Month: February 2016

  • Streetfoto: Putting Street Photography and San Francisco in the Photo Festival Scene

    Screen-Shot-2016-02-19-at-9.12.31-AM

    (Photos used in this interview is used with permission from Streetfoto and the respected copyright of the owners. Streetfoto Poster image by Jack Simon)

    San Francisco is probably one of the most under rated US cities when it comes to street photography. Home to a lot of hard workers and street shooters, the city will be the venue for Streetfoto, a new international street photography festival. Lined up with exhibits, contests, portfolio reviews, lectures, and a lot more, Streetfoto is shaping up to put San Francisco in the street photography festival scene. We got a chance to talk to Ken Walton, the brainchild of this festival and we discuss what Streetfoto is about, his views on street photography, and what folks can expect when they go there.

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  • You Are Blessed

    Berkeley, 2013
    Berkeley, 2013

    “Blessings on blessings on blessings. Look at my life man, that’s lessons on lessons on lessons.” – Big Sean (Blessings)

    Man, we are so blessed. We have so many blessings in our life. We have blessings on blessings on blessings, yet it is easy to forget all the wonderful things we have in our life.

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  • Always Be Prepared

    Always Be Prepared

    Fort Bragg, 2016 #ricohgrii
    Fort Bragg, 2016 #ricohgrii

    You never know when a good photo opportunity will present itself to you.

    Always be prepared.

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  • Observations Vol. 1 No. 1 by the Observe Collective Out Now

    Observations Vol. 1 No. 1 by the Observe Collective Out Now

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    (Cover Photo by Oguz Ozkan)

    We’ve always love the hard work that Observe Collective puts out. They understand that photography is not just shooting but also showing your work. Presenting your observations if you will.

    Which is why we’re happy to know that the Observe collective Magazine aptly named, Observations recently went up online.

    This issue isn’t a typical glossy magazine found in the stands with cover stories and feature articles. They had their members write about their personal relationship with photography. Some of them explore their fascination as to where the interest to photography came from like Danielle Houghton’s work or Ilya Shtutsa’s relationship with his mentor and how it is helping him tell visual stories in a deeper manner.

    It’s quite a long read at 148 pages but it is interesting and thoughtful. Thankfully, you can download a pdf version on their website.

    Once again, congratulations to Observe collective on their first issue and we are looking forward to what they have next!

    Follow Observe

    Enjoy

    -A.g.

  • The Photographic Rat Race

    The Photographic Rat Race

    London, 2015 #suits #portra400
    London, 2015 #suits

    They often call the business world the “rat race.” The concept is that we are all like rats on a spinning wheel— trying to earn more money, trying to earn more advancements, trying to work our way up the “corporate ladder.” But the faster we run, the faster the wheel turns, and sooner or later we will become exhausted and just burn out.

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  • Ignore Everybody Else

    Ignore Everybody Else

    Berkeley, 2015 #trix1600
    Berkeley, 2015 #trix1600

    I think one of the most difficult things in the modern world is to ignore what everyone else is doing, and focus on what you are truly interested and passionate about.

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  • Why Is Image Quality Important?

    Why Is Image Quality Important?

    Seoul, 2012
    Seoul, 2012

    Dear friend,

    It seems that we as photographers have this overly-obsessive fascination and obsession with “image quality” — through how sharp our images are, how well “bokeh” renders, the depth-of-field or “3d-ness” of images, how much the colors “pop”, or things such as “micro-contrast” (not even sure what this is, but I hear it mentioned a lot).

    But my main question is this: why is image quality important— and is it important at all?

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  • The Joys of Looking

    The Joys of Looking

    eric-kim-street-photography-kodak-tri-x-1600-1387

    I don’t know about you, but I love to look.

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  • You Have Nothing to Fear But Fear Itself

    You Have Nothing to Fear But Fear Itself

    Tokyo, 2012
    Tokyo, 2012

    “The only thing we have to fear is…fear itself.” – Franklin D. Roosevelt

    I genuinely feel that one of the worst diseases in the modern world is having a sense of “irrational fear.” We have been born with DNA which wires our brains to be “risk averse” — meaning that we prefer to avoid risks rather than to gain rewards.

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  • How to Find Inspiration In Your Photography

    How to Find Inspiration In Your Photography

    LA, 2012
    LA, 2012

    in·spi·ra·tion: a divine influence or action on a person believed to qualify him or her to receive and communicate sacred revelation

    Dear friend,

    One of the things I am always hunting for is “inspiration” in my photography, life, and my writings. However before we get into the subject of “inspiration” — what does it exactly mean, where does it come from, and why is it important?

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  • How to Find Your Passion in Photography

    How to Find Your Passion in Photography

    01

    pas·sion: A strong amorous feeling or desire; love; ardor. From the Latin word “pati”, which means to ‘suffer.’

    We are often told in society “follow your passion” — and I do believe that concept (to an extent). Often we cannot control external factors (like whether or not we can make our passion our full-time profession), but we can control what we do with our spare time.

    My impetus for you in this letter is to follow your passion in photography. But of course, before you can follow your passion, you must discover what your passion is.

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  • Why Shoot Street Photography?

    Why Shoot Street Photography?

    SF, 2015 #ricohgr
    SF, 2015 #ricohgr

    Dear friend,

    I’ve written a lot of articles on how to shoot street photography— but I realized I have written very little on why shoot street photography. In this article I will outline some reasons why you should shoot street photography, as well as some personal reasons why I personally shoot street photography.

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  • Review of the Fujifilm X-Pro 2 For Street Photography

    Review of the Fujifilm X-Pro 2 For Street Photography

    DSCF0352
    Selfie with the X-Pro 2

    Okay, I just got off a 16-hour direct flight from Dubai to San Francisco. Yeah, I am pretty jetlagged (slept last night at 7:30pm, woke up today at 1:30am). Anyways, I am starting to power up with a coffee at Philz in Berkeley, and wanted to share some (very brief) thoughts on the Fujifilm X-Pro 2 for street photography.

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  • Student Photos: Film Street Photography Workshop in Dubai

    Student Photos: Film Street Photography Workshop in Dubai

    80230011
    Photo by Susan

    Just finished the coolest workshop here in Dubai– the 2-day Experience the Magic of Film Workshop at Gulf Photo Plus 2016. The students all hit the streets with their cool film cameras (some 35mm and some medium-format), and we had a blast shooting film and also learning how to process the film. Check out the behind the scenes and all their photos below:

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  • Intensely Proud: Checking Back with Dayv Mattt and his Latest Book

    Intensely Proud: Checking Back with Dayv Mattt and his Latest Book

    HSLS-COLOMBO6

    Interview by A.g. De Mesa. All photos by Dayv Matt.

    Last time we talked with Dayv, he just finished his first book, High Street Low Street: Seoul and was in the process of making his follow up, High street Low Street: Colombo. He’s finally done with the book and is currently running a kickstarter campaign to be able to self-publish. I check back on him to see what he has learned with self-publishing, motivating yourself, and photography personal life balance.

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  • Review of the Fujifilm X70 For Street Photography

    Review of the Fujifilm X70 For Street Photography

    The new Fujifilm X70: the body of a Ricoh GR with the guts of a Fujifilm X100T
    The new Fujifilm X70: the body of a Ricoh GR with the guts of a Fujifilm X100T

    I’m currently here in Dubai, and had a chance to check out the Fujifilm X70. TLDR; the X70 is a compact digital camera with the same sensor as the Fujifilm X100T, and a 28mm f/2.8 (“full frame equivalent”) lens.

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  • Student Photos: Dubai Conquer Your Fear Workshop 2016

    Student Photos: Dubai Conquer Your Fear Workshop 2016

    Hakim Boulouiz
    Hakim Boulouiz

    As a part of GPP 2016 in Dubai, I just finished a “Conquer Your Fear in Street Photography” workshop with my epic students. I was so impressed to see how much progress the students made in the last two days, taking fantastic shots in Deira (“Old Dubai”) which looks like a mix between Egypt, India, and Morocco. Then we woke up today at 4:30am (painfully) and after a few coffees hit up the fish market and caught the epic morning light.

    I had such a memorable experience so far in Dubai, teaching, experiencing the city and diverse people, and the results of the students have absolutely blown me away. Check out all their photos below, and if you want to conquer your fears check out my upcoming street photography workshops.

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  • Streettogs Academy Assignment No. 18

    Streettogs Academy Assignment No. 18

    Film july 2015 Web Size-10

    For this month’s assignment, the editor’s choice, Kim Allen, chose “Adapting to the elements!”

    (Details of joining and more info after the jump!)

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  • Why Travel?

    Why Travel?

    Prague, 2015
    Prague, 2015

    Dear friend,

    I wanted to write you this letter on traveling; my experiences globe-trotting around the world, my motivations, and things I have learned along the way:

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  • Empathetic Photography

    Empathetic Photography

    Busan, 2013. From my "Grandfather" series
    Busan, 2013

    Empathy: “The ability to understand and share the feelings of another.”

    Sometimes I can be a cold bastard. I see other people in the street suffering and be indifferent to their pain. I often am wrapped up in my own world, and unable to have the time to communicate or connect with others. I am so self-centered and interested in myself and my own dealings, that I can sometimes become calloused to those around me.

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  • “Henri” Neck Strap (Mark II) & “Henri” Wrist Strap

    “Henri” Neck Strap (Mark II) & “Henri” Wrist Strap

    R0002405

    Dear streettogs, I am very excited to announce the new edition of the “Henri” Neck Strap (Mark II). This new version is made from a darker-leather, similar to the color of dark mahogany wood or a good cup of coffee.

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  • Social Photography

    Social Photography

    Amsterdam, 2015
    Amsterdam, 2015

    Dear friend,

    I wanted to share some personal thoughts I’ve been having about “street photography” in general— that I feel that “social photography” would be a better definition.

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  • What If You Got Everything You Wanted?

    What If You Got Everything You Wanted?

    Hollywood, 2011
    Hollywood, 2011

    “In the world there are only two tragedies. One is not getting what one wants, and the other is getting it.” –Oscar Wilde

    Sometimes we wish to get something. But once we actually get it, we wish we didn’t get it in first place.

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  • Photography For the Soul

    Photography For the Soul

    Portugal, 2015 #cindyproject #trix1600
    Portugal, 2015 #cindyproject #trix1600

    Dear friend,

    Do you remember when you were a kid and there were those “chicken soup for the soul” books? Yeah, I remember those too.

    I remember reading these stories as a kid, and feeling so uplifted and inspired.

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  • How to Stay Curious

    How to Stay Curious

    Robert. Stockholm, 2015
    Robert. Stockholm, 2015

    Another thought I have had on my mind: how to stay curious in life.

    One of the things I learn most from children is how amazingly curious they are in life. They see the world as full of possibilities, with no limits.

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  • Why Shoot Black and White?

    Why Shoot Black and White?

    Kettleman City, 2015 #cindyproject #trix1600
    Kettleman City, 2015 #cindyproject #trix1600

    Black and white is where my heart and soul is. I feel that by shooting in black and white, I can better communicate and convey my emotions, thoughts, and feelings.

    I feel that black and white is less of an aesthetic, but more of a feeling.

    You don’t shoot black and white because it is more “artsy”. You shoot black and white because it better communicates how you feel.

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