bellamy hunt

Tokyo Street Photography Workshop Student Photos

Photograph by Paul Thompson. Click to see more of the Introduction to Street Photography Student Photos

I was very impressed with all of the student work with my last two workshops with Bellamy Hunt in Tokyo. For the Introduction to Street Photography Workshop, students focused on overcoming their fear in street photography, better understanding what to look for in a street photograph, and also improving their composition. For the Intermediate/Advanced Street Photography Workshops, students stepped outside of their comfort zone to find their own style and voice by focusing on a weekend project.

I hope you enjoy the images from all of the students!

Photograph by Steve Richards. Click to see all of the student photos from the Intermediate/Advanced Street Photography Workshop

As a note, there is also only 3 days left for the early-bird discount for my Calcutta Week-Long Introduction to Design/Composition Workshop with Adam Marelli (12/10-12/14). Don’t miss your chance to fully immerse yourself in the streets of India, break out of your creative rut, and have an unforgettable experience!

Experience the Magic of Film: Introduction to Film Street Photography in Kyoto (11/16-11/18) with Eric Kim, Bellamy Hunt, Sean Lotman, and Junku Nishimura

WANT TO EXPERIENCE THE MAGIC OF SHOOTING AND DEVELOPING FILM OF THE BEAUTIFUL STREETS OF KYOTO?

Do you have a film camera just lying around collecting dust? Have you been ever curious about experiencing the magic of film of creating life in your images by processing your own negatives? Do you wish to gain a new appreciation for the craft and experience of film?

Film isn’t just another style in photography, it is a different artistic approach. This workshop in Kyoto can help challenge your photography in a unique way, and kickstart your creativity. It will re-invigorate your photography, while giving you the chance to experience the beauty of Kyoto in the fall.

I am excited to announce that I will be teaching this one-of-a-kind workshop alongside Japanese film pros Bellamy Hunt, Sean Lotman, and special guest Junku Nishimura. If you want to learn how to shoot film with some of the best film shooters in Japan you definitely don’t want to miss this workshop and unique opportunity.

Regardless of your previous experience shooting and developing film, we guarantee that you will gain a unique insight into different approaches and techniques to film photography that will help take your photography to the next level.

3 Upcoming Street Photography Workshops in Japan (Intro, Intermediate/Advanced, Film) in Tokyo and Kyoto – November, 2012

(Above photo from my “Dark Skies Over Tokyo” series I shot last year in Tokyo)

Hey streettogs, I am excited to announce that I will be teaching a series of 3-day street photography workshops in Tokyo and Kyoto with my  good friend Bellamy Hunt, aka Japan Camera Hunter.

The first street photography workshop I did in Tokyo was last year, and it was a massive success. Passionate street photographers came from all across the globe, including the states, Europe, and Asia. We didn’t expect such a great turnout, but it was definitely one of the most memorable workshops I have taught.

There is something unique about shooting street photography in Tokyo.

The city has a sense of energy, a pulse, which inspires shooting street photography. The skyscrapers climb upwards endlessly, the colors are dazzling, qnd the streets never end with an infinite supply of people. It is quite unlike anywhere else in the world I have shot street photography.

Unboxing and Review of the Ricoh GR1s Film Point-and-Shoot for Street Photography

Just got a new minty Ricoh GR1s film P&S camera in the mail from Bellamy Hunt (Japan Camera Hunter). Unfortunately the LCD screen got a bit damaged en-route from Tokyo to Australia. Bellamy is getting it fixed for me now!

If you want to find out more about the Ricoh GR-series, check out this Ricoh buyer’s guide by Bellamy.

Thanks to Misho Baranovic for recording!

If you need a film Leica, lens, Ricoh, or whatever camera or lens from Tokyo, contact Bellamy Hunt at hunts.of.tokyo@gmail.com

The Benefits of Shooting Street Photography with a Leica (or rangefinder)

Street Photography with Leica by Bellamy Hunt

Eric’s Note: This is article is part of an on-going weekly column by Japancamerahunter (Bellamy Hunt) where he talks about vintage cameras, film, and street photography. You can check out his part articles here

So, it looks like Eric has got himself a Leica M9, the lucky little so and so. So I thought that this would be as good a time as any to write a post about the perceived benefits of shooting with a rangefinder, or more specifically a Leica.

Now It has to be said that I am a big Leica fan, but that does not mean that they are the only rangefinders. I also have a Contax G2, a Konica Hexar and a Canon 7. They all have their differences, so good, some bad. What I am going to talk about in this is the general benefits that I have found using a rangefinder.

Is Your Glass Half Empty? What You Should Be Thinking When Buying a Lens

Lenses by Bellamy Hunt

Eric’s Note: This post is by Bellamy Hunt (aka Japan Camera Hunter) who has a weekly column on camera gear, lenses, film, and other topics every Tuesday on my blog.

The question that everyone asks me when they have decided to buy a camera is usually “which camera should I buy, oh wise one?“ (Well, maybe no the wise one bit, but you know what I mean).

This is a bit of a loaded question really, as there is no right or wrong answer other than “whatever suits you best”. You could spend hours pouring over the net, reading magazines and reviews or listening to the bloke down the pub, but until you actually hold a camera you have no idea. What I usually tell people is this, find a camera that suits your needs and your style, and most of all, one that feels good in your hand and next to your eye. Because cameras come and go. This is certainly even more relevant now, in the digital age. The average digital camera has a ‘cycle’ of about 3 years, which means that just as you are getting comfortable with your camera, the next piece of eye candy is out there on the shelf flaunting its megapixels at you, and the piece you have in your hand looks forlornly back at you waiting to die.

The 10 Most Important Things You Should Be Looking For When Buying a Classic Camera (Or How Not to Get Ripped Off)

Click to read more

Pictured above: Canon 7 Black w/50mm f1.2 screw mount. Shot by Bellamy Hunt

 

Eric’s Note: For this blog post I am excited to present this article written by Bellamy Hunt (aka Japancamerahunter). Not only is he a skilled street photographer, but he is a professional camera hunter. If you are looking for a vintage or classic camera, he is your man. Knowing nothing about classic cameras myself, I asked him some tips that you may need to know when looking to buy one. Read what he has to say below!

So, you have decided to take the plunge and buy a classic camera, well hold on to your horses, this is something that you shouldn’t run headlong into with wild abandon.
Obviously if you are buying a $20 camera most of this will be completely irrelevant to you, but if you are thinking of getting something a bit nicer, then there are a few things you should consider.

First up, and perhaps most importantly, know what you are looking for. Don’t have a vague idea that you want a film camera and just buy the first one you see; you will just be disappointed.

Here is a little list of things that you should be looking for when you are buying a classic camera.