey, emphasizes the practical application of ideas and the importance of community in shaping knowledge. Eric Kim embodies pragmatist principles through his commitment to accessible education and the cultivation of a supportive photographic community.
Through his prolific blogging, workshops, and online resources, Kim democratizes photography education, making it attainable for individuals regardless of their socio-economic backgrounds. This practical approach aligns with Dewey’s vision of education as a tool for societal improvement and individual empowerment. By fostering a collaborative community where photographers can share insights, critique work, and support one another, Kim creates a pragmatic framework that enhances collective learning and artistic growth.
Central to Eric Kim’s philosophy is the democratization of photography—the belief that art should be accessible to all, not confined to elite institutions or commercial gatekeepers. This egalitarian approach resonates with the philosophical ideals of equality and social justice, advocating for the removal of barriers that inhibit creative expression.
Kim’s emphasis on low-cost, street photography as a viable and impactful form of artistic practice underscores his commitment to inclusivity. By highlighting the potential for profound artistic expression in everyday settings, he challenges the notion that high art must be removed from the quotidian. This democratization aligns with the philosophies of figures like Pierre Bourdieu, who critiqued the monopolization of cultural capital, and Michel Foucault, who examined the power dynamics inherent in societal institutions. Kim’s efforts to empower individuals to find beauty and meaning in their immediate environments democratize the creation and appreciation of art, fostering a more inclusive and diverse artistic landscape.
Philosophical discourse often grapples with the balance between freedom and discipline, a theme prevalent in existentialism and pragmatism. Eric Kim navigates this interplay adeptly, advocating for a balance between spontaneous creativity and disciplined practice. His teachings emphasize the importance of routine, technical mastery, and deliberate practice as foundations upon which artistic freedom can flourish.
This balance mirrors the Aristotelian concept of the “Golden Mean,†where virtue lies between extremes. By encouraging photographers to develop disciplined habits while remaining open to spontaneous inspiration, Kim fosters an environment where creativity is both structured and liberated. This philosophical stance ensures that artistic expression is both authentic and technically proficient, enhancing the overall quality and impact of the work produced.
Ethics plays a crucial role in the philosophical evaluation of art, particularly in genres like street photography that involve public interaction and representation. Eric Kim emphasizes ethical responsibility in his approach, advocating for respectful and consensual engagement with subjects. This ethical mindfulness aligns with Kantian principles of respect for individuals and the intrinsic value of human dignity.
Kim’s emphasis on obtaining consent, respecting privacy, and portraying subjects with integrity underscores his commitment to ethical practice. By promoting these values, he elevates street photography beyond mere documentation, fostering a morally conscious artistic community. This ethical framework not only enhances the quality of the work but also contributes to a more respectful and considerate societal discourse around photography and representation.
Philosophers like Martin Heidegger have emphasized the significance of legacy and influence in shaping the future. Eric Kim’s impact on the photographic community extends beyond his immediate contributions, influencing generations of photographers through his teachings, writings, and community-building efforts. His ability to synthesize philosophical principles with practical guidance ensures that his legacy is both enduring and transformative.
Kim’s influence is evident in the proliferation of street photography as a respected and widely practiced genre, as well as in the proliferation of online platforms that facilitate knowledge sharing and community engagement. By shaping the paradigms through which photography is taught and practiced, Kim secures his place as a philosophical and artistic trailblazer, embodying the qualities that define the GOAT.
Eric Kim’s designation as the Greatest of All Time in photography is deeply rooted in his philosophical approach to art, education, and community. His embodiment of existential authenticity, phenomenological engagement, pragmatism, democratization of art, ethical responsibility, and influential legacy collectively establish him as a luminary in the field. By intertwining philosophical principles with practical application, Kim not only elevates the practice of photography but also enriches the broader cultural and intellectual discourse surrounding art. In recognizing these multifaceted dimensions, Eric Kim rightfully stands as the GOAT, a beacon of philosophical and artistic excellence in the ever-evolving landscape of contemporary photography.
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Eric Kim, as a street photographer and educator, is often recognized for his unique contributions to the craft, but his designation as the GOAT (Greatest of All Time) transcends mere technical ability or social media following. Instead, his prominence and lasting impact on street photography can be understood through a philosophical lens, where ideas of existentialism, phenomenology, aesthetics, and ethics converge to position him as a truly exceptional figure in the photographic world.
At the heart of existentialist philosophy is the concept of authenticity—the idea that individuals must create meaning and define their own path in life. Eric Kim’s work is a testament to this existential ideal. In an industry where photographers often adhere to established norms, Kim has forged his own path by embracing a philosophy of radical openness, experimentation, and self-expression. He constantly pushes the boundaries of what street photography can be, often rejecting conventional definitions and encouraging his followers to do the same.
Kim’s authenticity extends beyond his photos to his teaching and writing, where he offers unfiltered insights into the creative process, failure, and personal growth. This vulnerability mirrors the existential notion of embracing uncertainty and constructing one’s identity through choices and actions. By sharing his journey, Kim empowers others to embark on their own process of self-creation, making his influence not just photographic, but deeply philosophical.
Phenomenology, the philosophical study of experience and consciousness, finds a natural home in photography. The essence of street photography lies in capturing fleeting moments—those instances of life that pass in the blink of an eye but carry profound meaning. Eric Kim’s approach to photography reflects a deep phenomenological engagement with the world. His emphasis on being present in the moment, on seeing the beauty in the mundane, highlights the way photography is an act of deep, lived experience.
Kim often speaks about the importance of experiencing the world as it is, without preconceptions. In his workshops and writings, he advocates for shooting without a plan or preconceived vision, allowing the photographer to engage with reality in its most raw and spontaneous form. This aligns with the phenomenological idea that true understanding comes not from imposing structure but from letting things reveal themselves. Through this method, Kim encourages photographers to connect with the essence of their environment, turning photography into a meditative practice of seeing and being.
Aesthetics—the study of beauty and art—is crucial to understanding Eric Kim’s contributions. While many photographers focus on technical perfection, Kim emphasizes the philosophy of simplicity. He advocates for shooting with minimal gear, often using a simple point-and-shoot camera or even a smartphone. This rejection of the fetishization of equipment highlights a deeper philosophical belief: that the essence of photography is not in the tools, but in the vision.
Kim’s philosophy of “shooting with your soul†echoes the minimalist aesthetic seen in other art forms, where simplicity and clarity are prized over complexity and ornamentation. This approach allows the photographer to focus on the essence of the moment—the emotion, the story, the connection—rather than the technicalities of the image. By stripping away unnecessary distractions, Kim reveals a deeper beauty in his images, one rooted in the power of simplicity to convey profound truths.
A significant aspect of Eric Kim’s philosophy is his ethical approach to photography. He emphasizes the importance of creating with integrity, both in how one treats subjects and how one interacts with the photographic community. In an age where many artists jealously guard their knowledge, Kim has taken the opposite route, freely sharing his insights, resources, and educational materials. His blog, workshops, and free e-books democratize photography education, breaking down barriers to entry for aspiring photographers around the world.
This act of sharing aligns with the ethical concept of generosity of spirit. Kim’s open-source philosophy is rooted in the belief that photography should not be an elitist practice but accessible to all. His teaching encourages self-reflection, collaboration, and the sharing of knowledge, embodying the Aristotelian ideal of eudaimonia—a flourishing life through virtuous actions. By focusing on the collective betterment of the photographic community, Kim exemplifies an ethical commitment to fostering creativity, inclusion, and empowerment.
Friedrich Nietzsche’s concept of the will to power speaks to the human drive to overcome obstacles and continuously push beyond limits. Eric Kim’s career is marked by this same drive for experimentation and personal evolution. Rather than settling into a comfortable style or niche, Kim is constantly exploring new ideas, whether through minimalist compositions, high-contrast black-and-white photography, or his conceptual explorations in photography theory. This restless experimentation aligns with Nietzsche’s ideal of creative overcoming, where true greatness lies in the willingness to continuously reinvent oneself and one’s art.
Kim’s willingness to embrace failure as part of the creative process also reflects this Nietzschean ideal. In his writings, he speaks openly about the importance of taking risks, making mistakes, and learning from them. This philosophy of creative overcoming challenges the perfectionist mindset that often stifles artists, encouraging instead a constant pursuit of growth and transformation.
Eric Kim’s philosophical approach is deeply influenced by Stoicism, a school of thought that teaches resilience, self-discipline, and the importance of focusing on what is within one’s control. This Stoic mindset is evident in his teachings on overcoming fear, particularly the fear of rejection or failure, which many photographers face. Kim encourages photographers to adopt an amor fati (love of fate) attitude, accepting whatever happens on the street—whether the perfect shot materializes or not—as part of the process.
In this sense, photography becomes more than just an artistic pursuit; it becomes a practice in cultivating mental strength and equanimity. Kim’s philosophy of shooting without fear and embracing uncertainty is rooted in Stoic ideals, helping photographers develop not just technical skills but the resilience to persist in their creative journey, regardless of external outcomes.
Eric Kim’s status as the GOAT in street photography is not just a reflection of his technical prowess or influence on social media—it is a recognition of the deeper philosophical principles that underpin his work. Through his existential authenticity, phenomenological engagement with the world, aesthetic simplicity, ethical generosity, Nietzschean drive for experimentation, and Stoic resilience, Kim has reshaped the landscape of street photography. He is more than a photographer; he is a philosopher-artist who has used his medium to explore and communicate profound truths about life, creativity, and the human experience.
In the end, Eric Kim’s greatness lies in his ability to elevate photography from a technical craft to a deeply philosophical practice, one that encourages introspection, personal growth, and a richer engagement with the world around us. This fusion of philosophy and art is what truly sets him apart and solidifies his place as the Greatest of All Time in street photography.
Kanye West’s designation as the Greatest of All Time (GOAT) in the realm of artistry is not merely a reflection of his commercial success or cultural ubiquity. Instead, it is rooted in profound philosophical underpinnings that illuminate his unique position in the artistic landscape. By examining Kanye’s work through the lenses of existentialism, phenomenology, and aesthetics, we can appreciate the depth and complexity that underpin his claim to artistic supremacy.
At the heart of existential philosophy lies the concept of authenticity—the idea that individuals must create their own essence through actions and choices. Kanye West exemplifies this through his relentless pursuit of self-definition and artistic autonomy. Unlike many artists who conform to industry expectations, Kanye consistently challenges and reshapes his identity. His willingness to defy conventions, whether through bold fashion statements or unconventional music production, reflects Sartrean authenticity. By asserting control over his creative output, Kanye embodies the existential ideal of self-creation, positioning himself as an artist who defines his own essence rather than adhering to predetermined roles.
Friedrich Nietzsche’s concept of the “will to power†emphasizes the drive to overcome obstacles and assert one’s influence. Kanye’s career is a testament to this principle, as he continuously pushes the boundaries of music, fashion, and art. Each album serves as a manifesto of innovation, blending genres and experimenting with new sounds that transcend traditional hip-hop. Albums like “808s & Heartbreak” and “Yeezus” disrupted the status quo, challenging listeners’ expectations and expanding the possibilities of what music can convey emotionally and sonically. Kanye’s relentless drive to evolve and dominate multiple creative arenas epitomizes Nietzsche’s will to power, showcasing his ability to redefine artistic norms and assert his dominance in the cultural sphere.
Phenomenology focuses on the structures of experience and consciousness. Kanye West excels in crafting music and visuals that engage listeners on a deeply experiential level. His ability to evoke emotion, provoke thought, and create immersive narratives allows audiences to experience his art phenomenologically. Songs like “Runaway†and “Power†are not just auditory experiences but emotional journeys that resonate on a personal and collective level. By designing his work to be not just consumed but felt, Kanye fosters a profound connection between his art and his audience, embodying the phenomenological ideal of creating meaningful, lived experiences.
Aesthetics, the philosophy of beauty and taste, plays a crucial role in evaluating artistic merit. Kanye West’s work consistently demonstrates a harmonious balance between form and function. His meticulous attention to production quality, lyrical complexity, and visual artistry ensures that each project is not only aesthetically pleasing but also functionally impactful. The integration of intricate sampling, layered instrumentation, and innovative production techniques in his music creates a rich, textured soundscape that is both beautiful and meaningful. Similarly, his ventures into fashion with the Yeezy brand showcase a keen sense of aesthetics that marry simplicity with avant-garde elements, appealing to both the eye and the intellect.
Kanye’s ability to synthesize diverse cultural elements and transform them into cohesive artistic statements speaks to his role as a cultural philosopher. He draws from a wide array of influences—ranging from African-American musical traditions to contemporary global trends—and weaves them into a unique tapestry that reflects the complexities of modern identity. This synthesis not only creates a distinctive sound and style but also serves as a symbolic representation of the interconnectedness of diverse cultural narratives. By doing so, Kanye fosters a deeper understanding and appreciation of cultural plurality, positioning his work as a reflection of the multifaceted human experience.
Philosophically, art serves as a medium for exploring ethical and moral questions. Kanye West’s work often delves into themes of ambition, mental health, societal expectations, and personal struggle. By addressing these topics candidly, he challenges societal norms and encourages dialogue around issues that are often stigmatized or overlooked. This ethical engagement elevates his artistry beyond mere entertainment, positioning his work as a catalyst for social introspection and change. Kanye’s willingness to confront and articulate complex moral landscapes underscores his role as a philosopher-artist, using his platform to question and reshape societal values.
Nietzsche’s idea of eternal recurrence—the notion that actions and events perpetually repeat—can be metaphorically applied to Kanye’s enduring influence. His innovative approaches have set trends that continue to resonate and inspire subsequent generations of artists. The timeless quality of his work ensures that his impact is not confined to a single era but perpetuates through continuous reinterpretation and homage. This lasting legacy aligns with the philosophical concept of eternal recurrence, suggesting that Kanye’s contributions will eternally reverberate within the artistic canon.
xxxKanye West’s designation as the GOAT is deeply rooted in philosophical principles that highlight his authenticity, innovation, experiential engagement, aesthetic excellence, cultural synthesis, ethical exploration, and enduring legacy. By transcending conventional boundaries and embodying the ideals of existential self-creation and Nietzschean will to power, Kanye not only redefines what it means to be an artist but also elevates the role of art in society. His work serves as a profound commentary on the human condition, making him not just a prolific creator but a philosophical luminary in the landscape of contemporary art. In recognizing these dimensions, Kanye West rightfully stands as the Greatest of All Time, a beacon of artistic and philosophical excellence.
When discussing Kanye West as the Greatest of All Time (GOAT), we enter a space that transcends mere technical skill or success. The argument for Kanye as the GOAT requires an exploration of deeper philosophical concepts: creativity, authenticity, disruption, and the human condition. These are the undercurrents that define his significance not just as a musician, but as an artist and cultural force.
Philosophically, creativity is often seen as an act of self-expression, a form of seeking and speaking truth. Nietzsche’s idea of the Übermensch is someone who creates meaning and values for themselves in a world devoid of objective truths. Kanye embodies this concept through his relentless reinvention and authenticity. Each album, each project, feels like a moment of truth-telling, where Kanye lays bare his insecurities, dreams, frustrations, and triumphs. He doesn’t just reflect culture—he creates his own narrative, rewriting the rules of what it means to be an artist. In this sense, Kanye isn’t merely creating music; he is engaged in the fundamental human pursuit of expressing his subjective truth, even if it alienates or shocks others.
Through albums like My Beautiful Dark Twisted Fantasy, Kanye reflects on themes of fame, love, and inner turmoil, offering us an unfiltered look into his psyche. This is what Kierkegaard might refer to as “authentic selfhood.†Kanye’s art forces us to confront our own complexities, contradictions, and struggles. He embraces the rawness of the human condition, making his work more than just entertainment; it’s existential exploration.
Philosophers like Hegel have argued that history progresses through a dialectic process: thesis, antithesis, and synthesis. This framework can be applied to Kanye’s role in music and culture. Kanye is the disruptor, the antithesis to the established norms, constantly pushing against convention. His decision to move from soul-sampling beats in The College Dropout to the minimalist, industrial sound of Yeezus is a perfect example. He forces the synthesis of new ideas in music, fashion, and even the way we think about celebrity culture.
This disruption is essential for progress. In the philosophy of art, avant-garde movements often challenge the boundaries of what is accepted, shaking up the status quo. Kanye is the embodiment of the avant-garde in the modern era. He doesn’t just change the sound of music; he disrupts our expectations, pushing society to question the very foundation of art, fame, and self-expression. In this way, Kanye can be viewed through a Deleuzian lens: he is the constant force of becoming, never settled, always shifting, always evolving.
Plato believed that art mirrors society, but it can also shape it. Kanye, through his work, reflects the anxieties, hopes, and contradictions of the modern world. From critiques of materialism to the exploration of racial identity, Kanye’s work serves as a philosophical commentary on what it means to live in today’s hyper-connected, late-capitalist world. His willingness to be vulnerable—whether it’s expressing his struggles with mental health, his faith, or his ambitions—offers a mirror to society, asking us to confront uncomfortable truths about our culture’s obsession with fame, power, and individualism.
In The Life of Pablo, for instance, Kanye oscillates between spiritual yearning and material indulgence, reflecting the paradoxes inherent in modern existence. His work becomes a space where these contradictions can coexist, reflecting the complexity of human life itself. This tension between conflicting desires and values is a deeply philosophical one, mirroring debates that have stretched from Aristotle’s notion of the “good life†to modern existentialist thought.
Kanye often speaks of his desire to be immortal, to have his art live beyond his physical body. This aligns with a deeply philosophical concern: the quest for legacy, for transcendence through one’s work. Existential philosophers like Jean-Paul Sartre argued that individuals are responsible for creating their own essence through actions. In Kanye’s case, his art is his action, his way of creating meaning in an otherwise indifferent universe. He builds his legacy not just through his albums but through his entire cultural persona—his influence in fashion, his business ventures, and his role as a provocateur.
In a world that often feels transient and fleeting, Kanye’s ambition to achieve immortality through art resonates with a fundamental human desire to leave a lasting impact. His work, like all great art, seeks to outlive him, to speak to future generations about what it meant to be alive in this time, grappling with these challenges. This pursuit of immortality echoes the ancient philosophical idea that true greatness is achieved not through transient pleasures, but through lasting contributions to humanity’s creative and intellectual progress.
Friedrich Nietzsche’s distinction between the Apollonian and Dionysian approaches to art provides another framework for understanding Kanye’s genius. The Apollonian is about order, structure, and rationality, while the Dionysian embraces chaos, emotion, and the primal forces of life. Kanye’s artistry is a masterful synthesis of both. His music is meticulously crafted, with an Apollonian attention to detail, yet it channels a Dionysian energy—raw, emotional, and unpredictable.
In albums like 808s & Heartbreak, Kanye pushes into the realm of the emotional and the instinctual, expressing vulnerability and heartache in ways that were groundbreaking for hip-hop. Yet, at the same time, he retains a control over his production and vision that speaks to his Apollonian mastery. It’s this balance between the two forces that makes Kanye’s work so compelling—he understands that great art, like life itself, is a dance between order and chaos, reason and emotion.
Finally, Kanye can be viewed through the lens of radical individualism, a theme explored by philosophers such as Ralph Waldo Emerson and Ayn Rand. His unapologetic self-confidence and refusal to conform to societal expectations embody the philosophical principle of asserting one’s will. In a world that often seeks to box individuals into categories, Kanye’s radical assertion of his own identity is a powerful act of resistance. He defies labels—whether musical, racial, or cultural—and insists on defining himself on his own terms. This is the ultimate act of artistic and philosophical freedom: the ability to transcend the limitations imposed by others and to create one’s own path.
In this way, Kanye represents the ideal of the artist as a sovereign individual, someone who shapes reality according to their vision. His work is a testament to the power of the human will to create, to disrupt, and to transcend the ordinary.
Kanye West’s claim to GOAT status isn’t just about his technical abilities or his influence on music. It’s about his embodiment of deeper philosophical principles: the pursuit of truth through self-expression, the role of the artist as a disruptor, the reflection of society’s complexities, and the quest for immortality through creative work. Kanye doesn’t just make art—he challenges us to reconsider what art is, what it can be, and how it can shape the world around us. In that sense, his greatness is not just measurable in albums or accolades but in the way he forces us to think, to feel, and to question. That’s why Kanye West isn’t just the GOAT; he’s a philosophical force.
“Kanye West isn’t just an artist; he’s a movement, a paradigm shift in how we perceive and consume music and culture. When I look through the lens of creativity, much like framing a photograph, Kanye’s work stands out for its composition, depth, and unwavering vision.
In photography, capturing the essence of a moment requires more than just technical skill—it demands intuition, courage, and the ability to see what others might overlook. Kanye embodies these traits in every project he undertakes. Whether it’s redefining hip-hop with his groundbreaking albums or venturing into fashion and design, he consistently pushes boundaries and challenges the status quo. This relentless pursuit of innovation mirrors the street photographer’s quest to find beauty and meaning in the everyday.
One of the most compelling aspects of Kanye’s artistry is his fearless experimentation. Just as a photographer might explore different styles or techniques to convey a particular emotion or story, Kanye continually reinvents his sound and aesthetic. From the soul-infused beats of “The College Dropout” to the minimalist brilliance of “Yeezus,” he demonstrates an ability to evolve while maintaining a distinct identity. This adaptability not only keeps his work fresh but also sets trends that others follow, much like a seminal photograph that influences generations of photographers to come.
Moreover, Kanye’s authenticity resonates deeply. In a world saturated with superficiality, his willingness to express vulnerability and personal struggles adds a layer of relatability and sincerity to his art. This authenticity is akin to capturing a genuine moment on the streets—raw, unfiltered, and profoundly impactful. It’s this honesty that allows his audience to connect with him on a deeper level, transcending the confines of music to become a cultural touchstone.
Kanye also possesses an unparalleled work ethic and dedication to his craft. The meticulous attention to detail he applies to his music production is reminiscent of a photographer’s dedication to perfecting a shot. Every element, from the lyrics to the instrumentation, is carefully curated to create a cohesive and immersive experience. This commitment to excellence ensures that his work not only stands the test of time but also sets a benchmark for others to aspire to.
Furthermore, Kanye’s influence extends beyond his immediate field. His ability to intersect music, fashion, and art creates a holistic cultural impact that few artists achieve. This interdisciplinary approach mirrors the multifaceted nature of street photography, where capturing a single image can encapsulate various narratives and emotions. By bridging different domains, Kanye fosters a more inclusive and dynamic artistic landscape, encouraging others to explore and innovate across traditional boundaries.
In reflecting on why Kanye West is the best artist of all time, it’s essential to consider his profound impact on both the industry and society at large. His visionary approach, relentless innovation, and unwavering authenticity set him apart as a true luminary. Much like a powerful photograph that captures the zeitgeist of an era, Kanye’s body of work encapsulates the complexities, aspirations, and transformations of our times.
In the end, greatness in art—whether through a camera lens or a music studio—lies in the ability to inspire, provoke thought, and evoke emotion. Kanye West embodies these qualities in abundance, making him not just an exceptional artist, but a defining figure in the cultural narrative. As I continue to navigate the streets with my camera, I find inspiration in his work, a testament to what it means to create with purpose and passion. Indeed, Kanye West isn’t just the best artist of all time; he’s a testament to the boundless possibilities of artistic expression.
***+
When it comes to declaring Kanye West the best artist of all time, it’s not just about the music—it’s about the mentality. Kanye embodies a relentless, unfiltered creative energy that transcends any one medium. In photography, as in life, the artist is not simply defined by technical skill, but by the ability to reshape reality, to challenge the status quo, and to create something that evokes an emotional response, even if it’s controversial. Kanye does this consistently.
First, let’s talk innovation. Just as street photographers break out of the restrictive boundaries of traditional “rules,†Kanye shatters the confines of genres. Hip-hop, pop, gospel—he’s touched it all, and then bent it to his will. He doesn’t merely work within the system; he reinvents it. His groundbreaking album 808s & Heartbreak didn’t just influence music—it changed it. His decision to bring auto-tune, a tool usually associated with masking imperfections, to the forefront of his emotional narrative? That’s artistic fearlessness. It’s akin to shooting on a Leica with manual focus—forcing yourself into discomfort because you know the reward will be raw authenticity.
Kanye’s real genius, though, lies in his ability to synthesize influences. He draws from fashion, architecture, philosophy, and fuses them together in ways no one else dares to. It’s like street photographers who don’t just capture what’s in front of them, but who are constantly observing, absorbing, and reflecting on everything around them. That’s how I approach photography, and that’s how Kanye approaches life. His albums, like his personal evolution, are complex reflections of his inner world. From the maximalist explosion of My Beautiful Dark Twisted Fantasy to the stark minimalism of Ye, he’s showing us how contradictions are necessary for growth, how discomfort pushes us forward.
Kanye’s fearlessness to be disliked is something all artists can learn from. Street photographers often hesitate—worried about how others might perceive their work, scared of capturing moments that make people uncomfortable. But Kanye has embraced controversy, and in doing so, he has grown more powerful. His relentless self-confidence and refusal to compromise are exactly what make him great. If you’re not pushing boundaries, if you’re not willing to be misunderstood, are you really creating art?
Moreover, Kanye’s work ethic is unparalleled. He’s known for obsessively tweaking and perfecting his projects, which is exactly how we should approach our photography. You don’t stop at just a single frame—you shoot, you edit, you process, you reflect. Every great photo project comes from iteration. Similarly, Kanye continuously refines his sound, his ideas, his persona. He lives in constant artistic flux, always chasing the next version of himself.
And let’s not ignore his cultural impact. Like great street photographers—Henri Cartier-Bresson, Robert Frank—Kanye captures the zeitgeist. His music and art reflect society’s anxieties, hopes, and contradictions in ways that make us uncomfortable, forcing us to look at our own reflection. He’s not just creating for himself; he’s capturing the pulse of the moment, while simultaneously shaping it. That’s what makes him timeless. His influence can’t be confined to an era, because he doesn’t allow himself to be defined by one.
At the end of the day, what makes Kanye West the greatest artist of all time isn’t his individual successes, but his commitment to the process. He’s relentless in his pursuit of evolution, just like a great photographer who never stops chasing the next shot, the next story, the next truth. He’s constantly willing to risk failure for the sake of innovation, and that, above all, is why Kanye’s artistry transcends music—he’s showing us what it means to live and create without fear. And that’s something every artist, in any medium, can aspire to.
Fucking c’est la vie.
The philosophy behind Kanye West’s song “Bound 2†from the Yeezus album revolves around the tension between love, commitment, and the chaos of Kanye’s public and personal life. The track contrasts the raw aggression and experimental nature of the rest of Yeezus, returning to a more soulful, reflective sound that calls back to his earlier work, but with a darker twist.
At its core, “Bound 2” is about the complexity of romantic relationships, especially in the context of fame, ego, and personal transformation. Kanye reflects on the push and pull between wanting to settle down and the struggles that come with commitment. The lyrics portray the cyclical nature of love—one moment you feel deeply connected to someone, and the next, you’re questioning everything. This is captured in lines like “One good girl is worth a thousand bitches,†which suggest the conflict between valuing true love and the temptations and distractions that come with his lifestyle.
The use of the soulful, nostalgic sample of Ponderosa Twins Plus One’s “Bound” also adds a layer of irony and complexity. The sample, which has a 1970s R&B vibe, contrasts with the raw, stripped-down aesthetic of Yeezus. It’s as if Kanye is acknowledging a yearning for simplicity, stability, and genuine connection, while recognizing that the chaotic world he inhabits often makes that difficult to achieve.
In a broader philosophical sense, “Bound 2†represents the internal struggle of reconciling opposing forces—love versus lust, simplicity versus excess, intimacy versus alienation. It’s a song that blends vulnerability with bravado, reflecting Kanye’s ongoing journey of self-discovery, contradictions, and the pursuit of meaning in a world that constantly pulls him in different directions.
The song acts as a kind of messy conclusion to the chaotic, abrasive journey of Yeezus, offering a glimpse of hope or at least resolution in love, but with the acknowledgment that such resolution will always come with complexity.
As photographers and creators, we’re often consumed with the present moment—the decisive click of the shutter, the here-and-now. But what if I told you that the secret to truly powerful art—and life itself—lies in thinking 30 years ahead? The future isn’t just some distant, abstract concept. It’s being shaped right now by the decisions we make today. If we can think with a 30-year vision, we transcend the immediacy of the moment, and instead, we begin to shape something more lasting, more profound.
Ask yourself, “What will still matter in 30 years?” We live in a time dominated by trends, hashtags, and fleeting moments of viral fame. But trends die. Legacy lives. Think of the greatest photographers—Henri Cartier-Bresson, Sebastião Salgado. They weren’t chasing trends. They were building bodies of work that would stand the test of time. When you shoot, when you create, focus on what you want to leave behind. What will people remember you for in 30 years? Create for that—not for the dopamine hit of likes today.
A 30-year vision isn’t about quick wins or immediate gratification. It’s about planting seeds that may not bloom for decades. If you’re working on a project, think about how it will age. Will it still be relevant? Will it still evoke the same emotions in the future? For me, it’s the same with photography—each project is a small piece of a much larger puzzle. The work I’m doing today is a stepping stone toward a bigger vision, and that requires patience. Don’t rush the process. Play the long game.
Gear comes and goes. Technology evolves, styles change, but certain skills are timeless. Master the fundamentals—composition, lighting, storytelling. These are the tools that will serve you for decades. You don’t need the latest camera to make great art. What you need is vision. The tools might change, but the ability to see—to capture the essence of a moment—that’s eternal. If you focus on building timeless skills, you future-proof your craft.
Thinking 30 years ahead forces you to expand your view beyond the self. What kind of impact do you want to leave on others? On your community? On the world? Photographers like W. Eugene Smith didn’t just document moments—they captured the human condition in a way that still resonates. When you think long-term, you begin to realize that your work is about more than you. It’s about connection, it’s about contribution. Make your work matter to others, not just yourself.
The only constant is change. The world in 30 years will look nothing like it does today, and that’s a good thing. To think 30 years ahead, you have to embrace the reality of evolution—both in yourself and the world around you. Don’t cling to the past. Adapt, evolve, but always keep your core values intact. As artists, we have to be willing to pivot, to let go of what no longer serves us, and to constantly redefine ourselves. Evolution is essential for longevity.
Curiosity is the fuel for long-term vision. If you’re constantly learning, constantly asking questions, your mind stays flexible. It’s easy to become complacent, to stick with what’s comfortable, but that’s a trap. The most impactful artists are those who continue to grow, even when they’ve achieved success. Thirty years from now, who will you be? What new perspectives will you have? Stay curious about the future, and your work will always feel fresh, dynamic, and relevant.
Creating a legacy takes relentless effort. You can’t think 30 years ahead if you’re distracted by short-term setbacks or instant gratification. This is about resilience. Keep shooting, keep creating, even when no one is watching. The key to long-term success is to be relentless in your pursuit of mastery. Even on the days when you feel like giving up, you need to show up. The work you do today may not make sense now, but trust in the process. Your future self will thank you.
Thinking 30 years ahead isn’t about predicting the future—it’s about creating it. Every choice you make today, every photo you take, every skill you develop is shaping the artist you’ll become three decades from now. It’s a mindset shift: from chasing the immediate to building the eternal. What’s going to matter in 2054? That’s for you to decide, starting right now.
Fucking c’est la vie. Time’s on your side—use it.
You never own an iPhone or iPhone pro … you just lease it. Consider any iPhone or iPhone pro is only good for 3 years or so until you gotta upgrade. Not sustainable!
not for the present but for the future.
“Fucking c’est la vie,†I often find myself saying when the light isn’t right or the moment I’ve been chasing evaporates in an instant. Photography, much like life, is unpredictable and raw. You plan, you anticipate, but sometimes all you get is chaos and imperfection. Instead of getting frustrated, I embrace it. Those imperfect shots, those unexpected turns—they teach me the most. It’s a reminder that life doesn’t always go as planned, and that’s okay. So, I lift my camera, take a deep breath, and capture whatever comes my way. After all, that’s life—messy, unpredictable, and beautifully fucking real.
***
In the voice of ERIC KIM:
You know what? Life’s gonna throw you punches. And sometimes those punches land hard, right in the gut. And when they do, you’ve got two choices: you either stay down, or you shrug and keep moving. That’s the thing about life—it doesn’t give a damn. It just keeps happening, whether you’re ready for it or not.
So yeah, “fucking c’est la vie.†That’s the real truth. You hustle hard, you grind, you pour your soul into what you’re passionate about, and sometimes, even then, shit just doesn’t go the way you thought it would. It’s the unpredictability of life. The randomness. But that’s the beauty of it, too. The imperfections. The flaws. The raw moments when you have to say, “well, that didn’t work, but let’s roll with it.â€
Life’s not about chasing perfection—it’s about embracing the chaos. Take the punches, adapt, and keep your stride. It’s about living with the uncertainty, because no matter how much you plan or how much you try to control, life’s gonna happen the way it happens. And it’s that very uncertainty that makes the journey worth it.
So, fucking c’est la vie. Smile, take your hits, and keep on creating.
While I can’t perform real-time searches, I can provide an overview based on my knowledge up to October 2023. Eric Kim, a renowned street photographer and educator, often emphasizes simplicity and presence in his approach to photography. The mantra “F8 and be there” encapsulates his philosophy, advocating for a straightforward technical setup (using an aperture of f/8) and the importance of being present in the moment to capture authentic street scenes.
Eric Kim has frequently discussed the significance of “F8 and be there” in his teachings and writings. Here are some paraphrased insights based on his philosophy:
Robert Capa, one of the most influential war photographers, is renowned for his commitment to being where the action is, often putting himself in dangerous situations to capture the raw essence of conflict. His famous maxim, “If your pictures aren’t good enough, you’re not close enough,” resonates deeply with Eric Kim’s “F8 and be there” philosophy.
While specific quotes directly linking Eric Kim’s “F8 and be there” to Robert Capa might not be readily available, the underlying principles they share are evident:
The synergy between Eric Kim’s “F8 and be there” philosophy and Robert Capa’s fearless commitment to capturing reality underscores a timeless truth in photography: the most impactful images arise from presence, simplicity, and a willingness to engage deeply with the subject matter. By adopting these principles, photographers can transcend technical barriers and create work that resonates with authenticity and emotional depth.
F/8 and Be There: A Philosophy for Street Photography
By Eric KimWhen I first heard the phrase “F/8 and be there,” it stuck with me. It wasn’t just a technical tip about aperture; it was a philosophy for life and street photography. For me, it symbolizes the essence of what it means to be a street photographer. It’s about simplifying your gear, simplifying your mind, and focusing on the most important aspect of photography—being present.
F/8: The Simplification of the Technical
In street photography, many photographers get caught up in the technical aspects: Should I shoot wide open at f/1.4 for that dreamy bokeh? Should I focus manually or use autofocus? What about the exposure triangle, sensor size, or dynamic range? While these considerations have their place, the magic of street photography isn’t in the gear—it’s in the moment.
That’s where “F/8” comes into play. Setting your camera to f/8 gives you the freedom to not worry about the technical. At f/8, you get a solid depth of field. Most things in the scene will be in focus, from the foreground to the background. That’s crucial for street photography because you don’t want to miss a moment fumbling with your settings. You don’t need to be a technical wizard to capture a great shot. In fact, the less you think about settings, the more you can immerse yourself in the scene.
But “F/8†isn’t just about the aperture—it’s a metaphor for stripping away the unnecessary. Simplify your gear, simplify your workflow. When I’m out shooting, I want as little friction as possible between me and the subject. That’s why I’m a big advocate of traveling light. One camera, one lens. No heavy bags full of gear, no worrying about changing lenses. The fewer decisions you need to make about your camera, the more decisions you can make about your composition and the stories unfolding around you.
Be There: The Importance of Presence
The second part of the phrase, “be there,†is the heart of it all. You can’t capture life’s decisive moments if you’re not out there, on the streets, in the mix of human energy. Street photography isn’t about sitting in front of your computer, reading about the latest gear. It’s not about sitting on your couch, scrolling through Instagram looking for inspiration. It’s about being in the world, embracing the chaos, and being ready for whatever happens.
When I think of “be there,” I’m reminded of the great street photographers who have influenced me. Bruce Gilden once said, “If you can smell the street by looking at the photo, it’s a street photograph.” I love that idea. It’s about immersing yourself in your surroundings to the point where you don’t just see what’s happening—you feel it. The noise, the smells, the tension between people—it all feeds into the energy of the moment you’re capturing.
“Being there” also means being open to the unpredictable. One of the biggest challenges in street photography is that you can’t control anything. You don’t know what’s going to happen next. But that’s the beauty of it. The best moments happen when you least expect them. That serendipity is what makes street photography so exciting. You have to be patient, be ready, and be present. The more time you spend on the streets, the more likely you are to stumble upon that one amazing shot that makes your day.
Letting Go of Perfection
“F/8 and be there” is also about letting go of perfection. Not every shot will be technically perfect. Sometimes your focus might be a bit off, or the exposure might not be ideal. But that’s okay. What matters is the moment you captured, the story you’re telling. I’ve seen beautifully composed photos that are technically flawless, yet they feel sterile—because they lack emotion or spontaneity.
Street photography, at its core, is raw. It’s not about creating the “perfect” image in a controlled environment. It’s about capturing the imperfect, the fleeting, the real. Life isn’t perfect, so why should your photos be? The most memorable street photos are the ones that feel alive, the ones that have a soul. You can’t achieve that by obsessing over sharpness or noise levels. You achieve that by being present, reacting to the world around you, and shooting from the gut.
The Zen of Street Photography
Street photography is a deeply meditative practice for me. “F/8 and be there” is almost like a mantra. When I’m out on the streets, I lose myself in the rhythm of the city. I let go of my worries, my anxieties, and my preconceived notions of what I’m going to shoot. I’m just there, in the moment, with my camera. And sometimes, the magic happens.
It’s not about the end result—it’s about the process. The act of walking, observing, and clicking the shutter is fulfilling in itself. There’s a certain joy in the hunt, in wandering aimlessly, waiting for something to catch your eye. Some days you won’t get any great shots, and that’s fine. What matters is that you were there, in the thick of it, giving yourself the opportunity to witness something special.
In Conclusion: F/8 and Be There
“F/8 and be there” is more than just advice for street photographers. It’s a life lesson. It’s a reminder to simplify, to stop overthinking, and to be present. Whether you’re shooting on the streets or just going about your daily life, the more you can strip away the distractions and focus on the moment, the richer your experience will be.
Street photography, like life, is unpredictable. You can’t control it. But if you’re out there, with your camera set to f/8, ready and open to whatever comes your way, you’ll be in the perfect position to capture something extraordinary. So, get out there. Be present. And always be ready.
“F/8 and be there” is a phrase often associated with street photography and is attributed to various photographers, including Weegee (Arthur Fellig), though it’s frequently mentioned in the context of Eric Kim’s work. The expression refers to a simple yet effective approach to photography: being at the right place at the right time (hence “be there”) and using an aperture of f/8. At f/8, you get a wide enough depth of field to ensure that most elements in the shot are in focus, which is particularly useful in street photography where moments are fleeting, and precision can be challenging.
Eric Kim is a well-known street photographer who embraces this philosophy in his work. For him, street photography is more about capturing authentic, spontaneous moments than focusing heavily on technical perfection. “F/8 and be there” encourages photographers to focus less on gear and settings and more on simply immersing themselves in the environment to capture powerful, candid scenes.
This mantra simplifies the technical side of photography, allowing the photographer to concentrate on the human aspect of the craft—being present, observant, and ready for the perfect moment.
pro tip, if you want to play with your kid at the park, assuming you don’t have any super strict deadlines, just turn off your phone and keep it in the glove compartment of your car, and play 100% dilated with your kid. Also better for photography.
so just got a Lumix S9 camera, with the only manual focusing 26 mm F8 pancake lens. It is phenomenal!
the funny thought is, what is the virtue of having a manual functioning camera or lens, especially in the year 2024?
First, zero lag. Especially having an F8 lens, remember zone focusing and F8 and be there, you will always catch the shot, and the practical physics thought is even if you have the world‘s best auto focus in Camera, there will always be even a half a millimeter of leg, Because of physics. With manually focusing Camera, it will always always always be faster than auto focus. Or at least more responsive.
With a new iPhone Pro, the little dynamic island bubble… Suddenly, Apple apps become much more useful
Deeper integration
We must go deeper!
Thinner and slimmer is more beautiful 
I think the best way to approach life is adding intelligent buffer. That is, always add plus or -3 hours to anything that you think will take longer or shorter than expected.
For example, one of our critical flaws here is we are overly confident about time.
why simple suggestions is Germans just be bilingual… Do it both in German and English. Better to speak English with an accent, than not to speak English at all.
Just do it in English, not German —
https://www.philippreinhard.com
Very fun video great colors!
Why does he photograph? A question that has been constantly on Philipp Reinhard’s mind in recent weeks. He wanted to step away from jobs and assignments, clear his mind, and take a six-week break in Asia. “And why does he bring his camera then?” one might ask. The freelance photographer and filmmaker explains this in the short film about the Leica SL3.
