Just finished watching the Matrix 4, and I really didn’t like it. Some reasons:
Original Matrix Analysis:
- Part 3: MATRIX Philosophy and Cinematography
- Part 2: MATRIX Philosophy and Cinematography
- Part 1: MATRIX Philosophy and Cinematography
My critique
- The tone of the film was too snarky, and self-referential.
- The cinematography of the film felt cheap, compared to the original ones. It felt much more like a low budget Netflix show or series.
- Rather than having a clean break from the past, it seemed that the Matrix 4 tried too hard to be an homage to the past series. For example, the re-created scenes and cinematography from the original series.
- Only Lily Wachowski directed the film (instead of both the Wachowski’s). Perhaps this is why it feels lacking — we need *BOTH* the Wachowskis in order to meet the grandeur of the original Matrix series?
- The concept of re-creating the same original characters (like Morpheus, and Agent Smith) but in new bodies was a bit bizarre and weird to me. It would have been better to either have gotten the original actors (Lawrence Fisbourne and Agent Smith), or to have totally re-created new characters. Note — if you will make a sequel and refer to old characters, either get the original old characters (like Jada Pinkett Smith as Naiobe, who was good) or just create *NEW* characters.
- Cinematography wise, and scene wise, there are not really memorable scenes. Why is it that almost 20 years after the original matrix, in the year 2021 (instead of 1999) — the fight sequences look *MORE BORING* and the cinematography seems more generic?
- The Merovingian (French guy) re-creation very bizarre. Not good costuming for him.
What I liked about the film
- I am still grateful they made the film. The ending of the film is quite good, and uplifting.
- I liked the expansion of Trinity as a character. It still blows my mind they were able to get Keanu and Carrie back for this film.
- The vision of the new ‘Io’ (the new Zion) is quite interesting– a synthesis of both machine and human (like the short from the Animatrix, the machines and man coming together).
- I liked the idea that AI from the Matrix can re-create themselves with that particle dust graphic thing (very cool)
- Surprisingly the acting from Neil Patrick Harris was actually very good. I liked the blue reference, with the blue ‘false reality’ glasses.
- I liked the re-insertion of ‘Sati’ (the Indian/.South Asian girl) from the end of the original film.
- The interesting dialogue and note– after the humans of Zion were no longer afraid of the machines, they lost their zest for life. Good critique on humanity and life– having a common enemy actually binds people. Is this why Nietzsche and some other political and philosophical theorists (Heraclitus) also advocate for war?
- I liked the critique on SF/Silicon Valley culture.
So should I watch it?
Yeah. Don’t watch it with any expectations. Make your own opinion. But still grateful they made the film!
ERIC
CINEMA BY KIM
Cinema and film as a great stimulus, aid and teacher for photographers and visual artists alike.
CINEMA BY KIM
Cinema and film as a great stimulus, aid and teacher for photographers and visual artists alike.
Cinematography and life lessons:
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Space Films
- Ad Astra Cinematography Composition Film Review
- 2001 Space Odyssey
- Part 5: Epic Cinematography of 2001 Space Odyssey by Stanley Kubrick
- Part 4: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 3: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 2: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 1: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
Cinema and philosophy
GODFATHER
Gangster Films
ACTION FILMS
CITIZEN KANE:
Articles on Cinema
Great Cinema
- Part 1: Throne of Blood Cinematography by Akira Kurosawa
- Part 1: Spartacus Cinematography and Philosophy Lessons from Stanley Kubrick
- Part 1: Philosophy and Cinematography of Full Metal Jacket
- Part 3: MATRIX Philosophy and Cinematography
- Part 2: MATRIX Philosophy and Cinematography
- Part 1: MATRIX Philosophy and Cinematography
- Part 4: Epic Cinematography of 2001 Space Odyssey by Stanley Kubrick
- Part 3: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 2: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 1: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Stanley Kubrick: Master Photographer and Film-Maker
- Lessons Ridley Scott Has Taught Me about Life, Art, and Cinema
- Part 2: Cinematography and Composition Lessons from All the Money in the World (2017) film by Ridley Scott
- Part 1: Cinematography and Composition Lessons from All the Money in the World (2017) film by Ridley Scott
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- FIGHT CLUB
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- THE MATRIX
- AKIRA PART I / AKIRA PART II
- Batman: The Dark Knight
- Dr. Strange
- Suicide Squad
- Kendrick Lamar: HUMBLE.