MAD MAX FURY ROAD (Black and Chrome edition, buy the iTunes version and the Black and Chrome edition is viewable as an ‘Extra’) as a true masterpiece of film-making, story telling, and cinematography:
Why I loved it so much
Aesthetic thought:
Because the film is so high-key in action and epicness, the benefit of making it monochrome is that it makes it more ‘low key’– to thus balance out the film.
The cinematography is great
Even George Miller says in an interview, that he believes it is the best version of the film:
On how he got inspired to make a black and chrome edition:
Generally the gist is that he saw a black and white cutted version of the old-school Mad Max 2 film he was making, and he liked how it looked visually, and thought– why not make Mad Max Fury Road into the monochrome as well?
Monochrome allows you to paint more of your imagination
I truly think Mad Max Fury Road is a magnum opus– a true masterpiece. I had watched it a few years ago, and suddenly while in arid desert-like Southern California summer heat, I thought about the barren desert– and thought about re-watching the film. I had yet watched the monochrome version, but I am glad I re-watched it again in monochrome. I feel in monochrome, it better distills the story, and helps you focus on the vastness, and allows you to paint the story with more of your imagination. Now seeing it in color — it is almost too jarring, too intense and extreme. But certainly for it to become a Hollywood blockbuster hit, it needed to be in color. But artistically, I feel it is superior in monochrome.
A film worth re-watching.
Something I learned via Nassim Taleb:
You only know whether you really like a film or an art work or anything if you are willing to re-watch it, and if you re-watch it … if you pick up certain things you appreciated from before.
And re-watching MAD MAX FURY ROAD, I did. I loved all of the certain notions like:
- WITNESS!
- The spraying of the chrome on their mouths before going kamikaze, kind of what I would imagine Japanese Suicide pilots doing.
- The cult-like world that the Immortan Joe was able to build up.
- The philosophy that hope is bad, and perhaps a vicet (what all the ancients said).
Conclusion:
MAD MAX FURY ROAD as a perfect 10/10.
Also — if you want more visual inspiration, stimulation and motivation, watch more films in black and white [7 Samurai].
ERIC
CINEMA BY KIM
Cinema and film as a great stimulus, aid and teacher for photographers and visual artists alike.
CINEMA BY KIM
Cinema and film as a great stimulus, aid and teacher for photographers and visual artists alike.
Cinematography and life lessons:
Cinema and Film Reviews
- Why 7 Samurai by Akira Kurosawa is So Great
- BLADE RUNNER (1982 Original) Cinematography Review & Thoughts vs the New Version (2049)
- Blade Runner 2049 Film Review + Cinematography Composition Analysis
- REVIEW: Justice League (Snyder Cut)
- What Makes a Great Movie/Film?
- Iron Man (1) Film Cinema Review
- JOKER FILM REVIEW + Cinematography Composition
- Ghost in the Shell Anime (1995) Cinematography, Composition, Philosophy Review
- Once Upon a Time in Hollywood Cinematography and Film Review
Space Films
- Ad Astra Cinematography Composition Film Review
- 2001 Space Odyssey
- Part 5: Epic Cinematography of 2001 Space Odyssey by Stanley Kubrick
- Part 4: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 3: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 2: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 1: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
Cinema and philosophy
GODFATHER
Gangster Films
ACTION FILMS
CITIZEN KANE:
Articles on Cinema
Great Cinema
- Part 1: Throne of Blood Cinematography by Akira Kurosawa
- Part 1: Spartacus Cinematography and Philosophy Lessons from Stanley Kubrick
- Part 1: Philosophy and Cinematography of Full Metal Jacket
- Part 3: MATRIX Philosophy and Cinematography
- Part 2: MATRIX Philosophy and Cinematography
- Part 1: MATRIX Philosophy and Cinematography
- Part 4: Epic Cinematography of 2001 Space Odyssey by Stanley Kubrick
- Part 3: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 2: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 1: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Stanley Kubrick: Master Photographer and Film-Maker
- Lessons Ridley Scott Has Taught Me about Life, Art, and Cinema
- Part 2: Cinematography and Composition Lessons from All the Money in the World (2017) film by Ridley Scott
- Part 1: Cinematography and Composition Lessons from All the Money in the World (2017) film by Ridley Scott
- Cinematography Composition Techniques for Photographers
- Rashomon (1950)
- Ran (Chaos) by Akira Kurosawa
- FIGHT CLUB
- FURY (2014)
- THE MATRIX
- AKIRA PART I / AKIRA PART II
- Batman: The Dark Knight
- Dr. Strange
- Suicide Squad
- Kendrick Lamar: HUMBLE.