
PHOTOGRAPHY ENTREPRENEURSHIP 101 by ERIC KIM
Another key to success: avoid “paralysis by analysis.â€


PHOTOGRAPHY ENTREPRENEURSHIP 101 by ERIC KIM
Another key to success: avoid “paralysis by analysis.â€


STREET NOTES: GO FOR BROKE
Your creativity is unlimited, just take a toke.


PHOTOGRAPHY ENTREPRENEURSHIP 101 by ERIC KIM
Another key to success: when you’re done with something, don’t rest on your laurels.
Rather, be ONTO THE NEXT ONE.


PHOTOGRAPHY ENTREPRENEURSHIP 101
KEY TO SUCCESS: own your own platform.


We have all fell victim to our anger at one time or another: spewing words like darts of poison, unintentionally harming our loved ones.


Most of us are always trying to make really good photos. Yet most of the time, we don’t. We get frustrated. We give up. We no longer feel enthusiasm or passion in our photography.


â€Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away.” – Antoine de Saint-Exupéry
Dear friend,
For a long time I’ve aimed for “perfection†in my photography — whatever that means. I tried to set a certain standard for myself. I wanted to make memorable, powerful, and emotional photographs that would inspire others. I wanted to make photos that could stand the test of time. I didn’t want to bring any ugly photos into the world — only beautiful ones.
But what does it mean to make a “perfect†photograph? By whose standard should we judge this? And does such a thing as “perfection†really exist?


Dear friend,
I consider myself successful, because I do what I love for a living, and I’m not homeless. I feel I’ve found the secret to success, and I want to share that key with you.


Dear friend,
Imma share you some tips how to fight the photography system, or the “photography illuminatiâ€.


Dear friend,
What are your bottlenecks in your photography — meaning, what prevents you from becoming the best photographer you can?


Practical ideas how to advance your photography:


INDIVISIBLE: The bonds that hold us together are invisible.
We are all one humankind,
So why don’t we treat others like ourselves, and be kind?


If you want to make a living (or a killing) from photography, download the new book PHOTOGRAPHY ENTREPRENEURSHIP MANUAL:


I photograph to see what the world looks like photographed. – Garry Winogrand
For me, I often make photos, because I’m curious to see what the ‘real life’ scene will look like as a photo.


Buy WEARETHESTREET VOLUME I, fresh photos from Josh White, Sean Lotman, Chulsu Kim, Nicholas Dominic Talvola, Aik Beng Chia, and Junku Nishimura.


I don’t know about you, but my only fear in life is becoming immortal, but being bored to death.


I miss the old EK
when he used to only blog about street photography


Dear friend,
Never forget your life is limited. And there is no charger for life.


We know the feeling of being stuck in a rut. It fucking sucks.


BAUHAUS: Clean, minimalist design that inspired many modernists, including STEVE JOBS and ERIC KIM:


This is the trend I see: photographers want to differentiate themselves from the competition, by getting bigger cameras, bigger lenses, with more megapixels.


PHOTOGRAPHY ENTREPRENEURSHIP 101
Let me cut to the chase. If you want to start your own photography business, here are some ideas for you, based on what worked for me. Of course, this won’t work for you:


To continue PHOTOGRAPHY ENTREPRENEURSHIP 101, let’s talk about EXTREME ABUNDANCE in photography, and modern economics.


A poem inspired by my upcoming KYOTO ZEN PHOTOGRAPHY EXPERIENCE
YOU ARE A STREET SAMURAI, and your camera is your sword.


Dear friend,
Recently I’ve been thinking about personal growth, and studying a bit of ecology as a metaphor.


Men are over-represented in photography. Here are some great female photographers to know:


Ideas for you to have more fun in Street Photography, brought to you by STREET NOTES MOBILE EDITION by HAPTIC INDUSTRIES.


Dear friend,
To continue PHOTOGRAPHY ENTREPRENEURSHIP 101, here is some more photography and life advice that you should probably ignore from me: Go against the grain.


I think one of the best technological innovations has been the “mute†button — the technology to disable sound and distractions.


Part of PHOTOGRAPHY ENTREPRENEURSHIP 101
Dear friend,
If you don’t want to make money with your photography, please don’t read this.


Part of PHOTOGRAPHY ENTREPRENEURSHIP 101
I’m not 100% sure about the secret to success in photography, business, entrepreneurship, and life, but I know the secret to failure is timidness.


Dear friend,
To continue PHOTOGRAPHY ENTREPRENEURSHIP 101, realize: there is no “blueprint” for success in photography.
However, I want to share some things that has helped me become “successful”. Of course this advice won’t help you, not apply to you.


Dear friend,
To continue PHOTOGRAPHY ENTREPRENEURSHIP 101, let’s talk how you can build a following.


Dear friend,
I was walking the streets of Hanoi today, with the question: “What is success? How would I define success? How do we know when we are ‘successful’? And is “success†a modern concept— and should we even have the word “success†in our vocabulary?


Okay friend,
To continue PHOTOGRAPHY ENTREPRENEURSHIP 101, realize that nowadays, everyone is a photographer. How do you stand out from the masses, and differentiate yourself in a meaningful way?


Dear friend,
To kick off STREET CLUB and STREET NOTES MOBILE EDITION, and VITRUVIAN CAMERA ARTWEAR, here is my gift to you: a new book on street photography. This time, more theoretical, yet practical. Less filler, more killer. And of course, the book is open-source.


Dear friend,
In this chapter of STREET PHOTOGRAPHY MANUAL, let us talk about the theoretical framework of becoming a badass street photographer, aka, a STREET STOIC.


Dear friend,
Let’s continue STREET PHOTOGRAPHY MANUAL, and talk about the importance of wandering, following your curiosity, and being a “Flaneur.”


Don’t have any regrets in your photography or life. Look at the present. Look at the future.


Dear friend,
I’m gonna give you real talk: ignore your haters. They’re not worth any of your mental energy.


To proudly announce our new HAPTICPRESS launch of VITRUVIAN CAMERA ARTWEAR, here are some lessons you can learn from Leonardo da Vinci on photography:
HAPTIC presents VITRUVIAN CAMERA ARTWEAR by ANNETTE KIM:
VITRUVIAN CAMERA is an homage to Leonardo da Vinci, and his passion of combining technology and art. By wearing VITRUVIAN CAMERA proudly on your chest, it will reveal your passion for photography — ‘painting with light.’


Dear friend,
Have you ever felt frustrated in your photography, because there are all these bullshit “rules” you gotta follow?


If you make photos, you’re an artist.


Okay, please pardon me friend, but one thing I have is no patience for excuses. Imma rant a bit if you don’t mind. Please close this if you don’t like it.


Dear friend,
Let’s continue STREET PHOTOGRAPHY MANUAL by talking how by being more aggressive, you can make better photo and connections with your subjects.


I very much believe in the “beauty of imperfection†— that everything in the world is “imperfect†in one way or another. You will never see a tree in nature which is 100% symmetrical. You will never find a river that is 100% straight. You will never find an organism which is totally symmetrical on the left and right side.


Dear friend,
Are you complacent in your photography and life? Or will you fight reality, carve out your own reality with your camera knife?


In no particular order, here is who ERIC KIM considers the most “famous†and influential/important street photographers.


Dear friend, let’s continue our conversation in STREET PHOTOGRAPHY MANUAL, now discussing how you can get into a good street photography flow.


To continue STREET PHOTOGRAPHY MANUAL, let’s talk some practical tips how to take your street photography composition to the next level:


For this chapter in STREET PHOTOGRAPHY MANUAL let’s continue our exploration into street photography via risk taking.

To continue STREET PHOTOGRAPHY MANUAL, I cannot say I’m the best street photographer. Far from it. But I can say, I’m probably the best street photography educator and teacher. I’m also one of the most brave street photographers in the world.