Dear streettogs,
Life is good in Berkeley! Just finished a fun 1-day intensive street photography portrait crash course workshop in SF, and after meeting all the great students, I’m more pumped up to write articles, produce content, and share what’s in my neck of the woods!
In “The Artist’s Way†by Julia Cameron, I came across this interesting idea: that creativity is like a shark. If sharks stop swimming, even for a minute, they will sink to the bottom of the ocean and die.
A lot of things in life are about momentum– about creating positive habits, that allow us to achieve our dreams.
A monthly compilation of interesting reads, videos, books/zines, or portfolios to follow about street photography or other related genres. Check out the April 2015 edition.
I just finished reading an excellent book on art, creativity, and following your passion titled: “The Crossroads of Should and Must†by Elle Luna. The original idea was written on Medium here, and then blew up on the internet.
The premise of the idea is this: in life you are pulled between things you “should†do vs things you “must†do. But what brings real happiness? If you want to learn more, read on.
I am currently reading “The Artist’s Way†by Julia Cameron— an interesting book that links creativity, spirituality, and overcoming your artistic self-censor.
I know a lot of photographers who are perfectionists or have a lot of self-doubt. This causes them to not pursue their dreams of becoming a photographer. Not becoming a full-time photographer, but to be someone who makes photography a part of his or her everyday life, soul, and existence.
I often have a hard time going out and making “street photosâ€â€” and I have a lot of other friends who face a similar difficulty. A lot of street photographers disdain their busy lives, and how they aren’t ever able to make time to go out and hit the streets and shoot “street photographyâ€.
But being really inspired by my friend Josh White— I realized that you don’t need to be a “street photographerâ€, you just need to be a “photographerâ€. Or better yet, don’t even be a “photographerâ€, be a human being with immense amounts of curiosity about the world, with the passion and drive to document it.
Dear streettogs, I am excited to share that I have a new free e-book to share with you guys: “On Being an Artist and Photographer“. The chapters include:
This free e-book is a compilation of all of the previous blog posts I’ve been writing on the book: “Akademie x Lessons in Art and Life“. I know the blog posts are a bit difficult to download and access, so I put them together in an easy-to-access free download file.
This book is “open source†meaning you are free to distribute, edit, change, remix, or share this with your friends (freely and openly). Enjoy:
If you want to read the full e-book on this blog, “read moreâ€. You can also save the book to “Pocket” and “Instapaper“.
Here are some other free e-books on street photography you might enjoy:
I think as artists and photographers we often put a lot of pressure on ourselves. We always put pressure on ourselves to improve our photography, to take our work to the next level, and to make “original†work.
In “Akademie x Lessons in Art and Life†artist (and our tutor) Shirley Tse gave lots of interesting ideas on art that are quite taoist/buddhist in nature. Her ideas reflect on self-compassion in art, and some of her lessons include loving (not judging), being critical without being judgmental, sharpening one’s visual intelligence, and not worrying so much about being original (but more focus on being authentic).
Let’s dive in.
I think one of the most exciting things about being an artist is following your curiosity, passion, and to pursue a life-long path of learning.
Continuing from my “Akademie x Lessons in Art and Life†series, here are some lessons I learned from the Raqs Media Collective in how you can constantly transform yourself through art, how to step outside of your comfort zone, and thrive in a life-long pursuit of learning:
Continuing my series on “Akademie x Lessons in Art and Lifeâ€, I thoroughly enjoyed an essay titled: “Me and Marcuse†by Michelle Grabner. She exposed me to a lot of new ideas that I want to explore below on the following topics: what art is for, the importance of filtering images, undoing and re-doing your world-constructs, and the importance of learning:
Continuing the lessons I’ve learned from “Akademie x Lessons in Art + Lifeâ€, I want to share some thoughts I’ve learned from Carol Bove, one and the artists and “tutors†from the book.
Carol expresses ideas on self-expression, what work means to her, time and information management, as well as uncensoring and finding yourself. I hope you enjoy these ideas:
(Editor’s Note: Words and Photographs by Ryan Tacay)
In a world of instant-gratification and disposable media, it’s hard to take something like instagram as a serious way to share something artistic and long-lasting. Going past the jokes about it being all about the bathroom selfies, things I ate today, or this afternoon’s sunset, it’s actually one of the best ways to get one’s work out there and seen.
For starters, with instagram claiming they have about 300 million active users compared to the 92 million that Flickr has, it’s safe to say that although the images are displayed no larger than a 640×640 pixel square format, there’s a larger audience. Having come from Flickr since 2005, I get more traffic and activity on instagram these days. It has become my preferred method of sharing my street photos.
Continuing my education with “Akademie x Lessons in Art + Lifeâ€, I wanted to share some thoughts I have gleaned from Piero Golia, one of the artists and “tutors†in the book. Here are some of his ideas that stirred my thoughts and creativity, and how I think we can apply these concepts as a photographer.
I just gave a free street photography webinar, and here are some of the slides that I shared on practical tips, assignments, and “traits of great street photographers”. The video recording of the event will be available in a week or so, will also make sure to share. In the meanwhile, enjoy this presentation!
You can also see the presentation on Slideshare here. You can see the full list of all of my presentations here.
You can also see some of my other free video street photography lectures below:
I am currently reading: “Akademie x Lessons in Art + Lifeâ€, which is probably one of the most inspirational art/life books I’ve picked up as of late. It is a beautifully printed and bound book, folding open like a school instructional manual.
I personally never went to art school. I entered college as a Biology major (to become a doctor like a good Asian kid), but upon going into school (and realizing I hated science and math), I switched to the exact opposite: sociology.
Hey streetogs, after my 3-week trip in Chicago, Toronto, NYC, I am excited to finally be back home in Berkeley. It is wonderful to enjoy sleeping in my own bed, being back at home with Cindy, and the lovely weather of Berkeley. Unfortunately, I think I caught a mild cold while traveling, and will spend the next few days recuperating. Fortunately, caffeine and green tea has been my new friends (gonna take a break from the coffee for a while until I get better).
(Editor’s Note: Words and Photographs by Jared Krause)
I started shooting in June of 2009. I had causally been thinking about photography and decided to buy a camera. I started posting to a photo blog because I felt like photography was a good way to share my experiences with other people. Shooting street photos gave my photography purpose, a goal and a style to pursue rather than just taking random shots of anything. It was a edgy and new to me. I decided to start posting photos to my blog every day, and did so for over a year. In that period, I got very comfortable using my camera, and quite familiar with light, contrast, colour and the other elements involved in photography. Even though I wasn’t shooting street, I was learning.
I love music. I love listening to music when I’m writing (like I am doing now), I love listening to music when I’m driving, and I love having music play in the background when I’m with my friends.
I have a lot of favorite artists and I have found one thing that separates the “successful†artists and from the “unsuccessful†artists: the “successful†artists continue to produce work (and don’t die off).
(Editor’s Note: Interview by Eric Kim. Photographs by Nick Gervin.)
Eric: Hey Nick great to have you. Can you start off by telling us a (brief) life story and how you first picked up a camera?
Nick:Â Thanks for having me, Eric. I first picked up a camera in 1992 at the age of twelve. I wanted to document the graffiti art I was discovering in and around Portland, Maine. At that time, the city was in poor shape and it had a lot of derelict buildings that I would skip school to explore.
I really had no clue what I was doing when it came to photography; I was more of a point-and-shooter then. Still, I felt that the documentation was important and, later on, it would prove to be. Like all things in life, the graffiti didn’t last forever and the photographs I had made then helped document a subculture. I continued to point-and-shoot over the years, mostly with disposable cameras.
In my street photography workshops, I often give the students a “5 yes/5 no†assignment. The concept is simple: you approach a bunch of strangers and ask permission to take their portrait. You intentionally try to get 5 people to say “yesâ€, and 5 people to say “no.â€
Sometimes students struggle to get all 5 people to say “yesâ€, and sometimes students have no problem.
So what are some good strategies to quickly develop a rapport with strangers, and have strangers to say “yes†to having their picture taken?
One thing to remind myself: street photography is supposed to be fun. If you’re not having fun, why are you doing it?
We all have the stresses of everyday life that we have to deal with. We have to deal with stressful commutes, unreasonable bosses, difficulties at home, drama with friends and family, and financial stresses and worries.
Street photography is supposed to be the exact opposite of that.
Street photography is therapy for the mind, soul, and body. Street photography is a chance to (momentarily) escape all the bullshit of everyday life. Street photography is the chance to empty our minds, and to simply stray the streets without a single oppressive thought in our mind.
Street photography is the chance to wander, to explore, and to feel like a child again.
Street photography is the chance to meet interesting strangers on the streets, to enjoy nice and fun conversations, and to meet other like-minded passionate people.
Street photography is having the thrill of the “huntâ€â€” of trying to find an interesting image (in an area that might be boring).
Whenever street photography becomes like a chore or stressful for you, take a break. You’re doing something wrong.
You shouldn’t treat street photography like a job. Treat it like leisure. Treat street photography as an activity that brings you supreme happiness and joy in your life. Treat street photography as an outlet which makes you feel truly alive.
Don’t compare yourself to other street photographers. After all, their life circumstances are different from yours. Perhaps they don’t have a family and have much more free time to shoot than you. Perhaps they live in a more “interesting†city than you do. Perhaps they are better connected, and therefore are more “famous†than you.
Strive to become the best street photographer you can, and enjoy the journey and the process.
Be like a kid again— have fun like a child in the playground for the first time.
The street is our playground.
Now go hit the pavement and have fun :)
One of the most interesting ideas that I’ve got from Nassim Taleb’s book “Antifragile†is his concept of “via negativaâ€. The concept is this: when describing something, negative descriptions often work best.
What is a negative description?
Well, describing what something isn’t can better define something.
From here on out, Photography Quick Links will now be known as Street Photography Quick Links. Just like from last month, a compilation of interesting news, write-ups, videos, and other things about street photography and other related genres that I have personally consumed. Since it is international women’s month last March, there’s a special section on the work of great female photographers!
Hey streettogs, I just uploaded some slides for a free talk I did for Chase Toronto the other day on tips, techniques, and tricks to conquer your fear of shooting street photography.
You can also download the slides for free here. Enjoy! :)
So after a long trip in Stockholm, Dubai, and London I wanted to share some of my experiences shooting medium-format (Hasselblad 501c + 80mm lens and Mamiya 7 + 80mm lens) for street photography (and traveling in general).
To start off, I have been really fascinated with shooting square-format photographs recently. To be honest, my first real fascination with shooting squares was from Instagram (and of course photographers like Lee Friedlander and Vivian Maier).
So I first started shooting a lot of squares on my smartphone (squares in-camera, post-processing in VSCO, and uploading to Instagram and social media). Then I realized I had a Hasselblad that my friend Jeroen Helmink gave me about 2 years ago (which was collecting dust on my shelf) that I wanted to try out. Dutifully while living in Berkeley, I carried around my (quite heavy) Hasselblad while on my daily chores and just exploring the neighborhood.
I just re-read an excellent book titled: “The Art of Learning†by Josh Waitzkin. If you’ve ever watched the film “Searching for Bobby Fischer†(the movie about the kid chess prodigy)— that movie was based on Josh Waitzkin’s life.
“The Art of Learning†is a rare book in the sense that he became world champion not only in chess, but also later in competitive Tai Chi “push handsâ€. In the book, Josh breaks down how he was able to learn at an incredible pace, how he was able to push his own creative boundaries, and how he achieved excellence at a master-level.
For this article I want to break down some lessons that I’ve personally learned— which can help you in your street photography or life in general. Let’s go:
The other night here in Chicago, I woke up in the middle of the night. I was tossing and turning (put on the heater too hot at night).
In a state of being half-asleep, I started to have all of these random ideas for blog posts. One of them was: “measure your life as a photographer in decades, not years.â€
I recently got 164 rolls of Kodak Portra 400 developed after a year of shooting (and not looking at any of the images). I would have to say— I was so impatient towards the end. I wanted to see my images, and I started to get frustrated. There have been many times when I’m frustrated waiting for my film to get developed that I think of just switching all of my work to digital— to get that sweet, blissful instant gratification.
This is a guest post by Josh White, a street photographer based in Seoul, Korea.
Josh: Yesterday (and sort of the day before) I took part in the 24 Hour Project. For those of you that don’t know, it is a street photography initiative that involves photographers worldwide.
Basically, how it works, is you take one photo per hour for 24 hours in your given city (cities in my case). So, from 00:00 on Saturday, March 21st, until 11:59 I was to stay awake and take and post one photo per hour. By the time 00:00 rolled around I felt more like #fml than #24hourproject.
I recently stopped into the Costco in Mountain View, California with 164 rolls of Kodak Portra 400. You should’ve seen the look of the staff— it was a look of confusion, awe, and amazement.
They were surprised that all that film I brought in was all shot by me. They were also partly worried that they would have to process all of it. I reassured them by telling them to take their time— I wasn’t in a rush. After all, I had been sitting on my film and letting them “marinate†for nearly a full year.
And so the cycle continues for Streettogs Academy! Our assignment this time round is deceptively simple. This assignment would actually go down as the assignment with the most interaction (so far). Many comments were shared and there were a number of photos that got the attention of many members of the group. If you look closely, the photos that got selected and got the most interest are the ones that had the simple basic requirement of a good image: A strong visual hook. So let’s see all of them.
Hey streettogs, I am excited to share that my friend Walter Margerison and IÂ are curating a group street photography show at ArtÃs Coffee in Berkeley, comprised of 24 Bay-Area based street photographers.
The exhibition is this Friday, March 20, from 6-9pm. Free alcoholic beverages will be served, and this will be a great chance to meet other street photographers from the area! Don’t miss out, hope to see you there, and bring a friend (or two!)
Artis Coffee Address: (Google Map)
1717B 4th St
Berkeley, CA 94710
You can RSVP on Facebook.
On October, 2014 Rene Burri passed away, at age 81. He had an incredible career of photography behind him, and produced many iconic images, which include those of Che, Picasso, and many other street photographs which perfectly combined geometry, story, and form.
About a year ago I got a copy of his color street photography, which was published in “Impossible Reminiscencesâ€â€” and was deeply moved by his color work. I feel that his photographs have an emotional and cultural sensitivity to them. Rene’s work feels like a more empathetic Henri Cartier-Bresson.
I therefore felt inspired to write an article on Rene Burri. Unfortunately there isn’t too many interviews he has conducted, but based on what I could find online— here are some lessons I have learned from him:
I was stunned to hear that photographer Caio Proença recently translated my free e-book: “Street Photography 101: An Introduction to Street Photography” into Portuguese (free download here)! Caio writes a bit about why he decided to translate it:
I recently got a new book in the mail: “Dorothea Lange: Aperture Masters of Photography†(courtesy of Aperture) and was deeply inspired and moved by her work, life, and philosophy.
I have always known Dorothea Lange’s work documenting the Great Depression (and her famous “Migrant Mother†photograph), but didn’t know much about her life and philosophy. In this article I will share some of the lessons that Dorothea Lange has taught me about photography, and how you can apply that philosophy to your own work:
One thing I notice when I’m teaching street photography workshops is that a lot of photographers don’t like having their own photograph taken.
This is a huge problem.
If you want to build up your confidence in shooting street photography, I think you also need to be comfortable being on the other side of the camera.
(A.g.’s note: Photography Quick Links is a new initiative I want to do here on the blog. These are links I have personally read and sifted through. This is by no means a definitive guide but for those news stories or news articles regarding photography [but will try to concentrate it to street of course] that you may have missed or I think you should definitely see to help you in your shooting and understanding of the medium. I am still thinking of a permanent title for this one [will double check with Eric] Cheers and happy reading!)
Portfolio Finds:
For those that love evocative black and white, you might like his work. There is quite a passion and energy as he constantly updates with new work via his tumblr. Worth to check out and get lost in
Tumblr Follow
Follow Alani Cruz’s life as he documents his life in and out of the hospital as he battles his sickness.
Patrick Tsai – Barnacle Island
The follow up to Patrick Tsai’s photo diary, Talking Barnacles. Tsai continues the exploration of the non-fiction ongoing photo essay complete with vignettes from his day to day life being spent on an island somewhere in Japan. I’m working on an extensive write-up on his two works. I hope I get the chance to give it the justice it deserves.
 (more…)
Here we go with another assignment over at streettogs academy. Cheers to Harry Fodor for bagging the editor’s choice for Assignment no. 8.
In his email to me, he gave a pretty nice explanation/rationale on why he chose his theme. He made a good observation of what the group is doing and I think it is a great way to continuously challenge ourselves.
In Harry’s words:
Well, what’s my idea for the next assignment?
Hmm, last assignments themes were all about interactions, interactions between people (7th “Opposites”, 3rd “Foreigners” ) or interactions between people and the environment (last one, 6th “Directions”, 4th “Strong Light”) or themes about emotions (5th “Fear”, 2nd “Friendship”). Only the first one (“Square”) was about “technical” aspects – so, why not doing something like a “rhetorical loop“ and going back to the beginning?
I want to write this article on a photographer, blogger, and overall cool guy — Blake Andrews.
I first saw Blake’s work on the In-Public website, and was amazed by his surrealistic street photography— and his sharp eyes for shapes, forms, and visual elements.
I am excited to announce that I finally put together my free ebook: “Letters from a Street Photographer“. This book is much more philosophical in nature– and combines the philosophy of stoicism and street photography. If you seek more purpose, happiness, and meaning in your photography, this book is for you.
Here is a breakdown of the chapters:
Free Download:
This book is “open source” — meaning it is free to download, share, and remix. I hope you enjoy this fruit of my love:
Other free e-books:
Read more to see the entire text.
“A bible for photographers†– Clement Cheroux
Wow— where do I even begin? I would say that “The Decisive Moment†by Cartier-Bresson is one of the most beautiful photo books I have ever handled— and it is a book that brings me extreme joy and happiness (you can see all the photos from the book for free on the MagnumPhotos website here).
Sure I have seen many of these photos by Cartier-Bresson before, but to see them in a physical manifestation is a different experience. Not only that, but the original version of “The Decisive Moment†was nearly impossible to get (second-hand copies before the reprint were around $1000+). However now with this re-print by Steidl, “The Decisive Moment†is now open to everybody.
All systems go as our Space assignment wraps up! Thank you again to Kirk Lothian for the interesting idea and letting me play with Space and Star Trek Puns like nothing else! Let’s lift off and head on to the actual entries everyone in the streettogs academy group sent in.
I’ve just put together this list of street photography aphorisms, heuristics, and sayings. This is a distillation of all of my current thoughts and philosophies on street photography. Many of these sayings and ideas are heavily borrowed from others, and none of these ideas are original.
Don’t take everything in this list as “truth”. Rather, take everything with a grain of salt. Take the sayings which resonate with you, and discard the rest.
Free download
Update: I re-edited this book with new images and design / April, 2016
Hey streettogs, I am excited to announce that I’ve finally published my free e-book: “Street Photography 101“. If you’re new to street photography, want to learn the fundamentals, or refresh your existing knowledge– check it out. As always, this book is “open source” — meaning you can freely edit, remix, and distribute this information as you would like.
Below is an overview of some of the chapters I will cover:
PDF (Normal/91MB)
PDF (Small/15.9MB)
iBooks Author (353.MB)
If you want to edit, translate, or remix the book, below is the original “iBooks Author” file (free to download for anyone with a Mac):
Also check out the Portuguese translation.
You can also “read more” to see the full text of the book below.
There is no doubt that we are in an age where information on the web is fast and oftentimes free but despite that, we can’t discount the value of books. This tangible medium has helped teach men and women for centuries as it was and is one of the best way to pass information and/or stories. We are in a great era since we are seeing a great number of photo books come out year after year after for the past decade from self published ones, to reprints, and experimental approaches. Having a photo book from a photographer you look up to or a photographer whose work you admire is a treasured material. Based on my experiences, here are some ways you can build your photo book collection:
My friend Todd Hatakeyama recently gave me a superbly refreshing book titled: “The 5 Elements of Effective Thinkingâ€. It is a basic primer on how to think more effectively when solving problems– and can help students, teachers, and anyone trying to learn or improve their skills.
Like always, I took away a lot from the book– and thought about the principles and how we could apply them to street photography. Here are some of the ideas I learned from the book:
(A.g.’s note/Disclaimer:
The following are the notes I have jotted down during the Angkor Photo Festival last Nov. 28-Dec. 6, 2014. I have organized my thoughts and the lessons so that it would be easy to comprehend for others.
The notes I have is most likely different from the other participants since we had different experiences based on the mentors we had, the skills we wanted to develop, and things we encountered while photographing. These notes are not a substitute for the entire experience during the workshop. I’m sharing it here since you may be in the same situation that I am in or perhaps see something different with regard to the work you are doing. I also share in Eric’s philosophy that information should be open.
With that said, I will say that the time, effort, and everything I put in working through the workshop/festival, meeting other photographers, and just overall looking and doing work made me mature and more confident about what I do. All thanks to the festival organizers, my mentors Kosuke Okahara and Ian Teh, the photographers I met who gave me tips and a few pints of beer, and my batch mates who as I type are already making great leaps in their photography.
Other notes: All in brackets [ ] are my personal opinions and notes on the things that were said or what I think is related to the lesson.)
For more info on the Angkor Photo Festival and workshops, click here.
Dear streettogs, I am really excited to share that I have (another) free e-book for you guys (because I love you) titled: “The Street Photography Project Manual”
The concept behind the e-book was this: I wanted to put together all the information I knew regarding coming up with ideas with street photography projects, how to shoot it, how to edit and sequence it, and how to publish it. Here is a quick overview of the chapters in this e-book:
This book is “open source” meaning you are free to distribute, edit, change, remix, or share this with your friends (freely and openly). Enjoy:
If you want to read the full e-book on this blog, “read more”:
Here are some other free e-books I published:
Hey streettogs, I just finished writing a little mini e-book titled: “The Social Media Blackbook for Photographers“. I have been thinking about distilling a lot of my thoughts on social media and photography– and I hope this can be a helpful resource to you. A lot of the thoughts in the book is just my personal take on social media and how it can benefit you as a photographer. Here is a brief overview of the contents of the book:
This e-book is open-source (share, distribute, re-mix, translate, or do whatever you want with it). You can download it for free below:
Thank you to Minerva Romay for translating this into Spanish:
You can also read my other free ebook: “31 Days to Overcome Your Fear of Shooting Street Photography”
Read more to also read it directly on this blog:
Today I turn 27 years old, thank you for all the kind birthday wishes!
I am currently in LA for the weekend, visiting some close friends and family for a quick birthday dinner, then heading back home to Berkeley early Sunday.
I am generally not the person to reflect very much. I kind of like to live life in the present moment— and don’t think too much about the past or the future. But I have found starts of the new years as well as birthdays are a great time to do some personal reflection.
In this video presentation I share compositional techniques to make better street photographs (diagonals, figure-to-ground, curves, leading lines, framing). You can see all the slides for this presentation here.
As a part of my on-going “Ask Eric Kim” series– here is a question I have from Darren Hoyland from my Facebook fan page:
Darren Hoyland: How [do you]Â keep yourself motivated whilst out on the streets when you have that deja view moment of been here done that?
Hey Darren, I face this a lot: when I’m shooting on the streets and I don’t feel motivated and I feel like I’m just repeating myself. Here are some tips I recommend in terms of staying inspired with your street photography and to stay motivated:
I am a big fan and believer of “heuristics” (or rules of thumb). I was first introduced to the idea of “heuristics” from Nassim Taleb (in his book “Antifragile“) and later more from Gerd Gigerenzer (a German psychologist who wrote the excellent book: “Gut Feelings: The Intelligence of the Unconscious“). Below is a list of heuristics (ad random thoughts on photography) I personally believe and try to follow:
What are some other rules of thumb or heuristics that you personally believe in and follow? Share your tips and thoughts in the comments below!
In this video lecture above, I share some practical tips, thoughts, and philosophies about being “invisible when shooting street photography. You can check out the slides here.
If you want to learn how to overcome your fear of shooting street photography, I also recommend watching my video lecture: “How to Overcome Your Fear of Shooting Street Photography” and/or join me at one of my upcoming street photography workshops!
This morning on the way to the gym, I was listening to the newest podcast episode of “Invisibilia†(a new NPR podcast on cognitive and behavioral science) and they had an episode titled “Fearlessâ€.
The episode was fascinating to me— as I have always been obsessive with this idea of conquering your fear of shooting street photography.
I notice that out of all the workshops I teach, my introductory “Conquer Your Fear of Shooting Street Photography†course is always (by far) the most popular.
Cheers to another Streettogs Academy Assignment done and let’s continue the voyage with the Assignment from editor’s choice, Kirk Lothian. Here’s a hint to what it is: It should make us boldly go where no one has gone before.
All photographs copyrighted by the estate of Harry Callahan.
You can download this article for free as a .docx, PDF, or Google Doc.
I recently came upon the work of Harry Callahan from a friend and former workshop student named Chris Giuseppe.
This past weekend, I organized a small meet-up in San Francisco in the mission district (Haus Coffee is lovely) and about 10 of us street photographers met up, exchanged prints, photography books, current projects, and good laughs and catching-up.
This Harry Callahan book that Chris brought (the book is just called “Harry Callahanâ€) was a big tome– and diverse in its material. Harry Callahan had an incredible career in terms of his photography– he photographed so much different subject matter with so much emotion, soul, and tenacity.
Another two weeks, another assignment done over at streettogs academy! Sam Trachsel gave us Opposites as a theme for this assignment! Let’s look at how the members of the group interpreted the theme!
(A.g.’s Note: Today we have Clifton Barker chatting down with his friend and award winning photographer, Tavepong Pratoomwong from Thailand. Have a laugh and enjoy this one! Interview by Clifton Barker. All photos are by Tavepong Pratoomwong.)
Over the last year, the Thai street photography scene has been dominated by one man; Tavepong Pratoomwong. Besides being really clever with his compositions and somehow seemingly invisible—he has the cutest daughter you’ve ever seen. Certified. Recently TP received the high honor of the EyeEM award for Street Photographer of the Year 2014 and won 1st place at the Miami Street Festival. Besides all that, he’s just a cool dude that I really wanted to ask some absurd questions. Being mannerly, he obliged.
CB: How long did you have to wait by the Indian guy for the monkeys to start screwing?
I just finished a book called “10% happierâ€, which preached the benefits of meditation and mindfulness in everyday life.
There is a lot of pain and anxiety from everyday life, and one of the main causes of that is longing for something. Wanting something that we don’t have. By focusing too much on the future and the past.
It is that time of the year again— to make resolutions for the new year.
In 2014, I wrote a post, “40 Street Photography Resolutions Ideas for 2014†and I also wrote a post titled: “15 Street Photography Assignments to Re-Energize and Re-Inspire You†(inspired by the book: “The Photographer’s Playbook: 307 Assignments and Ideasâ€).
Below are some personal New Year’s Resolutions I am going to make for myself in 2015. I will probably break some of them, but will try my best to stick to them. This is advice I will give to myself— and feel free to pick any of these ideas for yourself (or modify them as you see fit). This list is inspired mostly by Nassim Taleb’s New Years Resolutions for 2015. Here are my street photography resolutions for 2015:
Buy at least 1 photo book a month (and get to really know it).
Give at least 1 in-depth comment/feedback/critique (once a week) to a street photographer who doesn’t get any favorites, comments, or feedback on his/her photos.
Try to meet a lonely photographer once a month for a coffee (with no expectation of “networking†or “gain†on my end)
Don’t go a single day without taking a photograph (smartphone is fine).
Don’t own more than 1 type of camera (only own 1 35mm camera, 1 medium-format, 1 digital). If I accrue more than one of each type of camera, either give away to friend or sell.
Walk for at least 15 minutes everyday to make photos (I’m becoming a fat and lazy car-dependent American).
Focus on education and creating value (not money, fame, or external recognition). Engaging the street photography community more and always try to help.
Make my photographs more personal.
Have at least 1 exhibition of my photos (and also curate at least 1 group exhibition).
Teach at least 1 free workshop for charity (once a year).
What are some New Years’ Resolutions that you have for yourself when it comes to your photography? Share them in the comments below!
Hey streettogs, to continue with my “Ask Eric Kimâ€Â series (any questions you had about street photography, business, marketing, social media, etc.) I put a question out on Facebook regarding what questions you had (so I could try my best to help out and offer some ideas):
Kai Kienzle asked the following:
“How [do you]Â discover interesting scenes in your familiar (thus boring) home city?”
I recently read a book titled: “How Google Works†and came across the “10x principle†that Google apparently follows.
The idea is quite simple, elegant, and powerful: to be successful in any field, do it 10x better than anybody else.
Thank you to Fujifilm Vietnam and Gin Tran for putting together this feature of me shooting street photography in Saigon this summer. I hope the tips I share in this video can help you when it comes to traveling and shooting street photography. I also give some tips when it comes to shooting with the Fujifilm XT-1 with the 27mm f/2.8 lens (read my review here) and the Fujifilm x100s (read my review here). You can also read my new review of the Fujifilm x100T on the blog here.
If you are curious what it like shooting street photography in Vietnam, check out my “Saigon Diary” series below:
Everyone seems antsy and excited for the next assignment. So I’ll be quick and not do my usual introduction this time and head straight to it!
Here is what Streettogs Academy 6 editor’s choice, Sam Traschel picked for us:
In an effort to be more helpful, I am going to start putting together more video lectures and features for YouTube. In this presentation, I give some practical advice how to overcome your fears of shooting street photography– including the philosophy, approach, and tips.
Check out my Free Ebook: “31 Days to Overcome Your Fear of Shooting Street Photography“
My recent article: “How to Harness Your Fear to Become a More Confident Street Photographer”
If you’re like me– you deal with moments of “uninspiration”. There are days that you want to go out and shoot, but there is some sort of “resistance†which holds you back.
What is a good way to become re-inspired?
Street photography is one of the most difficult forms of photography out there. Not only do you have to rapidly compose, frame, and approach strangers— but you have to do so with the risk of “injury.†They might injure you verbally (threaten to break your camera, give you a dirty look and call you a creep, or curse at you) or they might injure you physically (try to grab your camera, hit you, shove you, etc).
All photos copyrighted by Alex Webb / Magnum Photos. You can pick up a copy of “The Suffering of Light” on Amazon here.
After my month-long trip abroad in Stockholm, London, and Dubai I am finally (mostly) over my jet lag and have recovered at home. I’m sitting in my apartment and thinking to myself: what should I focus on for the blog?
I have thought about this a lot— and realized that 99% of the photography sites on the internet are gear-related. This includes news about the newest cameras, rumors about upcoming cameras, gear reviews, lens sharpness testing (taking photos of brick walls, and seeing how sharp the edges are).
(Editor’s Note: Today’s guest post and photographs are by Switzerland based street photographer Hakim Boulouiz. Enjoy!)
Hakim: One of the first lessons in photography has to do with the famous quote from photographer and ecologist, Ansel Adams, “You don’t take a photograph, you make it.â€This magic formula applies to all facets of photography without exception. As soon as we start talking about the “photographic interventionâ€, we have to question the composition, choice, selection; whether to accentuate certain elements or to do away with distractions as we seek to create an impact for the eye and for the heart. The whole process is a very precise surgical procedure with a little help from Mr. Chance.
However, in street photography, “making†a photograph is out of the question. So how to be a street photographer (or how to go about becoming one)? For starters, here are two steps:
Here we are once again with the results and analysis! Things have been going fine in the group as I have recently posted new policies and updated the criteria to further clear the mission/vision of what streettogs academy really is. As we go along, I hope people get a lot out of the group and at the same time, enjoy the experience of photographing in the streets. We had around 150++ entries for the “Direction” that was set by Assignment 5 editor’s choice, Enamul Kabir Rony. Cheers again to Enamul for the great assignment theme.
