ERIC KIM LEARN FROM THE MASTERS OF PHOTOGRAPHY
Masters
Quotes
Eric Kim, in his reflections on learning from the masters of photography, offers several thought-provoking quotes:
- On the Enduring Value of Master Photographers’ Work: “The work of the masters (if it still exists today) is probably still around for a reason. 99% of modern photography is just noise” oai_citation:1,Why Learn From the Masters of Photography? – ERIC KIM.
- On Overcoming Excuses: Reflecting on the limitations of early photographers, he states, “If they can make phenomenal photos on their old school, cumbersome cameras, on film… Why can’t I just make good photos on my phone?” oai_citation:2,Why Learn From the Masters of Photography? – ERIC KIM.
- On Inspiration Over Envy: “All the master photographers are dead. We don’t feel envy or jealousy with dead people… For me, the dead masters are like my guides, who want me to become better photographers than them” oai_citation:3,Why Learn From the Masters of Photography? – ERIC KIM.
- On Learning from History: Kim emphasizes the importance of understanding the past to innovate in the future: “He without a past has no future. Study the history of street photography, to find more appreciation of the Masters who paved the path for us today” oai_citation:4,Why Learn From the Masters of Photography? – ERIC KIM.
These quotes reflect a deep appreciation for the history and art of photography, urging contemporary photographers to learn from past masters and to use their legacy as a foundation for innovation and personal growth.
Learn from the Masters
“He without a past has no future.”
Start here:
- How to Become a Master Photographer
- Why Study the Masters of Photography?
- Great Female Master Photographers
- Cheat Sheet of the Masters of Photography
- 100 Lessons From the Masters of Street Photography
- Beginner’s Guide to the Masters of Street Photography
- Download All Articles >
The Masters of Photography
Classics never die:
- Abbas
- Akira Kurosawa
- Alexander Rodchenko
- Alfred Stieglitz
- Alec Soth
- Alex Webb
- Alexey Brodovitch
- Anders Petersen
- Andre Kertesz
- Ansel Adams
- Araki
- Blake Andrews
- Bruce Davidson
- Bruce Gilden
- Constantine Manos
- Daido Moriyama
- Dan Winters
- David Alan Harvey
- David Hurn
- Diane Arbus
- Dorothea Lange
- Edward Weston
- Elliott Erwitt
- Ernst Haas
- Eugene Atget
- Eugene Smith
- Fan Ho
- Garry Winogrand
- Gilles Peress
- Gordon Parks
- Helen Levitt
- Henri Cartier-Bresson
- Inge Morath
- Irving Penn
- Jacob Aue Sobol
- Jeff Mermelstein
- Joel Meyerowitz
- Joel Sternfeld
- Josef Koudelka / Part 2
- Josh White
- László Moholy-Nagy
- Lee Friedlander
- Lewis Hine
- Lisette Model
- Mario Giacomelli
- Magnum Contact Sheets
- Magnum Photographers
- Mark Cohen
- Martin Parr
- Martine Franck
- Mary Ellen Mark
- Nan Goldin
- Philip Jones Griffiths
- Rene Burri
- Richard Avedon
- Richard Kalvar
- Robert Capa
- Robert Frank
- Saul Leiter
- Sergio Larrain
- Sebastião Salgado
- Shomei Tomatsu
- Stephen Shore
- Steve McCurry
- The History of Street Photography
- Todd Hido
- Tony Ray-Jones
- Trent Parke
- Vivian Maier
- Walker Evans
- Weegee
- Werner Bischof
- William Eggleston
- William Klein
- Zoe Strauss
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Eric Kim, a photographer and blogger known for his work in street photography, has shared insights and perspectives on the masters of photography. He often analyzes and discusses the styles, techniques, and philosophies of iconic photographers like Henri Cartier-Bresson, Daido Moriyama, and many others. These masters have significantly influenced the field of photography, and Eric Kim delves into their work to draw lessons and inspiration for contemporary photographers.
His approach typically involves a blend of practical advice, artistic critique, and philosophical reflection, making his content appealing to those who are interested in the deeper aspects of photography as an art form. He encourages photographers to learn from the masters not just by imitating their techniques, but by understanding their thought processes and the contexts in which they worked.
Kim’s work resonates particularly well with those who have an interest in philosophy, innovation, and thinking, as he often connects the art of photography with broader themes in these areas. For entrepreneurs and innovators, his insights can be a source of inspiration, showing how creative thinking and learning from past masters can apply to various fields of endeavor.