Month: June 2014

  • On Polarization and Street Photography

    On Polarization and Street Photography

    Hong Kong, 2012
    Hong Kong, 2012

    I am a big fan of Nassim Taleb and his concept of the “barbell theory” which he derives from his book: “Antifragile” (one of my top 3 favorite books).

    The concept of the “barbell theory” is that you embrace two extremes in life– rather than going for the boring “middle” strategy. For example Nassim Taleb says it is better to save 90% of your money in boring cash– and invest 10% in hyper-risky investments (rather than just putting it all into “medium risk” ventures). Nassim Taleb also mentions that regarding drinking, it is better to drink liberally 3 days a week (and completely abstaining the other days) rather than drinking “moderately” everyday.

    I recently read a book titled: “A Perfect Mess in which the author promotes the benefits of randomness and messiness.

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  • Interview with Ibarionex Perello from “The Candid Frame”

    Interview with Ibarionex Perello from “The Candid Frame”

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    Ibarionex Perello is a photographer, writer, educator as well as the host and producer of The Candid Frame photography podcast. He is the author of 5 books including “Chasing the Light Improving Your Photography Using Available Light“. His latest book is “Portraits of Strangers.”

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  • 10 Ways How to Have a Good Day in Street Photography

    10 Ways How to Have a Good Day in Street Photography

    Stockholm, 2012
    Stockholm, 2012
    1. Smile at and compliment a stranger.
    2. Surprise a friend with one of your favorite prints (for no reason).
    3. Give a constructive criticism to a street photographer with 0 comments online.
    4. Promote the work of another contemporary street photographer whose work you admire.
    5. Go out and only shoot with 1 camera and 1 lens (and turn off your smartphone).
    6. Contact a local street photographer to go out and shoot together.
    7. Lend one of your favorite photography books to a fellow street photographer.
    8. Give away a camera you don’t use to charity, a photography program, or someone in need.
    9. Donate some of your time by teaching a photography class or lecture to less-privileged students.
    10. Give yourself permission to take bad shots, enjoy a nice coffee, and shoot to please yourself (not others).

    How do you have a good day in street photography? Share your tips in the comments below!

  • Reflections on Tijuana by Eric Labastida

    Reflections on Tijuana by Eric Labastida

    bullfight 2 copy

    (Editor’s note: The following are words and photographs of Eric Labastida. These are his thoughts and reflections during his time photographing Tijuana from 1992 to 2002)

    When I started this project and photographing in general, I found inspiration in the library.  This was before the internet, before we had the ability of riding the flood of information as we do now.  I checked out photo books.  My first visual and poetic guides were Henri Cartier-Bresson, Josef Koudelka, Mary Ellen Mark, and of course, Gene Smith.  I was on a diet of strong composition, strong content and a feeling of pure joy in trying to catch that moment in the blink of an eye.  It all had to be there: geometry,  timing and magic.  A very elusive beast indeed,  but the hunt was pure living, and I got hooked.

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  • Saigon Diary #5: Travels to Bien Hoa, Learning Vietnamese, and Coffee Culture

    Saigon Diary #5: Travels to Bien Hoa, Learning Vietnamese, and Coffee Culture

    Cindy by the water in Bien Hoa, just outside of Saigon.
    Cindy by the water in Bien Hoa, just outside of Saigon.

    Hey streettogs, thank you for waiting for this new episode of “Saigon Diary“.

    A lot has happened the last week, namely me and Cindy visiting Bien Hoa– a place about an hour outside of Saigon. Cindy’s cousin got married recently, and it was a great time getting to know her father’s side of the family (while of course, eating some delicious food).

    I’ve also learned a lot more Vietnamese– and can now hold a pretty basic conversation (a 4-year old is still better than me).

    I’m still not sure what I ultimately want out of this “Saigon Diary” series– nor do I expect to really make any good photos while I am here. But like I mentioned before, I want to share some personal thoughts on the trip, my photography, and keep it all as transparent as I can.

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  • Composition Lesson #14: Square Format

    Composition Lesson #14: Square Format

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    Symmetry in 6×6 photo by Diane Arbus

    You can see all my composition lessons here.

    I have been quite fascinated with the square-format in street photography for a while. My fascination first came about from Jeroen Helmink, a photographer from the Netherlands (you can see a fun video we made on shooting Hasseblads). There was something quite sexy about the 6×6 format– the way that it created perfect balance in the frame, the simplicity, as well as the novelty.

    Of course as Instagram has become insanely popular– the square-format just looks like an “Instagram shot.” I have heard of Instagram as “ruining” the 6×6 format (medium-format film).

    However I don’t think it really matters what camera, format, or aspect ratio you shoot in. Ultimately the most important thing is to create a visually compelling image that speaks to our hearts or souls.

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  • Introducing Streettogs Academy

    Introducing Streettogs Academy

    Streettogs-Academy-Group-banner

    We always push for people to keep on practicing and developing your skills and your eye. We also believe in having a passionate group of people helping each other to become good with this passion of ours. With that in mind, we are launching a new initiative here on the blog: Streettogs Academy.

  • 10 Things To Try When You’re in a Photographic Rut

    10 Things To Try When You’re in a Photographic Rut

    1. Visit an exhibition or a museum (on photography or any other art form).
    2. Try shooting film, and not processing your work for at least 3 months. Then do a final edit at the end.
    3. Travel (doesn’t have to be international, it can be even an hour drive away).
    4. Write down any photographic ideas you have for potential projects in a notebook over a nice coffee, beer, or glass of wine.
    5. Meet others photographers in person, and hear what they’re working on (or advice they may have).
    6. Go for a walk around your block, and bring your camera with you.
    7. Intentionally try to take really boring photos (a la Martin Parr).
    8. Stop taking photos for a while and try writing, drawing, or playing musical instrument.
    9. Attend a photography lecture or workshop.
    10. Ask yourself: “Why do I take pictures?” and reflect on it. Ultimately the most important reason to take photos is to have something to say.

    What else do you do when you’re lacking inspiration in your photography? Add your tips in the comments below!

     

  • 10 Things Not to Do While Traveling

    10 Things Not to Do While Traveling

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    Mumbai, 2013
    1. Don’t speak English (speak the local language)
    2. Don’t eat McDonalds or drink Starbucks (explore local food)
    3. Don’t travel with check-in luggage (keep everything to a small carry-on)
    4. Don’t keep to yourself (make new friends in the streets)
    5. Don’t try to see everything (it is better to see fewer places more thoroughly)
    6. Don’t travel without water
    7. Don’t be addicted to your devices (fast from social media)
    8. Don’t forget to keep a daily journal
    9. Don’t stay at an expensive hotel (use more money for experiences)
    10. Don’t go with a plan; explore, get lost, and be a flaneur

    And of course– don’t listen to me. What else don’t you do while traveling? Add to this list in the comments below!

  • Saigon Diary #4: Leading Lines, Golden Triangle Composition, and Working the Scene

    Saigon Diary #4: Leading Lines, Golden Triangle Composition, and Working the Scene

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    Hey streettogs, thanks for staying tuned in for the “Saigon Diary” series.

    For the sake of getting sleep and having higher quality posts, I’ve decided not to keep a daily diary– but to update every 2-3 days (depending on how interesting my days are).

    Some people are asking me why I’m showing bad photos in these series. So to clarify, I am trying to make this process of taking photos in Saigon as transparent as possible. So I am purposefully putting out bad photos, critiquing my own work, and sharing some of my thought process. My hope is that this is helpful to you!

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  • Fair Witness: Interview with David Lykes Keenan

    Fair Witness: Interview with David Lykes Keenan

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    Special thanks to Clifton Barker and Gary Gumanow for putting together this interview with David Lykes Keenan, who is currently fundraising a kickstarter for his “Fair Witness” street photography book. 

    Clifton:  Few have done such great things for the photography scene in Austin as David Lykes Keenan, who I have the pleasure of interviewing today.  He founded the Austin Center for Photography and helped it grow during the organization’s first three years.  David’s work has attracted some very impressive fans from the likes of Elliot Erwitt and Eli Reed, and ultimately brought legitimacy to the art of street photography in Austin.  His book FAIR WITNESS, a collection of photos from NYC, Austin, and other cities, is positioned to be a great success, take a moment and support it on Kickstarter.

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  • 5 Tips For Really Busy Street Photographers

    5 Tips For Really Busy Street Photographers

    NYC, 2013
    NYC, 2013

    Nowadays. we are all really busy. We have countless commitments at work, at home, with our friends, and with our families. It is really hard to find time to shoot street photography. Not all of us can leave the obligations of the “real world” and just go out and shoot all the time.

    Ironically enough even though I am a “full time street photographer”– I still find it really hard to make time to shoot. I spend a lot of time with emails, social media, blogging, finances, helping out Cindy and my family, and church related activities.

    If you consider yourself a busy person, here are some tips I suggest to shoot more street photography:

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  • 10 Things Not to Do in Street Photography

    10 Things Not to Do in Street Photography

    Suits-8
    Hong Kong, 2012
    1. Don’t chimp (let your shots marinate)
    2. Don’t look at bad photos (study the masters)
    3. Don’t spend time on gear review sites when you’re bored (buy books, not gear)
    4. Don’t worry about your camera (the best camera is the one you have with you)
    5. Don’t mix black and white and color in the same set (aim for consistency)
    6. Don’t stop shooting (shoot a lot of bad photos to get a few good ones)
    7. Don’t worry about how many followers you have (shoot for yourself, like Vivian Maier)
    8. Don’t publish photos without a second opinion (edit ruthlessly)
    9. Don’t only take 1 photo of a scene (work the scene, there is more than one “decisive moment”)
    10. Don’t forget to have fun (life is short, shoot if everyday were your last)

    What else would you add to this list? Share what you don’t do in street photography in the comments below!

  • Saigon Diary #3: Motorbikes, Vietnamese Coffee, and Night Shooting

    Saigon Diary #3: Motorbikes, Vietnamese Coffee, and Night Shooting

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    Today was another beautiful day in Saigon.

    However, I did wake up pretty exhausted. The light from the morning light was nice, getting me up at around 8am. I slept probably around 1:30am (staying up to write Saigon Diary #2). But I think no matter how tired I am, I want to keep up this daily diary.

    Anyways, went to the gym– lifted some weights, took a quick shower, and then woke up Cindy. We headed down to breakfast in a rush (at around 8:40– as breakfast ends at 9am). We enjoy our morning meal, and I practice some more Vietnamese to the chef who makes me my morning eggs.

    Today is exciting because we meet up with Minh, a friend of a friend of Cindy– who teaches English and agrees to show us around town on his motorbike. I never rode a motorbike before, and am quite excited.

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  • Saigon Diary #2: Learning Vietnamese, Seeing Common Threads, and Triangles

    Saigon Diary #2: Learning Vietnamese, Seeing Common Threads, and Triangles

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    Due to the positive feedback from the first “Saigon Diary #1” I will see if I can do daily diary entries.

    Thank you guys also for the feedback on the new blog design. I’ve been wanting to change my blog to a “responsive design” — that would look great across smartphones, tablets, and computers. I also made the change from a 2-column blog to a 1-column blog, to create a better reading experience for you guys. The 1-column design allows me to upload larger images, and also larger text.

    I liked having the links on the right column, but now you can either find the articles in the “Start here” page or the “Masters” tab on top. I will play around with the design more in the upcoming weeks. Would love to hear your feedback on the new design in the comments below. Please let me know what you would like about it, and what you would like to see me add/change.

    Anyways moving on– today I woke up relatively early again (around 7am). I wish I could wake up that consistently everyday back in the states (I usually get up at around 10am). I did some bodyweight squats in the room to get pumped up for the day, and also to prepare myself for breakfast.

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  • Eric Kim Lightroom Presets

    Eric Kim Lightroom Presets

    Tokyo man flip phone. Tokyo, 2017
    Tokyo man flip phone. Tokyo, 2017. Shot on RICOH GR II with flash, with ERIC KIM Color Preset

    Dear friend,

    As a present, here are some new ERIC KIM LIGHTROOM CLASSIC CC PRESETS 2018 for you!

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  • Saigon Diary #1: First Day in Vietnam

    Saigon Diary #1: First Day in Vietnam

    DSCF1845
    Saigon, 2014. Last photo of my first day in Saigon, in an elevator. Full story later in the article.

    You can download my free Lightroom 5 film street photo presets which I used to process these photos. I used the “XT-1 v2” preset on most of these.

    Hey what’s up streettogs– this is Eric Kim reporting live from Ho Chi Minh City (Saigon) in Vietnam. After a lovely 14-hour flight from Vancouver and a 4-hour connecting flight from Hong Kong, my girlfriend Cindy and I made it safely here!

    Today over some strong Vietnamese coffee with Cindy– she helped me come up with a good idea. I wanted to document my time here in Saigon, and also document Cindy’s experience here. I am going to include the contact sheets as well — and take you behind the scenes. I hope you enjoy this journey with me!

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  • New Eric Kim Street Photography Workshops in 2014 and 2015 in Stockholm, Portland, SF, Chicago, Toronto, NYC & More!

    New Eric Kim Street Photography Workshops in 2014 and 2015 in Stockholm, Portland, SF, Chicago, Toronto, NYC & More!

    Photographing strangers on the streets of Vancouver with Tommy Chong! Photograph by Nancy Lee
    Photographing strangers on the streets of Vancouver with Tommy Chong! Photograph by Nancy Lee

    Hey streettogs, I am excited to share my upcoming street photography workshops for this year as well in 2015! If you want to push your boundaries in street photography, gain inspiration and confidence, and meet other passionate street photographers– join me at one of my upcoming workshops.

    Some of my upcoming destinations include Ho Chi Minh City, Singapore, Tokyo, Hong Kong, Sydney, Melbourne, San Francisco, Stockholm, London (Intro and Advanced), Portland, Chicago, Toronto, New York City, and more! Read more to see my full schedule.

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  • Street Photography Interview with John Goldsmith in Vancouver

    Street Photography Interview with John Goldsmith in Vancouver

    Funny story– Take Kayo was interviewing me in the streets of Vancouver when John Goldsmith (in my opinion the best street photographer in Vancouver) pops out of some bushes and starts photographing us. We then turned the lens onto John, and I do a brief interview with him on the streets– asking him about his techniques, his “keeper” rates, and his passion for street photography.

    You can check a longer interview I’ve done with John on the blog here.

    Follow John

  • Video Interview with Take Kayo in the Streets of Vancouver

    Video Interview with Take Kayo in the Streets of Vancouver

    I recently had the pleasure bumping into Take Kayo (aka Bigheadtaco), a prolific street photographer and blogger based in Vancouver. Funny story: I was having an espresso and blogging at Revolver, and out of nowhere– Take and the owner Tarry recognized me and started photographing me (really close, at 1 meter). We started laughing, chatting– and got to know each other a bit more.

    Take was born in Okinawa, and used to work at Kodak for around 10 years. Since then he has made the leap to digital, and has been passionate about shooting in the streets of Vancouver and testing & reviewing cameras. Seriously one of the most passionate guys I’ve met! To find out more about his infectious enthusiasm for photography, watch the interview above!

    Follow Take

  • Street Photography Book Analysis: Modern Times by Patrick Tsai

    Street Photography Book Analysis: Modern Times by Patrick Tsai

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    One of the best things about photography is it gives us a view of places we otherwise won’t be able to visit. Street Photography ups the ante by actually heading to side streets, roads not taken, and places that won’t appear in your usual travel guide. In Patrick Tsai’s modern times, he shows us a China devoid of media’s prejudice and how this diaristic photographer tries to prove that he can document his surroundings as well.

    Is he successful? Let’s analyze his book to find out.

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  • 7 Lessons Helen Levitt Has Taught Me About Street Photography

    7 Lessons Helen Levitt Has Taught Me About Street Photography

    Click to read more
    Helen Levitt / New York, 1980

    Helen Levitt is known as a “photographer’s photographer” a photographer who is admired by photographers everywhere, but not that well known. Since the raise of fame of Vivian Maier— I wanted to profile the work of Helen Levitt, and share the work of talented female street photographers.

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  • Listening to the Bass in Street Photography

    Listening to the Bass in Street Photography

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    Downtown LA, 2014

    I recently read something quite interesting about music. The concept was when you’re listening to music, you tend to listen to the treble (high notes) and tend to ignore the bass (low notes).

    Therefore the author suggested to get a richer experience listening to music, focus on listening to the bass (not the treble).

    So I gave it a go myself. I listened to some of my favorite classical music, and really paid attention to the low notes of the cello in the background (instead of focusing on the high notes of these violins).

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  • You Miss 100% of the Shots You Don’t Take

    You Miss 100% of the Shots You Don’t Take

    Tokyo, 2013

    Wayne Gretzky once said, “You miss 100% of the shots you don’t take”.

    I find this such a beautiful quote not only in life but also street photography.

    Many of us are afraid of taking risks, of taking chances. We worry about failure. We worry that others will judge us for our shortcomings. We worry about the worst case scenario.

    But in life, we need to take chances. We need to take risks. We need to give things our best shot. By simply not trying, we don’t make any progress and don’t move forward.

    In street photography there are a lot of risks face. Risk of getting yelled at, risk of missing the shot, risk of pissing somebody off.

    We often hesitate too. For example I have missed thousands of potential photographs because of that split second in which that voice in my head goes, “Don’t take the shot, you might get in trouble or you might upset the person.” The second I have that doubt, I end up not taking the shot (and greatly regretting it afterwards).

    In sports players often choke too. This has to do a lot with the pressure to perform. The second basketball players start thinking too much, they often miss the shots. Wayne Gretzky was one of the greatest hockey players in history, yet he has missed countless goal opportunities.

    But you won’t ever make a shot unless you take a chance.

    So in your street photography take more chances. Be bold. Take risks. Don’t worry about making bad photos. There is a nice quote I like: “To double your success rate, double your failure rate.”

    As my friend Charlie Kirk says, “When in doubt, click.” Don’t worry about making perfect photographs. Work hard, hustle, and work the scene. Take multiple photos from different angles. Crouch down. Take a step closer or take a step back. Don’t give up after only one photograph.

    Work the scene

    To learn more about working the scene and taking more risks, check out my article: “Debunking the Myth of the Decisive Moment.”

    If you want to push yourself outside of your comfort zone in street photography, Check out one of my upcoming street photography workshops in Ho Chi Minh City, Singapore, Tokyo, Hong Kong, Melbourne, Sydney, and London.

  • Video Review of the Fujifilm x100s and Tips for Street Photography

    Video Review of the Fujifilm x100s and Tips for Street Photography

    Just put together a video review and some street photography tips for the Fujifilm x100s. You can also see the full review I did of the camera here.

  • Review of the Fujifilm x100s for Street Photography

    Review of the Fujifilm x100s for Street Photography

    Click to read more

    Disclosure: Fujifilm gave me a Fuji x100s for this review. I haven’t been paid to write this review, and will try to make it as non-biased as possible. Also there are Amazon affiliate links included– so if you order the camera or any other product from my link, it will give me a small percentage.

    Fujifilm recently hooked it up with a x100s— and I took it on a test run throughout Manila and have been using it the last few weeks. Below is my review of the x100s for street photography and some of my thoughts on the camera.

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  • Systems vs Goals in Street Photography

    Systems vs Goals in Street Photography

    Beverly Hills

    One of the most interesting concepts I’ve learned recently is the concept of “Systems” vs “Goals” from a book written by Scott Adams titled: “How to Fail at Almost Everything and Still Win Big.”

    Basically Scott Adams says that in life we should focus on “Systems” instead of “Goals”. So what is the difference? Scott Adams defines a system as the following:

    “A system is something you do on a regular basis that increases your odds of happiness in the long run.”

    “Systems” are daily routines or procedures we do everyday (which we tend to have a lot of control over). For example in the context of street photography, going out and shooting everyday is a system. Buying a street photography book once a month and studying it is a system. Meeting other street photographers in person to get feedback and critique on your work is a system. Systems are much more dependent on the process– not the final result.

    “Goals” tend to be external accomplishments that we have far less control over. For example in street photography– goals include: getting 100+ likes on your photos, having your book published by a famous publisher, having a big solo exhibition at a prestigious gallery, and becoming rich and famous through your photography.

    So in life and street photography– focus on systems instead of goals. Focus on the daily things that you have control over.

    Systems focus on the small daily achievements you make– and the step-by-step progress you make forward. Goals tend to be focused too many on things you have no control over. Not only that, but we tend to get more disappointed by goals as they are harder to achieve.

    In conclusion to gain more happiness and progress in street photography– focus on systems, not goals. Now go out and pound the pavement!

  • The Benefits Shooting Both Film and Digital in Street Photography

    The Benefits Shooting Both Film and Digital in Street Photography

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    Digital. C/ Jt White

    This guest blog post is by JT White, a street photographer based in Seoul, Korea.

    JT: I get asked a lot about film versus digital.

    I use both film and digital cameras. Which, depend really depends on a lot of things. It can depend on my mood or on the lens I want to use. I don’t think I really have much of an aesthetic style as opposed to a way of shooting. I decide what camera to use depending on what I have and what my subject is going to be.

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  • Behind-the-Scenes: LA Street Photography Workshop Video Testimonial & Review

    Behind-the-Scenes: LA Street Photography Workshop Video Testimonial & Review

    Chris Stoltz, a talented photographer and videographer (and workshop attendee), just put together an awesome behind-the-scenes video of my recent LA Street Photography Workshop. He interviews me about my passion for teaching workshops, and also the students and what they gained from the workshop.

    If you’re interested in breaking outside of your comfort zone, growing creatively, and meeting other passionate street photographers– join me at one of my future street photography workshops.