• Just one more photo

    Just one more photo

    Berkeley, 2014
    Berkeley, 2014

    My mom recently came back from an epic backpacking trip through Nepal for about 28 days. She is an incredible woman. At the age of 59, she was able to withstand the freezing cold, the difficulty of breathing in high altitude, and the challenge of keeping her motivation up for nearly a month in which she hiked 8+ hours a day.

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  • Video Interview with Blake Andrews from In-Public (#2)

    Video Interview with Blake Andrews from In-Public (#2)

    In 2011 I did a video interview with Blake Andrews, and a lot has changed since then. I recently did an interview on Blake’s blog (Q&A with Eric Kim) and wanted to see what he has been up to since the last time we chatted.

    In this hour-long interview, we talk about his trip to LA, how it is to shoot in Eugene and Portland, the philosophy and psychology behind blogging, shooting in color vs black and white, as well as his advice for street photographers.

    Also as a note, there are some parts of the video where the audio is scratchy, and the video isn’t the highest quality. But I hope you enjoy this feature as much as I did! You can follow Blake below:

    Follow Blake on Social Media:

    Photography:

  • 10 Lessons Blake Andrews Has Taught Me About Street Photography

    10 Lessons Blake Andrews Has Taught Me About Street Photography

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    I want to write this article on a photographer, blogger, and overall cool guy — Blake Andrews.

    I first saw Blake’s work on the In-Public website, and was amazed by his surrealistic street photography— and his sharp eyes for shapes, forms, and visual elements.

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  • Free E-Book: Letters from a Street Photographer

    Free E-Book: Letters from a Street Photographer

    letters-from-a-street-photographer-cover

    I am excited to announce that I finally put together my free ebook: “Letters from a Street Photographer“. This book is much more philosophical in nature– and combines the philosophy of stoicism and street photography. If you seek more purpose, happiness, and meaning in your photography, this book is for you.

    Here is a breakdown of the chapters:

    • Chapter 1: How to shoot and live without regrets
    • Chapter 2: How to deal with negative critics
    • Chapter 3: How to focus on your life’s work
    • Chapter 4: Fuck fame
    • Chapter 5: How to be happy
    • Chapter 6: How to live a purposeful life

    Free Download:

    This book is “open source” — meaning it is free to download, share, and remix. I hope you enjoy this fruit of my love:

    Other free e-books:

    Read more to see the entire text.

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  • Book Review: The Decisive Moment by Henri Cartier-Bresson

    Book Review: The Decisive Moment by Henri Cartier-Bresson

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    “A bible for photographers” – Clement Cheroux

    Wow— where do I even begin? I would say that “The Decisive Moment” by Cartier-Bresson is one of the most beautiful photo books I have ever handled— and it is a book that brings me extreme joy and happiness (you can see all the photos from the book for free on the MagnumPhotos website here).

    Sure I have seen many of these photos by Cartier-Bresson before, but to see them in a physical manifestation is a different experience. Not only that, but the original version of “The Decisive Moment” was nearly impossible to get (second-hand copies before the reprint were around $1000+). However now with this re-print by Steidl, “The Decisive Moment” is now open to everybody.

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  • Streettogs Academy No. 8 “Space” Results and Analysis

    Streettogs Academy No. 8 “Space” Results and Analysis

    SPACE RnA

    All systems go as our Space assignment wraps up! Thank you again to Kirk Lothian for the interesting idea and letting me play with Space and Star Trek Puns like nothing else! Let’s lift off and head on to the actual entries everyone in the streettogs academy group sent in.

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  • Street Photography Aphorisms, Heuristics, and Sayings

    Street Photography Aphorisms, Heuristics, and Sayings

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    I’ve just put together this list of street photography aphorisms, heuristics, and sayings. This is a distillation of all of my current thoughts and philosophies on street photography. Many of these sayings and ideas are heavily borrowed from others, and none of these ideas are original.

    Don’t take everything in this list as “truth”. Rather, take everything with a grain of salt. Take the sayings which resonate with you, and discard the rest.

    Free download

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  • Free E-Book: “Street Photography 101: An Introduction to Street Photography”

    Free E-Book: “Street Photography 101: An Introduction to Street Photography”

    Street Photography 101 - cover

    Update: I re-edited this book with new images and design / April, 2016

    Hey streettogs, I am excited to announce that I’ve finally published my free e-book: “Street Photography 101. If you’re new to street photography, want to learn the fundamentals, or refresh your existing knowledge– check it out. As always, this book is “open source” — meaning you can freely edit, remix, and distribute this information as you would like.

    Below is an overview of some of the chapters I will cover:

    • Chapter 1: What is street photography?
    • Chapter 2: Why street photography?
    • Chapter 3: What to look for when you’re shooting street photography
    • Chapter 4: How to overcome your fear of shooting street photography
    • Chapter 5: Lessons I’ve learned from the masters of street photography
    • Chapter 6: Street photography equipment, technical settings, technique
    • Chapter 7: Street photography exercises
    • Chapter 8: Conclusion

    Free Download

    PDF (Normal/91MB)

    PDF (Small/15.9MB)

    iBooks Author (353.MB)

    If you want to edit, translate, or remix the book, below is the original “iBooks Author” file (free to download for anyone with a Mac):

    Also check out the Portuguese translation.

    You can also “read more” to see the full text of the book below.

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  • How to #BuyBooksNotGear without breaking the bank

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    There is no doubt that we are in an age where information on the web is fast and oftentimes free but despite that, we can’t discount the value of books. This tangible medium has helped teach men and women for centuries as it was and is one of the best way to pass information and/or stories. We are in a great era since we are seeing a great number of photo books come out year after year after for the past decade from self published ones, to reprints, and experimental approaches. Having a photo book from a photographer you look up to or a photographer whose work you admire is a treasured material. Based on my experiences, here are some ways you can build your photo book collection:

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  • The 5 Elements of Effective Street Photography

    The 5 Elements of Effective Street Photography

    Stockholm, 2014
    Stockholm, 2014

    My friend Todd Hatakeyama recently gave me a superbly refreshing book titled: “The 5 Elements of Effective Thinking”. It is a basic primer on how to think more effectively when solving problems– and can help students, teachers, and anyone trying to learn or improve their skills.

    Like always, I took away a lot from the book– and thought about the principles and how we could apply them to street photography. Here are some of the ideas I learned from the book:

     

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  • Angkor Photo Workshop 2014 Notes

    Angkor Photo Workshop 2014 Notes

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    (A.g.’s note/Disclaimer:

    The following are the notes I have jotted down during the Angkor Photo Festival last Nov. 28-Dec. 6, 2014. I have organized my thoughts and the lessons so that it would be easy to comprehend for others.

    The notes I have is most likely different from the other participants since we had different experiences based on the mentors we had, the skills we wanted to develop, and things we encountered while photographing. These notes are not a substitute for the entire experience during the workshop. I’m sharing it here since you may be in the same situation that I am in or perhaps see something different with regard to the work you are doing. I also share in Eric’s philosophy that information should be open.

    With that said, I will say that the time, effort, and everything I put in working through the workshop/festival, meeting other photographers, and just overall looking and doing work made me mature and more confident about what I do. All thanks to the festival organizers, my mentors Kosuke Okahara and Ian Teh, the photographers I met who gave me tips and a few pints of beer, and my batch mates who as I type are already making great leaps in their photography.

    Other notes: All in brackets [ ] are my personal opinions and notes on the things that were said or what I think is related to the lesson.)

    For more info on the Angkor Photo Festival and workshops, click here.

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  • Free E-Book: The Street Photography Project Manual

    Free E-Book: The Street Photography Project Manual

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    Dear streettogs, I am really excited to share that I have (another) free e-book for you guys (because I love you) titled: “The Street Photography Project Manual

    The concept behind the e-book was this: I wanted to put together all the information I knew regarding coming up with ideas with street photography projects, how to shoot it, how to edit and sequence it, and how to publish it. Here is a quick overview of the chapters in this e-book:

    • Chapter 1: Why pursue a street photography project?
    • Chapter 2: What makes a great photography project?
    • Chapter 3: How to come up with a street photography project idea?
    • Chapter 4: How to stay motivated when pursuing your photography project
    • Chapter 5: How to edit/sequence your photography project
    • Chapter 6: How to publish your photography project
    • Chapter 7: Conclusion

    Free download:

    This book is “open source” meaning you are free to distribute, edit, change, remix, or share this with your friends (freely and openly). Enjoy:

    If you want to read the full e-book on this blog, “read more”:

    Here are some other free e-books I published:

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  • Free E-Book: The Social Media Blackbook for Photographers

    Free E-Book: The Social Media Blackbook for Photographers

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    Hey streettogs, I just finished writing a little mini e-book titled: “The Social Media Blackbook for Photographers“. I have been thinking about distilling a lot of my thoughts on social media and photography– and I hope this can be a helpful resource to you. A lot of the thoughts in the book is just my personal take on social media and how it can benefit you as a photographer. Here is a brief overview of the contents of the book:

    • Chapter 1: Why social media?
    • Chapter 2: What is social media?
    • Chapter 3: The importance of creating value in social media
    • Chapter 4: How to gain more followers
    • Chapter 5: The importance of engagement in social media
    • Chapter 6: Common mistakes in social media
    • Chapter 7: Social media strategies, tips, techniques
    • Chapter 8: Conclusion

    This e-book is open-source (share, distribute, re-mix, translate, or do whatever you want with it). You can download it for free below:

    Download English

    Download Spanish

    Thank you to Minerva Romay for translating this into Spanish:

    You can also read my other free ebook: “31 Days to Overcome Your Fear of Shooting Street Photography

    Read more to also read it directly on this blog:

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  • Video: How to Use a Leica M Camera for Street Photography with Craig Semetko

    Video: How to Use a Leica M Camera for Street Photography with Craig Semetko

    Check out this new helpful video by Craig Semetko (author of “Unposed“) on how to shoot street photography with a Leica M camera. Here are some of the tips he shares in the video:

    • Know the camera well enough to not think about it. Then pure seeing and personal vision takes over.
    • Study the masters, in photography and painting, movies, literature, etc. Looking at Cartier-Bresson’s work never hurt anybody.
    • Practice observing and spend a great deal of time roaming the street. You don’t need an assistant to start.
    • Every situation is different. Work fast. Act like you’re looking elsewhere and don’t know how to use the camera.
    • A sense of humor is fundamental to me, as I believe it is for most people. In my opinion, a story without humor is not being truthful–at any given moment, someone is laughing about something somewhere.
    • Do what you are passionate about. The rest takes care of itself.

     

  • 27 Lessons I’ve Learned About Photography and Life

    27 Lessons I’ve Learned About Photography and Life

    2014 in film: 164 rolls of Kodak Portra 400
    2014 in film: 164 rolls of Kodak Portra 400

    Today I turn 27 years old, thank you for all the kind birthday wishes!

    I am currently in LA for the weekend, visiting some close friends and family for a quick birthday dinner, then heading back home to Berkeley early Sunday.

    I am generally not the person to reflect very much. I kind of like to live life in the present moment— and don’t think too much about the past or the future. But I have found starts of the new years as well as birthdays are a great time to do some personal reflection.

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  • Video Lecture: Why it is Important to “Work the Scene” in Street Photography

    Video Lecture: Why it is Important to “Work the Scene” in Street Photography

    In this presentation, I share the work of the master Magnum photographers (Henri Cartier-Bresson, Elliott Erwitt, Diane Arbus, Martine Franck) and share the importance of “working the scene” (via contact sheets). So pretty much– you don’t want to just shoot one photograph of a stranger and move on. Rather, you want to continue to “work the scene” and take lots of shots.

    You can see the slides for the presentation on Slideshare here.

    More articles on “working the scene” in street photography

    1. Debunking the “Myth of the Decisive Moment”
    2. How Studying Contact Sheets Can Make You a Better Street Photographer
    3. 10 Things Street Photographers Can Learn From Magnum Contact Sheets

     

  • 7 Tips How to Stay Motivated in Street Photography

    7 Tips How to Stay Motivated in Street Photography

    Stockholm, 2014
    Stockholm, 2014

    As a part of my on-going “Ask Eric Kim” series– here is a question I have from Darren Hoyland from my Facebook fan page:

    Darren Hoyland: How [do you] keep yourself motivated whilst out on the streets when you have that deja view moment of been here done that?

    Hey Darren, I face this a lot: when I’m shooting on the streets and I don’t feel motivated and I feel like I’m just repeating myself. Here are some tips I recommend in terms of staying inspired with your street photography and to stay motivated:

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  • 60 Street Photography Heuristics (Rules of Thumb) I Believe in and (try to) Follow

    60 Street Photography Heuristics (Rules of Thumb) I Believe in and (try to) Follow

    Yreka, California 2014
    Yreka, California 2014

    I am a big fan and believer of “heuristics” (or rules of thumb). I was first introduced to the idea of “heuristics” from Nassim Taleb (in his book “Antifragile“) and later more from Gerd Gigerenzer (a German psychologist who wrote the excellent book: “Gut Feelings: The Intelligence of the Unconscious“). Below is a list of heuristics (ad random thoughts on photography) I personally believe and try to follow:

    1. When in doubt, click (credit: Charlie Kirk)
    2. When you’re scared, shoot
    3. Buy books, not gear
    4. Money can only buy you happiness if you spend it on experiences (not material things)
    5. Don’t buy a photography book unless you plan on reading it more than once.
    6. Don’t buy a photography book with the intention of selling it into the future.
    7. When in doubt, ditch.
    8. A photo is either a “hell yes” or no.
    9. It is better to travel to fewer places (than seeing a lot of places, but less time in each spot)
    10. Always have a backup when traveling and taking photos (camera, lens, battery, memory card, film)
    11. Better to bring more film (than less)
    12. A week in a foreign city is a sweet spot to getting to know the city
    13. The bigger your camera, the less likely you are to carry it with you on a daily basis, and therefore you are less likely to shoot daily, and will end up shooting less
    14. Try to take at least 1 photo a day
    15. When in doubt of a photo, don’t upload it
    16. Work on series, not individual images
    17. Lots of likes and favorites doesn’t necessarily mean the photo is good
    18. It is better to be deeply influenced by a few photographers (and know their work really well), than being a little bit influenced by a lot of other photographers
    19. Changing a bad color into black and white won’t make it a better photo
    20. Adding clarity, sharpness, vignette won’t make a bad photo better
    21. Post process a photo until it looks about 80% good and stop, or else you run the risk of over processing
    22. Stick to one film
    23. Stick to presets
    24. Having fewer cameras or lenses is less stressful
    25. The less time I spend on social media the happier and more focused and productive I am
    26. Don’t compete against others, compete against myself
    27. Spending time with photographers obsessed with gear will make me want to buy more gear
    28. The more time I spend on gear review sites, the more gear I want to buy (that I don’t need)
    29. Whenever I am feeling uninspired by my photography or dissatisfied with my work, I want to buy a new camera (thinking it will make me more creative, and spark more inspiration)
    30. I only need 2 pairs of clothes while traveling (one pair I’m wearing, and the other in the bag). Wash each pair in the shower with shampoo every night and hang dry.
    31. While traveling don’t wear cotton (stick to athletic quick dry material)
    32. The most successful photographers are often the least satisfied
    33. The more people who say they hate your work (or call your work overrated), the more successful you are.
    34. People with a large followed by following ratio (on Twitter) aren’t spammers
    35. The more hash tags a photographer uses on social media, the more hungry for attention they are
    36. The best photography I can do is in my own backyard (I better than anyone else, and it is usually more unique)
    37. Shooting film helps the editing process (I unintentionally let my film marinate for a long time because I’m either busy or lazy, and therefore when I get my film finally processed and scanned, I’m no longer emotionally attached to my photos and can “kill my babies”)
    38. If I spend too much time trying to make my digital photos look like my film photos, just shoot film
    39. I’m happy if I can make one meaningful street photo a month
    40. The more a photographer gossips about others, the more insecure they are about their own work
    41. You are the average of the 5 closest photographers to you.
    42. Photographers who criticize the equipment of others are often just jealous and want that equipment
    43. A viewer will respect or value a photo more if you tell them you shot it on film (unfair, but true)
    44. To get an honest critique, tell people to be “brutally honest” and help “kill your babies”
    45. Don’t defend my photos during a critique. Keep my mouth shut, nod, and take notes
    46. Always be ready to share my portfolio with someone else (via my smartphone or iPad)
    47. While traveling I generally shoot 1 roll of film every 2-3 days
    48. When booking accommodation, the most important thing is location, location, location
    49. When traveling in a foreign country and trying out a new meal at a restaurant or a coffee, ask the waiter (or barista) what they ate or drank today (as a good guide to make your own decision)
    50. The more tourists in an area, generally the less interesting it is to photograph
    51. If possible, always fly direct. If the cost of a direct flight isn’t 25% more expensive than the cheaper option, go for it.
    52. It never hurts to ask for permission when taking a photo of a stranger
    53. Best way to overcome jetlag : fast for at least 18 hours before arriving at my target destination
    54. Creepiness is proportional to focal length
    55. If I want to overcome jetlag, drink as much coffee as I want until it is time to sleep at around 10pm my destination time
    56. When on an international flight, switch my watch to the target destination, and try to stay awake (and sleep) accordingly
    57. If I’m jetlagged and it’s past midnight in a foreign country, take melatonin.
    58. When in doubt, smile at a stranger and say ‘hello’
    59. The most interesting thing to photograph is your own life.
    60. Have a double-shot of espresso whenever I feel uninspired (always does the trick).

    What are some other rules of thumb or heuristics that you personally believe in and follow? Share your tips and thoughts in the comments below!

  • Video Lecture: How to Be Invisible When Shooting Street Photography

    Video Lecture: How to Be Invisible When Shooting Street Photography

    In this video lecture above, I share some practical tips, thoughts, and philosophies about being “invisible when shooting street photography. You can check out the slides here.

    If you want to learn how to overcome your fear of shooting street photography, I also recommend watching my video lecture: “How to Overcome Your Fear of Shooting Street Photography” and/or join me at one of my upcoming street photography workshops!

  • How to Overcome Your Fear in Street Photography with “Rejection Exposure Therapy”

    How to Overcome Your Fear in Street Photography with “Rejection Exposure Therapy”

    Downtown LA, 2014
    Downtown LA, 2014

    This morning on the way to the gym, I was listening to the newest podcast episode of “Invisibilia” (a new NPR podcast on cognitive and behavioral science) and they had an episode titled “Fearless”.

    The episode was fascinating to me— as I have always been obsessive with this idea of conquering your fear of shooting street photography.

    I notice that out of all the workshops I teach, my introductory “Conquer Your Fear of Shooting Street Photography” course is always (by far) the most popular.

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  • Streettogs Academy Assignment No. 8

    Streettogs Academy Assignment No. 8

    SA 8 dates

    Cheers to another Streettogs Academy Assignment done and let’s continue the voyage with the Assignment from editor’s choice, Kirk Lothian. Here’s a hint to what it is: It should make us boldly go where no one has gone before.

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  • 7 Lessons Harry Callahan Has Taught Me About Street Photography (and Life)

    7 Lessons Harry Callahan Has Taught Me About Street Photography (and Life)

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    All photographs copyrighted by the estate of Harry Callahan.

    You can download this article for free as a .docx, PDF, or Google Doc.

    I recently came upon the work of Harry Callahan from a friend and former workshop student named Chris Giuseppe.

    This past weekend, I organized a small meet-up in San Francisco in the mission district (Haus Coffee is lovely) and about 10 of us street photographers met up, exchanged prints, photography books, current projects, and good laughs and catching-up.

    This Harry Callahan book that Chris brought (the book is just called “Harry Callahan”) was a big tome– and diverse in its material. Harry Callahan had an incredible career in terms of his photography– he photographed so much different subject matter with so much emotion, soul, and tenacity.

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  • Streettogs Academy No. 7 “Opposites” Results and Analysis

    Streettogs Academy No. 7 “Opposites” Results and Analysis

    SA 7 results

    Another two weeks, another assignment done over at streettogs academy! Sam Trachsel gave us Opposites as a theme for this assignment! Let’s look at how the members of the group interpreted the theme!

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  • Lessons Todd Hido Has Taught Me About Street Photography (Part 2)

    Lessons Todd Hido Has Taught Me About Street Photography (Part 2)

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    All photographs copyrighted by Todd Hido. 

    This is part 2 of my write-up on Todd Hido’s new book: “Todd Hido on Landscapes, Interiors, and The Nude: The Photography Workshop Series“. You can read part 1: “Lessons Todd Hido Has Taught Me About Street Photography (Part 1).”

    You can also download the entire article free via .docx, PDF, and Google Doc.

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  • Monkeying around with Tavepong Pratoomwong. Interview by Clifton Barker

    Monkeying around with Tavepong Pratoomwong. Interview by Clifton Barker

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    (A.g.’s Note: Today we have Clifton Barker chatting down with his friend and award winning photographer, Tavepong Pratoomwong from Thailand. Have a laugh and enjoy this one! Interview by Clifton Barker. All photos are by Tavepong Pratoomwong.)

    Over the last year, the Thai street photography scene has been dominated by one man; Tavepong Pratoomwong. Besides being really clever with his compositions and somehow seemingly invisible—he has the cutest daughter you’ve ever seen. Certified. Recently TP received the high honor of the EyeEM award for Street Photographer of the Year 2014 and won 1st place at the Miami Street Festival. Besides all that, he’s just a cool dude that I really wanted to ask some absurd questions. Being mannerly, he obliged.

    CB: How long did you have to wait by the Indian guy for the monkeys to start screwing?

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  • Lessons Todd Hido Has Taught Me About Street Photography (Part 1)

    Lessons Todd Hido Has Taught Me About Street Photography (Part 1)

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    All photographs copyrighted by Todd Hido.

    You can read part 2 here: “Lessons Todd Hido Has Taught Me About Street Photography (Part 2)“. You can also download the entire article free via .docx, PDF, and Google Doc.

     

    I have really been loving the “Photography Workshop Series” that Aperture has been publishing. They recently did a book with Alex Webb on Street Photography, and also another book with Larry Fink on Composition.

    The other day I was browsing Amazon, and Todd’s Hido’s new book (published by Aperture) titled: “Todd Hido on Landscapes, Interiors, and the Nude” popped up. I had heard about Todd Hido from a few good friends, loved his work (landscapes and portraits), his use of colors, and the down-to-earth nature he had in his interviews on YouTube.

    I instinctively ordered the book (it is very affordable at only around $20)— and have been absolutely blown away by the book. It is quite possibly one of the most educational, helpful, and inspiring photography books I have ever invested in. I can easily say that it is probably one of my 3 favorite “photography-educational” books, alongside Magnum Contact Sheets and Dan Winter’s “Road to Seeing.”

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  • How to Be a More Mindful Street Photographer

    How to Be a More Mindful Street Photographer

    Downtown LA, 2014
    Downtown LA, 2014

    I just finished a book called “10% happier”, which preached the benefits of meditation and mindfulness in everyday life.

    There is a lot of pain and anxiety from everyday life, and one of the main causes of that is longing for something. Wanting something that we don’t have. By focusing too much on the future and the past.

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  • Behind-the-Scenes Video: Downtown LA Conquer Your Fear of Shooting Street Photography Workshop 2015

    Behind-the-Scenes Video: Downtown LA Conquer Your Fear of Shooting Street Photography Workshop 2015

    I just finished an epic “Conquer Your Fears of Shooting Street Photography Workshop” in Downtown LA this past weekend and put together a fun behind-the-scenes video above. All of the students did an incredible job building their confidence in the streets, getting closer to strangers, and had a lot of fun getting to know one another.

    You can see the final student photos on my Facebook fan page and you can also see my upcoming street photography workshops in SF, Chicago, Toronto, NYC, Vienna, & more!

    Read more to see snapshots from the workshop as well:

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  • Film Isn’t Dead: The Resurgent Interest in Analogue Photography Video

    Thanks to Matt Stuart from In-Public for sharing this short 8-minute film about the resurgence of film photography.

    Personally I still love shooting film for the added challenge, how it slows me down, the aesthetic, as well as the surprise when I finally get my film developed. Shooting film (I think) has made me a more disciplined photographer, and also improved my street photography in general. Shooting film isn’t necessarily “better” than shooting digital– it is just different. If you’ve never shot film (or it has been a while), I recommend giving it a go in 2015!

    If you want to learn more about shooting street photography on film, I recommend reading some of these articles below:

    1. Introduction to Shooting Film in Street Photography
    2. A Guide on How to Shoot Street Photography on a Film Leica (or Rangefinder)
    3. Video: Introduction to Darkroom Film Developing and Printing with Taylan Bagci in Istanbul
    4. The Benefits Shooting Both Film and Digital in Street Photography
  • 10 of My Street Photography New Year’s Resolutions for 2015

    10 of My Street Photography New Year’s Resolutions for 2015

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    Berkeley, 2015 #cindyproject

    It is that time of the year again— to make resolutions for the new year.

    In 2014, I wrote a post, “40 Street Photography Resolutions Ideas for 2014” and I also wrote a post titled: “15 Street Photography Assignments to Re-Energize and Re-Inspire You” (inspired by the book: “The Photographer’s Playbook: 307 Assignments and Ideas”).

    Below are some personal New Year’s Resolutions I am going to make for myself in 2015. I will probably break some of them, but will try my best to stick to them. This is advice I will give to myself— and feel free to pick any of these ideas for yourself (or modify them as you see fit). This list is inspired mostly by Nassim Taleb’s New Years Resolutions for 2015. Here are my street photography resolutions for 2015:

    1. Don’t buy any photo books I don’t plan on re-reading.

    2. Buy at least 1 photo book a month (and get to really know it).

    3. Give at least 1 in-depth comment/feedback/critique (once a week) to a street photographer who doesn’t get any favorites, comments, or feedback on his/her photos.

    4. Try to meet a lonely photographer once a month for a coffee (with no expectation of “networking” or “gain” on my end)

    5. Don’t go a single day without taking a photograph (smartphone is fine).

    6. Don’t own more than 1 type of camera (only own 1 35mm camera, 1 medium-format, 1 digital). If I accrue more than one of each type of camera, either give away to friend or sell.

    7. Walk for at least 15 minutes everyday to make photos (I’m becoming a fat and lazy car-dependent American).

    8. Focus on education and creating value (not money, fame, or external recognition). Engaging the street photography community more and always try to help.

    9. Make my photographs more personal.

    10. Have at least 1 exhibition of my photos (and also curate at least 1 group exhibition).

    11. Teach at least 1 free workshop for charity (once a year).

    What are some New Years’ Resolutions that you have for yourself when it comes to your photography? Share them in the comments below!

  • Ask Eric Kim #2: “How To Discover Interesting Scenes in Your Familiar (thus Boring) Home City?”

    Ask Eric Kim #2: “How To Discover Interesting Scenes in Your Familiar (thus Boring) Home City?”

    Berkeley, 2014
    Berkeley, 2014

    Hey streettogs, to continue with my “Ask Eric Kim” series (any questions you had about street photography, business, marketing, social media, etc.) I put a question out on Facebook regarding what questions you had (so I could try my best to help out and offer some ideas):

    Kai Kienzle asked the following:

    “How [do you] discover interesting scenes in your familiar (thus boring) home city?”

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  • The “10x Principle”: The Only Difference Between “Success” and “Failure” as a Photographer

    The “10x Principle”: The Only Difference Between “Success” and “Failure” as a Photographer

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    Dubai, 2014

     

    I recently read a book titled: “How Google Works” and came across the “10x principle” that Google apparently follows.

    The idea is quite simple, elegant, and powerful: to be successful in any field, do it 10x better than anybody else.

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  • Video Review of the Fujifilm X100T for Street Photography

    Video Review of the Fujifilm X100T for Street Photography

    I recently put together a “real-world” review of the Fujifilm X100T for street photography (which you can read here). I also wanted to record a video of some of my thoughts of the X100T (I really like it), and some of the settings, functions, aesthetic differences of the camera. In my opinion it is the best “bang-for-the-buck” camera for street photography on the market right now, and a great companion if you want to upgrade to a smaller body.

    If you have any other questions about the camera, leave a comment below and I will try to reply to as many as I can! For those of you who have the new X100T, how do you like the camera?

  • Join Matt Stuart for Leica Akademie Street Photography Workshops in LA and San Francisco in January 2015!

    Join Matt Stuart for Leica Akademie Street Photography Workshops in LA and San Francisco in January 2015!

    46.Matt_Stuart_New_Bond_Street_copy

    Hey guys, I am really excited to share that Matt Stuart (from In-Public) is coming to the states and teaching two workshops with Leica Akademie (in Los Angeles and San Francisco)! The workshop is only $599 and limited to 12 participants, and this is an opportunity you don’t want to miss out on! Matt is one of the most talented street photographers out there, and I can guarantee this is an experience you will never forget. More info below:

     

  • Video Shooting Street Photography with the Fujifilm XT-1 and x100s in Saigon, Vietnam

    Thank you to Fujifilm Vietnam and Gin Tran for putting together this feature of me shooting street photography in Saigon this summer. I hope the tips I share in this video can help you when it comes to traveling and shooting street photography. I also give some tips when it comes to shooting with the Fujifilm XT-1 with the 27mm f/2.8 lens (read my review here) and the Fujifilm x100s (read my review here). You can also read my new review of the Fujifilm x100T on the blog here.

    If you are curious what it like shooting street photography in Vietnam, check out my “Saigon Diary” series below:

     

  • Streettogs Academy No. 7

    Streettogs Academy No. 7

    SA 7 Date

    Everyone seems antsy and excited for the next assignment. So I’ll be quick and not do my usual introduction this time and head straight to it!

    Here is what Streettogs Academy 6 editor’s choice, Sam Traschel picked for us:

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  • Video Lecture: How to Overcome Your Fear of Shooting Street Photography

    Video Lecture: How to Overcome Your Fear of Shooting Street Photography

    In an effort to be more helpful, I am going to start putting together more video lectures and features for YouTube. In this presentation, I give some practical advice how to overcome your fears of shooting street photography– including the philosophy, approach, and tips.

    Articles on Conquering Your Fear

    Check out my Free Ebook: “31 Days to Overcome Your Fear of Shooting Street Photography

    My recent article: “How to Harness Your Fear to Become a More Confident Street Photographer

    Slides

    You can see the slides on Slideshare here.

    Listen to the Audio

    If you want to build up your confidence in shooting street photography, you can also join me at one of my upcoming street photography workshops.
  • Ask Eric Kim #1: How to Overcome the “Funk” of the Winter Months in Street Photography?

    Ask Eric Kim #1: How to Overcome the “Funk” of the Winter Months in Street Photography?

    @mikebeecham on Twitter asked me, “How do you manage the funk of the winter months?”

    I think this is a great question, because it is hard to stay motivated during the winter months. I share some of my thoughts, an introduction to this new series, and suggestions in this first episode of “Ask Eric Kim”.

    Book recommendation to stay inspired in the winter:

    • Vinter” by Lars Tunbjork

    What are some ways you stay motivated to shoot during the winter? Share your tips in the comments below!

  • Video Interview with Joe Aguirre in San Francisco (Volume #2)

    Recently I had time to meet up with my good friend Joe Aguirre in SF. He was able to show me his new place, projects he is working on, and we talk about some of my personal “mid-life” street photography questions towards the end.

    You can see my past video interview with Joe here.

  • 15 Street Photography Assignments to Re-Energize and Re-Inspire You

    15 Street Photography Assignments to Re-Energize and Re-Inspire You

    image
    Chicago, 2013

     

    If you’re like me– you deal with moments of “uninspiration”. There are days that you want to go out and shoot, but there is some sort of “resistance” which holds you back.

    What is a good way to become re-inspired?

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  • How to Harness Your Fear to Become a More Confident Street Photographer

    How to Harness Your Fear to Become a More Confident Street Photographer

    Provincetown, 2014
    Provincetown, 2014

    Street photography is one of the most difficult forms of photography out there. Not only do you have to rapidly compose, frame, and approach strangers— but you have to do so with the risk of “injury.” They might injure you verbally (threaten to break your camera, give you a dirty look and call you a creep, or curse at you) or they might injure you physically (try to grab your camera, hit you, shove you, etc).

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  • Book Review: “The Suffering of Light” by Alex Webb

    Book Review: “The Suffering of Light” by Alex Webb

    alex-webb-the-suffering-of-light

    All photos copyrighted by Alex Webb / Magnum Photos. You can pick up a copy of “The Suffering of Light” on Amazon here.

    After my month-long trip abroad in Stockholm, London, and Dubai I am finally (mostly) over my jet lag and have recovered at home. I’m sitting in my apartment and thinking to myself: what should I focus on for the blog?

    I have thought about this a lot— and realized that 99% of the photography sites on the internet are gear-related. This includes news about the newest cameras, rumors about upcoming cameras, gear reviews, lens sharpness testing (taking photos of brick walls, and seeing how sharp the edges are).

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  • A Landscape of Pyramids (Or To Be A Street Photographer) by Hakim Boulouiz

    A Landscape of Pyramids (Or To Be A Street Photographer) by Hakim Boulouiz

    OLYMPUS DIGITAL CAMERA

    (Editor’s Note: Today’s guest post and photographs are by Switzerland based street photographer Hakim Boulouiz. Enjoy!)

    Hakim: One of the first lessons in photography has to do with the famous quote from photographer and ecologist, Ansel Adams, “You don’t take a photograph, you make it.”This magic formula applies to all facets of photography without exception. As soon as we start talking about the “photographic intervention”, we have to question the composition, choice, selection; whether to accentuate certain elements or to do away with distractions as we seek to create an impact for the eye and for the heart. The whole process is a very precise surgical procedure with a little help from Mr. Chance.

    However, in street photography, “making” a photograph is out of the question. So how to be a street photographer (or how to go about becoming one)? For starters, here are two steps:

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  • Streettogs Academy No. 6 “Directions” Results and Analysis

    Streettogs Academy No. 6 “Directions” Results and Analysis

    Assignment 6 resultsHere we are once again with the results and analysis! Things have been going fine in the group as I have recently posted new policies and updated the criteria to further clear the mission/vision of what streettogs academy really is. As we go along, I hope people get a lot out of the group and at the same time, enjoy the experience of photographing in the streets. We had around 150++ entries for the “Direction” that was set by Assignment 5 editor’s choice, Enamul Kabir Rony. Cheers again to Enamul for the great assignment theme.

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  • How to Overcome the “Tyranny of Choice” in Street Photography

    How to Overcome the “Tyranny of Choice” in Street Photography

    Too many cameras= more stress (not all my cameras btw)
    What happens when you have a diet too high in GAS (not all my cameras btw)

    I have a problem. It is definitely a “first world problem”.

    I currently have too many cameras in my house. This is what is sitting on my shelf at the moment (all the cameras I own):

    • Leica MP
    • Hasselblad 501c
    • Fujifilm x100T
    • Ricoh GR
    • Contax T3

    Too many damn cameras.

    (more…)

  • Registration Open: Downtown LA & Portland Street Photography Workshops in 2015 (and more!)

    Registration Open: Downtown LA & Portland Street Photography Workshops in 2015 (and more!)

    Group selfie from my recent London Intermediate/Advanced Street Photography Workshop
    Group selfie from my recent London Intermediate/Advanced Street Photography Workshop

    Hey streettogs, I am excited to share that registration is officially open for my upcoming Downtown LA Introduction to Street Photography Workshop (Jan 2-4th) and my Portland Intermediate/Advanced Street Photography Workshop (Jan 9-11th). Make sure you sign up quickly before the early-bird discount expires!

    If you want to conquer your fears of shooting street photography, improve your composition, and meet other passionate street photographers– don’t miss out and see my full list of upcoming street photography workshops in 2015 below:

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  • Street Photography Holiday Book Wishlist 2014

    Street Photography Holiday Book Wishlist 2014

    recommended-street-photography-books

    Hohoho, Merry (upcoming) holidays streettogs. If you weren’t sure what to ask for the holidays this year, I have compiled this list of street photography books to ask Santa (or your friends, family, significant other) for. Read more to see my full list of recommended books below!

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  • How to Fight “The Resistance” in Street Photography

    How to Fight “The Resistance” in Street Photography

    1x1.trans Review of the Fujifilm X100T for Street Photography
    Dubai, 2014

    In “The War of Art”, the author Stephen Pressfield talks about “The Resistance” — and how it is the biggest obstacle to all of our artistic pursuits and endeavors.

    We can encounter “The Resistance” in many ways in our life. We encounter it when we want to start our own business (and we have thoughts of self doubt), we encounter it when we want to start exercising more (but the resistance keeps us from leaving our house), and we encounter it when we want to go out to social functions (we are nervous of meeting new people, and would prefer to stay at home).

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  • 17 Lessons Henri Cartier-Bresson Has Taught Me About Street Photography

    17 Lessons Henri Cartier-Bresson Has Taught Me About Street Photography

    Henri-Cartier-Bresson

    As this article is very long, I recommend reading this by saving it to Pocket or Instapaper. All photos in this article are copyrighted by Henri Cartier Bresson / Magnum Photos. 

    I recently picked up a copy of “The Mind’s Eye” – which is a great compilation of thoughts and philosophies Henri Cartier-Bresson wrote. Aperture published this great volume (as they are an amazing non-profit dedicated to promoting photography, education, and great ideas).

    Ever since I have been back home, I have been dedicating more of my energy, attention, and focus to great photography books – and trying to distill the information. I’ve learned all of these great lessons personally– and I want to share that information with you.

    (more…)

  • Book Review: “Exiles” by Josef Koudelka

    Book Review: “Exiles” by Josef Koudelka

    title-cover-exiles-koudelka

    I recommend reading this article by saving it to Pocket, Instapaper. All images in this article are copyrighted by Josef Koudelka and Magnum Photos.

    Exiles” by Josef Koudelka is one of the must-buy books of this year. Previously (before this re-print by aperture) the book would sell second-hand for around $300. I personally couldn’t afford a copy — and when I heard this edition (the last and final) was coming out, I jumped on it like a fat kid on cupcakes.

    Before writing this book review, I re-read the book several times, read a lot of interviews by Josef Koudelka– and reflected on the book (and the life and photography of Koudelka).

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  • Dubai 2014 Round-up Videos

    Dubai 2014 Round-up Videos

    Hey streettogs, I just got back from an epic 5-week trip in Stockholm, London, and Dubai– and now finally have some time to decompress and recover from my travels. Below is a round-up of some of the videos I shot in Dubai, lots more stuff to come! :)

    1. How to Load a Hasselblad in Dubai with Imraan

    Over a nice local meal in Dubai, my buddy Imraan and I have fun with my Hasselblad– and show a brief tour of how to use it:

    2. Tour of Gulf Photo Plus in Dubai and Interview

    Ever curious what Gulf Photo Plus is? Mohamed Somji (one of the head folks at GPP) gives us a tour of their office in Dubai– and I also interview his background in documentary photography as well!

    3. Dubai International Street Photography Exhibition

    Behind-the-scenes look for the opening for the Dubai International Street Photography Exhibition I helped curate:

    You can also check out more of my new videos on my YouTube channel.

  • Things to see and do on the 10th year of the Angkor Photo Festival

    Things to see and do on the 10th year of the Angkor Photo Festival

    Angkor-Photo-Festival

    Now on it’s 10th year, the Angkor Photo Festival has always been a great showcase of photography in the Asian region. This year, they keep doing what they do best by giving everyone the best photography in Asia has to offer. If you have nothing to do on Nov. 29 to Dec. 6, I suggest you head on to Siem Reap and feast your eyes on what the festival has to offer. Everything is open to the public and free of charge.

    Here are some of the things to look out for:

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  • 7 Lessons Josef Koudelka Has Taught Me About Photography and Life

    7 Lessons Josef Koudelka Has Taught Me About Photography and Life

    PAR65562
    Josef Koudelka / Magnum Photos: PORTUGAL. 1976.

    Josef Koudelka is one of my favorite photographers of all-time. I love how he has been able to craft his life around photographing only what he wanted to photograph, how he is able to capture emotional and empathetic images (especially in his “Gypsies” project), his ability to continue to re-invent his photography (switching from 35mm to panoramic), and his absolute dedication to his craft.

    I recently came across a superb interview with Koudelka titled: “We Are All the Same”: A Conversation with Josef Koudelka” via my friend Karl Edwards from StreetShootr.com.

    I will share some personal lessons that Koudelka has taught me about photography and life below. If you want to learn more about Koudelka, I recommend you to read my article on him: 10 Lessons Josef Koudelka Has Taught Me About Street Photography.

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  • 10 Lessons Street Photography Has Taught Me About Life (Presentation)

    At Gulf Photo Plus, as a part of the “Street Photography Series” in November in Dubai, I gave a free talk on street photography yesterday (11/24/2014). The title of my presentation was: “10 Lessons Street Photography Has Taught Me About Life” in which I share some of my personal philosophies about street photography (and life).

    Tonight at 7:00pm at Gulf Photo Plus is the opening exhibition for “STREET.” — an international street photography exhibition curated by me and the team at GPP. If you’re free, come join us! :)

    You might also like to read my article, “26 Lessons Life Has Taught Me About Street Photography” and check out my free presentations on street photography on Slideshare.

  • Review of the Fujifilm X100T for Street Photography

    Review of the Fujifilm X100T for Street Photography

    DSCF1890
    Dubai hotel lobby selfie with the Fujifilm X100T

    Disclaimer: I was given a free Fujifilm X100T for this review.

    It is a beautiful Sunday here in Dubai, and it is my day off “work”. I arrived last Wednesday from London after 2 weeks of teaching workshops, and I ended up doing a few workshops for Gulf Photo Plus (a photo organization in Dubai). I had a great time teaching the workshops here in Dubai, and also ended up shooting a lot of personal photos for myself (around 5–6 rolls of medium-format Kodak Portra 400 on my Hasselblad and a Mamiya 7 I borrowed from my friends Imraan and Mo.

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  • In Street Photography, The Smaller the Camera, the Better

    In Street Photography, The Smaller the Camera, the Better

    Photo slightly related: Minox Spy Camera of Grant Loxton
    Photo slightly related: Minox Spy Camera of Grant Loxton

    Recently for my trip to Stockholm, London, and Dubai I brought along my Hasselblad 501c and 80mm lens (and about 20 rolls of Kodak Portra 400 120 film). I had been shooting a lot of medium-format 6×6 photos back home, and I had the natural gut feeling to bring it to my trip and make some photos. But at the same time I’m glad I brought along my compact 35mm camera, the Contax T3.

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  • Streettogs Academy Assignment No. 6

    Streettogs Academy Assignment No. 6

    assignment 6 announcement

    The streettogs academy page is growing and bustling as we continue with our 6th assignment. To those who joined and have been there since the 1st assignment, thank you all! Our editor’s choice for Assignment No. 5, Enamul Kabir Rony got a simple theme for us today. It is straight forward but there are many possible interpretations:

    (more…)

  • 11 Tips on Making a Photography Book with Bruno Ceschel

    11 Tips on Making a Photography Book with Bruno Ceschel

    Beautiful collection of self-published books
    Beautiful collection of self-published books

    There is no better time in history to be a self-published photographer. There are so many great options out there— like Blurb (print on demand), and even getting books printed in China (it seems most publishers are printing overseas, which is much more affordable, with great quality).

    In the past, there have always been lots of “gatekeepers” — people who prevented you from achieving your dreams. These gatekeepers are the editors, publishers, and media moguls who control the stream of information. They had all the power whether your work would be shown or not as an artist.

    Now with social media (and modern technology), the tables have flipped. As photographers, we no longer have excuses for not publishing a strong body of work, due to financial constraints or outside forces. What matters the most now is the quality of our work (and effective marketing to get the word out).

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  • Streettogs Academy Assignment No. 5 “Fear” Results and Analysis

    Streettogs Academy Assignment No. 5 “Fear” Results and Analysis

    assignment 5 results

    Our assignment no. 5 themed “Fear” came at an excellent timing. The Halloween period was ripe with opportunities on how to show our theme and it manifested well with the entries for this assignment. Excellent choice for an assignment from Assignment No. 4 winner, Florin Ghebosu.

    I put a twist on how I present the selections for this assignment by identifying what type of fear is being shown or manifested on the images selected which may or may not be correct but hey my mistakes shouldn’t take away from the good images for this assignment. I think it would be fun so let’s check it out!

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  • Hunger Breeds Sophistication

    Hunger Breeds Sophistication

    Saigon, 2014
    Saigon, 2014

    In Vietnam I recently learned a saying, “Cai kho lo cai khon” which means: from difficulty, emerges the wise. (Note I didn’t include diacritics).

    Another saying in Vietnamese (can’t remember it) is “The resourceful man might go hungry, but won’t starve.”

    Even Steve Jobs said, “Stay hungry, stay foolish.”

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  • Book Review: “Photographers’ Sketchbooks” by Stephen McLaren and Bryan Formhals

    Book Review: “Photographers’ Sketchbooks” by Stephen McLaren and Bryan Formhals

    photographers-sketchbooks-cover

    I recently picked up a copy of “Photographers’ Sketchbooks“, an excellent book written by Stephen McLaren (co-author of “Street Photography Now”) and Bryan Formhals (founder of LPV magazine and the popular Tumblr: Photographs on the Brain).

    Alongside “The Photobook: A History Volume III” by Martin Parr and Gerry Badger it is the best resource for photobook making, the philosophies of editing and sequencing, the importance of collaboration, explaining the working methods of certain photographers, their philosophies, and advice and thoughts on publishing via the printed medium (and on social media).

    It is a beautifully put-together book, with tons of great “behind-the-scenes” materials, via photocopies of the photographers’ actual “sketchbooks”, contact sheets, and personal notes. I highly recommend everyone to pick up the actual book — and use it as a great reference when putting together your own book or body of work.

    I personally learned a lot from the book, and I wanted to share some of the personal lessons I’ve learned from ingesting this beautiful tome of information:

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  • Interview with Ola Billmont in Stockholm #2

    Interview with Ola Billmont in Stockholm #2

    Check out this fun little interview I did with Ola Billmont in Stockholm. We talk about where he is with his street photography, his projects, and a little tour of his sweet apartment!

    Related Links

    Follow Ola

  • Streettogs Academy Interview: Arnold Despi

    Streettogs Academy Interview: Arnold Despi

    14759908094_5a11f39e25_c

    (A.g.’s notes: Out of the 4 Assignments we have finished over at Streettogs Academy group, Arnold Despi got into the Honorable Mentions list 3 times. He is a very active photographer always shooting and always looking for suggestions on how to improve from other folks. I decided to talk to him to get some feedback on how he keep things consistent, his style, and the things he enjoys most with street photography. I hope you all enjoy! Photos by Arnold Despi)

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  • Book Review: The Photobook: A History Volume III (3) by Martin Parr and Gerry Badger

    Book Review: The Photobook: A History Volume III (3) by Martin Parr and Gerry Badger

    the-photobook-a-history-martin-parr-badger

    Here at the Photographer’s Gallery in London, I recently picked up “The Photobook: A History Volume III” by Martin Parr and Gerry Badger. I’d heard about the book before (the previous 2 volumes) but never had the chance to actually sit down, crack one open, and analyze it.

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  • Damien Vignol Street Photography Video Interview in Stockholm

    Damien Vignol Street Photography Video Interview in Stockholm

    In Stockholm I had the chance to catch up with Damien Vignol, a street photographer who has traveled through Europe, Asia, and now is in Stockholm. See my past interview with Damien here, and read more to see his new photos from Japan:

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  • If Your Photos Aren’t Good Enough, Your Camera Isn’t Expensive Enough

    If Your Photos Aren’t Good Enough, Your Camera Isn’t Expensive Enough

    Berkeley, 2014. Shot on a smartphone.
    Berkeley, 2014. Shot on a smartphone.

    The best camera in street photography is the most expensive one.

    If I gave myself advice in street photography if I started all over again I would tell myself, “Eric, buy yourself the most expensive camera out there for street photography. You are a newbie and not very good at shooting street photography. You are nervous. You don’t know any technical settings. You are afraid. You aren’t inspired. You don’t have any good work. Buying a really expensive camera will make you great.”

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  • Street Photography and The Human Condition

    Street Photography and The Human Condition

    My grandfather's grave, from my "Grandfather" series. Busan, 2013
    My grandfather’s grave, from my “Grandfather” series. Busan, 2013

    I always think about the meaning of life— and you can probably notice that this blog has become heavily philosophy-based the last few months. This is due to the fact that I have been thinking much more about living a purposeful life as a photographer. Not only that, but I have also had a few close encounters with death— which always prompts myself to ask why I shoot photography, and what kind of life I want to live.

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  • Presentation: Capturing Emotions and Interacting with Subjects in Street Photography

    I am teaching a two-day crash-course in street photography in Stockholm the next two days, and here is the presentation I am giving to my class. It is a collection of images from great Magnum and contemporary photographers (as well as some of my own work) in terms of capturing emotions on the streets, as well as how to interact with strangers. In each photograph, I ask each student: what makes the photograph memorable, great, and how does it capture emotion?

    At the end of the presentation, I also share some of my contact sheets which I hope is a good educational behind-the-scenes look/tool.

    Feel free to download, share, and distribute for any educational purposes.

    See this presentation on Slideshare and see all of my street photography presentations.

  • A Near-Death Experience

    A Near-Death Experience

    Bien Hoa, 2014
    Bien Hoa, 2014

    (Originally written October 24th, 2014)

    I am being a little over-dramatic— but I recently had a near-death experience.

    It was another normal day. I was simply writing for my blog, drinking coffee, and just finished a workout. I was a bit hungry, so I went over to my kitchen, poured out a hand-few of cashew nuts, ate them in one huge chunk, and continued to work.

    Suddenly, I felt around 40% of the left side of my throat swell up. It felt hard to breathe. This was the same exact feeling I had when I had my first anaphylaxis (throat swelling up) from having an allergic reaction of eating shellfish.

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