“Who Do You Take Pictures For?” by Sven Kraeuter

boy on crossing, Berlin, Germany, 2014
boy on crossing, Berlin, Germany, 2014
Berlin, Germany, 2014

A.g.’s Note: Here we have another guest post from Sven Kraeuter. He previously shared to us a story of his interesting encounter while shooting medium format film. He’s back sharing his experience during a workshop with Alex Webb and Rebecca Webb. Enjoy! Words and Photographs by Sven Kraeuter.

Sven: Stockholm, Sweden, early summer 2014. I’m in a meeting room named “Daido Moriyama” and getting a little tense. I’m about to present some prints on a table to somebody who’s name could be on the door plate as well. Perhaps there’s another room here named after Alex Webb, too?

When I read the e-mail that confirmed I would be going to participate in one of Fotografiska’s “Masters Of Photography” workshops with the legendary Magnum photographer I couldn’t quite believe it. Now I’m here with about fifteen other photographers who prepared thirty prints to present in order to get n overview of their bodies of work. Quite amazing sets so far, a talented group presenting a broad variety of different styles ranging from personal documentary over street photography to still life.

I’m next, having different sets ready: my portfolio as well as experiments that are spreading over the table side by side. When four prints get picked that are actually part of my portfolio edit I’m quite relieved already. When Alex and his creative partner and wife Rebecca have some kind words for my playfull approach in general and two prints in particular, I am stoked. I know that kindness and hospitality play a role – probably a major one – in these sweet sentences, but I decide: I am going to produce at least one more good image during this workshop.

Change film, meet people, or how I learned to stop worrying and love the pause

Sven 1

A.g.’s note: Here’s a guest post for Sven Kraeuter that was originally posted in his blog. He shares to us an encounter he had while shooting around his neighborhood with a medium format camera that lead to an interesting encounter. Text and photographs belong to Sven Kraeuter.

Sven: Resurrecting my old east German medium format camera is a great experience so far. Coming from a rangefinder where you don’t look through the lens, hence have no visible indication of the depth of field, the first astonishing difference was to see this huge 6 by 6 centimeter view through the open aperture lens. This is a problem since everything looks gorgeous with that massive three dimensional pop and you could snap pretty much everything you frame right away ;-).