Just uploaded Volume #4 of my Istanbul Street Photography GoPro Video series. You can see the other videos below:
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The Psychology of Everyday Situations: Interview with Justin Sainsbury from Burn My Eye
Justin Sainsbury is a street photographer based in Brighton, on the south coast of England. He is also a member of Burn My Eye. What I love about his images is that his photos ask more questions than provide answers. Take a look at his images and interview, and participate by making up your own fictional stories in the everyday lives of the subjects he captures.Â
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5 Lessons Bruce Gilden Has Taught Me About Street Photography
© Bruce Gilden / Magnum Photos Bruce Gilden is one of the best street photographers currently alive. He is a photographer who has had a deep influence on me and my approach in street photography– especially when I first saw the video of him shooting in the streets of New York City.
Bruce Gilden is also one of the most controversial street photographers– and I also feel one of the most misunderstood.
In this article I will write what I personally learned from his street photography and how I see him as more of a humanistic street photographer (rather than just being an asshole as others might misinterpret him to be).
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The Art of Being Aware in the Streets: Interview with Oguz Ozkan from Istanbul
Photo by Oguz Ozkan from his “Dog walk” series in Istanbul. Oguz Ozkan is a street photographer based in Istanbul. I was introduced to him by Charlie Kirk– and I was amazed how much progress he has made in only about a year and a half of photographing on the streets. We sat down for a beer over dinner at a bar, and this is a typed transcription of my interview with him.Â
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Scratching the Itch Through Mobile Photography
c. Josh White. Blackberry Z10 This article is written by Josh White, a street photographer that has traveled throughout Korea, Japan, and Canada. You can follow his blog here.
Josh: Photographic purists, especially ones of the docu/street genre will often argue that photography is a process. They will argue that photography should all be taken seriously and photographs should be left to permeate. They will argue that film photography is good for the up and coming photographer as it teaches patience and discipline. We are more likely to like the photographs taken more recently.
While I believe all this to be somewhat true, photographer’s itch. We itch to take photographs and to look at them. We itch to share them and get feedback. In this world of instant gratification and constant boredom patience doesn’t always come easily.
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On Staged Photos and Integrity
Photo by Charlie Kirk, from his “Outliers” set. This article was originally posted by Charlie Kirk on his Tumblr here. Make sure to follow him on Facebook and Twitter.
Charlie: A week or so ago, Brian Sokolowski posted on Facebook: “Is it me, or is there a whole lot of street-photography out there that’s set up and posed? No, it’s not me… there is. What’s the point of that? I mean if it’s set-up, that’s fine. But don’t try to pass it off as street-photography, because it’s not.â€Â I agreed with him and cited a few photos from the HCSP group that looked staged. I’d like to expand upon my thoughts here.
Let me start by saying that, like Brian, I am not against staged photographs per se. Jeff Wall is one of my favourite photographers, and I love the portraits of Gilden – who, I would argue, is the best “street photographer†alive today. What I take objection to is deception which may or may not be a result of a loosening of the commonly held perception that street photography is candid.
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Istanbul Street Photography GoPro POV Volume #3
This is the third installment of my Istanbul Street Photography GoPro POV videos.
Two of my other Istanbul GoPro Street Photography POV’s:
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Istanbul Street Photography GoPro POV Volume #2
Here is the second volume of my Istanbul Street Photography GoPro POV series. I put the new GoPro Hero 3 (and shot at 720p at 60fps) on top of my Leica MP. The framelines are roughly 35mm. I have a few more I’m working on, will upload them in the upcoming week.
If you haven’t seen it already, you can see my first Istanbul Street Photography GoPro POV here.
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My Experiences Shooting Street Photography in Istanbul
This is my second time in Istanbul, and it has absolutely been one of my favorite places in the world to shoot street photography. It is a combination of the friendly people, the diverse history, the historic architecture, the multicultural heritage, and the golden light.
The other day I put my GoPro Hero 3 on top of my Leica MP and with Portra 400 loaded, made a POV of me shooting the streets of Istanbul — around the Eminonu area in Istanbul which is right by the water and the New Mosque.
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Submit to the Miami Street Photography Festival 2013!
I am excited to share that submissions for the street photography exhibition for the Miami Street Photography Festival 2013 is live! For more information regarding the exhibition, read more or you can click here for all the details.
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0.7 m “The Magnificent Miles” Film on Chicago by Satoki Nagata
My talented photographer friend Satoki Nagata is putting together a film project titled: “.07 The Magnificent Miles” – a documentation on the city of Chicago. They are completing the film by the summer of 2014, and are current seeking funding for the film. A detailed proposal can be sent per request to anyone interested in supporting the project by emailing info@themagnificentmiles.com. Music in the film is by Laurent Levesque.
If you want to learn more about Satoki, check out my in-depth interview with him here.
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What is Street Photography?
I like to think street photography is more than just guys jumping over puddles. One of the most famous “street photographs” taken by a photographer who never even called himself a “street photographer.” © Henri Cartier-Bresson / Magnum Photos I want to write regarding a subject which is highly debated online: “What is street photography?”
There are countless forum threads, Facebook discussions, blogs, and Flickr boards which argue what street photography is and what street photography isn’t.
I have thought about the question: “What is street photography?” for a long time– and my thoughts and views have changed and evolved over the years.
I don’t have all the answers to defining what street photography is (or isn’t) but I will attempt to come to some sort of logical conclusion on what street photography means to me. Consider this article as part of a self-reflective essay for me to better understand my own personal views. And I also hope that you can take some of my thoughts and incorporate it into your own personal views– and reach your own conclusions for yourself.
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How to Talk to Strangers: 7 Tips For Photographing People
My buddy Adam Marelli just presented a talk at the B&H Photo Space talking about feeling more comfortable approaching strangers and photographing them while incorporating compositions and more. Definitely recommend the in-depth 1 hour and 50 minutes.
Also to learn more from Adam, check out his other talk on how to incorporate design & composition into your work (one of the finest out there). If you want to learn more from Adam, check out his upcoming workshops here.
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Interview with Shin Noguchi on the Leica Blog
Hase Kamakura, 2012. Photo by Shin Noguchi I recently had the chance to interview the talented Shin Noguchi on the Leica blog. He is one of my favorite contemporary Japanese street photographers and what I love most about his work is his strong visual images, uncanny moments, as well as his look into Japanese society.
A quick tidbit from one of the questions I asked him:
Eric: What is some advice you would give to street photographers starting out?
Shin: Currently, activity at SNS is the main stream for all kinds of artists, and as for photography, it is in vogue to get a good reputation at reviewing sites such as 1x.com. Under such circumstances, it is important for street photographers, regardless of a review of one photograph or artistic review, to shoot streets coolly as persistent storytellers or spokesmen from the standpoint of shooting documentaries which exist on the bottom of people’s life.
I do not deny the importance of seeking artistic photographs as expression. On the other hand, I would like photographers to express, without relying on the characters of the subjects, their existence in the themes selected, and the composing ability of elements such as light and shadow, with the final aim of being evaluated by the totality of their activity as a photographer.
>> Shin Noguchi: Open for Interpretation [Leica Blog]
Follow Shin
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How to Take Photos of Kids (Without Being Called a Pedophile)
Marseille, 2012 In today’s uber-pedophile-paranoid society taking photos of kids can be a challenge. It wasn’t a problem even a few decades ago (think of all the great photos of kids that Helen Levitt, Robert Doisneau, and Henri Catier-Bresson shot). But now even if you point a camera remotely close to a kid you can be called a pedophile.
Personally I haven’t ever had any problems taking photos of kids (whether it be candidly or with permission).
In this article I will try to share some of my personal tips when I photograph kids– and I hope this will help you!
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On Travel and Street Photography
“You need a change of soul rather than a change of climate” – Seneca
Over the last year or so I have been incredibly lucky to travel to over 15 cities internationally, and have met some of the most incredible people in my life.
However as much I have been traveling, I have been longing to spend more time at home (or in one place).
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How to Plan Your Own American Street Photography Road Trip
In front of the Michigan Central Station in Detroit The last week or so I have been on the road– moving from Michigan to California.
Instead of just taking the easy route (flying) we decided to partake in an adventure– to travel the US by car.
I wanted to write this article to share some of my personal experiences through this road trip– and hopefully it can give you some insight to plan your own road trip across America (while taking some photos too).
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3 Lessons I Learned Photographing a Blinged-out Boxing Promoter
Just uploaded a new GoPro POV video at Gallo Boxing. This time with Ty, a boxing promoter with great swag and bling.
The story behind what happened is that initially I was photographing another boxer, and I was going to take some photos of him working the punching bag. Then I saw Ty on my way over, and was blown away with his outfit (his sunglasses, his patent-leather shoes, and the plethora of rings on his fingers).
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5 Ways to Improve Your Creativity in Street Photography
Eric’s Note: This is a guest article by Kristian Leven, a wedding and street photographer based in London.
Kristian: When I started photography six years ago, I didn’t have a problem going out and finding inspiration. Everything was so new and subsequently there seemed to be no end to the ideas I felt I could produce. Looking back, I can see that my work wasn’t particularly indistinguishable from many others – there was no depth, no originality.
But I needed to get through certain stages to get to where I am today. At first I had no particular style, nor did I have any photographic ‘heroes’ to aspire to, but over time and with an accumulation of experience, I connected with capturing natural street scenes in an artistic way, and I translated that approach to my wedding photography, which I had begun three years ago.
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The Thrill and Anticipation of Street Photography: Interview with Ola Billmont in Stockholm
Eric’s Note: Ola Billmont is a street photographer based in Stockholm, Sweden. He is also one of the co-founders of CUP (Contemporary Urban Photography). Learn more about the founding of CUP (Contemporary Urban Photography in Stockholm), his work in film and digital, and how he approaches strangers on the street.Â
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Gallo Boxing GoPro POV: Volume #2 (Christian Bleha, Fighter with Tattoo)
Here is Volume 2 of my GoPro POV series at Gallo Boxing.
I first saw Christian Bleha chilling after a long workout, dripping in sweat and puffing from exhaustion. I saw him from afar–and loved his tattoos. But I was a bit nervous to first approach him. However I knew I would regret not asking to take photos of him if I chickened out– so I swallowed a big gulp of air, and introduced myself to him and asked if I could take some photos.
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Conquer Your Fears in Street Photography in San Diego, Istanbul, Los Angeles, San Francisco, Tokyo, and Kyoto!
If you feel uninspired in your photography, want to conquer your fears, and meet other passionate street photographers— join me at one of my upcoming workshops below!
This would be a great opportunity for you to step outside of your comfort zone, and even take a break from the day job to travel to an exotic location you have always wanted to visit! I am also so certain you will love the workshop that I offer a 100% money-back guarantee!Â
Street Photography Workshops 2013
August 12-14th
Istanbul – Introduction to Street Photography Workshop (feat. Charlie Kirk) – Info & Register
August 16-18th
 Istanbul – Intermediate/Advanced Street Photography Workshop (feat. Charlie Kirk) - Info & Register
* (There is a 50% discount available if you attend both Istanbul Workshops)
October 17-20th
San Francisco – Intro to Street Photography Workshop - Info & Register
November 1-3rd (new date)
Los Angeles – Introduction to Street Photography Workshop - Register intent
November 8-10th
Tokyo Introduction to Street Photography Workshop  – Info & Register (OPEN!)
* (There is a 50% discount for each additional workshop you attend in Tokyo/Kyoto)
November 15-17th
Tokyo Intermediate/Advanced Street Photography Workshop – Info & Register (OPEN!)
November 22-24th
Kyoto Film Street Photography Workshop – Info & Register (OPEN!)
You can see my past street photography workshops.Â
Stay Updated With My Future Workshops
NYC Intro to Street Photography Workshop 2013 with Richard Bram -
Gallo Boxing GoPro POV: Volume #1 (Little Boxer)
For last month’s fiestamovement challenge, I learned boxing at Gallo Boxing in Lansing, Michigan.
I have always been fascinated with boxing culture– both the sport and the culture behind it. I remember watching tons of Rocky movies growing up, and loved the skill, determination, and physical/mental endurance that boxers had to endure to become great fighters.
After learning a few moves in boxing myself, I had about two weeks before heading back to California. So I took those two weeks to do a mini-documentary project on the boxers in the gym, with my GoPro Hero 3 strapped on top of my Ricoh GRD V.
I wanted to make these GoPro videos to illustrate how I was able to build rapport with the fighters in the gym (including the very young in this video above) and how I photographed them (how I got them to move around, the angles I used, the use of flash/without flash, as well as how many photos I took).
Shooting documentary-type work has always fascinated me– but I never had a project or location I felt passionate enough to photograph. Luckily enough, this project at Gallo Boxing was something that kept calling me back.
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American Road Trip Itinerary 2013
I am excited to share our itinerary for our American Road Trip! Â My girlfriend Cindy has spent the last 2 years in East Lansing, Michigan studying her Ph.D. in Vietnamese Colonial History– and has recently got accepted into UC Berkeley’s Ph.D. program in the same field. So we are packing our bags, and loading them into our Ford Fiesta and heading West!
We plan on taking around 2 weeks for the entire trip (making stops along the way in the places below):
- Start: East Lansing, Michigan
- Indianapolis, Indiana
- Louisville, Kentucky
- Nashville, Tennessee
- Birmingham, Alabama
- New Orleans, Louisiana
- Houston, Texas
- Austin, Texas
- Fort Worth, Texas
- Albuquerque, New Mexico
- Grand Canyon (Hiking)
- End: Southern California (before we head up to Berkeley)
You can see a Google Map Itinerary of our Road Trip.
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Photography is Democratic: Interview with Aik Beng Chia (ABC) From Singapore
Eric’s Note: Aik Beng Chia (ABC) is a street photographer based in Singapore. I first met him a few years back, and he is one of the hardest working and humble street photographers I know. He has recently published, “Tonight The Streets Are Ours” with Invisible Photographer Asia. To check out what he has been up to, read the interview below!
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Don’t Compete, Collaborate.
Chicago, 2013 “You don’t eat to be “the best” taster the world, don’t take a stroll to be “the best” stroller in the world, don’t push buttons in an elevator to be the best button pusher in the world.” – Nassim Taleb
One question which has always bothered me is the following: “Why are photographers so competitive?”
Okay I get it– if you work as a commercial photographer you are competing against other photographers to obtain clients and make a living. However in the world of amateur photography (photography in which we do it for pure love, not profit) why does competition matter at all?
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Interview with Todd Gross on Shooting Film (vs Digital), Working in Color, and the Secret Identity of Quarlo in New York
I recently had the chance to interview Todd Gross, currently one of my favorite color street photographers when I was in New York about a month ago. We sat down at Jackson diner, had some great Indian food, and chatted about street photography for about 45 minutes. Watch the interview above or you can read the transcript below.
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“Common Ground” Opening in Los Angeles, July 6-27th / Featuring: Blake Andrews, Richard Bram, Bryan Formhals, Chuck Patch, and Jack Simon
I am excited to share that some of the most talented street photographers I know which include Blake Andrews, Richard Bram, Bryan Formhals, Chuck Patch, and Jack Simon are sharing some of their work at “drkrm” in LA July 6-27th, 2013.
- Opening reception: Saturday, July 6th from 7-10pm
- Address: 933 Chung King Road, Los Angeles, CA 90012. Google Map
Mark it in your calendar, and spread the word! Click more to read the full press release.
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5 Lessons for Living in Street Photography (and Life)
Mumbai, 2012. Click to read more. One of the articles I read a while ago (and recently re-read) was the “Top 5 Regrets of the Dying.” To sum up, a nurse who took care of the elderly and dying kept a record of her patients’ top regrets in life.
The top regrets of the elderly were:
- I wish I’d had the courage to live a life true to myself, not the life others expected of me.
- I wish I hadn’t worked so hard.
- I wish I’d had the courage to express my feelings.
- I wish I had stayed in touch with my friends.
- I wish that I had let myself be happier.
I think we can apply this same mentality to street photography to prevent regrets in our life.
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8 Rare Insights From an Interview with Josef Koudelka at Look3
© Josef Koudelka / Magnum Photos. Click to read more Josef Koudelka, one of the greatest living photographers in history, gave a rare interview at Look 3 in Charlottesville recently. You can see a full transcript of the interview here, but I wanted to share some specific insights which I got from the interview below.
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Interview with Tomas Leach, Director of “In No Great Hurry: 13 Lessons in Life with Saul Leiter”
Saul Leiter and Director Tomas Leach. Click to read more. Eric’s Note: I am pleased to share this interview with Tomas Leach, the director of  “In No Great Hurry: 13 Lessons in Life with Saul Leiter.” If you haven’t watched it yet, make sure to catch a screening near you, and also check out my interview with him below.
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American Street Portrait Interview #1: Eric Rivera, Ex-Wall Street Trader Turned Philosopher in Philadelphia
Eric Rivera in Philly, 2013 When I was in Philly to pick up my Ford Fiesta for the Fiestamovement campaign, I met up with Chris Urie, a street photographer and journalist based in Philly. We took a stroll around one of the major parks there (forget what it was called) and we started to chat with some of the people we met in the park.
One character I was fascinated with was named Eric Rivera. When I first spotted him, he was chilling on a park bench, enjoying the beautiful weather, while puffing on a nice cuban cigar — donning his Knicks hat with crocodile leather on the bill, and some pretty fly looking sunglasses.
I approached him and commented that I liked his outfit–and we just started to chat. As part of my “America” street photography project, I had my GoPro with me and asked to interview him–so I could learn more about his personal story. What he shared surprised me.
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How to Be Grateful For What You Have
Someone will always have it better than you. We are always tempted by what’s new. We want the newest cameras, the newest cars, the newest computers, the newest smartphones, the newest tablets, and more.
When does all this madness end? In this article I share some of my experiences succumbing to “G.A.S.” (Gear Acquisition Syndrome) and some techniques I have learned from the philosophy of Stoicism to overcome it.
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The Importance of Letting Your Photos Marinate
Hong Kong, 2013 I think one of the most difficult aspects of photography is the editing process (choosing your best images). Garry Winogrand famously said, “Sometimes photographers mistake emotion for what makes a great street photograph.â€
Winogrand famously shot like a madman (shooting several rolls a day for his lifetime), but had the discipline to not even process his photos for a year after he shot them. Why did he do this? In order to forget the memory of having taken those shots– so he could be more critical and objective when it came to choosing his best images.
It is always easier to judge and critique other people’s photographs. Therefore one of the benefits of forgetting some of the shots you took is that you can look at your own photos not like that of your own– but that of a stranger.
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Environmental Portrait GoPro POV at Kane’s Diner in New York
The story: When in New York, I stayed with my good friend Spencer (childhood friend) in Queens. Another of my good childhood friends (Aditiya) mentioned that before I left New York, I had to check out Kane’s diner— a 24-hour diner which they frequently visited.
I didn’t expect to go there– but one of the days when I was walking to the subway, I spotted it. I stepped in, checked the Yelp reviews, and saw that their Steak and Eggs were quite popular. I ordered some.
I also started talking with the waiter–who was extremely friendly. We connected well, and he gave me the best steak & eggs I have ever had (at a reasonable price).
I then remembered my new Ricoh GRD V in my bag, and my GoPro that I brought to do some POV videos during my travels. I thought it was the perfect opportunity for me to ask him to take some photos.
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Review of the Ricoh GR for Street Photography
Self-portrait with the Ricoh GRD V in Detroit Disclaimer: I have been provided a Ricoh GRD V (no strings attached) from Pentax-Ricoh. However I will try to keep this review as un-biased as possible.
Update: The new Ricoh GRD V (Version Number 2) is out, which is essentially the same camera with Wifi and some other minor changes. If you’re interested in the Ricoh GR, I’d just pick up the older one (unless you need the wifi setting).
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Disclaimer aside, I think this is currently hands-down the best bang-for-the-buck digital camera for street photography currently out there right now. I love the compact size, the superb image quality and high-ISO performance, as well as the ergonomics and handling. It has been traveling with me alongside my Leica MP as a second shooter — and the camera seriously kicks ass.
While I still prefer shooting with film at the end of the day, it is an amazing camera and I highly recommend it to all street photographers who want a smaller alternative. Keep reading for more of my thoughts on the camera.
Also note I don’t really care for spec sheets and technical aspects, so I will keep this review as practical as possible for actual usage on the streets.
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The Transformative Experience of Shooting Street Photography Abroad by Dimitris Makrygiannakis
Photo by Dimitris Makrygiannakis. Click to read more. Eric’s Note: I first came across Dimitris Makrygiannakis on Hardcore Street Photography, and was blown away with his unique vision. I love the way how he captures life through his lens, with a surrealistic flair. To see more of his images and his thoughts on street photography, check out his feature below.
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Capturing the Chance Moments of Everyday Life: Interview with Julien Legrand
Photo by Julien Legrand. Click to read more. Eric’s Note: Julien Legrand is a street photographer based from the north of France, with a keen eye for the chance moments of everyday life. I was initially drawn to his color work– but have also been impressed by his monochromatic work. Check out his work and thoughts on street photography in this interview below.
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Groom Slash Wedding Photographer: My Experience Shooting My Own Wedding
Photo by Robert Larson. Click to read more. Eric’s Note: This guest blog post is by Robert Larson, a talented documentary photographer based out of Los Angeles. He recently got married (congrats man!) and also documented his own wedding– groomside. If you have ever been curious how it would be like to document your own wedding, check out the article that Robert put together.
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The Humanistic Street Photographer: Interview with Satoki Nagata from Chicago
Photo by Satoki Nagata. Click to read more. Eric’s Note: I recently taught a street photography workshop with Satoki Nagata in Chicago, and had a chance to sit down for him for an hour and interview him. This is a transcription based on recording we made. If you want to learn more about his philosophies in his street photography, and how he combines it with documentary work — make sure to give it a read. It is a very in-depth interview, which I personally think you will gain a lot from.
Also make sure to attend “Lights in the City: a multimedia presentation†by Satoki at the Harold Washington Library Center, Pritzker Auditorium at Monday, August 5, 2013, 6:00pm.
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The Tao of Street Photography
NYC, 2013. Click to read more. A fun and uplifting book I recently read was “The Tao of Pooh.” To sum up the book, the author explains the philosophy of Taosim through (believe it not) Winnie the Pooh. Yeah, I know it sounds ridiculous, but the author does a superb job sewing the two concepts together– in a language relatable and easy-to-understand for the viewer. Having grown up on Winnie the Pooh, I can certainly say that it brought the concepts of Taosim to life for me.
Similarly to Zen Buddhism, Taoism is a philosophy which was first introduced by Lao Tse in a book called: “Tao Tse Ching.” The philosophy of Taoism advocates staying calm and happy in all circumstances, no matter how difficult or arduous the outside world can be.
So what is the difference between Buddhism and Taosim?
- Buddhism sees the outside world in a much more negative light– describing “the bitter wind of everyday existence.”
- Taoism sees the world as “…not full of traps, but valuable lessons.” Therefore through Taoism we should appreciate, learn from, and work with whatever happens in everyday life.
A great analogy explained is the analogy of tasting vinegar. Many different people often taste vinegar, and complain of how sour it is and groan. However the Taoist would taste the vinegar and regardless of the taste, still smile. The takeaway idea is that we should turn negatives into positives, regardless of the situation.
There are lots of insights I’ve gained through Taosim and especially “The Tao of Pooh” that I can relate back to street photography. Also note I am not an expert on Taosim, so please correct any mistakes I make in the comments below.
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4 Lessons I’ve Learned from the Magnum Photos Toronto Workshop
Eric’s Note: This article is written by Neil Ta, my manager and good friend who recently attended a Magnum Photos workshop in Toronto. The project he worked on for the week was “Meat Locker.” Below is his write-up of the experience and the lessons he’s personally learned. You can see upcoming Magnum workshops and events here.
Neil: I recently had the opportunity to attend a Magnum Photos workshop in Toronto as part of the Scotiabank Contact Photography Festival, which is one of the largest of its kind in the world. For the last six years, Contact has invited members of Magnum to run workshops focusing on photojournalism, documentary storytelling, and street photography.
This year’s line-up of instructors included Magnum Associate Moises Saman and Magnum Nominee Zoe Strauss. Moises is most well-known for the work he’s done in Afghanistan and Iraq and his focus more recently has been in documenting the Arab Spring. Zoe’s extensive work is more regionally focused in the community where she was born and raised – Philadelphia.
I ultimately chose to go with Moises over Zoe because I felt his work was a lot different than my own and I hoped he’d be there to guide me through a more photojournalistic project over the week.
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10 Lessons Weegee Has Taught Me About Street Photography
Photo by Weegee. Click to read more Weegee is certainly one of the most infamous street photographers in history. Although he never called himself a street photographer (he worked as a press/news photographer) his obsession with capturing people was unparalleled. With no formal photographic training, he covered some of the most gruesome murders (and shots of everyday life) around New York City from the 1930’s to the 1940’s. Armed with a portable police-band shortwave radio, he was always on the beat for new stories to cover– and he even had a complete darkroom in the trunk of his car. This allowed him to get his photos to the newspapers as quickly as possible.
Weegee is also famous for the use of his 4×5 Speed Graphic large-format press camera and flash– which added even more drama to his gritty black and white photos. He was certainly one of the forefathers of shooting street photography with a flash (back when they used flashbulbs). He generally shot his camera preset at f/16 at 1/200 of a second, with flashbulbs and a set focus distance of ten feet (and didn’t always know what kind of photos he got until he processed them).
Many street photographers are under the false impression that shooting with artificial light in street photography is just a recent phenomenon. It started as early as 1887, in which the journalist Jacob Riis started using flash power to document destitute people on the streets. Certainly Weegee has had a strong influence on shooting flash in the streets to photographers such as Diane Arbus, William Klein, and Bruce Gilden.
If you want to learn more about the philosophy behind Weegee’s work
read on.Note: some of these photos are gruesome and NSFW.Â
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Curate and Sequence Your Own Custom Book at OCULI’s “HOME” Interactive Exhibit (May 22nd, 6pm, Sydney at the Cleland Bond in The Rock)
Photo by Andrew Quilty Oculi is presenting a unique book making opportunity during the Reportage Festival in Sydney. ÂÂAs a part of the 2013 Reportage Documentary Photography Festival and in partnership with BLURB books, Australia’s photographic collective OCULI presents HOME, an interactive exhibition where viewers are able to curate and sequence their own custom book from the Oculi Collective’s imagery.The exhibition opening is May 22nd at 6pm and will run until June 10th at the Cleland Bond in The Rocks (Ground Level, 33 Playfair St.) in Sydney, Australia.
>> Link to the Oculi exhibition and book event
For more info about the exhibition, images, and questions to the members of Oculi, read on.
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Zen in the Art of Street Photography
Photograph by Rinzi Ruiz (All photographs in this article provided by Rinzi Ruiz)
My good friend Nicholas Susatyo recently recommended a book to me: “Zen in the Art of Archery.” In-fact, it was the book that Henri Cartier-Bresson said had the deepest influence in his photography. I have been meaning to read it for a while, so on my flight to Philly I decided to give it a go.
The book is written by Eugen Herrigel, a German philosophy teacher who went to Japan for several years and learned the art of archery (while teaching philosophy at a Japanese university). He heard about the art of archery, and was fascinated with the zen philosophy which was embedded in the art.
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Radiate Magazine: Issue 4 Available!
Cover photo by Todd Gross I am very excited to share that Issue 4 of Radiate Magazine is available! If you love street photography I highly recommend getting a printed copy (nothing beats reading it on a Sunday morning with a warm cup of coffee). I just ordered my hard copy, and the printing and binding is superb.
In this issue there are photos by  Simon Becker, Thierry Clech, Artur Eranosian, John Goldsmith, Todd Gross, Andrew Quilty, Kay von Aspern, and Ania Vouloudi.
- Purchase a print copy from Magcloud or download a free PDF by clicking this link
- Read the magazine for free on Issuu by clicking this link
- See past editions of the magazine here
Read more to see pages from Issue 4 and other links!
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Capturing the Melancholy of New York City: “NY Diary” by Federico Chiesa
Eric’s Note: Federico Chiesa was born in a small town in Tuscany, Italy, in 1979. He studied commercial photography at “I.E.D” in 2005 and now works as a professional advertising photographer and retoucher. Street photography is one of his favorite vocations. See his “New York Diary” project and his thoughts on street photography below.
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7 Lessons W. Eugene Smith Has Taught Me About Street Photography
NYC, 1956. Copyright: Magnum Photos W. Eugene Smith is one of the legends of photography. Although he was notorious for being maniacal, emotionally distant, and unreasonable– he channeled those energies into being one of the best photographers history has ever seen. I consider his approach to be very similar to that of Steve Jobs.
I hope that this article can help you get a better understanding of W. Eugene Smith, his work, and his philosophies of photography– to take your own work to new heights.
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America Street Photography Roadtrip 2013-2014
(Above video: I chat a bit about my ideas for my American Street Photography Roadtrip)
One of my favorite photography projects of all-time is “The Americans” by Robert Frank. I have always had a dream of working on a similar project–to take my car and travel across America–documenting the people and places that I encounter.
I am excited to share that this dream has come true (or at least the means). Ford contacted me about a few months ago letting me know about their new “Fiesta Movement” campaign in which 100 “agents” are given a new pre-production 2014 Ford Fiesta with 8 months of gas and insurance covered. The catch? We are given fun video assignments once a month to complete (that somehow have to incorporate the Fiesta).
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Documenting Coney Island for Over 40 Years: Interview with Harvey Stein
Eric’s Note: I am excited to share this interview with Harvey Stein, a prolific street photographer from NYC. He has been shooting the streets for nearly half a century, and has recently published his book: “Coney Island 40 Years” which is one of my new favorite street photography books. Check out some of his work and thoughts on photography in the interview below.
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Why Less is More in Street Photography (and Life)
Brilliant photo by Josef Koudelka, showing how minimalism can be more in making a powerful image. NORTHERN IRELAND. 1978. © Josef Koudelka / Magnum Photos In today’s age, we are always obsessed with the concept of “more“. We falsely believe that we need more stuff, more money, more more cameras, more lenses, more megapixels—more, more, more.
In one of my favorite books “Antifragile†(I mention this book in a prior post on the “barbell theoryâ€), the author Nassim Taleb advocates that the secret of health, wisdom, and happiness can be obtained through less, not more. Taleb calls this approach “via negativa”
that we should focus on subtraction, not addition in life.For example, nobody really knows what makes us happy. However, we know what makes us unhappy and miserable. Therefore the key to happiness may not so much be the “pursuit of happiness”– but the “avoidance of unhappiness.” I think the same applies to happiness in street photography — focusing on less, not more.
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How to Direct Your Subjects When Shooting Street Portraits
(Above video: New street portrait POV video I recorded in Chicago. Chicago Street Portraits, Volume #5)
I have always been drawn to people, especially those who I find are interesting “characters.” I tend to gravitate towards people who have interesting facial expressions, to those with outstanding outfits, or accessories.
Although the majority of the street photography I do is done candidly, I have been drawn towards doing more posed street portraits of people I find interesting. Why? I find it gives me more time to interact with them, learn more about their lives, and also to take more photos of them (with their cooperation).
So once I get my subjects’ attention– how do I direct them and what is some of the psychology that goes behind it? I will share some candid thoughts (pun intended) about my process in terms of directing my subjects when taking portraits of them.
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“Black Tsunami”: Interview with James Whitlow Delano about Documenting the Devastation of the 2011 Tohoku Tsunami
Eric’s Note: I am honored to share this interview with James Whitlow Delano, a talented photojournalist whose work has been awarded intentionally, including the Alfred Eisenstadt Award (from Columbia University and Life Magazine), Leica’s Oskar Barnack, Picture of the Year International, NPPA Best of Photojournalism, PDN and others for work from China, Japan, Afghanistan and Burma (Myanmar). His most recent iPad book Black Tsunami (FotoEvidence) documenting the Japan tsunami and nuclear crisis took a 2012 PX3 Award.
James is now trying to get his “Black Tsunami” book published as a hardcover book. Check out the Kickstarter page and support this noble cause, and also check out my interview with him below.
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How the Philosophy of the “Barbell Theory” Can Improve Your Street Photography
See how you can incorporate the barbell theory to improve your street photography, like these guys pumping iron and getting stronger. Photo by Guy Le Querrec, FRANCE 1979. Copyright: Magnum Photos One of the most influential books that read in my life is “Antifragile” by Nassim Taleb. The book is part philosophy, and part a practical guide on how to live a virtuous life.
One of the central concepts of the book is the “barbell theory.” What is the barbell theory you ask? Well, it is the concept that whenever it comes to things in life– we should approach two extremes (and avoid the boring middle). It is a concept that I have applied to many fields of my life, including street photography. I hope this article can shed a new way on how you see the world, and how you can apply this to your own personal work.
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An Introduction to Shooting Street Photography With Film
So many choices, so little time. Dotwell Camera in Hong Kong For the last year and a half or so, I have been shooting my personal street photography on exclusively film. After shooting digital for around 7 years or so, it has been a great experience so far and I have learned a ton.
When I first wanted to start shooting street photography I had a lot of fears. What if the photos don’t turn out? What settings should I use? What film is ideal? Where do I get my film processed? Or should I process it myself? What camera should I use? What chemicals do I need? The list goes on.
I am certainly not an expert when it comes to shooting film, but I wanted to write this article as a primer for those of you who want to get your feet wet (but may not know where to start). I will use my personal experiences and opinions– but of course, feel free to experiment. And if you see any mistakes in this article, please correct me in the comments below and I will revise it.
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Take Your Street Photography to the Next Level in Detroit, NYC, Toronto, San Diego, Istanbul, LA, SF, Tokyo, & Kyoto!
Istanbul, 2012 I am excited to share that I added a new workshop to my schedule: my first charity-based (pay what you can) workshop in Detroit with Brian Day (May 10-11th). 100% of the proceeds will be going to charity. IÂ hope this will be a great way for street photography to give back to the community. You can see more info and register here.
There are also a few spots left for my upcoming NYC workshop May 17-19th with Richard Bram from In-Public. Don’t miss out on this unique opportunity.
And of course, I still have spots in my other upcoming workshops — don’t miss out!
Street Photography Workshops 2013
May 10-11th
Detroit – Charity Intro to Street Photography Workshop (feat. Brian Day) – Info & Register – NEW!
May 17-19th
NYC – Introduction to Street Photography Workshop (feat. Richard Bram) –  Only 4 Spots Left!
June 13-16th
Toronto - Introduction to Street Photography Workshop (feat. Josh White) – Info & Register
July 26-28th (*new date)
San Diego – Introduction to Street Photography Workshop – Info & Register
August 12-14th
Istanbul – Introduction to Street Photography Workshop (feat. Charlie Kirk) – Info & Register
August 16-18th
 Istanbul – Intermediate/Advanced Street Photography Workshop (feat. Charlie Kirk) - Info & Register
* (There is a 50% discount available if you attend both Istanbul Workshops)
August (Date TBA)
Los Angeles – Introduction to Street Photography Workshop - Register intent
October 17-20th
San Francisco – Intro to Street Photography Workshop - Info & Register
November 8-10th
Tokyo Introduction to Street Photography Workshop  - Register Intent
November 15-17th
Tokyo Intermediate/Advanced Street Photography Workshop – Register Intent
November 22-24th
Kyoto Film Street Photography Workshop – Register Intent
Stay Updated With My Future Workshops
Student Photo from Chicago Introduction to Street Photography Workshop 2013 by Abhishek Das Gupta -
The Quiet and Subtle Color Street Photography of Mat Thornton from Sunny Manchester, UK
Eric’s Note: Mat Thornton is a 41 year old freelance designer and art director based in sunny Manchester, UK. I first stumbled upon his work in a Hardcore Street Photography thread, and was impressed by his strong graphical form and subtle use of color. Not only that, but how much of his street photography is quiet and doesn’t involve much people. Check out this brief interview with him below, and see some of his superb color work.
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How to Gain Mastery in Street Photography
The master William Klein surrounded by students and fans, wanting to learn more about his work. Photograph by Guy Le Querrec. Copyright: Magnum Photos I recently finished a book titled: “Mastery” by Robert Greene. The book is one of those inspirational books which outlines the stories of many famous masters and how they gained mastery. Although the book was a bit cheesy at times, I still found it to be an uplifting read, filled with interesting anecdotes that definitely gives you a huge kick in the ass to go out and to “discover your life task.”
I want to share some of the lessons I’ve learned from the book– and how one can plan to use some of the author’s advice to gain mastery in street photography. Certainly following these steps won’t necessarily cause you to gain mastery, but I certainly think it is a great blueprint.
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Why You Should Shoot with One Camera and One Lens
Manila, 2013 Eric’s Note: This article was first published on the CSLR blog, but I am reposting it here in-case you didn’t have the chance to read it yet!Â
I first got introduced to photography when I was 18 years old. At my high school graduation ceremony, my mom gave me a little Canon Powershot point-and-shoot. I never considered photography before in my life, but I was amazed by the power I now held in my hands.
I had the power to capture life around me — to photograph those fleeting moments and make them eternal through my camera.
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CUP presents “In-Public – In Stockholm†– A Street Photography Exhibition and Workshops (May 22 – June 26th)
I am excited that a bunch of my good friends and street photography colleagues in Stockholm just founded “CUP” (Contemporary Urban Photography) to raise awareness of street photography in Scandinavia. They have partnered up with In-Public and are presenting an exhibition and workshop with Blake Andrews and Nick Turpin (May 22 – June 26th). All the juicy details below!
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Street Photography Camera Game-Changer: The Ricoh GRD V
The new Ricoh GRD V (or just the “GR”) There are a few cameras that make me excited. The Ricoh GR-series are one of them.
Ricoh has an almost cult-like following in Japan (and all around the world) for its compact size and versatile functionality. In-fact, Daido Moriyama (one of Japan’s most famous photographer) uses the GR-series cameras exclusively (he used to shoot black and white film, and now digital GR’s). Frankly, I haven’t met a single street photographer who doesn’t like the camera.
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Pound the Pavement in New York City: Registration Open for Introduction to Street Photography Workshop May 17-19th (Featuring Richard Bram from In-Public)
I am excited to announce I will be teaching my popular “Introduction to Street Photography Workshop” in New York City 5/17-5/19 featuring Richard Bram from In-Public. In this action packed 3-day weekend workshop, you will learn the fundamentals of street photography, how to create visually compelling images, how to conquer your fear of shooting street photography, as well as tips & tricks how to capture “the decisive moment.”
If you feel your street photography is in a rut, want to step outside of your comfort zone, or travel to New York City — this is the perfect opportunity for you.
Hurry up and register, the deadline for the early-bird discount is May 4th, less than two weeks away!
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3 Tips To Conquer Your Fear of Shooting Street Portraits
Last November I shot a campaign for Samsung’s NX20 camera using a video camera strapped to my head to record the footage of me shooting street portraits in Chicago with permission. It was a project that was intensive: I shot for 2 days straight from 5am-noon on little sleep.
The thing I loved most about the project is that although I certainly didn’t take photos that made it into my portfolio — it forced me to step outside of my comfort zone and interact with lots of people on the streets in a short period of time. The fact that the video was being played live in Amsterdam while I was shooting did give me healthy pressure which ended up being a great learning experience.
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Phnom Penh: ‘Heart of Darkness’ by Jonathan van Smit (NSFW)
Kid Sniffing Glue, Street 51 slums. Click to read more Eric’s Note: This project is by Jonathan van Smit, a street photographer based in Hong Kong. In the past I have interviewed him on the Leica blog and you can follow his work on Flickr. In this post he shares his “Heart of Darkness” project in Phnom Penh. Warning, the photos are explicit and not safe for work. I thank Jonathan for sharing these very touching images with the rest of the community.
Jonathan: How did I start the ‘Heart of Darkness’ project?
Chris Minko, a musician friend of mine in Phnom Penh is the founder, guitarist and song-writer of a local band called ‘Krom’. I was touched by the words in one of his songs, and started a project loosely based on the lyrics.
she no like but she do
no money, no eat
love you like monkey
i no lie, i speak true
‘Yama’ is the God of Death in Sanskrit but in Phnom Penh it’s amphetamine sometimes mixed with heroin. I took these photos of two young women smoking Yama in a back room in the slum behind the ‘Heart of Darkness’ nightclub on Street 51’s red light district. They were beautiful once.
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Expression Always Has Costs: The Issue of Street Photography and Ethics
“Hollywood Boulevard” © 1984 The Estate of Garry Winogrand Eric’s Note: This article is written by Mike Aviña, a street photographer based in the Bay Area. You can see his work featured on the blog here and an article he wrote about shooting street photography with the iPhone 5.Â
Mike: The street photography blogosphere has been buzzing lately with discussions about ethics. A recent review published by the San Francisco Chronicle started much of the fire. Jorg Colberg posted his own rant. Street photographers responded on their own blogs and online forums. The debate settled into two general camps and shots were fired between the two. Some argued that we should be more sensitive in how we approach people, others ranted that because the law protects us (at least in the United States), we can do as we like. There’s a bit more going on here and at stake. Street photographers, the art world, and the public at large must remember why photography in the public space is protected expression in many countries.
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Conquer Your Fears in Street Photography in Chicago, NYC, Toronto, San Diego, Istanbul, LA, SF, Tokyo, & Kyoto
Kyoto Introduction to Film Workshop with Bellamy Hunt, Sean Lotman, and Junku Nishimura. 2013 If you want to conquer your fear of shooting street photography, meet other passionate street photographers, and take your work to the next level consider joining one of my upcoming workshops!
I have taught over 35 workshops, across 15 countries, to over 500+ students who have stepped outside of their comfort zones and have had life-changing experiences. Don’t miss out and see where you would like to join me in my schedule below!
April 19-21st
Chicago – Introduction to Street Photography Workshop (feat. Satoki Nagata) – Few Spots Left
May 17-19th
NYC – Introduction to Street Photography Workshop (feat. Richard Bram) –  Info & Register
June 13-16th
Toronto - Introduction to Street Photography Workshop (feat. Josh White) – Info & Register
July 12-14th
San Diego – Introduction to Street Photography Workshop – Info & Register
August 12-14th
Istanbul – Introduction to Street Photography Workshop (feat. Charlie Kirk) – Info & Register
August 16-18th
 Istanbul – Intermediate/Advanced Street Photography Workshop (feat. Charlie Kirk) - Info & Register
* (There is a 50% discount available if you attend both Istanbul Workshops)
August (Date TBA)
Los Angeles – Introduction to Street Photography Workshop - Register intent
October 17-20th
San Francisco – Intro to Street Photography Workshop – Info & Register
November 8-10th
Tokyo Introduction to Street Photography Workshop  - Register Intent
November 15-17th
Tokyo Intermediate/Advanced Street Photography Workshop – Register Intent
November 22-24th
Kyoto Film Street Photography Workshop – Register Intent
For student testimonials and reviews of my past workshop, scroll down on this page here.Â
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The Playful Color Street Photography of Jin Kay Lee
Eric’s Note:Â Jin Kay Lee was born in 1991 and raised in Asbury Park, New Jersey. She currently resides in Brooklyn, New York and attends the School of Visual Arts. I love very much the way in Jin Kay is able to catch odd moments of everyday life with so much humor with a gentle touch. The color really adds to the zaniness of some of the images, and her images are very fresh from other contemporary street photography I see today.
Read more to see her playful color street photography.
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Looking for Something Special on the Streets of Lyon: Baptiste Hauville
Eric’s Note: I’m not sure how I first stumbled upon Baptiste Hauville’s work, but I knew instantly that I liked his unique vision and color street photography. What I love most about his work is the layers and complexity that he adds to his photographs, with strong geometric shapes and layers. Not only that, but a lot of his photos have a punch of humor in them as well. Check out his images and thoughts on street photography below.Â
Baptiste: I’m 27, and currently live in Lyon, one of the biggest cities in France. I hope to soon be a full-time working photographer. I think I first started photography thanks to my dad. I remember playing with his old camera (a black Minolta SRT101) during my childhood. He owned it for almost 30 years! And it still works. What a great piece of metal!
I got into street photography progressively. Actually, when I decided to go out with my camera for the first time, I had no idea that I was shooting street photography (well, trying to shoot street photography).
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Capturing the Actors of Everyday Life in Athens: the Street Photography of Lukas Vasilikos
Erics’ Note: Lukas Vasilikos is one of the most original and talented contemporary street photographers today. Not only does he have a strong grasp of black and white, but he is also able to use color to his advantage as well. His photographs are powerful and show a deep insight into human nature. Read more to see his thoughts on street photography and his amazing work.
Lukas: My name is Lukas Vasilikos. I live and work in Athens, Greece. I started to take photos at 2006 after a photo-seminar with Manos Lykakis. Since my first steps in photography, I liked being out at streets and shooting. I like to communicate with people and use them as actors, playing a performance just for me.
Street photography makes me feel free. All my senses are on alert and I like the “huntingâ€: finding and catching the right moment. Right now I’m also working on a whole different project which is more personal, concerns night shooting. This way I explore emotions like death, loss, and more.
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Shoot Every Day As If It Were Your Last
Tokyo, 2012. From my on-going “Suits” project. I was sitting at home with my girlfriend Cindy, and I suddenly got a call from my cousin overseas. After two bouts of heart attacks while he was in the hospital, he passed away suddenly. My mom then called me and told me that I had to immediately get on the next plane to Korea to attend my grandfather’s funeral (which was on Sunday).
It was Friday night, and Cindy was fortunately able to help me book a plane that left the next morning. I quickly tossed some clothes into a gym bag, packed my camera and laptop, slept, then left to the airport.
After a 18-hour flight to Busan, I arrived Saturday night in cold and rainy weather. I took a taxi straight to the church where my entire family from all around the globe was getting prepared for the funeral.