Eric’s Note: CritiqueMe is an on-going street photography critique series by Ollie Gapper, a photography student and street photographer based in the UK.Â
Ollie Gapper: So this week I thought I’d try and do something different with the CritiqueMe series, where, instead of trying to offer a full critique to a photographers work, I wanted to shape the critique around one particular aspect I feel the featured photographer and community in general may find useful.
Ollie: Let me start this with an apology. I haven’t had time this week to produce a nice in-depth interview or to find something or someone to write massively about, (the reason is stated below) so as much as I dislike talking and promoting my own work, this week I haven’t really got a choice.
So, as a lot of you will have known from observing my Twitter and Google+ accounts, I have recently spent a night in hospital whilst undergoing tests for a sleeping disorder. It was nothing major, just an uncomfortable night of being hooked up to a computer that monitors my brain activity. I decided to make use of this situation and bring a few cameras with me to enable me to produce some work.
Eric’s Note: This is part of an on-going critique series called “CritiqueMe” by Ollie Gapper. Enjoy the feature below!Â
Ollie Gapper: Well I’d like to first off say thank you to everyone who took the time to enter for the first installment of CritiqueMe, I’ve had the great pleasure of looking at some truly fantastic work. I’d also like to congratulate Nicolas Hermann for being selected! The reason I chose Nicolas for the first installment of CritiqueMe is that I wanted to be really challenged for finding points for improvement (not that some of the work you guys turned in wouldn’t do the same) as the ones I would find will inevitably help a lot more of you.
(Above image copyrighted by Joel Meyerowitz)
Eric’s Note: This article is by Ollie Gapper, a street photographer based in the UK- and now a weekly contributor to the blog. Stay tuned for more of his “Ollie Gapper Thursday†posts! Â
With any genre of photography its easy to become saturated in your work and the work of others around you. In street photography, regardless of the numerous variations in individual photographers approaches and the wealth of locations and types of people we are granted visual access to, we still, slowly, become numb to the photographic impacts that once enthralled us. This is why I, for one, enjoy periodically dabbling in different genres of photography, whether it is shooting or viewing, to allow my mind to refresh and recharge from the relentless practice that is street photography.
Eric’s Note: This article is by Ollie Gapper, a street photographer based in the UK- and now a weekly contributor to the blog. Stay tuned for more of his “Ollie Gapper Thursday” posts! Â
Over the past few months it’s fair to say I’ve spent a lot of time and money on printing. Though it wasn’t entirely through choice, it’s an element of my university course I absolutely would not change. It’s enlightened me, allowed me to look at my work in a totally different way. Being able to hold an image, move it around in the light, hold it close to my face and scrutinise every inch of it, it feels like its making me a better photographer. Seriously.
I’ve learnt a lot in terms of traditional, darkroom printing, both colour and black and white, and in doing so, I’ve learnt a lot about my film and my photographs.
Ive also been reading through the Ansel Adams technical guide books (The Camera, The Negative and The Print) which has taught me to reverse this method of only ever printing for your negative, it instead teaches you to expose your negative for your print. I shant go into the specifics of the Zone System or anything, as thats not what I want to say in this article.
What I want to say is simple: Print your images.
Eric’s Note: Ollie Gapper is a passionate and  young street photographer who found it as a medium to quite literally take the pain out of his everyday life. Make sure to read his story how he got started with street photography as well as a film he produced for his class!
My childhood was unique. To be born with a disability is a strange experience, feeling like every ache, pain, dislocation, bruise and cut is just normal, but being told by those around you differently causes you to constantly question your own perception of just about everything. As I grew and matured I realized that what I have is both a severe disability and a unique opportunity. An opportunity to make the very best out of a very bad situation. With near constant trips to London for hospital appointments I tried to find something I could do to break the monotony and negative stigma I’d attached to such visits. I found street photography.
