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BLADE RUNNER (1982 Original) Cinematography Review & Thoughts vs the New Version (2049)
Something I’ve been wanting to work on for a long time:
A comparison between the original Blade Runner vs the New One (2049).
Some thoughts:
They are two different movies
First things first — if you compare the original version to the new one, they are totally different movies. The first feels like a cyber-punk (film noir, creepy vibes) versus the new one — which is much more about solitude, isolation, meaning of life.
The cinematography
The original Blade Runner certainly feels superior in terms of evoking the ‘film noir’ vibes. However, I have found far more inspiration in the new Blade Runner 2049 for epic cinematography shots.
The philosophy behind the films
“The light that burns twice as bright burns half as long.”
In the first film, the main issue with the replicants is their limited 4-year lifespan. However the interesting irony:
The upside of all their additional added strength, agility, and super-powers is that their life is very short (4 years).
Philosophically this is a fascinating notion. Question:
Would you rather live 4 insanely epic years of life, or 40 mediocre ones?
Philosophy teaches us that an epic life (no matter how short) is always superior to a long and mediocre one. Yet there still seems to be some deep human desire to always expand our lifespan.
‘All those moments will be lost, like tears in rain’.
One of the most beautiful endings in a film, very poetic. To think — if an android (replicant) can recite or find beauty in poetry — isn’t it human? Takeaway point:
Perhaps to be human is to love, appreciate, and have the desire to create poetry.
Thoughts on memories
A theme explored much on the first blade runner is the notion of memories and what it means to be human. However —
What if your memories are implanted, or perhaps ‘incepted’ in your mind … does it matter?
Or —
Can you be human without memories?
Certainly yes. There are people who easily forget– they are human. Perhaps what I think:
Which memories do you care for and which memories define you?
Thus it is more about the *curation* of memories which matter most!
I prefer the new one
I didn’t grow up to the original blade runner (I was born in 1988). I am grateful I was able to have a ‘carte blanche’ approach to seeing both films again.
Basic thoughts:
- The first film feels too creepy for me (especially the scene with the puppet master, and the puppets).
- I find the color schemes, the societal expansion of the future in the new blade runner as far more fascinating.
- The new blade runner was an *EXPANSION* on the first, and I believe 10x more ambitious than the first movie.
- The first movie had more of the ‘shock’ factor in imagining a dystopic future world (I find the opening scene, with the fires coming out of 2019 Los Angeles as the most riveting introductions).
However I say —
Just watch both; both are worthy of admiration and analysis.
And see how visually these films can inspire you!
ERIC
CINEMA BY KIM
Cinema and film as a great stimulus, aid and teacher for photographers and visual artists alike.
Cinematography and life lessons:
Cinema and Film Reviews
- Blade Runner 2049 Film Review + Cinematography Composition Analysis
- REVIEW: Justice League (Snyder Cut)
- What Makes a Great Movie/Film?
- Iron Man (1) Film Cinema Review
- JOKER FILM REVIEW + Cinematography Composition
- Ghost in the Shell Anime (1995) Cinematography, Composition, Philosophy Review
- Once Upon a Time in Hollywood Cinematography and Film Review
Space Films
- Ad Astra Cinematography Composition Film Review
- 2001 Space Odyssey
- Part 5: Epic Cinematography of 2001 Space Odyssey by Stanley Kubrick
- Part 4: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 3: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 2: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 1: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
Cinema and philosophy
GODFATHER
Gangster Films
ACTION FILMS
CITIZEN KANE:
Articles on Cinema
Great Cinema
- Part 1: Throne of Blood Cinematography by Akira Kurosawa
- Part 1: Spartacus Cinematography and Philosophy Lessons from Stanley Kubrick
- Part 1: Philosophy and Cinematography of Full Metal Jacket
- Part 3: MATRIX Philosophy and Cinematography
- Part 2: MATRIX Philosophy and Cinematography
- Part 1: MATRIX Philosophy and Cinematography
- Part 4: Epic Cinematography of 2001 Space Odyssey by Stanley Kubrick
- Part 3: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 2: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Part 1: Epic Cinematography and Philosophy of 2001 Space Odyssey by Stanley Kubrick
- Stanley Kubrick: Master Photographer and Film-Maker
- Lessons Ridley Scott Has Taught Me about Life, Art, and Cinema
- Part 2: Cinematography and Composition Lessons from All the Money in the World (2017) film by Ridley Scott
- Part 1: Cinematography and Composition Lessons from All the Money in the World (2017) film by Ridley Scott
- Cinematography Composition Techniques for Photographers
- Rashomon (1950)
- Ran (Chaos) by Akira Kurosawa
- FIGHT CLUB
- FURY (2014)
- THE MATRIX
- AKIRA PART I / AKIRA PART II
- Batman: The Dark Knight
- Dr. Strange
- Suicide Squad
- Kendrick Lamar: HUMBLE.