Art Need Not Be Confined to a Gallery Wall: Interview with Andrew Quilty, Curator of The Elizabeth Street Gallery in Sydney

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THE ELIZABETH STREET GALLERY

Philanthropy need not be the domain of the rich. Art need not be confined to a gallery wall. Permission need not be begged for nor granted. This is a gift.

This is an interview with Andrew Quilty, one of the curators of the Elizabeth Street Gallery in Sydney– a public and outdoor gallery. See how he helping build democracy in art and exposing new talent in the feature below!

Curate and Sequence Your Own Custom Book at OCULI’s “HOME” Interactive Exhibit (May 22nd, 6pm, Sydney at the Cleland Bond in The Rock)

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Photo by Andrew Quilty
Oculi is presenting a unique book making opportunity during the Reportage Festival in Sydney.  
 
As a part of the 2013 Reportage Documentary Photography Festival and in partnership with BLURB books, Australia’s photographic collective OCULI presents HOME, an interactive exhibition where viewers are able to curate and sequence their own custom book from the Oculi Collective’s imagery.

The exhibition opening is May 22nd at 6pm and will run until June 10th at the Cleland Bond in The Rocks (Ground Level, 33 Playfair St.) in Sydney, Australia.

>> Link to the Oculi exhibition and book event

For more info about the exhibition, images, and questions to the members of Oculi, read on.

The Organized Chaos of Life: Street photography by Justin Wilkes in Sydney

Justin Wilkes Street Photography

Eric’s Note: I met street photographer Justin Wilkes when I was in Sydney – and had followed him on Twitter for a while. I had a closer look at some of his work, and was quite impressed by the diversity of his work and the pure energy and rawness of them. Check out some of his work below! 

Justin: Here’s a bit of history of myself:

Justin Wilkes, 23 years old. Born and raised in Sydney, Australia. Graduated from ANU (Australian National University) in 2010 with majors in Sociology and Political Science.

I don’t like calling myself a street photographer. It seems a bit limiting. A victim of the ‘democratic snapshot aesthetic’ I never know what will or wont get my attention next. The camera lets me explore the unknown for the sake of seeing what it looks like in a photo. A silent observer in the organised chaos of life; sometimes a figment of something deeper emerges out of this chaos and that is where I try to be.