To make better compositions, block out distracting elements from your photos:
1. Handrail in the foreground
Shot on 28mm on RICOH GR II — note how I framed the photo to make the man on the top really small.
To do this, focus on the subject really far away — and try to have an element in the foreground ‘block’ out all the clutter from the rest of the photo.
2. Shooting from inside a car
I was in the passenger side, and to simplify the composition, I added the car door on bottom of the frame, to block out the distracting elements in the scene– to focus on the dog looking out.
3. Overlapping figures
Another photo on RICOH GR II (28mm wide-angle). To make a more interesting photo in Lisbon of the statue of Jesus, I made the Jesus statue really small on top of the frame, and added something in the foreground to block out the rest of the frame.
How to block out distracting elements
Some practical tips:
- Use a wide-angle lens (28mm, 35mm), and don’t zoom. Rather, re-frame your scenes, by making your subject look very small, but put something in the foreground (like a wall) to block out distracting elements from your frame.
- Practice shooting high-contrast black and white JPEG mode on your camera, to better visualize the blocking technique. Or shoot in RAW, and when you’re processing your photos, increase the ‘blacks’ slider.
- Have fun with your compositions! Tilt your camera, and try to make your photos more dynamic and ‘edgy’.
- Practice shooting at home with your loved ones. Put your subject on the extreme left or the right of your frame, and try to make everything else in the photo pure black.
- Think of other creative or innovative ways you can simplify your photos by blocking out distractions!
Ultimately the tip is this:
To make better and more simple compositions, just block out what is distracting and superfluous from your frame!
Keep it simple,
ERIC
Composition
Master composition for yourself:
Photography Composition Tips
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Dynamic Photography Composition 101

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Painting Compositions

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Composition Theory

Take your composition to the next level:
- Gestalt Theory
- Juxtaposition
- Center Eye
- Low-Angle
- Dutch Angle
- Deep Depth
- Spacing
- Silhouette
- Leading Lines
- Figure to Ground
- Fibonacci Spiral
- Cropping
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- Composition by Eric Kim
Street Photography Composition 101

For distilled lessons on composition, read the free ebook: “The Street Photography Composition Manual.”
Further articles to improve your compositions in photography:
- Composition Lesson #1: Triangles
- Composition Lesson #2: Figure-to-ground
- Composition Lesson #3: Diagonals
- Composition Lesson #4: Leading Lines
- Composition Lesson #5: Depth
- Composition Lesson #6: Framing
- Composition Lesson #7: Perspective
- Composition Lesson #8: Curves
- Composition Lesson #9: Self-Portraits
- Composition Lesson #10: Urban Landscapes
- Composition Lesson #11: “Spot the not”
- Composition Lesson #12: Color Theory
- Composition Lesson #13: Multiple-Subjects
- Composition Lesson #14: Square Format
Composition Theory

Learn compositional theory:
- Why is Composition Important?
- Don’t Think About Composition When You’re Shooting Street Photography
- How to Use Negative Space
- Street Photography Composition 101
- The Theory of Composition in Street Photography: 7 Lessons from Henri Cartier-Bresson
Compositional lessons from the masters of art
Composition lectures
Composition pictures/grids
Golden Diagonal Composition
