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Something I learned from my friend Don Dillon: in life, just keep hopping from one Lillypad to the other.
Perhaps the best way to become â€healthierâ€:
Your hotel workout, travel, food, etc:
Eat more meat:
Just by the cheapest Tesla you could afford. Also, look into getting a used Tesla model S, the older ones.

One of the biggest things becoming a new parent was transitioning to not really having the time nor the desire nor the efficiency to go to a gym. Being a new parent, literally every minute is too valuable.
In the quest to stay strong and fit in spite of my lack of time, I discovered the notion of a minimum viable workout: what is the simplest, most sinister (Pavel T), and most effective workout?
Simply put, I think it involves kettlebells. I have a 70 pound kettlebell home, as well as 105 pound.
You could use the 70 pounder to warm up, do hip-openers, and a few swings just to get your blood flowing. And then, you could just use the 105 pound kettle bell to do about as few swings as you want just to get the momentum going, in the range of 3 to 5 swings, with maximal force output. You produce your own resistance, your own force.
For example, the variable of the weight of the ketball remains the same, yet you dictate how much thrust you decide to output with that weight. Therefore, in theory you could create unlimited force. I wonder if you could actually do the same force output as deadlifting over 400 pounds.
Philosophically, I like the idea that you could just have one kettlebell. If I could just on one piece of workout equipment for the rest of my life, maybe it will just be one single 105 pound kettlebell (the beast).
Ultimately, I would still prefer to go to the gym. But with limited time, and limited resources, becoming more improvisational, and adaptable is good.

Trying to be too secure, you end up disadvantaging yourself or locking yourself out.
Less security is better.

Dear friends, to promote my upcoming Seoul South Korea street photography workshop experience, I wanted to share some thoughts on discovering your own personal soul in photography:

The first question which comes to mind is what is your soul? What is the significance of it?
I don’t really think about the soul in a New Age spiritual way. I see it as very pragmatic. Basically your soul is a combination of your personality, ego, self consciousness, your memories, and your personality.
Basically, your soul is you.
My thought is in the context of photography, your soul is imputing your own personality into your photos. In another way, you could think of your soul in photography as your own personal style, your style being like your own personal paintbrush. To show your own brushstrokes in your photos is your photographic style, and your soul.
When it comes to aesthetics, everyone is drawn in a different way. For myself, I see black-and-white as the most sublime form of aesthetic and photography and also art. I have a very deep and strong connection with calligraphy, and abstract black-and-white paintings.
In photography, you choose your own paintbrush in your own aesthetics. For example, you make the conscious decision whether to shoot film or digital, which format to use, and what “look†you want.
For example if you shoot film, you have an array of choices. For example, you could choose whether to shoot 35 mm, medium format, large format. You could shoot color film or black-and-white film. You could push your film or pull your film.
In digital, you could shoot digital medium format, full frame, APS-C, etc. Also you can shoot JPEG or RAW. And also if you should JPEG, you could decide what filter to use. In raw, you could create a preset to create a certain process look, in which your aesthetic suits your artistic taste.
The aesthetic you choose is very important.
My personal thought is philosophically, your soul is always changing. Even Heraclitus says, “you never step in to the same river twiceâ€. This means that your environment is always changing, and you are always changing. Therefore your experience will always be different.
Therefore in the context of photography, we should take the same approach. This means allow your photographic style to change. Shoot different subject matter, process your photos differently, and choose different processing techniques. Consistency is for suckers.
But why is there the bias that one must always be consistent in the artwork? I think it is a marketing thing. It is easier to market yourself if you are consistent, difficult to market yourself if you are always changing and evolving.
However, if you think about great artists like Leonardo da Vinci, Picasso, etc., their style and subject matter is always in a sense of flux, they just followed their curiosity.
Discovery, and reddiscovery. Even if you travel to the same place again, you will reddiscover something new. Either in yourself or the environment, or the people there.
And this is why nostalgia is such a bad thing. When it comes to nostalgia and romanticism of the past, we seek refuge in the consistent. We don’t like change. Yet, the reality is things are always changing. And this is what makes life so beautiful.
Therefore in your photography, and your soul, allow yourself to always discover it, and rediscover it anew.
ERIC
If this gave you deeper insight about your photography, and some interesting pragmatic ideas on the soul, feel free to re-publish or share with a friend!











Don’t make the photo symmetrical. Off-center.





You can capture more beautiful tones and see the overall shape of the face in black and white.
Tip: Invert the photo to better see the silhouette and outline in your photos:



Work the scene.

Chiaroscuro — clear and obscure.


Curiosity — the impetus to travel, explore. To become stronger (curiosity about one’s strength) is what drives us to pursue new personal records in powerlifting.


Travel, adventure, exploration, physical training (powerlifting, weight lifting, physicality).

Dear friend,
If you’re hungry for adventure, and curious to experience the culture and streets of Seoul, South Korea, I cordially invite you to my new DISCOVER YOUR SEOUL ERIC KIM TRAVEL STREET PHOTOGRAPHY WORKSHOP EXPERIENCE (September 30th to October 2nd, 2022):
(more…)
A new shift:
I don’t care to have it to become the ‘best’ or the fastest, or the most optimal … I just want it to work!

Some simple creativity ideas:
Upload your creative photos on arsbeta.com
Why make art or photos? Ask WHY APP?

Your creative supplier:

Watch some Stanley Kubrick films, or Akira Kurosawa. Roshomon or Stray Dog by Kurosawa.
If this gave you any sources of creative inspiration or motivation, feel free to forward to a friend!

I think so! Perhaps I’ll experiment and find out for myself.
Automation prevents us from innovating new processes and approaches:





Beef liver, heart, organ meats. Ribs.

Maybe it’s a good idea to try to intentionally scratch your phone, camera, and devices.
This is living life on the edge. No need for stupid protection devices, cases or covers.












If your kid is already perfect in your eyes, maybe one is enough.
































































The head strap for GoPro is insanely fun!
Just get a quick pump, go for a quick one rep max, and peace out.
Do you want to keep some physiological energy in the tank, in order for you to do more important things like play with your kid, go exploring, etc.
iPad is great for selfie vlogging, especially with the new ultra wide lens:
My gym and working out ethos.

My critique of a lot of modern day games, especially mobile games this this: it takes no skill. Honestly, if you look at it long enough, and click enough buttons enough, you will win and advance.

What is critical photography? Critical coming from the Ancient Greek “Kritikosâ€, which means judge. As a critical photographer, you judge your own photos uncompromisingly, without concern for others.
How and why should you be critical? Not self critical in terms of self flagellation, and lowering your self-esteem. No, to become deeper, more introspective, and more philosophical in your photography. Becoming more critical on why you make photos, for whom, and what innovation and creativity means for you in the context of photography.