Video: How to Use a Leica M Camera for Street Photography with Craig Semetko

Check out this new helpful video by Craig Semetko (author of “Unposed“) on how to shoot street photography with a Leica M camera. Here are some of the tips he shares in the video:

  • Know the camera well enough to not think about it. Then pure seeing and personal vision takes over.
  • Study the masters, in photography and painting, movies, literature, etc. Looking at Cartier-Bresson’s work never hurt anybody.
  • Practice observing and spend a great deal of time roaming the street. You don’t need an assistant to start.
  • Every situation is different. Work fast. Act like you’re looking elsewhere and don’t know how to use the camera.
  • A sense of humor is fundamental to me, as I believe it is for most people. In my opinion, a story without humor is not being truthful–at any given moment, someone is laughing about something somewhere.
  • Do what you are passionate about. The rest takes care of itself.

 

Join Matt Stuart for Leica Akademie Street Photography Workshops in LA and San Francisco in January 2015!

46.Matt_Stuart_New_Bond_Street_copy

Hey guys, I am really excited to share that Matt Stuart (from In-Public) is coming to the states and teaching two workshops with Leica Akademie (in Los Angeles and San Francisco)! The workshop is only $599 and limited to 12 participants, and this is an opportunity you don’t want to miss out on! Matt is one of the most talented street photographers out there, and I can guarantee this is an experience you will never forget. More info below:

 

A Guide on How to Shoot Street Photography on a Film Leica (or Rangefinder)

My Leica MP
My Leica MP
My Leica MP

I know a lot of street photographers who have gotten into film recently, and have recently invested in film Leicas (specifically Leica m6’s). I wanted to write this guide to share everything I personally know about shooting on a film Leica based on my 3 years of experience.

Disclaimer: I am not a Leica expert, nor do I claim to be. But I will to share some practical tips and insights about film Leicas and how to shoot them on the streets.

Istanbul Street Photography GoPro POV Volume #2

Here is the second volume of my Istanbul Street Photography GoPro POV series. I put the new GoPro Hero 3 (and shot at 720p at 60fps) on top of my Leica MP. The framelines are roughly 35mm. I have a few more I’m working on, will upload them in the upcoming week.

If you haven’t seen it already, you can see my first Istanbul Street Photography GoPro POV here.

“Arrivals and Departures”: A Journey Across The Trans-Siberian Railroad by Jacob Aue Sobol, Magnum Photographer

Jacob Aue Sobol, Magnum Photographer embarked on a journey from Moscow to Bejing using the new Leica M Monochrom camera with the new 50mm f2 summicron. The images he captured show really raw emotion, and makes the viewer think about the story behind the images. The Leica blog is currently having an on going series documenting his journey. Check out the links bellow to stay updated on his series.

To stay tuned for future episodes click here.

Streettogs Gallery Feature: “The Old of Hong Kong” by Gary Tyson

Eric’s Note: Streettogs Gallery is an on-going feature and intiative by Manila-based street photographer A.G. De Mesa. Check out more info here.

A.G.: Gary Tyson is a great commercial photographer and has been in different locations around the globe. He is also the co-insturctor in Eric’s previously concluded street photography workshop in Hong Kong so I was really delighted whe he sent in a link of a collection of his street photographs.

What I usually do when a collection is sent instead of a series is I try  edit properly to show things in common. It could be aesthetic similarities, strong themes, or repeating subjects. So I pointed out to Gary a subject that continually pops up in his street shots:

Video Recap of the YOU ARE HERE Street Photography Exhibition with the ThinkTank Gallery and Leica Camera

Info:

Huge thanks to Leica for making this show and our gallery opening possible.
http://www.leica-camera.com

And congratulations to Jordan Dunn for his VLUX-30 winning “Best of Show” piece:
http://www.facebook.com/photo.php?fbid=265956166775812&set=a.245493168822…

YOU ARE HERE was curated by Neema Sadeghi and Eric Kim
http://www.neemasadeghi.com
http://www.erickimphotography.com

Video Directed by Neema Sadeghi
http://www.neemasadeghi.com

Video Edited by Lonnie Francisco
http://cargocollective.com/lonniefrancisco

Video Shot by Adam Boden, Lonnie Francisco, and Jacob Patterson

Find more about ThinkTank Gallery at http://www.thinktankgallery.org

Stay tuned for more great exhibitions like this in the future!

Interview with Adam Marelli about His Journey to the Remote Island of Tanna

Click to read more

 (Photo above copyrighted by Adam Marelli)

Adam Marelli is an artist, photographer, and builder based in New York City who travels the world with his trusty Leicas and captures breathtaking images of people and places that he visits. His travels include India, Central American, Europe, and Egypt and recently to the remote island of Tanna, where he documented the life of the locals. Read more to find out about his adventurous journey to Tanna and the insights and people that he learned about.

An Introduction to Zone Focusing for your Leica, Rangefinder, or DSLR

When I first started shooting street photography, I was always frustrated that my autofocus would always be too slow to capture the decisive moment. After trudging around the internet, I was first introduced to the idea of “zone focusing” by Markus Hartel on his blog.

For those of you who aren’t familiar with zone focusing you essentially use a high f-stop number with a deep depth of field (f/16 or f/11) and have your camera pre-focused to a certain distance to get your photos in-focus. This is beneficial because although modern autofocusing systems are quite good, they are not 100% reliable. Using zone focusing when shooting street photography allows you to get far more keepers.

Aperture at f/16 and focused to around .9 meters. You can see everything from .7 meters to 1.5 meters will be in-focus

Regarding the settings, I typically use the following when shooting:

  • Aperture: f/16
  • ISO: 800-3200
  • Shutter speed: Above 320ths/second
  • Prefocus: 1 meter
  • AV-mode
Why do I use the above settings? Shooting at f/16 allows me to get the deepest depth-of-field with my lens. I keep my ISO high so my shutter speed will be above 320ths/second (this allows you to capture people walking and not blurry). I don’t mind having extra grain or noise in my images. I actually find it to make my images more gritty and raw. Also I keep my lens pre-focused to around 1 meter– because that is how close I generally am to my subjects when shooting.

How to Interact With Your Subjects when Shooting Street Photography

Alfred Eisenstaedt once said, “It is more important to click with people than to click the shutter“. Upon reading this quote, it made me start thinking differently how I approach my street photography. When I started off, I would avoid eye contact at all costs, often shooting from the hip or being a little more sneaky. However nowadays, I actually prefer making eye contact with my subjects the majority of the time and even interacting with them after taking the shot. Often times when things are a bit too hectic on the streets, I don’t talk much with people but whenever I have the opportunity I try. Keep reading to learn how to interact with your subjects more when shooting on the streets.

Interview with Eric Kim about the YOU ARE HERE Street Photography Exhibition in Los Angeles with The ThinkTank Gallery and Leica

Popsicle

Interview conducted by Jacob Patterson, co-founder of the ThinkTank Gallery in Los Angeles.

YOU ARE HERE is a street photography show at the ThinkTank Gallery at 939 Maple Ave in Downtown LA on October 13th which is sponsored by Leica Camera. Over 30 photographers were given 10 days to shoot the same one square block, and their three images which best capture the spirit of the area shot will be displayed together alongside a few installation pieces. Come out at 7pm or after you visit the Downtown Artwalk and see this unique show! You can RSVP via Facebook, and keep reading to hear about Eric’s involvement in the exhibition and see some of his best images.

Interview with Magnum Photographer Alex Majoli

When I was at the Leica + Magnum event in Paris a few months back, I had the huge pleasure of interviewing incredibly talented (and humble) photographer Alex Majoli. Part of the highly respected Magnum agency, he has traveled the world and shot a wide gamut of images. This ranges from his personal work of documenting the closing of an asylum in Leros, Greece to various conflicts in Afghanistan and the invasion of Iraq.

I interviewed Alex alongside Bart Goossens, a freelance journalist and photographer living in Antwerp.

You can play the insightful 27-minute interview here on my blog or download the 140mb file to listen.

Also make sure to check out Leica’s feature of Alex on their blog.

What did you find most insightful in this interview with Alex? Share your thoughts below!

5 Inspirational Minutes of Steve McCurry’s Colorful Photos from All Around the Globe

Steve McCurry, Magnum Photographer, and one of the best photographers of the 21st century recently received the first Leica Hall of Fame Award which was recently announced on their blog. According to Leica, “The prize is awarded to photographers who have rendered outstanding service to the Leica brand and to the genre of photography.” The video itself contains some of his most renowned images that tell incredible stories. Sit back with your cup of coffee, relax, and make sure to watch all five minutes!

Which one of Steve’s photos are your favorite? Let us know by leaving a comment below!

Leica X1 First Impressions Review

Although I am very sad to say goodbye to my Leica M9, I just received a Leica X1 in the mail to test and review for about a week. Check out my first impressions in the video above, and please leave me any questions you may have about the camera by leaving a comment below!

*Edit: The body is made out of magnesium, although the outside casing appears to be made out of plastic (thanks to tribalknowledge for the clarification).

Paris Day 5: Interview with Alex Majoli from Magnum and Love For My Friends (last day in Paris)

"Grimace" - Metro, Paris
"Grimace" - Metro, Paris
“Grimace” – Metro, Paris

Today is the last day that I am in Paris, and I wanted to give you a few last updates. I was able to interview Alex Majoli from Magnum, an incredibly passionate and down-to earth photographer. Once I get back home, I will post the interview for you to read. Also I had the chance to walk around with JJ from Leica and take photographs, and also have a great meal of crepes with him and William Yan. Lastly in the night, I met up with Damien Rayuela, Charlie Kirk, and Alexandra Uhart with William. We had a ton of fun (and drinks) — make sure to read more to see the video and the images from today ;)

Heading to Paris for the Leica + Magnum “Past.Present.Future” Event

I am excited to announce that I am heading to Paris tonight to attend Leica + Magnum’s “Past.Present.Future” event. I am busy packing up my things as we speak, and I made a quick video to describe what I’m bringing and my thoughts about the trip.

Packing List:

Please wish me a safe trip! I will try my best to blog when I am overseas, but not sure how my internet access will be. Stay tuned on my Facebook and Twitter as well! :)

Micro 4/3rd Street Photographers Rejoice: New LEICA DG Summilux 25mm / F1.4 ASPH Announced

I am a huge fan of micro 4/3rds cameras, as I think they are a wonderful compromise between DSLR’s and point and shoots for street photography. Therefore it is great news to see that Leica has just announced a new 25mm f/1.4 lens (which equates to 50mm on a 2x crop factor). This can be a great lens for anybody shooting with any of the Olympus EP-series or the Panasonic GF-series. Also if you didn’t know, Henri Cartier-Bresson shot mostly with a 50mm focal length ;)

You can see some shots from it here (in Chinese).

Press release:

The New LEICA DG SUMMILUX 25mm / F1.4 ASPH. Lens Compatible With Panasonic LUMIX G Series of Compact System Cameras, Including LUMIX GF3

SECAUCUS, N.J., June 13, 2011 /PRNewswire/ — Panasonic today announced a new interchangeable Micro Four Thirds lens, the LEICA DG SUMMILUX 25mm/F1.4 ASPH. (H-X025), compatible with the company’s LUMIX G Series of compact system cameras (CSC), including the LUMIX GF3, which was also announced today. The LEICA DG SUMMILUX 25mm / F1.4 ASPH. lens features outstanding brightness of F1.4, and despite the high-performance, it also remains incredibly compact and lightweight. The lens’ brightness allows for a beautiful soft focus when shooting both photos and videos – without having to rely on a flash.

The LEICA DG SUMMILUX 25mm / F1.4 ASPH. lens adopts Panasonic’s Nano Surface Coating technology on the surface of the lens, which helps dramatically minimize reflection at the entire visual light range (380nm-780nm). The technology encompasses an extra-low refractive index coating with nano-sized structure and results in the super-clear photo with dramatic reduction of ghost and flare.

The new lens system comprises of nine elements in seven groups using two aspherical lenses and one UHR (Ultra High Refractive) index lens. The newly developed UHR index lens and glass mold aspherical lenses achieve uniformed description from the center to the edges.

The lens’ versatile 25mm focal distance (Equivalent to 50mm on a 35mm camera) is suitable for wide variety of occasions, giving users the flexibility in composition, perspective and aperture control.  The lens is capable to take daily snapshots including scenic sunsets to dimly-lit indoor shots to the deliberately-creative shots using soft focus.

When mounted on the Panasonic LUMIX G Series digital cameras, the LEICA DG SUMMILUX 25mm/F1.4 ASPH. lens can take maximum advantage of Contrast AF system, which boasts both high accuracy and high speed for optimal photos. Furthermore, seven blades give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings. The lens also features a metal mount, making it extremely durable – even when repeatedly changed.

The LEICA DG SUMMILUX 25mm / F1.4 ASPH. lens will be available in August 2011 and pricing will be announced approximately 30 days prior to shipping. For more information about Panasonic LUMIX G Series digital cameras and Micro Four Third lenses, please visit www.panasonic.com/lumix.

-Via Leicarumors

Micro 4/3rds users–is this a lens you would want to add to your camera bag?

How to Shoot Street Photography With a Flash

"Lace" - Santa Monica
"Lace" - Santa Monica
"Lace" - Santa Monica. Shot with my Ricoh GRIII and flash.

When it comes to street photography, I am always open to new ideas and styles. One technique I have been particularly interested in is shooting street photography with a flash. I have been very inspired by the work of Bruce Gilden and Charlie Kirk. Although this style is quite controversial, I think that shooting with a flash does add an extra dimension to an image, and isn’t quite as unethical as most people claim it to be. After all, it was Bruce Gilden who said, “…the people I shoot in the streets are my friends” and Charlie Kirk who says he shoots “…openly and honestly.” Therefore the last three or so weeks I have been shooting street photography with a flash, and with great success. I will discuss my technique of shooting street photography in the streets with a flash, with special emphasis on mindset as well as technical settings. Read more if you are curious.

1923 Leica 0-series Sells For a Mind-Boggling $1.89 Million at Auction

If you thought a Leica M9 was expensive, wait until you put your eyes on this baby. It is an 1923 Leica 0-series which just sold for €1,320,000, or about $1.89 million in US dollars at an auction in Vienna. This old-school gem was sold to a private collector from Asia who wishes to be anonymous to the public. The camera was one of 25 prototypes manufactured in 1923, before Leica started producing these cameras commercially. You can see the winning bid and auction at this video below.

So do you think the guy who purchased this Leica is crazy or just has too much money to spend? Let us know what you think in the comments below.

via Engadget and Leica Rumors.

The Street Photographer’s Ultimate Christmas List

So Christmas is around the corner and you have been a good boy/girl this year. So you want to buy a new camera and/or some new lenses? Sure we know that it is the street photographer, not the camera that makes his/her photos amazing. But hey– it is always fun to experiment with new cameras and lenses as well.

I have gotten many questions from aspiring street photographers–asking what lens or body to get next. Read this list and pass it onto your loved ones (hopefully they love you enough to buy you some stuff in this list).

Also please note that these are my personal recommendations. If you don’t agree with this list, please leave a comment below and let me know whats up!

Cameras:

DSLR’s

  1. Canon 5D (used)
  2. Canon Rebel XSi
  3. Nikon D3100 (update by Ironside Photo)

If you are interested in purchasing your first DSLR, I would highly recommend a used Canon 5D. You can get them used for only $1200, and they are full-frame, meaning that the lenses you get will show their true focal length. It is also phenomenal at low-light high-iso situations.

A bit short on cash? Check out the Rebel XSi or the Rebel XS (a bit cheaper). Both are small, and give great performance as well. Oh yeah, also heard great things about the Nikon D3000 as well.

Micro 4/3rds

  1. Panasonic GF-1
  2. Olympus EP-1

If I was in the market for a new camera, it would definitely be for a micro 4/3rds. They are small, inconspicuous, and give fantastic image quality. Definitely the best “bang-for-the-buck” imho. I tried out Thomas Leuthard’s Panasonic GF-1 and instantly fell in love with it. Super-responsive auto-focus, and great image quality. I also heard that the EP-1 gives great image quality as well, but the autofocus is painfully slow.

Point and Shoots

  1. Canon S95 (or S90)
  2. Ricoh GRIII (update thanks to Dan Patzer)

Out of all the point and shoots for the street photographer out there, the Canon S95 (or S90) blow all the competitors out of the water. It is one of the smallest point and shoots out there, but offer great control with the front and rear dials–and has a super fast f/2 lens. Don’t consider anything else.

Update: If you have a little extra $$$ to spend, check out the Ricoh GRIII. It has a beautiful fixed focal 28mm 1.9 lens and with its “snap-focus” function, it has practically zero shutter lag (while the Canon S95 has a slight shutter lag). Also its built like a tank with its alloy body, and feels great in the hand as well. A worthy (but more expensive) competitor.

Rangefinders

  1. Leica M8

If you are interested in getting a digital rangefinder on a budget, check out the Leica M8. Sure it is not full-frame, but it will give you the true “rangefinder experience” without having to shell out $6900 on a Leica M9.

Lenses:

Primes (Canon)

(For full-frame)

The Canon 35mm f/2 is my lens of choice on my full-framed 5D. Small, inconspicuous, and sharp– it is the perfect walk-around lens for a street photographer. I personally like the 35mm focal length, as it is wide enough to capture a background, but at the same not too wide. Also note that the 35mm focal length is my preference, although many street photographers out there such as Markus Hartel prefer the 28mm focal length.

  1. Canon 35mm f/2
  2. Canon 24mm f/2.8
  3. Canon 50mm f/1.8 (or 1.4)

(For crop)

For 1.6 crop bodies, the problem about primes is that they are often too close. Therefore you are good getting a 20mm 1.8, which will translate into roughly a 32mm (close to a 35mm).

  1. Canon 20mm f/2.8
  2. Canon 24mm f/2.8
  3. Canon 35mm f/2

Primes (Nikon)

  1. Nikon 24mm f/2.8
  2. Nikon 35mm f/2

Additional Equipment:

Bags

  1. Timbuk 2 Commute 2.0

Accessories

  1. Handstrap (any cheap one on eBay)

The 5 Most Common Questions about Street Photography (and the answers)

"3 Men"- note how the man's face is visible, yet not identifiable. Thus I do not need a model release for this if I wanted to sell this print.

Hey guys,

I thought about writing this blog post after receiving many questions regarding street photography. I saw it as a great opportunity to help clear up some misconceptions about street photography, as well as answer questions from many aspiring street photographers from around the world! If you have any other general questions, feel free to leave a comment below and have either me or some other street photographer from the community answer your question!

1. Do I need a model release form when shooting people in the streets?

"3 Men"- note that although the man's face is visible, he is not identifiable. Thus I do not need a model release for this if I wanted to sell this print. Also I have no restrictions in posting this online.

No. As long as a person is in a public area and not on private property, you are free to take their photo without having a model release form. However the tricky part is when it comes to selling images of people shot in public areas. If the photo you are selling clearly defines a person’s face, then you need a model release form.

Edit: In the US, you are allowed to sell a recognizable photo of someone on the street as a work of art. What you are not allowed to do is to sell it for commercial photography — that is to say, photos being used to sell a product. This would prevent the sale of photos of a recognizable person to (let’s say) a stock photo service, but not as a work of art, or photojournalistic purposes.

Relevant reference:
http://en.wikipedia.org/wiki/Nussenzweig_v._DiCorcia

-Thanks Brandon!