Shooting a Film Leica M6 vs Digital Leica M9 in Tokyo

My good friend Todd Hatakeyama (and sponsor over at SimpleStudioLighting.com) and owner of the Hatakeyama Gallery (grand opening in Downtown LA this Saturday from 5pm-10pm) recently gave me a his old Leica M6 to shoot with and have. It has been great shooting with it–as it helps me slow down and be more critical when shooting (compared to my Leica M9). I can’t quite describe it, but I feel much more zen when shooting analog vs digital–as I don’t worry so much about the final image but focus on the process of shooting.

Also if you want to pick up a film case from Bellamy Hunt or find a sweet analog camera from Japan, check him out at JapanCameraHunter.com.

Emerging Street Photographer: Mattias Hyde from Madrid

Mattias Hyde

Eric’s Note: Mattias Hyde is an emerging street photographer from Madrid who has only been shooting street photography for 6 months, and has shown a great deal of physical and emotional closeness in his images. Read more of his words below!

I started street photography a few months ago, when I returned to Madrid after a year of cycling and backpacking in several countries.

Since the beginning, I’ve been obsessed with the actual process of photographing, rather than with results. I know that I won’t do anything really interesting until I’ve been on the trade for a couple of years at least, so I’m not focusing on the final image, or expecting to get any great shots either. I’m strictly working on feeling comfortable taking the camera with me on my daily walks around the city centre and neighbourhood.

Objectivity vs Subjectivity: What Makes a Great Street Photograph?

(Fibonacci spiral above a photo by Henri Cartier-Bresson)

One of the questions that I have been pondering for quite a while is how much a great street photograph is objective versus subjective. I would say that the general consensus is that great photography, like most of art, is purely subjective. As what they say, “Beauty is in the eye of the beholder.”

However I would disagree with this opinion, and argue that great street photographs are more objective than subjective. This is much more of a controversial position to hold, but I argue it is more fun to play devil’s advocate than just go with the traditional way of thinking.

Many of my thoughts will stem from studying the works of Cartier-Bresson, in which most of his iconic images that an average person will call “great” is based on strict composition from geometry – based out of compositional theories from paiting. After all, Cartier-Bresson did start off as a painter and referred to his images as “instant sketches.” I will also draw upon some of my own personal observations and opinions—which you may or may not agree with.

I will make an attempt to try to discuss how much of composition, story-telling, forms, balances, objectivity, subjectivity, ratios, etc play into great street photographs. Take everything you read with a grain of salt, as this article is more of a personal essay for me to traverse some of my thoughts on the subject.

Be warned, this essay is ridiculously long (4,000+ words) so maybe bookmark this post and find the time to read it. You’re not going to agree with everyone I say, but if you read the entire thing I can assure you that you will start thinking more analytically about what makes a great street photograph.

How I Shoot On The Street: An Application of Study and Practice by Brent Fong

“There is a big difference between a photographer and someone who clicks a shutter. One learns his craft and the other looks for a quick fix.”

– Winslo

I am an old school photographer born and bred on film. I have been shooting for a long time. When I was in photo school, it was mandatory to shoot 4 x 5 or medium format. Being a stereotypical ‘poor and starving’ student, I did not have a lot of money to spend on film, processing, and development. Every shot had to count. My medium format camera at the time was a Bronica ETRs with an 80 mm lens and one film back. It gave me 15 shots per roll. It had no meter and was manual focus. Shooting street with that camera forces you to shoot with purpose and discipline.

When I do my street shooting, today, with my current DSLR, I applied the same principle of making every shot count. I do not shoot for quantity I shoot for quality. Is every thing I shoot considered good? Of course not, but it makes culling the images easier because I know what I was aiming for when I shot. This is what Ansel Adams’ call “pre-visualization;” knowing what your photo will look like before you shot it. See his classics series on photography, Book II “The Negative,” for more info. The following is how I shoot on the street using one photo as an example.

This is the thought process that occurred as I shot my dog walker photo.

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“Discover Your Unique Street Photography Style” Intermediate Workshop in Singapore (12/17-12/18)

Street Photography Workshop Singapore

Are you an avid street photographer waiting to discover your own street style that will make you stand out from the crowd? 

If so, I’d like to invite you to my very special intermediate street photography workshop upcoming in Singapore on 12/17-12/18 in association with Leica Asia Pacific. We will be studying and analyzing the work of the great street photographers such as Henri Cartier-Bresson, Garry Winogrand, Elliott Erwitt, Vivian Maier, and many more! We will discuss their quotes, images, videos, and documentaries—and learn more about their specific insights into street photography.  We will identify what makes these photographers great and apply these principles to your own unique style.

Read more to find out more details!

The Leica M9: The Ultimate Street Photography Camera or Just Hype? My Practical Review

Leica M9

My Leica M9P* (gaffer tape upgrade) and 35mm Summilux 1.4. 

Background

About a few months ago, I finally achieved one of my lifetime goals: purchasing a digital Leica (the Leica M9 to be specific). Although I was enthralled by the camera the first month I tested it (when Leica loaned me one for my Paris trip as well as a 35mm Summilux) the initial glitz and glamor faded away. However after shooting with one, I knew I wanted to get one nonetheless for a variety of reasons (explained in this article).

For this review I am going to give you my honest review of the camera, not focusing much on the technical aspects (other sites have already done this to death) but how it actually performs when it comes to shooting street photography. Considering that I have only been shooting with the camera around 3 months—I am not an expert with the Leica M9. However having shot with it enough when it comes to street photography, I am very confortable discussing how it performs when shooting on the streets.

“Circle Acres” : A Photo-essay on Organic Farming and Rural Living by John Cranford

John Cranford Circle Acres

(All photographs copyrighted by John Cranford)

Circle Acres, a project I started in 2008, focuses on documenting the lifestyle of a young couple in rural NC who have devoted their lives to organic farming while distancing themselves from modern living. Originally, I had the intention of making some portraits while doing some casual shooting. No pressure. I was curious about their dedication to sustainable living and how they were working towards this lifestyle. The more I hung out and shot the more I realized there was a story to tell. As I looked through the images, the vocabulary began to present itself. I had started a photo project.

10 Things Sociology Has Taught Me About Street Photography

Eric Kim Street Photography Chicago
(Chicago, Eric Kim)

I studied Sociology during my undergrad at UCLA. I loved learning all of the ways that people interacted, communicated, and collected in groups. It really opened up my eyes to the world around me. However little did I know that all these things I have learned in Sociology (and trained myself to see) would apply so much to street photography.

Below are some things that I have learned about human nature and interaction – which has helped me along my street photography journey in terms of building my courage and candidly taking photos of strangers. Hope these are as helpful to you as they were helpful to me!

“Headlines” Street Photography Contest by Thomas Leuthard

Thomas Leuthard (85mm) is putting together a fun street photography contest that is open to everyone in the world with the topic: “Headlines“. It is free to enter, and can be a great way to get more exposure in your photography. Below is more information about the contest:

Info

The contest is open to everyone around the world. There is no age or any other restriction. The genre is Street Photography and the photos must be taken in a candid way, so don’t setup your photos. There is a minor amount of post processing allowed. This is not a Photoshop contest and your photo will not be accepted, if there are too many changes made. The photos must be uploaded to the “85mm Street Photography Contest” Flickr group. A basic Flickr account is free of charge. There are no special requirements to enter the contest.

Rules

  • The photo has to be taken in the month of December 2011
  • The theme for the contest is “Headlines”
  • The format must be square
  • The photo must be in Black & White
  • The photo must contain EXIF data
  • The photo must not contain a watermark
  • Everyone can submit only one photo

The deadline for the contest is December 31, 2011 at the end of the day.

Contest Judges

There are also cash prizes for the contest up to $500 (enough money to finally buy that prime-lens you have always wanted!).

Check out all the contest details here

“Suburbia” – Capturing the Colorful Layers of Mumbai, India by Manu Thomas

Manu Thomas Mumbai Street Photography

(All images copyrighted by Manu Thomas)

Eric’s Note: Manu Thomas is a street photographer from Mumbai, India who has captured a colorful, playful, and multi-faceted vision of his environment. In a feature according to Nick Turpin, Manu also started off as a watercolor painter:

“While searching for camera and photos, I happened to hear the term street photography for the first time and came to know about some amazing street photographers and saw some wonderful photos. I got hooked up to street photography very soon and it became my passion ever since. I want to continue doing painting, but photography is my biggest passion right now”

The series below is from his photo-essay, “Subrubia“. He draws inspiration from photographers such as Raghubir Singh and Alex Webb.

Manu: I started pursuing photography seriously by the end of 2007. Almost all of my photos are taken from Mumbai, its various suburbs, city and seaside. I consider myself to be extremely lucky to have started photography in this city. Compared to other south Indian cities where I’ve been to, Mumbai is very energetic, fast, but extremely chaotic. It got everything to construct excellent photographs, but the elements are scattered all over the place. Its colors, forms, textures are all hopelessly jumbled up. It encompasses slices of lives from every part of the country. It contains all kind of people and classes from all over the country.

Video Recap of the YOU ARE HERE Street Photography Exhibition with the ThinkTank Gallery and Leica Camera

Info:

Huge thanks to Leica for making this show and our gallery opening possible.
http://www.leica-camera.com

And congratulations to Jordan Dunn for his VLUX-30 winning “Best of Show” piece:
http://www.facebook.com/photo.php?fbid=265956166775812&set=a.245493168822…

YOU ARE HERE was curated by Neema Sadeghi and Eric Kim
http://www.neemasadeghi.com
http://www.erickimphotography.com

Video Directed by Neema Sadeghi
http://www.neemasadeghi.com

Video Edited by Lonnie Francisco
http://cargocollective.com/lonniefrancisco

Video Shot by Adam Boden, Lonnie Francisco, and Jacob Patterson

Find more about ThinkTank Gallery at http://www.thinktankgallery.org

Stay tuned for more great exhibitions like this in the future!

How to Shoot Stroboscopic Flash Street Photography by Dirty Harrry

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(All images copyrighted by Dirty Harrry)

Eric’s Note: For this article I am pleased to feature the thoughts about Dirty Harrry, a prolific street photographer from Crete in Greece. His images shot with flash are  not only surreal but technically well done. Make sure to also check out my interview with him here, and see his images on Flickr.

Hi Eric, thanks for your invitation once again here. My words may be obvious and don’t consider them “rules”. However these are my observations after shooting for 3 years with a flash in my street photography.

Mumbai, India Street Photography Workshop Recap (Batch 1)

Mumbai Street Photography Workshop

Hey streettogs, I am excited to say that I just finished my first batch of my Mumbai, India Street Photography Workshop! (I got two more groups to go). It was great to work with all the street photographers here, and their enthusiasm to learn was overwhelming.

Surprisingly before this workshop, there wasn’t much of a street photography scene in Mumbai. However after seeing all of the passion as well as the great talent from this first batch of the workshop, Kaushal Parikh is going to be starting an Indian Street Photographers collective. If you are interested in being considered in this group, send your portfolio to kaush_par@yahoo.co.in.

Read more to see all the photos from the workshop!

My Thoughts About Shooting Street Photography in Mumbai, India

I have been in Mumbai, India the last 3 days and have been having the blast of my life. Kaushal Parikh, an incredibly talented street photographer from Mumbai, has been my host and not only shown me the wonderful streets here, but has treated me like family and is feeding me well (I probably will gain at least 20 pounds before leaving).

For those of you who have never been to India, here are some of my thoughts about shooting street photography here:

1. People are incredibly friendly

I haven’t had a single negative encounter so far. I just make sure to smile and say “thank you”. People are very receptive here and LOVE to get their photo taken. I have even shot with my flash today, and people seem very amused with it, and appreciate the attention.

2. The juxtapositions are great

India has a massive gap from the wealthy and poor. The wealthy are incredibly rich (drive around Bently’s) while the poor are dying on the streets. It is really heartbreaking to see, but makes me appreciate what I have so much more.

However this can make for interesting juxtapositions between the rich and poor, in terms of the people as well as the buildings, cars, etc.

3. The streets are generous

There is so much to see and so much to shoot. Although this can be a problem at times (there are sometimes too much people on the street). However it seems wherever I go, there is always people and something going on.

I am also preparing for my street photography workshop this weekend (I am hosting 3 of them while I am here). Wish me luck and I will keep everyone updated! :)

Kaushal and Myself Shooting the Streets! (photo actually taken inside a department store)

Also if you are an Indian street photographer and would like to be considered in the India Street Photographers collective, email Kaushal Parikh at kaush_par@yahoo.co.in 

One-Minute Masterclass Advice from Steve McCurry: Be Humorous

When you are out traveling and shooting street photography, remember to connect with the local people and treat them as “equals”. Don’t see them as objects, but use humor to get more comfortable with them and see them as a “fellow human being”.

Stay tuned with these great One-Minute Masterclass series from Phaidon, as they keep rolling out on their site!

Have you ever used humor to connect with your subjects when shooting? If so, share your experiences below!

 

Life Through the Lens of Photojournalist Emilio Morenatti

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(Image above copyrighted by Emilio Morenatti)

Emilio Morenatti is a photo journalist who has covered various events in Spain, Afghanistan, as well as the Middle East. Not only has he covered the war and the fall of the Taliban, but he has also been kidnapped by gunman, and lost his left foot after being struck by a roadside bomb on assignment. In 2008 he was named Newspaper Photographer of the Year by Pictures of the Year International. See some of his images below.

Reflections About the Street Photography Now Project by Sara T’Rula

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Note: Sara T’Rula was one of the community managers for the “Street Photography Now” project. Read her thoughts about the SPN project and see some of her images as well below!

The SPN Project was a daring and unique year-long project, set up in September 2010 by The Photographers’ Gallery, Sophie Howarth & Stephen McLaren (who authored the book, Street Photography Now), with support from Thames & Hudson. It was daring and unique in bringing together weekly Instructions from 52 photographers featured in the SPN book, and a global community of participants, using social media to make it happen.

How to Shoot with the Fujifilm FinePix X100 for Street Photography

Kaushal Parikh Street Photography

Note: This blog post is by Kaushal Parikh, a street photographer from Mumbai, India. 

Although this is an article about a camera, I don’t believe that gear alone can create good photographs. But I do believe that a good photographer can be inspired to make good images with the right gear.  I recently acquired a Fujifilm FinePix x100 that I have come to love and thought I would just share a few thoughts and tips about this camera.

How to React to (and Defuse) Confrontations in Street Photography

(In the video above, I share a story of a recent confrontation I had in Toronto (that got physical) and how I defused the situation.)

Edit: In the video I previously mentioned an issue regarding street photography in Vancouver. I actually meant to say Quebec. Read all about the canadian street photography laws here.

Confrontations rarely occur in street photography. As long as you smile and say “thank you” after taking photos of people, 95% of people smile and say “thank you” back or just ignore you.

However 5% of the time, people typically will react in a negative manner. It is usually one of these below (I will add rough estimates in my experience):

  1. Ask what you are doing: 90%
  2. Ask you to delete the photo 9.95%
  3. Lunge at you: .05% (This has happened only once to me by an old man in Paris. This rarely (if ever) happens).
When people confront you and ask you what you are doing, be prepared to make the right answer and react calmly and speak truthfully about what you are doing. Here are some steps I suggest:
  1. Explain what you are doing (don’t hide anything)
  2. Offer to show them the LCD of the photo
  3. Speak calmly and relaxed
  4. Offer to email the person the photo
  5. Decide whether you want to delete the photo or not
  6. If you don’t wish to delete the photo, offer to wait for the cops to come
The worst that will honestly happen to you  in terms of confrontations is people either yelling at you or cursing at you. Physical confrontation rarely if ever happens. I have never heard of a story of someone getting punched for taking a photo. If this were to happen, you can always sue that person (and probably could get a ton of money).
Keep in mind that I rarely get confronted when shooting (5%) and I shoot really close and use a flash. If you don’t shoot as close as I do and don’t use a flash (majority of people) negative reactions will happen even far less. Watch the video above to get a more detailed guide on how to react to people who get confrontational in street photography.
The photo (I mentioned in the video) that I took:
Do you have any stories of people confronting you when you are out shooting? If so, share your stories below and tell us how you diffused the situation.

One-Minute Masterclass Advice from Steve McCurry: Be in the Moment

In today’s 1-minute masterclass with Steve McCurry, he talks about getting “in the zone” when he is out shooting. He prefers to shoot alone and to quietly explore the streets without speaking much, to get a feel of the environment he is shooting in.

Although I am a big fan of shooting together in groups (it helps you be more comfortable) shooting alone is when you can be in almost a meditative state– enjoying life around yourself alone.

More Photographs by Steve McCurry

Steve McCurry
Copyright Steve McCurry
Steve McCurry
Copyright Steve McCurry
Steve McCurry
Copyright Steve McCurry
Steve McCurry
Copyright Steve McCurry
Steve McCurry
Copyright Steve McCurry
Steve McCurry
Copyright Steve McCurry

When you are out shooting, do you prefer to go alone or in a group and why? Share your experiences in the comments below! 

One-Minute Masterclass Advice from Steve McCurry: Shoot from a High Vantage Point

The folks from Phaidon are continuing their “One-Minute Masterclass” series with Steve McCurry. This new episode features his secret in getting interesting photos from unique vantage points (like a high vantage point). He describes how surprised he was in terms of how accommodating people can be in letting you enter their house or patio to shoot cityscapes. This reflects my own personal experiences, such as when I was shooting in the streets of Beirut, Lebanon– random strangers would start talking to me and even invite me into their house to enjoy some coffee.

The next time you are traveling, make some friends and ask for permission to enter people’s homes and take the time to know them and chat with them. As they like to say on the internet, “ask and you shall receive.”

Interview with Alex JD Smith for YOU ARE HERE Street Photography Exhibition

Click to read more

The YOU ARE HERE street photography exhibition is an experiment in which 30+ street photographers from LA were given 10 days to shoot in one square block in the Downtown LA Fashion District. The opening night featured 3 of the best shots of each street photographer, and Jordan Dunn won the best-of-show award and a Leica VLUX-30 camera, which was sponsored by Leica Camera.

The closing event for the YOU ARE HERE street photography exhibition will be this Saturday Oct. 29th at 7 pm at the ThinkTank Gallery (939 Maple Ave). Alex JD Smith, one of the featured photographers for the event,  was interviewed by Jacob Patterson from the ThinkTank Gallery, about the street photography exhibition.

Help Fundraise for “Everybody Street” a Street Photography Documentary by Cheryl Dunn

Cheryl Dunn, a filmmaker and photographer in New York City, recently put together a 16-minute short film on street photography. She is now thinking about expanding that documentary into a feature-length film. The film will include street photographers:

  • Bruce Davidson
  • Joel Meyerowitz
  • Mary Ellen Mark
  • Max Kozloff
  • Ricky Powell
  • Martha Cooper
  • Jamal Shabazz
  • Bruce Gilden
  • Clayton Patterson
  • Jeff Mermelstein
  • Rebecca Lepkoff
  • Boogie
  • Luc Sante
  • Jill Freedman
  • Josh Wildman
Only a donation of $50 will help you get a directors-cut preview of the film before it comes out. If you really love street photography and want to make this project possible, please consider donating. $50 is about the price of a UV filter or lens hood. I know times are tough for everybody, but let’s make this happen as a community! I just donated, you should too!

Interview with Ludmilla Morais for YOU ARE HERE Street Photography Exhibition

Click to read more
The YOU ARE HERE street photography exhibition is an experiment in which 30+ street photographers from LA were given 10 days to shoot in one square block in the Downtown LA Fashion District. The opening night featured 3 of the best shots of each street photographer, and Jordan Dunn won the best-of-show award and a Leica VLUX-30 camera, which was sponsored by Leica Camera.

The closing event for the YOU ARE HERE street photography exhibition will be this Saturday Oct. 29th at 7 pm at the ThinkTank Gallery (939 Maple Ave). Ludmilla Morais, one of the featured photographers for the event,  was interviewed by Jacob Patterson from the ThinkTank Gallery, about the street photography exhibition.

One-Minute Masterclass Advice from Steve McCurry: “Don’t Forget To Say Hello”

One of my favorite quotes by Alfred Eisenstaedt is “It is more important to click with people than to click the shutter”. When we are out shooting street photography, it is often difficult to find time to talk to the subjects we capture, as life often moves at a very fast pace.

Steve McCurry, one of the most pivotal photographers of the 21st century, shares the same notion. McCurry has traveled the world and captured subjects in very intimate settings- and one of his pieces of advice is to approach and talk to people (even for a minute) before taking photos of them. I feel that this is a very important piece of advice to take, especially when visiting foreign countries. The video shown above is a feature put together by Phaidon, which can be viewed here.

Although I still feel that street photography should be done without permission and candidly, I see no problem interacting with your subjects before, during, or even after you shoot them.

Portraits by Steve McCurry

Steve McCurry Portrait

Steve McCurry Portrait

Steve McCurry Portrait

Steve McCurry Portrait

Steve McCurry Portrait

Steve McCurry Portrait

Steve McCurry Portrait

Steve McCurry Portrait

Thanks to Ian Pettigrew for the tip, and let us know how much you like to interact with your subjects when shooting by leaving a comment below! 

Film Street Photography from Winnipeg by Trevor Marczylo

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First off, Hi. I’m Trevor Marczylo I am full-time photographer,  a street photographer eating, living, and surviving in Winnipeg, Manitoba.

My work tends to focus on documentary style street Photography or the simple daily patterns of how people go with their daily routines.

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I’ve been shooting film for the past 15 years or so, also hand develop and print my own work but I’m not going to lie, I do a lot of digital these days too. I’ll leave that to you to decided which is film and which isn’t.

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I am constantly shooting and sometimes a roll of film might take me a week or two to finish where as other days I may go though a few rolls of film in a day. I never give it much thought on what I do, I just have a strong passion for capturing emotion and documenting a moment to tell a story. I don’t start my day out to try and produce art I just leave my house with my camera in my hand and simply document as I see.

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In all honesty, I really dont know what to say. Its just easier for me to explain myself with my photos. with that being said I’ll leave that to the people reading this and viewing the images.

I’d also like to thank Eric Kim for sharing my images:

More Street Photography by Trevor Marczylo

 

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Make sure to check out more of Trevor’s images on his blog! And yes, those borders are real ;)

Recap of my Toronto Street Photography Workshop

Poutin, Tim Hortons, butter tarts, toonies, loonies, monopoly money, cops on horses, and friendly people– I will miss you Toronto! It was such a huge pleasure everyone in Toronto at my workshop, especially Brian, Tasos, Minsoo, Les, Domenic, Andre, James, Chris, Rockie, Robert, Siri, Neil, Ronnie. Also huge shout-outs to Jenn, Tom, and Andre from 500px!

I wasn’t quite sure what to expect out of Toronto at first, but was so pleasantly surprised of how much fun I had here. Canada, I hope to meet up with you again soon! Read more to see the pictures from the workshop.

10 Reasons Why You Should Never Chimp While Shooting Street Photography

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(Photo above by Andrew Eccles. Disregard how classy the chimp looks)

Chimping– it is a disease and an unhealthy addiction that runs rampart within the digital photography community. What is chimping you ask? It is the act of looking at your LCD screen the second after you take a shot. Why do they call it chimping? Well imagine if you think you got a great shot, you show other people, and point to your LCD screen while saying “ooh ooh ooh” like a chimpanzee. Why is this bad when it comes to street photography? Keep reading to find out.

How to Shoot with a Flash for Street Photography with a Film Leica

My friend Charlie was generous enough to provide this article to discuss how he shoots street photography with a flash with his film Leica MP. Also if you haven’t yet, check out his documentary on Uchujin’s blog!

I thought I should write a short piece about using a flash for street photography. I don’t profess to be an expert on the technical side, so this is simply a few paragraphs about how I shoot and what I have learnt. I am writing from the perspective of a Leica MP user, although a large part of this will apply to anyone that wants to shoot flash manually.

Shutter Speed

The Leica MP has a flash sync speed of 1/50th of a second. What this means is that the shutter speed must be set to 1/50 or slower – otherwise, for complicated and boring reasons, black bands appear on (I think) the left hand side of the photo. Practically this is a limitation. The background will likely blur unless the photographer has a steady hand. I tend to try to shoot at 1/50th as much as possible to avoid this. Shooting at less will increase the blur. While some people might want this, I find it distracting – especially in a city like Tokyo where what happens is that you will get a lot of light trails. But I’d encourage everyone to experiment.

ISO

As with non flash photography, I select the ISO according to the time of day and weather. The thing to remember with ISO (and aperture) is that these settings affect the distance that the flash can fire. The lower the ISO the weaker the flash will be. Therefore to shoot in the day a very strong flash (ie one with a high guide number) is required. I use the Nikon SB900. The other problem with shooting in the day is that the photographer is constrained by the slow sync speed. Therefore, it’s usually necessary to close down the lens to f/22 to accommodate for the slow shutter speed.

Aperture

I tend to want to have as much depth as field as possible to account for focusing errors. The fastest I will shoot at is f/8, and I’ll only do this to let in more ambient light. The more closed down the lens the weaker the flash power.

Approach

The general point to remember is to take a meter reading first, setting the shutter speed to 1/50th. For example, on a sunny day:

Shutter speed – 1/50th (constrained by x-sync).
ISO 50
Aperture – f/11 – f/22

After this, I’ll underexpose the ambient by a stop or two for a more dramatic look. So, if the meter reads f/11, I would set to f/16.

Then I’ll enter the ISO and the aperture into the flash and see what distance it gives me. For my flash this will be about 1-2 meters. This means that my subjects need to be at the distance from the camera that is showing on the back of the flash. If I want to take a picture of a subject that is further away, I can zoom the flash, which sometimes might get me an extra meter or two.

I take the same approach at night, although I care less about the ambient light as often the background is just black sky. The other difference at night is that the ISO will be 1600.

This means that the flash reading will probably be around 5 or 6 meters. So I reduce the flash power to give me a 1 meter or so reading.

A couple of final points

I’m no technical expert, but one thing I have noticed is that the flash tends to freeze subjects when they are closer to the camera. This is important as a 1/50th shutter speed will not freeze them. But when subjects are close it is very important to get the flash power correct, otherwise subjects will be under or overexposed. Underexposure is very common due to the inverse square law (light falls off more quickly the closer the flash is to the subject).

The other point to note about the inverse square law is that it is very hard to light multiple subjects at different distances from the camera with one flash, especially where the nearest subject is close to the camera. The only way around this is to bounce the flash off the ceiling, use more than one flash, spread the flash beam (if you have that setting) or shoot when the nearest subject is a bit further away.

So that’s about it. Please let Eric know if you have any questions.

Reflections and Light: Dramatic Street Photography from Chicago by Anthony Spatara

Tony Spatara Street Photography

(Above image by Anthony Spatara)

Hello. My name is Anthony Spatara, I am 35 years old and live in the great city of Chicago.  I am not a photographer by profession nor do I wish to be.   I run two successful Italian restaurants in the downtown area which keep me plenty busy.  Photography for me is a way out from what I normally do on a day to day basis.  I love walking the streets of any city and Interacting with people, exploring and just capturing images that seem interesting to me.  I couldn’t tell you what inspires me to get up at the crack ass of dawn to walk the cold streets of Chicago to photograph.  I am just addicted to it.

Street Reverb x Xperia Studio “Reality Remade” Street Photography Competition


The cool folks over at Street Reverb Magazine are teaming up with Xperia Studio in a joint “Reality Remade” street photography competition. There are lots of great prizes including a £2200 grand prize, including free Xperia phones.

In order to enter, you will need to put together a project proposal interpreting the theme “Reality Remade” and submit a short biography about yourself, accompanying your portfolio. The 5 best proposals will move onto the next round of the competition, where they will be given an project budget of £300 and a Sony Ericsson Xperia Phone to capture 5 images for the theme.

This competition is free and a great opportunity for you to get your name out there– so make sure to enter!

>> Enter the Reality Remade Street Photography Competition

15+ Inspirational Street Photography Videos You Must Watch

Whenever I am feeling in a street photography slump, looking for inspiration or knowledge, I have found these online street photography videos to be incredibly helpful and useful. These are just a few of my favorites. If you have the time, later tonight– kick back, relax, and watch some of these videos!

In-Public: In-Sight Street Photography Documentary

Read more to see the rest of the great street photography videos in this collection.

Downtown Los Angeles Introduction to Street Photography Workshop Day 2 Recap

After a fun-packed two days in Downtown LA, I am pretty pooped. However I had such a wonderful time teaching the workshop and helping my fellow street photographers build more courage when shooting in the streets and also helping them capture more compelling images. On the second day, we focused on editing and post-processing our images, with an emphasis on using Lightroom 3 for post-processing and Silver Efex Pro 2 for black and white conversions.

I spent especially a good portion of time discussing editing– the act of choosing your best images. Editing is something really overlooked when it comes to photography, but is almost as important as shooting. As a piece of advice to all the streettogs out there– don’t upload your images immediately. Wait before you decide to upload them. As Garry Winogrand once said, “Photographers mistake the emotion they feel while taking the picture as judgment that the photograph is good.” Therefore apply this same mentality when it comes to selecting your best work. Don’t simply upload images as a knee-jerk reaction. Let your images marinate for long periods of time before deciding to upload them.

Anyways just wanted to give a shout-out to all the LA street photographers at my workshop. It was a guge pleasure having you Michael, Bill, Chris, Greg, Brian, Jennifer, Dennis, Cameron, Eunice, Jim, Jason, Julie, Adam, at the workshop– your enthusiasm and energy was boundless. Huge thanks especially to Rinzi, Norman, Genesis, Jacob, and the Think Tank Gallery. I love you guys with my heart and soul, and I hope to see you guys all soon!

Heading out tomorrow to Michigan tomorrow and meeting up with my beautiful girlfriend/manager Cindy, and then heading over to Toronto for my upcoming street photography workshop. Wish me safe trip, and will keep you all updated! Keep reading more to check out the rest of the photos from the workshop.

Downtown Los Angeles Introduction to Street Photography Workshop Day 1 Recap

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(Some of the LA street photography workshop participants catching some dinner in Downtown LA after the Day 1 of the Workshop!)

Today I had a blast teaching the first day of my Downtown Los Angeles Introduction to Street Photography Workshop at the Think Tank Gallery. Considering that the photographs from the YOU ARE HERE street photography exhibition are still up, it definitely made for a great backdrop. Photographers from all over LA, and even Bill Nash from Arizona, came and were super pumped about the workshop, and ready to learn more about street photography– and build their courage shooting in the streets.

On the first day of the workshop, we started the day by introducing ourselves to one another and discussed why we loved street photography and what we wanted to get out of it. We then focused a great deal of time on overcoming the fear of shooting street photography, and discussing in-depth techniques to build courage. Not only that, but we reviewed many famous street photographs and learned what made a great photo.

Shooting the streets of Downtown LA was a huge blast, and I was amazed to see how much courage all the street photographers were able to build up. Not only did everyone feel a lot more comfortable shooting in the streets with one another, it was great to have the sense of community and fellowship when out with one another. Of course after a long day of shooting, we went out and enjoyed some nice food together as well.

Really excited for Day 2. Wish me luck, and if you are interested in any of my upcoming workshops in Toronto, India, Tokyo, or Malaysia– check out my workshops page for more info! You can also keep reading to check out the rest of the photos from the workshop!

How 6 Minutes Changed Everything by Liam McHenry

Liam McHenry, a street photographer from Australia (and one of my private online street photography students), put together this insightful video about an encounter he had with a teenage boy shooting in a suburb. To sum up the video, Liam shot a boy who got really upset about Liam taking the shot. The boy started cursing at Liam, and wouldn’t calm down. After chatting with the boy, the boy realized how special he was in being the subject of Liam’s viewfinder.

Words can’t explain how inspirational this video is– watch it now!

What are your experiences shooting kids in public? Share your thoughts below and any thoughts about this video by Liam as well!

YOU ARE HERE Street Photography Exhibition Opening TONIGHT in Downtown LA at 7:00PM

I am pleased to announce the opening of the YOU ARE HERE Street Photography Exhibition tonight at the Think Tank Gallery in Downtown LA sponsored by Leica. The concept was that 30 photographers weregiven 10 days to shoot one square block in the Fashion district in Downtown LA. Despite the restriction, all the photographers were able to capture the soul and essence of the place in a beautiful way.

The exhibition is FREE will feature over a hundred photographs, and complimentary drinks and food will be provided. Free parking is located all around the gallery at 939 Maple Ave, and the exhibition will run from 7:00PM-1AM. If you are in the LA area, stop by!

Please RSVP via the Facebook invitation and I hope to see you all there!

Photojournalism Behind the Scenes: Staged Conflict Photography

Italian photographer Ruben Salvadori recently put together a documentary recording the behind-the-scenes of conflict photography. Although not all conflict journalism is like this, it is still a very eye-opening documentary about the pressures that many conflict photographers face, and the influence they have on the people they photograph.

Your thoughts? Share them below and please keep the conversation civil.

Interview Featured at the 500px Blog

Hey streettogs, just got interviewed by the folks over at 500px. They asked me some questions about my approach in street photography, how my work has evolved, as well as my thoughts on some controversial topics. If you got a minute, make sure to check out my feature here!

Thanks to Jen Tse for the interview, and Neil Ta for hooking us up!  

Hands-on with the Olympus EPM-1 (and other thoughts about cameras)

Recently I have had the huge pleasure of being invited to the PEN Ready Project, in which Olympus gave away 1000 Olympus EPM-1 cameras for people to shoot and review. I have always been a big fan of the Micro 4/3rds cameras, as they are small, compact, and take great photos. I tested an Olympus EP-2 a while back, and was quite impressed by the performance. I recently shot with the Olympus EP-3 and was quite pleased with the (even faster) autofocus performance as well as the image quality. If you have a micro 4/3rds camera and pick up a Olympus 17mm f/2.8 lens (~35mm equivalent), the Panasonic 20mm f/1.7 Lens (40mm equivalent), or the  new Olympus 12mm f/2 lens (24mm equivalent) it makes a great combination.

Interview with Adam Marelli about His Journey to the Remote Island of Tanna

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 (Photo above copyrighted by Adam Marelli)

Adam Marelli is an artist, photographer, and builder based in New York City who travels the world with his trusty Leicas and captures breathtaking images of people and places that he visits. His travels include India, Central American, Europe, and Egypt and recently to the remote island of Tanna, where he documented the life of the locals. Read more to find out about his adventurous journey to Tanna and the insights and people that he learned about.

Studying the Masters: A Recap of my Intermediate Street Photography Workshop in San Diego

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(With the gang at the San Diego Street Photography Workshop)

The past Intermediate Street Photography Workshop in Downtown San Diego was a blast. We studied the work of the master street photographers such as Henri Cartier-Bresson, Garry Winogrand, Helen Levitt, Vivian Maier, Bruce Gilden, Elliott Erwitt and many others. Not only that, but the atmosphere of the Gas Lamp District was fantastic, especially during the nights when it started lighting up. Shooting was a blast, as protestors for the Occupy Wall Street showed up on Saturday and  a ton of people from the Little Italy festival on Sunday.

Huge thanks to all the participants for getting out of their comfort zones and really getting close and intimate with your subjects. It was a wonderful pleasure having you Doug, Michael, Victor, Animesh, Joel, and Derriel. Huge thanks to Todd for helping with all the logistics and getting the hotel room! You are an incredible group of street photographers, and seeing your progress and images truly impressed me.

If you are interested in any of my upcoming workshops in Toronto, Mumbai, Tokyo, or Malaysia, please check out my workshops page!

What Does it Take to Make a Good Street Photograph?

What's on a doorman's mind?

 (“What’s on a doorman’s mind?” by Simon Garnier)

Eric’s note: The following guest article is by Simon Garnier, part scientist and part street photographer who lives and works in New Jersey. Read his previous article about getting close in street photography and this new article where he discusses what it takes to take a great street photograph.

What does it take to make a good street photograph? Many, many, many things. Some weeks ago on this blog, for instance, I discussed the importance of taking a picture at the right scale, that is, at the scale of the event you are photographing. As you can imagine, however, the scaling problem is not the only challenge one faces when doing street photography. I might be at the right scale, but not at the right position or angle; the natural light might create shadows masking important elements; the composition of the picture (that is, the organization of the different components of the image relative to each other and to the dimensions of the picture) might diminish the meaning and clarity of the photograph; the colors (if you shoot in color like me) might simply not get along very well (try flashy green on purple for instance :-) ); the contrasts might be too low to easily distinguish the foreground from the background; etc, etc. Street photography is an easy genre to start with (the easiest maybe?), but for sure it is one of the hardest to master as all these problems must be tackled under strong time constraints.

The 65+ Best Street Photographs from my Intro to Street Photography Workshop in Chicago with Jason Martini

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(Image above by Jayme Sudeth)

Chicago is definitely one of my new favorite places to shoot street photography. Not only is downtown Chicago ripe for street photography, but Chicago has some of the friendliest and down-to-earth people out there. I had the time of my life teaching my street photography workshop with Jason Martini, and you can see a recap of my workshop here.

Below are the best images from the Introduction to Street Photography Workshop. If you are interested, I also have upcoming workshops in Toronto, India, Tokyo, and Malaysia on my workshops page!

Read more to see all of their images below.

An Introduction to Zone Focusing for your Leica, Rangefinder, or DSLR

When I first started shooting street photography, I was always frustrated that my autofocus would always be too slow to capture the decisive moment. After trudging around the internet, I was first introduced to the idea of “zone focusing” by Markus Hartel on his blog.

For those of you who aren’t familiar with zone focusing you essentially use a high f-stop number with a deep depth of field (f/16 or f/11) and have your camera pre-focused to a certain distance to get your photos in-focus. This is beneficial because although modern autofocusing systems are quite good, they are not 100% reliable. Using zone focusing when shooting street photography allows you to get far more keepers.

Aperture at f/16 and focused to around .9 meters. You can see everything from .7 meters to 1.5 meters will be in-focus

Regarding the settings, I typically use the following when shooting:

  • Aperture: f/16
  • ISO: 800-3200
  • Shutter speed: Above 320ths/second
  • Prefocus: 1 meter
  • AV-mode
Why do I use the above settings? Shooting at f/16 allows me to get the deepest depth-of-field with my lens. I keep my ISO high so my shutter speed will be above 320ths/second (this allows you to capture people walking and not blurry). I don’t mind having extra grain or noise in my images. I actually find it to make my images more gritty and raw. Also I keep my lens pre-focused to around 1 meter– because that is how close I generally am to my subjects when shooting.

Street Photography without People: Capturing Humanity through Objects and Scenes by Simon Johnson

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(Above image by Simon Johnson)

People ask me all the time whether street photography needs to include people or not. I don’t believe it has to, as you can study the work of Lee Friedlander who did a fantastic series on letters and signs in America, as well of the work of Blake Andrews who has embarked on similar projects. However to take an effective street photograph without people is incredibly difficult, as the image should remind you of humanity. This can be done through precision in lighting, symbolism, colors, objects, and framing.

When I look at the work of Simon Johnson, I feel that his still street photographs employ this extremely well. His images truly capture the beauty of the mundane and everyday life. I know many of you live in the suburbs or outside of dense urban populations, which may not have a lot of people. There are always street photography opportunities everywhere you go– in which people aren’t always necessary.

You can also see Simon’s additional traditional street photography work with people here.

Keep reading, and I hope you find inspiration through his images!

The 3 Best Submissions for my “Wide-Angle” Weekly Street Photography Assignment

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Eric Metzler

Thanks to everybody who submitted to last week’s street photography assignment which was: “Wide-Angle“. Many of you submitted great entries, and I have chosen the best 3 here to display!

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Aaron Offord 

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Gary Tyson 

The theme this week will be “Smile“. Please take a new photo this week and upload it to my Facebook fan page by Thursday night. Looking forward in seeing your entries! Also congrats to Eric, Aaron, and Gary!

How to Interact With Your Subjects when Shooting Street Photography

Alfred Eisenstaedt once said, “It is more important to click with people than to click the shutter“. Upon reading this quote, it made me start thinking differently how I approach my street photography. When I started off, I would avoid eye contact at all costs, often shooting from the hip or being a little more sneaky. However nowadays, I actually prefer making eye contact with my subjects the majority of the time and even interacting with them after taking the shot. Often times when things are a bit too hectic on the streets, I don’t talk much with people but whenever I have the opportunity I try. Keep reading to learn how to interact with your subjects more when shooting on the streets.

Through the Grainy Eyes of Film by Erik Lauri Kulo

(Above image by Erik Lauri Kulo)

Who would have thought that 146 years after the photographic negatives were added to protected works under copyright – people would still use the technique even though there’s an almost futuristic alternative?

In the late 90s photographic film made, what would seem, a last push to stay on top of the photography market with a row of new cameras such as the Olympus Mju-II that quickly sold around 3.8 million examples. Or the Canon EOS 1-N that served the purpose of showcasing just how advanced Canon’s technology really was at the time.

But with the millennium came a new king of the market: the digital camera. With the new Canon 1D and Nikon D1 film truly appeared to be losing the battle. And today when technology has reached a level that was a mere fantasy of science fiction fans a couple of years ago, it would seem like film is dead.

Interview with Eric Kim about the YOU ARE HERE Street Photography Exhibition in Los Angeles with The ThinkTank Gallery and Leica

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Interview conducted by Jacob Patterson, co-founder of the ThinkTank Gallery in Los Angeles.

YOU ARE HERE is a street photography show at the ThinkTank Gallery at 939 Maple Ave in Downtown LA on October 13th which is sponsored by Leica Camera. Over 30 photographers were given 10 days to shoot the same one square block, and their three images which best capture the spirit of the area shot will be displayed together alongside a few installation pieces. Come out at 7pm or after you visit the Downtown Artwalk and see this unique show! You can RSVP via Facebook, and keep reading to hear about Eric’s involvement in the exhibition and see some of his best images.

Interview with Justin Vogel (justinsdisgustin) from HCSP

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(Above image by Justin Vogel)

Justin Vogel (aka justinsdisgustin) was born and raised in Hells Kitchen in New York City and describes himself as a 42-year old unemployed stay-at-home father of a two year old baby boy. Although he refers to himself as a “dirt bag” his insight and ability to create captivating images is incredible. He captures a unique vision of his neighborhood that is often raw and gritty primarily in film. Opionated and full of vigor, he is definitely a seminal figure in the street photography and his work with the Hardcore Street Photography Group on Flickr. We caught up with Justin and found more about the man behind the camera.

Tenderloin USA Photo Journal: An Exploration of the Tenderloin District in San Francisco

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I recently received my copy of Tenderloin USA, which is a 50-page black and white introspection of the Tenderloin, one of San Francisco’s most vibrant yet often overlooked neighborhoods. Street photographers Brad Evans and Travis Jensen go into the heart of the Tenderloin, and capture soulful images of the people who work, hustle, hang out, and live in the colorful and culturally diverse neigborhood.

The most inspirational part of Tenderloin USA is that 100% of the profits will go to the Larkin Street Youth Services, a San Francisco charitable organization that helps at-risk youth in the area. I am a huge advocate for helping out the community through photography, so do your part and pick up a copy! The journal is only $20 through HP’s Magcloud, and you can buy a copy here.

Help support this project and the community now!

The Best 49+ Photos from my Intro San Francisco Street Photography Workshop

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(Above image by David Scott)

I know this is a bit late, but finally got the best images from my workshop participants from my Introduction to Street Photography Workshop in San Francisco. You can see a recap of how the workshop went, and make sure to stay posted for my upcoming workshops in San Diego, Los Angeles, Toronto, India, Tokyo, and Malaysia on my workshops page!

Read more to see all of their images below.

Watch In-Public’s “In-Sight” Documentary Film on Street Photography

Nick Turpin recently put up the full 38 min version of in-public’s ‘in-sight’ documentary film which shows them shooting on the streets of New York, London, Melbourne and Rotterdam. Each street photographer had an HD camera mounted on their camera hotshoe to show them in action. Each photographer also discusses their motivation and approach to street photography.

You can pay a small fee to support the film through Paypal. I highly recommend everyone watch it. Save the money you would spend on having a Starbucks coffee and watch it!

Thanks to Kim Brown for the tip!

The Benefits of Shooting Street Photography with a Leica (or rangefinder)

Street Photography with Leica by Bellamy Hunt

Eric’s Note: This is article is part of an on-going weekly column by Japancamerahunter (Bellamy Hunt) where he talks about vintage cameras, film, and street photography. You can check out his part articles here

So, it looks like Eric has got himself a Leica M9, the lucky little so and so. So I thought that this would be as good a time as any to write a post about the perceived benefits of shooting with a rangefinder, or more specifically a Leica.

Now It has to be said that I am a big Leica fan, but that does not mean that they are the only rangefinders. I also have a Contax G2, a Konica Hexar and a Canon 7. They all have their differences, so good, some bad. What I am going to talk about in this is the general benefits that I have found using a rangefinder.

35 Magnum Photographers Give Their Advice to Aspiring Photographers

Hi 
(Above image copyrighted by Alex Majoli)

Bill Reeves, a passionate photographer who is fortunate enough to have Magnum photographers Eli Reed and Paolo Pellegrin as his mentors, told me about a blog post that Magnum had a while back regarding advice to young photographers. It was put together by Alec Soth, who has done a series of fascinating projects such as his most popular, “Sleeping by the Missisippi” which was done on a 8×10 view camera. An interesting excerpt that Bill put together about Alec is below:

Alec writes up lists of things to shoot. Some normal objects, like suitcases, and others more weird, like unusually tall people. He would tape this list to his steering wheel, and be reminded to shoot those things when he saw them. When he found someone to shoot, he would talk to them, and from that conversation find the next thing to go looking for. An example is he did a portrait of a guy who built model airplanes, and then a portrait of a hooker. The link? She had airplanes painted on her nails. He then went to photograph Charles Lindberg’s childhood home, which led him to photograph Johnny Cash’s boyhood home and so on and so forth.

I found the advice that these Magnum photographers is golden–and have shared it here to spread the love and knowledge. Keep reading to see their inspirational images and advice. You can also download the free PDF here.

“Finding Your Street Photography Style” Workshop in San Diego (10/7-10/8)

I am excited to say that I am teaching my Intermediate Street Photography Workshop in San Diego this up-coming 10/8-10/9 at the Sheraton San Diego Hotel. The workshop will be focused on finding your own street photography style, and we will be studying the work of the masters (Henri Cartier-Bresson, Garry Winogrand, Elliott Erwitt, and more). There is a cap of only 8 participants, so make sure to click below for more information before spots run out!

>> Click for More information about San Diego Workshop

Also below is my list of other up-coming street photography workshops:

October

10/15-10/16: Downtown Los Angeles – Info

10/22-10/23: Toronto – Info

November

11/5-11/6: Mumbai, India – Introductory – Info

11/9-11/10: Mumbai, India – Introductory – Info

11/12-11/13: Mumbai, India – Introductory – Info

December

12/3-12/4: Tokyo, Japan – (Info TBA)

12/10-12/11: Kota Kinabalu, Malaysia – Info

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