Dear friend,
I’m currently at a football stadium, and had a small epiphany: there is something integral to us as human beings when it comes to depth-perception.
This is my theory:
- The reason why humans have two eyes (side by side) is that it gives us stereoscopic (depth perceiving) vision. If we go long periods of time without exercising our depth perception, some sort of mental dysfunctions may happen. For example, if you’re only in closed quarters all day (your home, office, car), the claustrophobia is damaging to us. We need to regularly see and experience depth (things close and very far away). I think this is why there is nothing as breathtaking as a beautiful landscape on top of a mountain: we can exercise our depth perception of our eyes, and our eyes can focus to (almost) infinity!
- Being able to experience and sense depth is what makes photography so fun, interesting, and challenging! As a photographer, we are always playing with depth– with the aperture we use in our cameras, what we decide to frame in the photograph, and where we stand. Changing all of these factors will change the depth of our photos.
The challenge of capturing depth in a photograph/movie/image/video
The problem of capturing depth in a photo, video, picture is this:
“How can you capture 3D reality/depth in a flat image?”
In film, they do this by panning in and out of scenes, and by having objects in the background move (parallax effect). As photographers, we can simulate depth by changing our aperture (shooting for more depth-of-field between f/8-f/16), or by how we frame our subjects (adding certain subjects in the foreground, middle-ground, and background).
Tip 1: Leading lines
One lesson I learned from studying the cinematography/composition of 2001 Space Odyssey is leading lines:
Tip 2: Shoot from corners
Another tip: to get more depth in a photograph, shoot at the edge of a corner, or a physical plane.
For example, here is a shadow selfie I took of myself at the edge of a brick fence. Note how my shadow curves around, and gives this photograph more depth:
Tip 3: Separation between the bottom of your subject’s feet and the ground
To get more depth in your photographs, make a little bit of separation between your subject and the ground. Like in this series of photographs as I was walking at Tokyo in night, I tried to get a little black space between the person’s feet, and the white fence below:
Tip 4: Shoot from inside a car
As a fun experiment: shoot from inside a car looking out. Do this when someone else is driving, and you are sitting in the passenger seat. Ideally you would try to photograph someone really far away whom is framed in the background (using the car doors as a natural frame):
Other examples of good selfies in cars, study the work of Lee Friedlander and also study URBAN LANDSCAPES.
Tip 5: Shoot into crowds!
Go to a festival or some public event, and shoot into the crowd! Fill the frame with your subjects, and integrate more layers into your photos!
Master photographers to study who do layers very well
To study more depth in photography, the master photographers I recommend include:
Color layers:
Black and white layers:
Study layers in cinema
Also study great cinema. Some articles to get you going:
- Stanley Kubrick: Master Photographer and Film-Maker
- Lessons Ridley Scott Has Taught Me about Life, Art, and Cinema
- Cinematography and Composition Lessons from All the Money in the World (2017) film by Ridley Scott
- Cinematography Composition Techniques for Photographers
Composition 101
Everything you need to know about photography composition.
Photography Composition Tips
- Golden Angle Composition in Street Photography
- Photographer as an “Arranging Artist”
- Dynamic Off-Center Street Photography Compositions
- 5 Essential Composition Tips in Photography
Color Theory
- Red and Green Composition Color Theory For Photographers
- The Ultimate Beginner’s Guide to Color Photography
- Opponent Process Color Theory For Photographers
- Color Theory For Photographers
- Color Manual
- How to Shoot Color Street Photography
Learn From the Masters of Composition
- 10 Lessons Matisse Can Teach You About Art and Life
- Henri Cartier-Bresson Composition
- 10 Timeless Lessons Edward Weston Can Teach You About Photography
- 10 Inspirational Sergio Larrain Compositions
- 5 Henri Cartier-Bresson Photography Composition Lessons
Dynamic Photography Composition 101
- Introduction to Dynamic Photography Composition
- How to Visually Analyze Your Photography Compositions
- Dynamic Tension: Opponent Based Theory For Photography
- Opponent Process Color Theory For Photographers
- Dynamic Photography Composition 101: Figure to Ground
Painting Compositions
Dynamic Photography Composition Tips
- 7 Simple Photography Composition Tips
- How to Make Aggressive Photography Compositions
- 10 Dynamic Photography Composition Tips
- How to Make More Dynamic Picture Compositions
- Unorthodox Photography Composition Techniques
- Deconstructed: Saigon Eric Kim Photos
Composition Theory
Take your composition to the next level:
- Gestalt Theory
- Juxtaposition
- Center Eye
- Low-Angle
- Dutch Angle
- Deep Depth
- Spacing
- Silhouette
- Leading Lines
- Figure to Ground
- Fibonacci Spiral
- Cropping
- Emotion
- Composition by Eric Kim
Street Photography Composition 101
For distilled lessons on composition, read the free ebook: “The Street Photography Composition Manual.”
Further articles to improve your compositions in photography:
- Composition Lesson #1: Triangles
- Composition Lesson #2: Figure-to-ground
- Composition Lesson #3: Diagonals
- Composition Lesson #4: Leading Lines
- Composition Lesson #5: Depth
- Composition Lesson #6: Framing
- Composition Lesson #7: Perspective
- Composition Lesson #8: Curves
- Composition Lesson #9: Self-Portraits
- Composition Lesson #10: Urban Landscapes
- Composition Lesson #11: “Spot the not”
- Composition Lesson #12: Color Theory
- Composition Lesson #13: Multiple-Subjects
- Composition Lesson #14: Square Format
Composition Theory
Learn compositional theory:
- Why is Composition Important?
- Don’t Think About Composition When You’re Shooting Street Photography
- How to Use Negative Space
- Street Photography Composition 101
- The Theory of Composition in Street Photography: 7 Lessons from Henri Cartier-Bresson