5 Lessons Daido Moriyama Has Taught Me About Street Photography

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© Daido Moriyama

I remember the first time I stumbled upon Daido Moriyama’s work via word-of-mouth by a friend. I remembered how my friend told me how he was a genius, and how incredible his black and white work was.

When I first looked at Daido’s work, I simply didn’t “get it.” His shots looked like a bunch of random and unintentional snapshots. The majority of Daido’s photos weren’t very interesting to me and seemed to be quite boring.

However over time, Daido’s work has grown on me. I still don’t think he is the best street photographer in the world, but I love his unique vision in photography (similarly to William Klein, he went against the grain of tradition in photography). Not only that, but Daido inspires me for his curiosity in life and only sees photography as a way to document how amazing the world truly is.

I know you guys must be sick of my list posts by now, but I prefer to write in that manner as it is easier to organize my thoughts. So with no further adieu, here are some lessons that Daido Moriyama has taught me about street photography.

The Ink Soaked Street Photographs of Jack Hubbell (aka Cyclops-Optic)

Jack Hubbell

(From Song Tan and Seoul, South Korea © Jack Hubbell 1981-1983) – Flickr

Eric’s Note: Today I am glad to feature the work of Jack Hubbell (Cyclops-Optic) on the blog today. Charlie Kirk turned me onto his work, citing the unique way he saw the world. 

Jack: To have something in common with Eric Kim. What? Perhaps you think it Photography, but no. Further back than that. Further away than that. Off to a nation called Korea. Whilst Eric’s connection lies with ancestry, mine deals with birth. And by that I mean birth of vision.

Which is Better? Black and White vs Color for Street Photography

Black and White vs Color for Street Photography
Black and White vs Color for Street Photography.Â

I recently got an email from one of my readers, Kit Taylor, asking me the following question:

Color or B&W? What goes into the decision to finish a street/candid
photo as color or black and white? Some photographers have a strong
specialization. Some of us use both almost equally. Some photos are
obvious; often I have some that are difficult to decide on.

I’m really glad that Kit asked this question, as this is an issue that I grapple everyday as a street photographer. There are many pros and cons to both color and black and white street photography– which I will outline below.