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Street Reverb x Xperia Studio “Reality Remade” Street Photography Competition


The cool folks over at Street Reverb Magazine are teaming up with Xperia Studio in a joint “Reality Remade” street photography competition. There are lots of great prizes including a £2200 grand prize, including free Xperia phones.

In order to enter, you will need to put together a project proposal interpreting the theme “Reality Remade” and submit a short biography about yourself, accompanying your portfolio. The 5 best proposals will move onto the next round of the competition, where they will be given an project budget of £300 and a Sony Ericsson Xperia Phone to capture 5 images for the theme.

This competition is free and a great opportunity for you to get your name out there– so make sure to enter!

>> Enter the Reality Remade Street Photography Competition

YOU ARE HERE Street Photography Exhibition Opening TONIGHT in Downtown LA at 7:00PM

I am pleased to announce the opening of the YOU ARE HERE Street Photography Exhibition tonight at the Think Tank Gallery in Downtown LA sponsored by Leica. The concept was that 30 photographers weregiven 10 days to shoot one square block in the Fashion district in Downtown LA. Despite the restriction, all the photographers were able to capture the soul and essence of the place in a beautiful way.

The exhibition is FREE will feature over a hundred photographs, and complimentary drinks and food will be provided. Free parking is located all around the gallery at 939 Maple Ave, and the exhibition will run from 7:00PM-1AM. If you are in the LA area, stop by!

Please RSVP via the Facebook invitation and I hope to see you all there!

Interview Featured at the 500px Blog

Hey streettogs, just got interviewed by the folks over at 500px. They asked me some questions about my approach in street photography, how my work has evolved, as well as my thoughts on some controversial topics. If you got a minute, make sure to check out my feature here!

Thanks to Jen Tse for the interview, and Neil Ta for hooking us up!  

What Does it Take to Make a Good Street Photograph?

What's on a doorman's mind?

 (“What’s on a doorman’s mind?” by Simon Garnier)

Eric’s note: The following guest article is by Simon Garnier, part scientist and part street photographer who lives and works in New Jersey. Read his previous article about getting close in street photography and this new article where he discusses what it takes to take a great street photograph.

What does it take to make a good street photograph? Many, many, many things. Some weeks ago on this blog, for instance, I discussed the importance of taking a picture at the right scale, that is, at the scale of the event you are photographing. As you can imagine, however, the scaling problem is not the only challenge one faces when doing street photography. I might be at the right scale, but not at the right position or angle; the natural light might create shadows masking important elements; the composition of the picture (that is, the organization of the different components of the image relative to each other and to the dimensions of the picture) might diminish the meaning and clarity of the photograph; the colors (if you shoot in color like me) might simply not get along very well (try flashy green on purple for instance :-) ); the contrasts might be too low to easily distinguish the foreground from the background; etc, etc. Street photography is an easy genre to start with (the easiest maybe?), but for sure it is one of the hardest to master as all these problems must be tackled under strong time constraints.

An Introduction to Zone Focusing for your Leica, Rangefinder, or DSLR

When I first started shooting street photography, I was always frustrated that my autofocus would always be too slow to capture the decisive moment. After trudging around the internet, I was first introduced to the idea of “zone focusing” by Markus Hartel on his blog.

For those of you who aren’t familiar with zone focusing you essentially use a high f-stop number with a deep depth of field (f/16 or f/11) and have your camera pre-focused to a certain distance to get your photos in-focus. This is beneficial because although modern autofocusing systems are quite good, they are not 100% reliable. Using zone focusing when shooting street photography allows you to get far more keepers.

Aperture at f/16 and focused to around .9 meters. You can see everything from .7 meters to 1.5 meters will be in-focus

Regarding the settings, I typically use the following when shooting:

  • Aperture: f/16
  • ISO: 800-3200
  • Shutter speed: Above 320ths/second
  • Prefocus: 1 meter
  • AV-mode
Why do I use the above settings? Shooting at f/16 allows me to get the deepest depth-of-field with my lens. I keep my ISO high so my shutter speed will be above 320ths/second (this allows you to capture people walking and not blurry). I don’t mind having extra grain or noise in my images. I actually find it to make my images more gritty and raw. Also I keep my lens pre-focused to around 1 meter– because that is how close I generally am to my subjects when shooting.

How to Interact With Your Subjects when Shooting Street Photography

Alfred Eisenstaedt once said, “It is more important to click with people than to click the shutter“. Upon reading this quote, it made me start thinking differently how I approach my street photography. When I started off, I would avoid eye contact at all costs, often shooting from the hip or being a little more sneaky. However nowadays, I actually prefer making eye contact with my subjects the majority of the time and even interacting with them after taking the shot. Often times when things are a bit too hectic on the streets, I don’t talk much with people but whenever I have the opportunity I try. Keep reading to learn how to interact with your subjects more when shooting on the streets.

Through the Grainy Eyes of Film by Erik Lauri Kulo

(Above image by Erik Lauri Kulo)

Who would have thought that 146 years after the photographic negatives were added to protected works under copyright – people would still use the technique even though there’s an almost futuristic alternative?

In the late 90s photographic film made, what would seem, a last push to stay on top of the photography market with a row of new cameras such as the Olympus Mju-II that quickly sold around 3.8 million examples. Or the Canon EOS 1-N that served the purpose of showcasing just how advanced Canon’s technology really was at the time.

But with the millennium came a new king of the market: the digital camera. With the new Canon 1D and Nikon D1 film truly appeared to be losing the battle. And today when technology has reached a level that was a mere fantasy of science fiction fans a couple of years ago, it would seem like film is dead.

Interview with Eric Kim about the YOU ARE HERE Street Photography Exhibition in Los Angeles with The ThinkTank Gallery and Leica

Popsicle

Interview conducted by Jacob Patterson, co-founder of the ThinkTank Gallery in Los Angeles.

YOU ARE HERE is a street photography show at the ThinkTank Gallery at 939 Maple Ave in Downtown LA on October 13th which is sponsored by Leica Camera. Over 30 photographers were given 10 days to shoot the same one square block, and their three images which best capture the spirit of the area shot will be displayed together alongside a few installation pieces. Come out at 7pm or after you visit the Downtown Artwalk and see this unique show! You can RSVP via Facebook, and keep reading to hear about Eric’s involvement in the exhibition and see some of his best images.

Tenderloin USA Photo Journal: An Exploration of the Tenderloin District in San Francisco

Click to see the book

I recently received my copy of Tenderloin USA, which is a 50-page black and white introspection of the Tenderloin, one of San Francisco’s most vibrant yet often overlooked neighborhoods. Street photographers Brad Evans and Travis Jensen go into the heart of the Tenderloin, and capture soulful images of the people who work, hustle, hang out, and live in the colorful and culturally diverse neigborhood.

The most inspirational part of Tenderloin USA is that 100% of the profits will go to the Larkin Street Youth Services, a San Francisco charitable organization that helps at-risk youth in the area. I am a huge advocate for helping out the community through photography, so do your part and pick up a copy! The journal is only $20 through HP’s Magcloud, and you can buy a copy here.

Help support this project and the community now!

35 Magnum Photographers Give Their Advice to Aspiring Photographers

Hi 
(Above image copyrighted by Alex Majoli)

Bill Reeves, a passionate photographer who is fortunate enough to have Magnum photographers Eli Reed and Paolo Pellegrin as his mentors, told me about a blog post that Magnum had a while back regarding advice to young photographers. It was put together by Alec Soth, who has done a series of fascinating projects such as his most popular, “Sleeping by the Missisippi” which was done on a 8×10 view camera. An interesting excerpt that Bill put together about Alec is below:

Alec writes up lists of things to shoot. Some normal objects, like suitcases, and others more weird, like unusually tall people. He would tape this list to his steering wheel, and be reminded to shoot those things when he saw them. When he found someone to shoot, he would talk to them, and from that conversation find the next thing to go looking for. An example is he did a portrait of a guy who built model airplanes, and then a portrait of a hooker. The link? She had airplanes painted on her nails. He then went to photograph Charles Lindberg’s childhood home, which led him to photograph Johnny Cash’s boyhood home and so on and so forth.

I found the advice that these Magnum photographers is golden–and have shared it here to spread the love and knowledge. Keep reading to see their inspirational images and advice. You can also download the free PDF here.

The Top 3 Winners of “The Decisive Moment” Street Photography Contest

Street Photography Contest - Decisive Moment

Sorry for the delay, but finally chose the Top-3 Winners of my first international “Decisive Moment” street photography contest! Many of you voted on your favorite submissions to make it to the top 10, and I chose the top three which I felt captured Henri Cartier-Bresson’s aesthetic of what he would have believed to be the “The Decisive Moment”. Congratulations to everyone who submitted and the winners will be awarded Lens Bracelets of their choice!

Stay updated as I have lots of other new street photography contests coming up! Keep reading to see all the amazing images and the stories behind them!

So You Wanna Shoot Street Photography With Film, Huh?

Click to read more

Eric’s Note: This is article is part of an on-going weekly column by Japancamerahunter (Bellamy Hunt) where he talks about vintage cameras, film, and street photography. You can check out his part articles here

Now that you have taken the plunge and bought yourself a film camera you might be wondering what film you should be using. Well, this is a rather difficult one to answer, as one man’s meat is another man’s poison.

But, never fear, Eric asked me, your charming uncle Japancamerahunter to try and steer you through the rough (and sometimes expensive) seas that make up camera film.

Now this article is timely in that it comes off the back of an announcement last week by Fujifilm that they will be cutting production of a number of films. This seems to be a growing trend, and I can imagine it will not be long before only the smaller specialized companies like Ilford and Efke are making film. So if you are fancying a crack at the film game there is no better time than now. Get on it while the going is good.

New Street Photography Magazine: “Radiate” Released (Issue 1)

(Cover photo by Charlie Kirk)

Stu Egan, a passionate street photographer and magazine editor from London recently put together the first issue of Radiate Magazine, a new street photography magazine filled with great street photographers from all around the globe. Not only does the magazine include great images, but it includes insightful interviews and features from street photographers such as Paul Trevor, John Battaglia, the un-posed street collective (Michal Adamski, Damian Chrobak, Pawel Piotrowski, Zbigniew Osiowy, Tomasz Lazar and Maciej Dakowicz), Charlie Kirk, Misho Baranovic, Bruce Byers and Justin Sainsbury.

The magazine is 100 pages and is only $21 if you wish to get a real paper-back copy. The magazine isn’t priced to make any profit, and is priced at the basement price to get the thing printed. If you really love street photography, you should pick up the paper-back version and enjoy the beautiful images. I just ordered mine and can’t wait until I get it in the mail!

They also offer a free digital downloadat the link below.

> Radiate Magazine Issue 1

Make sure to also keep posted with their magazine and blog.

Let us know what you think about this magazine by leaving a comment below!

10 Famous Street Photography Quotes You Must Know

Garry Winogrand Flip

Garry Winogrand Flip

(Above image by Garry Winogrand)

If you want to get a deeper insight into street photography and take better photos, I feel it is very important to study the work of the street photographers who came before us and paved the way for the rest of us. Not only that, but reading the quotes and words by these influential street photographers is a great way to train your mind to take better photos as well. Below are some of my favorite street photography quotes that are concise, inspirational, and have influenced me in one way or another.

Getting Close: Does It Really Make You a Better Street Photographer?

Eric’s note: The following guest blog post is by Simon Garnier, part scientist and part street photographer who lives and works in New Jersey. Read about his experiences in getting close in street photography–and how he grapples with the idea of getting close in street photography. Interestingly enough this post was written before Fabio Pires’ video came out, but it is more relevant than ever. 

Simon: I am not an experienced street photographer. I started shooting street and candid pictures about a year ago, after several years of irregular experimentations with film and digital cameras. Everything you will read in this post is therefore the result of an ongoing reflection about something that I thought was true, but that I start to find overestimated, and potentially problematic for street photography in general.

Think Tank Gallery Looking for for 32 Street Photographers in Los Angeles!

The Think Tank Gallery is looking for 32 street photographers from Los Angeles for a fascinating project. Selected photographers will have 10 days to shoot in an undisclosed location during October 1st-10th. Those chosen will then have their best 3 images shown in their gallery during the LA Downtown Artwalk on October 13th.

If you are interested in participating, shoot an email at youareherethinktank@gmail.com with your 5 best images in JPEG format (resized to 950px wide). This can be a great opportunity to get more exposure for your work and even get featured in an up-coming gallery!

*Deadline to submit is September 15th, 2011

*You don’t need to be from Los Angeles to participate, but you will have to be in Los Angeles during October 1st-10th to participate.

This event is sponsored by Leica Camera.

How to Market Yourself as a Street Photographer

Click to read more

Recently I have been thinking a lot about marketing oneself as a street photographer. Through the past year on my blog, I have featured a great deal of street photographers who are extremely talented yet haven’t had the coverage that they deserved. Thinking more about the subject, I thought especially about Vivian Maier who was indeed one of the great street photographers, but was unknown until after she died. Of course Maier purposely didn’t share her photos with others, but I think that photographers have a duty to share their images with others to inspire and show the beauty of life.

I know there are many street photographers out there who are still very talented yet don’t know how to get their work out there. I have divided up this blog post up to three parts which will hopefully help you understand what you want out of street photography, how to get your work out there, and how to get your work recognized as well.

Download Thomas Leuthard’s (85mm) NEW Street Photography Book: “Collecting Souls: What Street Photography Means to Me” For FREE!

I am excited to announce that Thomas Leuthard (85mm) has just released his second book on street photography titled: “Collecting Souls: What Street Photography Means to Me“. This book is much more advanced than his previous book, and contains more of his personal thoughts and ideas when it comes to street photography. It includes more than 30 short chapters about street photography, and should help with your own story-telling and style.

As with Thomas’ other street photography book, it is totally FREE and available for download here.

If you haven’t checked out Thomas’ first book “Going Candid“, you can also download that here as well.

Show Thomas some love by leaving a comment below and telling him what you think about his book/generosity!

Call for Photographers: Think Tank Gallery Looking for for 32 Street Photographers in Los Angeles!

Hey streettogs, the Think Tank Gallery in Los Angeles is looking for 32 street photographers for a fascinating project. They will select an undisclosed location, and you will be given 10 days to shoot during October 1st-10th. Those chosen will then have their best 3 images shown in their gallery during the LA Downtown Artwalk on October 13th. If you are interested in participating, shoot an email at youareherethinktank@gmail.com with your 5 best images in JPEG format (resized to 950px wide). This can be a great opportunity to get more exposure for your work and even get featured in an up-coming gallery!

*Deadline to submit is September 15th, 2011

*You don’t need to be from Los Angeles to participate, but you will have to be in Los Angeles during October 1st-10th to participate.

Seconds2Real Street Photography Exhibition in Berlin – October 15th

Some of the talented street photographers over at Seconds2Real, a co-operative of thirteen passionate Austrian and German street photographers are going to be hosting an exhibition titled:  “Fascination Street”, their first exhibition of contemporary Street Photography. The Berlin show opens October 15th, 2011 and runs for two weeks. They will also be showing more than 100 prints at the unique MEINBLAU Kunsthaus.

Read more information below to get the inside scoop.

The 10 Most Important Things You Should Be Looking For When Buying a Classic Camera (Or How Not to Get Ripped Off)

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Pictured above: Canon 7 Black w/50mm f1.2 screw mount. Shot by Bellamy Hunt

 

Eric’s Note: For this blog post I am excited to present this article written by Bellamy Hunt (aka Japancamerahunter). Not only is he a skilled street photographer, but he is a professional camera hunter. If you are looking for a vintage or classic camera, he is your man. Knowing nothing about classic cameras myself, I asked him some tips that you may need to know when looking to buy one. Read what he has to say below!

So, you have decided to take the plunge and buy a classic camera, well hold on to your horses, this is something that you shouldn’t run headlong into with wild abandon.
Obviously if you are buying a $20 camera most of this will be completely irrelevant to you, but if you are thinking of getting something a bit nicer, then there are a few things you should consider.

First up, and perhaps most importantly, know what you are looking for. Don’t have a vague idea that you want a film camera and just buy the first one you see; you will just be disappointed.

Here is a little list of things that you should be looking for when you are buying a classic camera.

10 Things Henri Cartier-Bresson Can Teach You About Street Photography

henri_cartier_bresson_children

Don’t forget to order the new re-print of “The Decisive Moment” by Henri Cartier-Bresson!

I have been doing quite a bit of research into Henri Cartier-Bresson, the godfather of street photography.

Although my current approach in street photography is more like Bruce Gilden and less of Henri Cartier-Bresson, HCB influenced much of my earlier work and I still deeply respect his photography and philosophies. I hope you are able to enjoy these things I believe you can learn from Henri Cartier-Bresson about street photography. Keep reading to become inspired and learn more.

“The Decisive Moment” Street Photography Contest: August 18-September 14th

Eric Kim Street Photography Contest

The Decisive Moment Street Photography Contest

I am excited to announce my first international street photography contest. Adam Elmakais is generously sponsoring the contest and is going to give away some sweet Lens Bracelets to the winners!

The theme of this contest is going to be “The Decisive Moment” as a tribute to Henri Cartier-Bresson, the definitive master of street photography. For the contest you will submit your best street photograph that best highlights the aesthetic of “The Decisive Moment”. I am excited to see all your entries.

How the Contest Is Going to Work

  • Phase 1: From August 18-September 2nd you will email me your best street photographs of “The Decisive Moment”
  • Phase 2: On September 5th I will choose the 20 best street photographs and will compile them in a Facebook album on my Facebook fan page. People will then vote on their favorite entries to make it to the Top 10 (from September 5th-14th).
  • Phase 3: On September 14th I will judge the Top 10 entries and announce the Top 3 winners.

How to Enter

  1. LikeEric Kim Photography and Lens Bracelets on Facebook!
  2. Choose your favorite street photograph of “The Decisive Moment” that you have ever shot and email it to erickimphotographycontest@gmail.com
    • Send the photo in a JPEG file resized to 760px (only one photo per entry)
    • Include the following information in the body of the email:
      1. Title:
      2. Location you shot the image:
      3. Tell us the story behind your image (4-8 sentences):
      4. What you love most about street photography (any length):

Prize

  • On September 14th, I will announce the 1st, 2nd, and 3rd prize winners
  • All winners will have their images featured on my blog and will also have the chance to tell the stories behind their images
  • The first prize winner will win 3 Lens Bracelets
  • The second prize winner will win 2 Lens Bracelets
  • The third prize winner will win 1 Lens Bracelet

Rules & FAQ

  • Each participant is only allowed to enter 1 image.
  • Anyone can enter the contest
  • Entries can be either film or digital.
  • We deserve the right to disqualify any inappropriate images.

Excited to see all of your wonderful entries!

Got any questions, comments, or concerns? If so, leave a comment below! I will also put up reminder blog posts along the way.

Alfred Eisenstaedt on Getting Close in Street Photography

alfred eisenstaedt

The other day I was hanging out with Derriel Almario and we stumbled upon an old Borders bookstore that closed down and was converted into a $1 bookstore. When I saw it, I suddenly got giddy at the possibility that there may be some hidden photography book gems that we could find. Low and behold I stumbled upon a book titled, “The Camera” which was a photography book published in 1970 by TIME.

There was a chapter on shooting people that particularly fascinated me. Most of the photojournalists interviewed for the book generally agreed it was better to get closer to your subjects than shooting far away with a zoom lens.

Why You Should Stay on the F*cking Bus

Jazz Hands
"Jazz Hands" - Eric Kim

Finding your own style in street photography is one of the most difficult things to discover. Everyone is influenced by the great street photographers such as Henri Cartier-Bresson and Garry Winogrand, but to differentiate yourself from them can be a life-time journey. Personally I have been having difficulty finding my own style, with my earlier work relying more on juxtaposition and architecture. I have recently started to transition in getting closer to my subjects and shooting with a flash–a technique similar to that of Bruce Gilden and very controversial.

Support the Art of Street Photography: Donate to the London Street Photography Festival for 2012

Although I wasn’t able to attend the London Street Photography Festival 2011, I heard it was a huge success. Hopefully I will be able to attend next year, and so will you! If you live in the UK or somewhere closeby, check out their fundraising auction and help support this great cause! All the info you need is below:

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Festival Fundraising Auction
24 August 2011, German Gymnasium

Help us raise funds to ensure the festival is here next year. Enjoy a night of entertainment and fun and have the opportunity to bid on prints from the festival, photographic experiences and much more!Tickets: £20 (includes food, drinks and raffle ticket)

BUY TICKETS NOW

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For those of you who attended the London Street Photography Festival 2011, how did you like it?

LA Street Photography Workshop: Day 1 (Street Photography Fun + Leica Orgy)

I am glad to announce that my first day of the street photography workshop was a huge success! Everything went off without a hitch, and the workshop has been great so far! We had a wonderful group of participants for the workshop and great food (courtesy of my mom and younger sister). Not only did we have a great time discussing about street photography and learning tips and techniques for the street, we were able to go out and test some Leica gear when we went shooting.

Many of the participants were able to test out Leica cameras such as the Leica M9, Leica X1, Leica D-Lux 5, and I had the great pleasure of playing with the Leica S2. All I have to say it is a beautiful camera (although a behemoth). The image-quality is unparalleled (it’s hard to tell on the web) and felt solid in my hands. It isn’t an ideal camera for street photography and was difficult to use in the streets, but it was fun.

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Also I am going to have my next Intermediate Street Photography Workshop in Los Angeles on August 27-28th. Please email me at erickimphotography@gmail.com if you’re interested or would like more details!

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Read more to check out the photos I took during the workshop with the Leica S2 and my Canon 5D with flash!

Vegas Day 3: Last Day Thoughts and Impressions of the Macbook Air

Today is my last day in Vegas and all I gotta say is I had a blast. Not only was I able to come here for the first time and experience debauchery, gambling, and great food– but I was also able to shoot great street photographs here. Huge thanks for everyone giving me all the advice of places to check out, and especially to Rob DeRosa for showing me around in Downtown Vegas. Watch the video above to hear more about my thoughts about Vegas, and a quick review of the Macbook Air I have been using during this trip.

Also I still have 2 spots open for my Los Angeles Street Photography Workshop this weekend (July 30-31st). Check out more information here and email me at erickimphotography@gmail.com if you are interested in joining!

Read more to check out the photos I took today (although not many!)

Download “Going Candid…” a FREE Street Photography E-Book by Thomas Leuthard

Hey guys if you haven’t heard yet, Thomas Leuthard (85mm) just released “Going Candid…” his FREE Street Photography E-Book. It is fill of great information about how to shoot strangers while getting really close to them, how to share your work, and truly tell a story through your images. It is fantastic information for anybody serious about street photography.

You can download a free copy here.

Make sure to leave a comment below and show Thomas some love for his generosity and great insights into street photography!

Vegas Day 2: Debauchery, Hangovers, and Flash Street Photography at Night

I just completed my second day in Las Vegas and wanted to share some of my experiences. First of all, it appears that for the entire time I have either been a) Drunk or b) Hungover. Not the most fun when shooting street photography, but I still get the job done. Also today I had the great opportunity of meeting up with Rob DeRosa (one of my LA Street Photography workshop attendees this Saturday-Sunday) and he showed me Downtown Vegas which was a ton of fun. It seemed more soulful than the main strip (as it had more locals and fewer tourists). Not only that, but I was able to have a ton of fun shooting flash with my camera, which was awesome.

If you are interested in my LA street photography workshop in Hollywood this weekend (July 30-31st), please shoot me an email at erickimphotography@gmail.com for more information! There are only a few spots left, and it will be a great opportunity for you to overcome your fear of shooting street photography while being able to test out a Leica M9!

Make sure to also read more to check out more of the photos I took :)

Vegas Day 1: Debauchery and Daytime Street Photography

Vegas Street Photography Eric Kim

Although I have lived in LA for many years, I have never been to Vegas before. Deciding to go to Vegas was a random idea, but suddenly it happened. I packed my bag with my street photography gear and headed out Monday morning. I just got here and was able to do some street photography. I’m still pretty inebriated and was barely able to process these images I took during the day. I was able to get a few night street photographs (but ended up going clubbing and kept my camera at home). Hope to do some more street photography with flash tomorrow night–but in the meanwhile read more to check out my photos!

10 Things Street Photographers Can Learn from Pickup Artists

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Neil Strauss, author of “The Game”

I was talking to one of my buddies today about street photography and how much mental training it required for someone to feel comfortable shooting in the streets. He then saw me shooting on the streets and noticed the way I interacted with my subjects was often similar to that of “pickup artists” as described in Neil Strauss’ best-seller “The Game“. For those of you who are not familiar with the book, the author learns how to seduce women with certain techniques and strategies and documents them. Although the book may sound misogynist, it is more about psychology and a biography than anything else. Also as a note, I quoted an Amazon review of the book to come up with the ten points. Enjoy!

The Opportunity to Shoot the Past is Today

Henri Cartier Bresson

Recently from the recommendation of Daniel Schaefer I watched a film called “Midnight in Paris” which stars Owen Wilson and is directed by Woody Allen. The premise of the movie is that Owen Wilson (a writer) is hopelessly in love with the ideal of Paris in the 1920’s and is convinced that his present is not nearly as romantic or great enough. However through a strange series of events he finds himself in the 1920’s Paris where he finds out all the people living during that time-period wished that they were also in an earlier and more romantic time-period.

Highly recommend everyone to watch this film

Therefore it had me thinking about street photography and the romanticism we can often attribute to the past. We think of all the great photos by Henri Cartier-Bresson, Robert Doisneau, and Robert Frank and think that we can never capture as stunning images because the present is boring. However what we need to realize that today is going to be the past one day, and the opportunity to shoot is now. Don’t let all these excuses about the present not being interesting enough get in your way of shooting.

Henri Cartier Bresson
Henri Cartier Bresson - I am sure we can still find opportunities to shoot images like this today

Also I am excited to announce that for my July 30-31st street photography workshop in LA I am going to have a Leica representative bring Leica M9’s, lenses, and compact cameras for you to shoot with. If you have ever wanted to learn more about street photography (and shoot with a Leica M9) sign up soon! I only have 3 spots available, so please shoot me an email at erickimphotography@gmail.com for more information or to sign-up.

So have you ever been guilty of romanticizing the past and dismissing the present? Share your thoughts and experiences by leaving a comment below!

The Best Street Photography Blogs on the Web

Although street photography is still very much a niche online, here are the top street photography blogs I regularly follow online.

American Suburb X

http://www.americansuburbx.com/

Although American Suburb X brands themselves as more of a “photography and culture” magazine, they consistently have photo-essays and interviews with street photographers. If you look at any of their features, they are very well-written and long-format (something that a lot of sites no longer feature). Check out this great feature about Garry Winogrand here.

 

I recently came upon the great flash street photography work by Dirty Harry and also found out that he curates an awesome street photography blog. On a very consistent basis, he finds the street photographs that he finds the most inspirational to him and posts it on his blog. Stay tuned for an interview with him on my blog soon :)

Leica Blog

http://blog.leica-camera.com/

Where would street photography be without Leica and rangefinders? Regardless, they feature many great interviews with street photographers on their blog and also keep us in the loop with what the masterminds at Leica are up to. Definitely keep them bookmarked.

B – Blake Andrews

http://blakeandrews.blogspot.com/

Out of all the street photography blogs I listed, “B” from Blake Andrews has definitely got to be my favorite. Sarcastic, rugged, and raw– Blake Andrews never sugarcoats anything he has to say that is on his mind. Not only that, but the man has a fantastic eye (he is in In-Public after all) and has great photo-analyses and essays. Here is one of my favorite articles on him on editing.

Seven Seven Nine – Nick Turpin

http://www.sevensevennine.com/

Nick Turpin is one of the anchors in the street photography community and has been working extremely hard in pushing street photography as a serious art in the community. He is also the founder of In-Public and has a fantastic eye when it comes to street photography. Although his blog Seven Seven Nine isn’t updated nearly as often as I’d like–it is still a treasure chest full of great information and insights.

Yanidel Street Photography

http://www.yanidel.net/

Yanidel is a passionate and extremely consistent street photographer from Paris who recently quit his job to travel the world for 80 weeks (the man has balls). I had the great pleasure of meeting with him when I was in Paris, and the guy not only loves street photography but blogging as well. Live vicariously through him and check out his blog!

JT in Seoul – Josh White

http://jtinseoul.wordpress.com/

Josh White is a street photographer that I stumbled upon a couple months back and even had an interview with him on my blog. He describes himself as a “law student on extended vacation in Korea” and is obsessed with documenting the streets of Seoul. Not only does he take great photographs, he also has a plethora of street photography gear (Leica M9, Leica X1, Fujifilm FinePix X100, Ricoh GRDIII, Ricoh GXR, etc) and gives great “real world” reviews. Peep him now!

Severin Koller

http://severinkoller.at/blog/

Severin Koller is a damn good street photographer and has been featured on the Leica blog recently. He hails from Vienna and looks like he is out and about doing street photography workshops with Chris Weeks all around the world right now. Check out his blog for his inspirational images.

Invisible Photographer Asia

http://invisiblephotographer.asia/

If you want a series of wonderfully curated fine art and street photography from Asia, Invisible Photographer Asia is the place. They have been only around for a year through the founding of Kevin WY Lee, but they have exploded in popularity and been getting a ton of great buzz lately. Oh yeah, and I’m a contributor there too ;)

Burn Magazine

http://www.burnmagazine.org/

Curated by Magnum photographer David Alan Harvey, burn is is an evolving journal
for emerging photographers. All the images included are extremely well-curated, so you know every visit you make you will see some truly great images. Highly recommended for any serious street or journalist photographers out there.

Street Hunters

streethunters.net

street-hunters

The guys working at street hunters are one of the newest street photography blogs on the block, offering insightful tutorials, tips, and tricks. If you need some inspiration or tips, check them out!

In-Public Blog

http://in-public.com/blog/

in-public-blog

When I started street photography, I first came across the street photography collective in-public. They do regular interviews on their blog, and are always a great source of inspiration.

Shooter Files

http://shooterfiles.com

fd walker

I came across F.D. Walker’s blog on street photography — Shooter Files totally by chance. I love how he has bridged street photography and travel photography so well, as well as his enthusiasm and passion. He has great shots and insights, make sure to check him out.

New Beginnings Day 8: Street Photography With Wireless Flash at Santa Monica

Today I hit the streets of Santa Monica and the beach armed with my new YN-560 Speedlight Flash and wireless transmitter. It is a new setup that I have been trying out, which seems to be far better than using a chord for my street photography with flash. Not only is the kit extremely cheap (only $67 for the flash and $20 for the wireless transmitter) but it works well and gives me great images! Screw buying a Canon Speedlite 580EX II for around $500. Having shot with it in Santa Monica today, I have been extremely pleased. Read more to see all the pictures I took.

Anyways I also have 4 more spots open for my July 30-31st street photography workshop in Hollywood, Los Angeles! It is going to be a ton of fun meeting other street photographers, shooting together in the streets, while also getting helpful critique and learning new techniques. Please email me at erickimphotography@gmail.com if you want more details or would like to sign up!

Conquering the Streets of Mumbai by Kaushal Parikh

Kaushal Mumbai Street Photography
Simplelives - Kaushal Parikh

Street photography grabbed my attention only about 3 years ago when I stumbled upon images made by photographers like Cartier Bresson and Joel Meyerowitz on the streets of Paris and New York.

Those images were so real. So unposed. For the first time I felt emotionally connected to still photographs. I wondered about the people in the images and what their lives must have been like and where they might be today. I marveled at how the photographer captured such a fleeting moment to tell the perfect story. Sometimes I would lose myself in an image for several minutes.

New Beginnings Day 7: Todd, Lighting, and Thorsten Overgaard (+ lots of caffeine)

It has officially been 7 days since I got laid off my job and decided to pursue street photography full-time. Things have been hectic with me working 15-hour days on this blog, booking participants for my workshop, managing my social media networks, and going out and networking! Today I was fortunate enough to meet with Todd over at Lighting Leica and he was able to hook it up with an awesome flash (and wireless trigger) which I plan on using for my flash street photography. Stay posted for an in-depth review later.

Tonight I was also able to meet up with avant-garde Leica photographer Thorsten Overgaard and had a ton of fun chatting with him and shooting portraits of him with my flash. The guy is super-chill, down to the earth, and did I mention–well dressed? Watch the video above to hear more about my highlights and also read more to see the fun pictures I took as well!

I also still have 3 spots open for my Los Angeles street photography workshop July 30-31st, so please shoot me an email at erickimphotography@gmail.com if you would like to hear more details! Hurry, spots are running out ;)

6 Photographers Assert Their Right to Take Photos in London (and how you can too)

This morning Fabrice Drevon told me about this video that has been getting quite a bit of buzz online about 6 photographers who stand their ground and take photos in London of private buildings from public property. Long story short, all 6 photographers get confronted by private security who assert that they have no right to do so (when in reality they can shoot from a public space). Not only that, but in 3 cases police were called as well (who fortunately were very reasonable and well-versed in the law).

The video is a bit long (16 minutes) but I advise everyone to watch it. The photographers all use common-sense and are reasonable when confronting these doubting private security officers (and have the balls to stand their ground). Here are some takeaway points I got from watching the video.

My First Photography Commission: Shooting Fixie Bike Culture in LA

I am excited to say that I got my first paid photography assignment from a digital culture magazine called Stark in covering an LA bike culture scene. Pretty much around 50 bicyclists with tricked out bikes meet up at this central location and drink, smoke, and go out and ride together for around a 20-mile circuit. I went there and captured the footage with my Canon 5D, Canon 24mm f/2.8, my Custom SLR Glidestrap, and my flash. I shot the entire thing in black and white while dragging my shutter (ISO 800, f/11, and 1/3rd of a second for most of my shots).

I had a ton fun shooting and also made some great connections and hope I have more assignments coming down the line. Every little bit will help me keep the #foodinthecupboards as Devin Palmer mentioned on Twitter. Keep reading to check out the images I shot!

50+ Inspirational Images of Street Photography in the Rain with Umbrellas

When it is out raining, I always make it a point to go out and shoot some street photography. The beauty of shooting street photography in the rain is that not only are you able to capture certain reflections and scenes you don’t typically see– but you can also create moody images of people with umbrellas. The folks over at Lava 360 put together a great collection of street photography in the rain of people with umbrellas (including one from Danny Santos (pictured above).

When it is raining outside, do you like to go out and shoot photos or stay in? Leave your comments below!

New Beginnings Day 1: Street Photography in Downtown LA with Flash and Art Walk

First of all, thank everybody so much for their love and support in lieu of my recent layoff at my job (and my new beginning as a full-time street photographer). I read all of your comments on Facebook, Twitter, Google+, and my blog and was truly overwhelmed with gratitude. It is great that you guys have my back, which gives me a ton of confidence to live out this crazy dream!

Also I am still accepting participants for my introductory street photography workshop July 30-31st. If you are interested, please shoot me an email at erickimphotography@gmail.com. Continue reading to see more images from my first day being a full-time street photographer!

Travelers Lost in Thought: “The Halted Traveler” by Damien Rayuela

Damien Rayuela

When I was in Paris for the Leica + Magnum event, I had the huge pleasure of shooting and staying with Damien Rayuela. Not only is Damien an incredibly talented and passionate street photographer, but he was also worked at Magnum as an intern (this may explain his great photographic vision).

Looking at his work, I was particularly fascinated with his “The Halted Traveler” project in which Damien captures people staring out into a landscape, deep in thought. Keep reading to see the images from the project, and also a multi-media video he put together as well.

A New Chapter for Eric Kim Street Photography

Long story short, I recently got laid off my job and now I am doing what I have always wanted to do–pursue my street photography full-time! I just wanted to personally thank everyone out there for giving me all this love and support through the last year. I couldn’t have made it so far without you guys. <3 Some of you may be curious how I plan on doing street photography full-time. Hopefully I will be able to make a living by selling shirts, through advertisements and sponsorships, and also by doing street photography workshops in LA and all around the world.

(I am teaching an introductory street photography workshop in LA July 30-31st, so please email me at erickimphotography@gmail.com if you’re interested).

Considering I also will do street photography full-time, stay updated for this blog. I really plan on ramping up the content I produce, including more interviews, videos, how-to-guides, and other goodies. Thank you guys again so much for the love and support– you guys rock :)

Any words of encouragement or advice you can give me in being a full-time street photographer? Please leave a comment below :)

Street Photography With a DSLR and Flash in Hollywood


Tonight I had the fun of shooting flash street photography in Hollywood with Daniel Schaeffer. At first I was a bit worried about shooting street photography in Hollywood (because of all the characters), but I had a very pleasant time. Few people objected to me using flash, and I got some pretty interesting images as well.

Also I am pleased to announce that on July 30-31st, I am teaching an introductory street photography workshop at the 4th Street Gallery in Hollywood. Shoot me an email at erickimphotography@gmail.com for more details, and read more to see my flash images!

6 Tips How to Master Shooting Street Photography with a DSLR

Seoul, 2009
Seoul, 2009

When it comes to street photography, I am a huge proponent that it doesn’t matter what camera you use. Each camera has its own strengths and weaknesses, and as long as it takes photos it works for street photography.

When I asked a while back on my Facebook fan page, I found out that the majority of the community shoots street photography with a DSLR, so I thought it would be a great idea to write an article on how to most effectively use your DSLR for street photography. Keep reading to read some more tips.

Support Darshan: A Photographic Series on Indian Deities by Manjari Sharma

I recently got an email from my good friend Adam Marelli about a young woman photographer from New York named Manjari Sharma who is currently fundraising money on Kickstarter to complete a photography project titled: “Darshan.” Darshan is a sanskrit word which means sight, vision, or view and what Manajri is trying to accomplish is to prove that a carefully constructed photograph can evoke a similar response to the religious paintings and sculptures.

I believe fervently in the idea of “paying it forward.” Last September, many of you helped donate generous sums of money to fundraise a plane ticket for me to teach a street photography workshop in Beirut, Lebanon. Therefore I decided to help donate $101 dollars to Manjari’s project and help her achieve her dream. If you watch her video on Kickstarter, you can truly see her passion for the project– and I think it is our goal as photographers to support and help one another.

Make sure to watch the video that Manjari Sharma put together about the project below, and head over to her Kickstarter page and donate! Adam Marelli also wrote a great feature on his blog as well, make sure to check it out here.



Make sure to help spread the word by donating, posting this to your blog, Facebook, and Twitter!

Leica M9 POV Through the Viewfinder with a 35mm Summilux

Another fun video of me shooting with the Leica M9 and the 35mm f/1.4 Summilux in Santa Monica’s 3rd street promenade. To record this video, I put my HTC EVO 4G Smartphone’s camera through the viewfinder and walked around and shot. Didn’t include the photos I took during the video because most of them came out out-of-focus (holding this setup was hard). But I hope this video helps you get a better sense of what I see when shooting street photography :)

Losing my Leica Virgnity in Paris

"Wrap Around" - Eric Kim

"Wrap Around" - Eric Kim
"Wrap Around" - Eric Kim

When I first got my feet wet in street photography and heard of Leica cameras, I couldn’t quite understand the hype surrounding it. Sure it looked like a cool and retro old-school camera, but why the heavy pricetag? After doing my homework, it seemed like everyone who owned one would rave and praise it. In Chris Week’s street photography documentary, “Documenting the Human Condition” he highly encourages everyone to try shooting with a rangefinder and noticed that the “haters” have never shot with Leica’s themselves. This piqued my interest, however I never even dreamed that I would have the chance to shoot with a Leica.

5 Tips How to Shoot Street Photography Without People

Matt Stuart
Matt Stuart
Matt Stuart

A question I often get asked is whether or not street photography needs to include people. It was a topic that fascinated me, so I even posted it to my Facebook fan page for the community to discuss. I have talked to many street photographers about this, and the vast majority of the consensus is that street photography doesn’t necessarily have to include people. However if street photography doesn’t have to include people, how can we differentiate those types of images from any other genre of photography?

Simply put, I feel that effective street photographs without people show the uncanny of everyday life, while showing remnants of humanity. Keep reading to see how you can effectively shoot street photographs without people in it.

Should You Ask For Permission When Shooting Street Photography?

Currently the video that I shot with my Leica M9 and GoPro HD 960 has been getting quite popular on the web, and has been creating some interesting discussions on what street photography is/isn’t. In this video I discuss my definition of street photography and whether you should ask for permission when shooting street photography.

Also make sure to check out the articles How to Shoot Street Photography with Permission with Danny Santos and The Street Portraiture Project of Fulton Street by Chris Sorensen.

I welcome everyone to participate in the discussion and please leave a comment below! How would you define street photography, and do you think you should ask for permission or not–and why? Looking forward to everyone’s thoughts :)

Shooting Street Photography With a Leica M9 and Flash in Los Angeles at Night [First Impressions]

Leica M9, Canon 430ex Flash, GoPro HD 960
Eric Kim Flash Street Photography Leica M9
Leica M9 and Off-shoe Flash

With my Leica M9 set up with my Canon Speedlite 430EX, I experimented street photography with a flash for the first time in Los Angeles (3rd Street Promenade). Despite what people say, I didn’t get punched in the face or my camera broken (although I did get shoved once hard in the back). Overall, it was quite a fascinating experience, and I learned a ton about the process. Keep reading to watch the video of  my crazy stories, and also check out some of the photos as well.

The Lessons of Shooting Street Photography in a Small City

"Take it inside..." - Keith Chastain

"Take it inside..." - Keith Chastain
"Take it inside..." - Keith Chastain. Berkeley

Eric: For this guest post I am pleased to feature Keith Chastain, an incredibly passionate street photographer who currently lives in a small city. Many of you in the past have asked me advice about shooting street photography in a small city and franking speaking– I wasn’t quite sure what to say. However Keith is able to balance his life in the small city, while scratching his itch for street photography while hitting up big cities like San Francisco. Read more to see his images and read his insight about the subject.

Keith: I’m thinking of an unoriginal analogy for street photography…Bear with me here…Street photography is a lot like fishing right? We have our favorite spots that usually guarantee us a few bites. Sometimes we come home with a few catches that are small and should have been thrown back, while other times we might return with the big one….A capture worthy of hanging over the fireplace like a fat marlin an old angler dreams of. The fundamental aspect of fishing is fish, just as people are the ones we street photographers set out to catch on any given day.

You Thought Street Photography Was Scary: War Photographers on the Shots That Nearly Killed Them

Alvaro Ybarra Zavala, Congo, November 2008

War Photos

War photographers have a crucial job to society that is not only important but extremely dangerous. Without war photographers, we would not see the true realities of war and the countless number of lives that it affects. History has even proven that a single photo has the power to even end a war.

Read more about these war photographers’ stories that are incredibly real and chilling: The shot that nearly killed me: War photographers – a special report

via PetaPixel

85mm and the City: Street Photography in the Big Apple

"Maturity..." by Thomas Leuthard
"Maturity..." by Thomas Leuthard

This guest blog post is from Thomas Leuthard (85mm) who is one of my dear fellow street photographers from Switzerland. Not only are we good friends, but we have taught two street photography workshops together–one in Beirut, Lebanon and the other recently in Switzerland.

In this blog post Thomas talks about his recent trip to New York City and about his experience shooting there. If you are curious to read what he has to say, read more and also see his great shots!

5 Tips How to Capture Compelling Shadows in Street Photography

"Walk with Me" - Eric Kim
"Father and Daughter" - Eric Kim
"Father and Daughter" - Eric Kim

Often times as street photographers, we are too focused on capturing what is right before our eyes, rather than looking up and especially down. Capturing shadows is a wonderful way to open up your eyes to things which are around you, and give the viewer a sense of the surreal. If you are interested in understanding how you can better capture compelling shadows in your street photography, read on!

Paris Day 5: Interview with Alex Majoli from Magnum and Love For My Friends (last day in Paris)

"Grimace" - Metro, Paris
"Grimace" - Metro, Paris
“Grimace” – Metro, Paris

Today is the last day that I am in Paris, and I wanted to give you a few last updates. I was able to interview Alex Majoli from Magnum, an incredibly passionate and down-to earth photographer. Once I get back home, I will post the interview for you to read. Also I had the chance to walk around with JJ from Leica and take photographs, and also have a great meal of crepes with him and William Yan. Lastly in the night, I met up with Damien Rayuela, Charlie Kirk, and Alexandra Uhart with William. We had a ton of fun (and drinks) — make sure to read more to see the video and the images from today ;)

Paris Day 4: Leica Magnum Paris Convention and New Leica M9-P and 21mm f/3.4 Super-Elmar-M lens Announcement

Leica Magnum Paris Leica M9-P 21mm f/3.5 Announcement
Myself and Bruce Gilden at the Leica Magnum Paris Event. My hero!

Today was one hell of a day. It was the official Leica Magnum Paris event, and I was able to attend as a VIP attendee. I was able to meet Naseem (Political blogger), Magnus Froderberg (Photography magazine chief editor on Sweden), Cristina Garcia Rodero (Magnum Photographer), William Yan (Street Style Photographer), Thorsten (Overgaard.dk), Brett (Leica Workshop Photographer), Peter McCollough (SF Street Photographer), Jean-Jacques Viau (Leica Internet Head), Oliver Bachmann (Leica Camera Switzerland Head), and my beloved Bruce Gilden (Magnum Photographer). Did I also mention I met and took a photo with Elliott Erwitt? Watch the video below to read more about my day, and also make sure to check out the photos I took during the event as well!

Why Inspiration is for Amateurs

"Days Gone Past" - Eric Kim

When it comes to street photography, it can often be very difficult to stay motivated and keep shooting on the streets. I told my problem to my younger sister, who recently got me a wonderful book titled “Spark: How Creativity Works” which illustrates the creative lives of influential artists ranging from novelists to musicians. One of the quotes that the author decided to include of Chuck Close inspired me in which he says that inspiration is for amateurs, and true greatness comes from the ability to stay consistent and be tenacious.

Black and White or Color in Street Photography: How Do You Make the Decision?

"Green Umbrella" - James Maher
"Green Umbrella" - James Maher
"Green Umbrella" - James Maher

Eric: Quite often I am asked by the community when it is appropriate to have a street photograph in black and white or color. It is a question I grapple with myself daily as well, and I enlisted the help of James Maher, a talented New York street photographer to help write an article on it. I hope you enjoy it!

James: Street Photography has been around for a long, long time. And for all but the last 10 years, the photographer has had to make a choice before walking out the door: should I use color or black and white film today?

6 Tips How to Shoot Street Photographs of People’s Shoes (that don’t stink)

Street Photography Shoes by Eric Kim
Street Photography Shoes by Eric Kim
Eric Kim

Thomas Leuthard, who is one of my close friends and fellow street photography workshop teachers, suggested a theme to me a while back that revolved around shooting street photography of people’s feet. At first I was a bit skeptical, but after looking at his images I was quite impressed. As street photographers, we can often get too preoccupied by looking forward that we don’t take the time to look up or down. Although shooting street photographs of people’s feet may sound weird (and a bit stinky), it can make for some fascinating results. Keep reading to find out how you can shoot street photography of people’s feet.

Name that Street Photograph, No. 1

It is always important to know photographs by great street photographers to improve your eye and your technique. So let’s see if you know the image above. Leave your guess by leaving a comment below and tell us who the photographer is, and the story behind the image. Let’s see what you guys got!

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