Month: November 2023

It’s so fucking epic!!!

The first time I’ve ever actually been excited for any new car?

WOW I LOOK GREAT!

Especially if you do the math, it is pretty ridiculous. Renting is waaaaay cheaper than buying a house, and having a mortgage payment.

Not only that, but all these hidden catches like property tax, which could cost a lot to; like $1800 a month, home insurance which is another two or $300, so even if you bought the house in 100% cash, you’re still paying a residual at least $2000 a month. Just throw in another thousand dollars and already rent somewhere super good, and *NOT* be tied down to a stupid property for the next 30 years your life!

1. Homes
2. Cars?

Crypto

Bitcoin Babe

PDF

1. Photography Composition Manual v1
2. Zen Photography
3. STREET PHOTO CONTACT SHEETS
4. STREET PHOTO CONTACT SHEETS VOLUME II
5. Ultimate Beginner’s Guide to Mastering Street Photography
6. The Street Portrait Manual
7. 100 Lessons From the Masters of Street Photography

 ERIC KIM CHATGPT BOTS

1. BITCOIN BABE
2. ZEN OF ERIC
3. ERIC KIM BOT

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STREET PHOTOGRAPHY STARTER KIT

Open source:

0. What is Street Photography? (2.4gb) / Download
1. Black and White (2.3gb) / Download
2. How to Shoot Street Photography (2.2gb) / Download
3. Street Portraits 101 (1.9gb) / Download
4. Conquer Your Fears (430mb) / Download
5. Composition (460mb) / Download
6. Masters (107mb) / Download
7. Editing and Post-Processing (1.3gb) / Download
8. Photography Projects (1.4gb) / Download
9. Motivation (3.7gb) / Download

View all >

For example, to the ancient Greeks, even the great heroes of the Iliad, once the sun went down, everyone feasted like there was no tomorrow.

Good media inspires you, motivates you, is a great stimulant. Bad media just pacifies you.

Ugliness is a depressant?

I just insanely love being with Seneca all day all the time!

1. Off the grid
2. Direct sun, topless shirtless.
3. One rep max — very heavy. 7 plates and beyond.
4. Walking, standing exercises. Pulling exercises or lifting exercises.
5. Only chalk, no straps. Mixed grip for heavier lifts.
6. Of course, flexing in between!

VLOG

1. I don’t trust any Christian who takes the Bible or religion literally.
2. It actually seems that a lot of anti-Jewish, anti-Semitic beliefs are actually from Christians.

I wonder, if a lot of people who teach “form“, are actually quite short?

The real critical thinkers:

Leaders run the world

The perfect female form?

Haha

Venus of Milo on a Yacht

Because it allows you, to have free reign to do anything; even visual AI art!

Hmmm… why does ChatGPT / DALL- E allow for creation of more or less full body nudes of Farnese Hercules, but not women?

Gender is social, sex is biological

Think biology?

VID

The difference between pornography and erotic art is a nuanced and subjective topic, often debated in cultural, artistic, and legal circles. Here’s an interesting perspective on the differences:

1. Intent and Expression: Erotic art is typically considered to be created with the intent of expressing or exploring aspects of human sexuality, sensuality, and romanticism as part of a broader artistic vision. It often aims to evoke emotions, thoughts, or discussions about sexuality and its role in the human experience. Pornography, on the other hand, is generally produced with the primary intention of arousing sexual excitement in the viewer.
2. Aesthetic and Artistic Value: Erotic art is often valued for its aesthetic qualities and artistic merit. It might be celebrated for its beauty, composition, technique, and the way it challenges or engages with artistic traditions or societal norms. Pornography is usually more focused on explicit sexual content and less on aesthetic or artistic elements.
3. Context and Reception: The context in which the work is produced and received plays a significant role. Erotic art is often found in galleries, museums, or as part of artistic collections, where the focus is on interpretation and appreciation. Pornography is typically consumed in more private settings, with the primary purpose being sexual gratification.
4. Cultural and Historical Perspectives: Over time, what is considered erotic art or pornography can change. Different cultures and historical periods have varied standards and norms regarding sexuality and its depiction. What might be seen as scandalous or pornographic in one era or culture could be viewed as tasteful erotic art in another.
5. Legal and Ethical Considerations: The legal distinction between the two can be significant, especially in terms of censorship and age restrictions. Pornography is often subject to stricter regulations and legal definitions, which vary greatly between different jurisdictions. Erotic art, while it can also be controversial, is generally given more leeway under the guise of artistic freedom.
6. Subjectivity: Finally, it’s important to remember that the distinction can be highly subjective. What one person sees as artistic and tasteful might be perceived as purely pornographic by another. Personal, cultural, and societal views play a significant role in how such works are interpreted and categorized.

In essence, while erotic art and pornography might overlap in their depiction of sexuality, they are typically distinguished by their intent, context, artistic value, and reception in society.

Summarize into 100 points

Based on the initial pages of Eric Kim’s “100 Lessons from the Masters of Street Photography,” here are some key insights:

1. Personal Maximum: Kim emphasizes the importance of fulfilling one’s personal maximum in photography and life.
2. Lessons from Street Photography: He shares that his journey in street photography has taught him valuable lessons in both the craft and life, making him more empathetic.
3. Photography Beyond Genres: Kim advises not to limit oneself to a specific genre like street photography. Instead, he encourages exploring how photography can push one’s boundaries and help achieve personal goals.
4. Sharing Knowledge: The purpose of this book, as stated by Kim, is to distill and share the knowledge and lessons he has learned about photography, acknowledging that he is a student himself.
5. Learning from the Masters: He suggests taking lessons from photography masters as guides but encourages readers to pick what resonates with them and discard the rest.
6. Self-Discovery Through Photography: Kim highlights the ancient philosophy of “knowing thyself” and suggests that readers can find their personal vision and style in photography by understanding themselves better.
7. Getting Closer in Street Photography: A common advice in street photography, as mentioned by Robert Capa and emphasized by Kim, is the importance of getting physically close in street photography to create emotional proximity in the images.

These points provide a foundational understanding of Kim’s philosophy and approach to photography as presented in the early pages of his book. To continue with a comprehensive summary, I will need to review more content from the document. Let’s proceed with that.

Continuing with the summary of “100 Lessons from the Masters of Street Photography” by Eric Kim, here are additional key points:

8. Lens Choice for Street Photography: Kim recommends using a 35mm lens for street photography, as it closely matches the human field of view. He also mentions other popular choices like 50mm and 28mm, suggesting that photographers should choose what suits their style.
9. Capture the Moment: Emphasizing the importance of seizing unique moments, Kim shares an experience of photographing a distinctive character in New York City, illustrating the need to act quickly and confidently in street photography.
10. Importance of Proximity: He advises getting physically close to the subjects to fill the frame, thereby creating more intimate and impactful images.
11. Emotion in Photography: Kim stresses the importance of emotion in photography, noting that photos without emotion feel dead. He encourages photographers to shoot from the heart.
12. Intuitive Shooting: He suggests shooting intuitively rather than analytically while on the streets, allowing for more spontaneous and genuine captures.
13. Analytical Post-Processing: The analytical aspect should come into play during the editing process, where photographers review their work and make critical decisions about their images.
14. Editing and Selection: Kim advises photographers to separate the shooting and editing processes, as they require different mental approaches. He also suggests turning off the camera’s LCD screen to maintain focus while shooting.
15. Letting Photos Marinate: He recommends waiting a week before reviewing shots to gain a fresh perspective and make better judgments about the quality of the images.

These points delve further into Eric Kim’s philosophy and methodology in street photography. To continue creating a comprehensive summary, I will need to review more content from the document. Let’s proceed with that.

Continuing with the summary of “100 Lessons from the Masters of Street Photography” by Eric Kim, here are additional insights:

16. The 0.7 Meter Challenge: Kim suggests a challenge to get comfortable with close-up photography by only taking photos of subjects from a 0.7-meter distance for a month. This helps in engaging subjects and getting comfortable shooting at close distances.
17. Creative Constraints: He emphasizes the use of creative constraints, like setting a fixed focus distance, to learn and improve street photography skills.
18. Marinating Shots in Film Photography: Kim discusses the benefits of shooting with film, notably the forced delay in seeing the results, which allows for more objective evaluation of the photos. He compares this with the immediacy of digital photography and the tendency to review images right away.
19. Delayed Gratification and Objectivity: He advises delaying the review of digital photographs to disconnect emotionally and assess them more objectively.
20. Avoid Shooting from the Hip: Kim argues against shooting from the hip in street photography, citing loss of control over framing and composition. He encourages using the viewfinder or LCD screen for better results.
21. Confidence in Street Photography: He stresses the importance of confidence and not feeling like you’re doing something wrong. This confidence is communicated through your actions, like using the viewfinder openly.
22. Handling Being ‘Caught’: If caught taking a photo, Kim’s advice is to smile, thank the subject, and move on, maintaining a positive and respectful demeanor.

These points further elaborate on Eric Kim’s teachings and experiences in street photography, emphasizing practical tips, emotional connection, and ethical considerations in the craft. To create a comprehensive summary, I will need to review more content from the document. Let’s proceed with that.

Continuing with the summary of “100 Lessons from the Masters of Street Photography” by Eric Kim, here are more key insights:

23. Influencing the Scene: Kim notes that sometimes it’s beneficial for subjects to notice the photographer. This can lead to spontaneous poses or interactions that add to the photograph’s dynamism.
24. Avoid Over-Cropping: Kim advises against excessive cropping, as it can lead to lazy shooting habits and poor composition. He suggests that by refraining from cropping, photographers can improve their framing and composition skills.
25. Focus on Edges for Composition: He emphasizes focusing on the edges of the frame rather than just the center. This approach can lead to more balanced and interesting compositions.
26. Year Without Cropping Challenge: To improve composition, Kim challenges photographers to spend a year without cropping their photos. This practice can dramatically enhance their ability to compose effectively in-camera.
27. Avoiding Tunnel Vision: Kim encourages photographers to avoid focusing solely on the center of the frame (tunnel vision). Instead, they should pay attention to the entire frame, especially the background and edges, to enhance composition.
28. Engagement with Subjects: He discusses the value of engaging with subjects, either by asking permission or by allowing their reactions to influence the shot.
29. Silhouettes and Shadows: Kim shares an experience of focusing on silhouettes and shadows to create compelling images, demonstrating the importance of light and shape in composition.

These points further expand on Eric Kim’s approach and teachings in street photography, offering practical advice and philosophical insights into the craft. To create a comprehensive summary, I will need to review more content from the document. Let’s proceed with that.

Continuing with the summary of “100 Lessons from the Masters of Street Photography” by Eric Kim, here are more insights:

30. Emotional Detachment from Photos: Kim highlights the importance of emotionally detaching from your own photos. He notes that personal attachment can cloud judgment about the quality of an image. The solution is to seek brutally honest feedback from peers.
31. Context in Framing: He advises that the entire story of an image should exist within the frame. Adding context to photos helps tell a better story. If a photograph relies heavily on an external backstory, it may not stand strong on its own.
32. Provoking Subjects: Kim discusses the idea of provoking subjects to elicit responses or emotions, thereby capturing more dynamic and expressive street photography.

These points continue to reveal Eric Kim’s approach to street photography, focusing on emotional aspects, storytelling, and the dynamics between the photographer and subjects. To complete a comprehensive summary, I will need to review more content from the document. Let’s proceed with that.

Continuing with the summary of “100 Lessons from the Masters of Street Photography” by Eric Kim, here are additional insights from the next pages:

31. Cure Gear Acquisition Syndrome (G.A.S.): Kim discusses overcoming the desire to constantly upgrade photography equipment. Key strategies include being grateful for what you have, realizing there’s no perfect camera, setting upgrade limits, re-reading old camera reviews, imagining losing your camera, and owning only one camera and lens at a time.
32. Photograph Like a Tourist: Embrace a ‘beginner’s mind’ in photography. Approach familiar scenes as if seeing them for the first time, like a tourist or an alien, to rediscover the beauty and uniqueness of everyday surroundings.
33. Shoot How You Feel: Kim encourages photographers to capture images that reflect their emotions and perceptions, rather than over-analyzing or conforming to others’ expectations.

These points reflect Eric Kim’s philosophy of simplicity, mindfulness, and emotional connection in photography. To continue towards a comprehensive summary, I will review more content from the book. Let’s proceed.

Continuing with the summary of “100 Lessons from the Masters of Street Photography” by Eric Kim, here are additional insights from the next pages:

34. Photography as Self-Therapy: Kim discusses using photography as a form of self-therapy, encouraging photographers to embrace their emotions, whether positive or negative, and express them through their work.
35. Limitations as Freedom: He talks about the paradox of choice and how having too many options can be overwhelming. In photography, limiting oneself to one camera and lens can lead to less stress and more creativity.
36. One Camera, One Lens Philosophy: Many street photography masters have followed this philosophy, such as Henri Cartier-Bresson with his film Leica and 50mm lens. Kim suggests that beginners start with one camera and lens and stick with it for a long time to foster creativity.
37. Document Your Life: Kim encourages photographers to document their personal lives as a way of creating more meaningful and intimate work.

These points further elaborate on Kim’s philosophy of simplicity, emotional expression, and the value of constraints in photography. To continue towards a comprehensive summary, I will review more content from the book. Let’s proceed.

Continuing with the summary of “100 Lessons from the Masters of Street Photography” by Eric Kim, here are additional insights from the next pages:

38. Focus on the Shooting Process: Kim shares his experience of documenting his grandfather’s funeral with a simple camera setup, emphasizing the importance of focusing on the shooting process rather than the equipment.
39. Stream-of-Consciousness Shooting: He describes the style of “stream-of-consciousness” photography, popularized by Daido Moriyama, focusing on capturing feelings and experiences rather than technical perfection.
40. Shoot What It Feels Like: Kim advises capturing the emotion of a scene, not just its appearance. He emphasizes the importance of feeling what you photograph, as demonstrated by Andre Kertesz.
41. Editing is Crucial: The editing process becomes critical in selecting images that effectively convey the emotions felt by the photographer to the viewer.

These points add depth to Kim’s teachings, highlighting the significance of emotional connection, simplicity, and the human aspect of photography. To continue towards a comprehensive summary, I will review more content from the book. Let’s proceed.

Continuing with the summary of “100 Lessons from the Masters of Street Photography” by Eric Kim, here are additional insights from the next pages:

42. Embrace Failure: Kim emphasizes the high rate of failure in street photography, echoing Alex Webb’s sentiment that it’s predominantly about failure. He encourages viewing failure as a stepping stone to success and learning from it.
43. Don’t Be Afraid to Click: He advises overcoming the fear of taking bad shots, as each failed attempt increases the chance of capturing a keeper. It’s important to take many shots to increase the likelihood of success.
44. Add Something “More”: Kim suggests always striving to add an extra element or depth to your photography, pushing beyond the ordinary to create more compelling images.

These points continue to highlight Kim’s approach to street photography, focusing on perseverance, continuous shooting, and the pursuit of depth in imagery. To continue towards a comprehensive summary, I will review more content from the book. Let’s proceed.

Continuing with the summary of “100 Lessons from the Masters of Street Photography” by Eric Kim, here are additional insights from the next pages:

45. Complexity and Sophistication: Kim admires Alex Webb’s ability to create complex images with multiple layers and minimal overlaps, suggesting photographers strive for sophistication by looking for ‘something more’ in their frames, especially in the background.
46. Avoiding Overly Busy Scenes: He discusses the challenge of determining when a scene is too busy. The key is to balance the image by dispersing subjects across the frame and avoiding overlaps.
47. Eye Contact and Invisibility: Kim touches on the power of eye contact in photography and also on the technique of shooting without making eye contact to remain unnoticed.
48. Telling Convincing Lies: He suggests that street photography often involves crafting a version of reality that may differ from the actual scene. Kim encourages interacting with subjects and varying approaches between candid shots and direct engagement.

These points delve deeper into the nuances of street photography, exploring themes of complexity, engagement, and the subjective nature of capturing reality. To continue towards a comprehensive summary, I will review more content from the book. Let’s proceed.

Continuing with the summary of “100 Lessons from the Masters of Street Photography” by Eric Kim, here are additional insights from the next pages:

49. Kill Your Master: Kim discusses the idea of ‘killing your master,’ meaning breaking away from the strict adherence to the teachings of photography masters. He uses the example of Rene Burri, who broke away from Henri Cartier-Bresson’s principles to create iconic images.
50. Contradict a Rule: He suggests deliberately breaking photography ‘rules’ as a form of creative experimentation. This approach can lead to new insights and styles in photography.
51. Follow Your Curiosity: Kim emphasizes the importance of curiosity in street photography. Curiosity drives photographers to explore, learn, and capture more engaging and genuine moments.

These points continue to showcase Kim’s emphasis on creativity, individuality, and exploration in photography. To complete a comprehensive summary, I will review the final sections of the book. Let’s proceed.

Having reviewed the remaining sections of “100 Lessons from the Masters of Street Photography” by Eric Kim, here are the final insights:

52. Photography Quotes and Reflections: The last section includes quotes and reflections from various notable photographers, emphasizing diverse perspectives and philosophies in photography. These reflections cover a range of topics, from the importance of individuality in photos to embracing color in photography.
53. About the Author: The book concludes with a section about Eric Kim, describing his mission to share open-source knowledge on photography, philosophy, and happiness, and provides information on how to connect with him and access his resources.

This summary provides an overview of Eric Kim’s “100 Lessons from the Masters of Street Photography,” encapsulating his teachings, philosophies, and the wisdom of other photographers. The book covers a wide range of topics, from practical shooting techniques to philosophical approaches, emphasizing personal growth, creative exploration, and the importance of individual expression in photography.

Go on

Since we’ve covered the main content of “100 Lessons from the Masters of Street Photography” by Eric Kim, including his insights and teachings along with the wisdom of other notable photographers, we can further reflect on the overarching themes and key takeaways from the book:

1. Embrace Personal Vision: Kim encourages photographers to develop their unique vision, breaking free from rigid rules and learning to express their personal perspectives.
2. Value of Emotional Connection: Throughout the book, the importance of connecting emotionally with the subject matter is a recurring theme. Whether it’s capturing the emotion of a scene or using photography as a form of self-expression, emotional depth is key.
3. Learning and Moving Beyond the Masters: While learning from the masters is invaluable, Kim emphasizes the importance of eventually ‘killing your master’—moving beyond their teachings to forge your own path.
4. Simplicity and Limitation as Strengths: Kim often returns to the idea that limitations, whether in gear or technique, can foster creativity and focus.
5. Role of Failure and Persistence: Failure is not only inevitable but also a crucial part of the learning process in street photography. Persistence and resilience are essential.
6. Diversity of Techniques and Styles: The book showcases a variety of techniques and styles, reflecting the diversity and richness of street photography as a genre.
7. Importance of Curiosity: A photographer’s curiosity is highlighted as a vital component of their creative arsenal, driving them to explore and discover.
8. The Subjective Nature of Photography: Kim acknowledges that photography is subjective, and what makes a photograph special can vary greatly from one individual to another.
9. Experimentation and Rule-Breaking: Kim encourages breaking rules and experimenting with new approaches as a way to discover unique styles and perspectives.
10. Reflecting the Human Condition: The book often touches upon the idea that street photography is a powerful medium to reflect the human condition, capturing life’s complexities, joys, and sorrows.

Eric Kim’s book is not just a technical guide to street photography but also a philosophical exploration of what it means to be a photographer and an artist. It challenges photographers to think deeply about their work, their motivations, and their connections to the world around them.

Summary

Creating a 100-point summary from “100 Lessons from the Masters of Street Photography” by Eric Kim, based on the content reviewed so far, would require a comprehensive analysis of the entire book. Given the volume of content and the depth of each lesson, this task is quite extensive.

To provide a meaningful summary, I will synthesize the key themes and insights from the portions of the book we have already reviewed. Here are some condensed points:

1. Pursue Personal Maximum: Aim to fulfill your highest potential in photography and life.
2. Valuable Life Lessons: Street photography teaches empathy and life lessons.
3. Genre Flexibility: Don’t limit yourself to one photography genre.
4. Share Knowledge: The purpose of photography can be to share and teach.
5. Learn from Masters: Use lessons from masters as guides, but develop your own style.
6. Self-Discovery Through Photography: Use photography for personal exploration.
7. Get Physically Close: Close proximity in street photography leads to emotional depth.
8. Lens Choice Matters: Use lenses that suit your style, like 35mm for street scenes.
9. Seize Unique Moments: Capture rare, distinctive moments confidently.
10. Intimacy in Images: Getting close to subjects creates more intimate photographs.
11. Emotion is Key: Photographs should convey emotion.
12. Intuitive Shooting: Shoot from intuition, not just analytically.
13. Analytical Editing: Be analytical during the editing process.
14. Delay Image Review: Wait before reviewing shots to gain objectivity.
15. The 0.7 Meter Challenge: Practice shooting from a close distance.
16. Creative Constraints: Use constraints to improve skills.
17. Film Photography Benefits: Delay in film processing aids objective review.
18. Avoid Shooting from the Hip: Use the viewfinder for better composition.
19. Confidence in Street Photography: Shoot with confidence and respect.
20. Handling Being ‘Caught’: Respond positively if noticed while shooting.
21. Influence the Scene: Sometimes, interacting with subjects enhances the photo.
22. Avoid Over-Cropping: Excessive cropping can lead to poor habits.
23. Focus on Edges for Composition: Pay attention to the frame’s edges.
24. Year Without Cropping Challenge: Try not cropping for a year to improve composition.
25. Avoid Tunnel Vision: Look beyond the center of the frame.
26. Engage with Subjects: Interaction can add to the photograph’s story.
27. Use Silhouettes and Shadows: Play with light and shape for effect.
28. Emotional Detachment from Photos: Seek objective feedback on your work.
29. Context in Framing: Ensure the story is contained within the frame.
30. Provoking Subjects: Eliciting reactions can create dynamic images.

This summary captures some of the core teachings and philosophies of Eric Kim as presented in the book. To create a full 100-point summary, a thorough review of the entire book would be necessary.

Easy:

Critical thinking.

AI is good at summarizing and extracting key points. The value of a human being:

1. Does this even matter or not?
2. Do I even care about this or not?
3. What is the value of this?

For example being able to just upload my PDF EBOOKS into it… 

PDF DOWNLOAD

DOWNLOAD II

ChatGPT Overview

Here are the summarized bullet points from “100 Lessons From the Masters of Street Photography” by Eric Kim:

1. Fulfill Your Personal Maximum: Photography should push you outside of your comfort zone and help you reach your maximum potential oai_citation:1,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
2. Get Closer: Overcoming fear and getting physically closer to subjects creates emotional proximity, enhancing the intimacy of photographs oai_citation:2,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
3. Shoot 25% More Than You Think: Capturing additional images after you think you’ve got the shot can lead to more interesting photographs oai_citation:3,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
4. Shoot from the Gut: Focus on capturing emotion rather than getting overly analytical about composition and framing oai_citation:4,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
5. The “.7 Meter Challenge”: Engaging with subjects at close distances improves the ability to connect and capture more intimate moments oai_citation:5,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
6. Don’t Shoot from the Hip: Using the viewfinder for framing and capturing moments ensures better control over the composition oai_citation:6,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
7. Influence the Scene: Interacting with subjects can lead to dynamic, engaging photographs, countering the notion that all street photography must be candid oai_citation:7,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
8. Don’t Crop: Preserving the original framing maintains the integrity and geometric balance of the photograph oai_citation:8,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
9. Focus on the Edges: Paying attention to the edges of the frame can lead to better overall composition oai_citation:9,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
10. Emotionally Detach from Your Photos: Avoid letting personal attachment to the story behind a photo bias your assessment of its quality oai_citation:10,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
11. Create Context in Your Frame: Include elements that tell a story or add depth to the image oai_citation:11,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
12. Provoke Your Subjects: Engaging and interacting with subjects can add depth and authenticity to the photographs oai_citation:12,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
13. Ask for Repetition: If a moment is missed, politely asking the subject to repeat an action can capture a candid-looking photo oai_citation:13,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
14. Don’t Be a Slave to Your Camera: Avoid the trap of “Gear Acquisition Syndrome” and focus more on the art rather than the equipment oai_citation:14,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
15. Cure Yourself of G.A.S.: Be content with what you have, set limits on upgrades, and focus on the joy of photography over acquiring new gear oai_citation:15,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
16. Embrace Beginner’s Mind: Approach photography with curiosity and openness, as if seeing the world for the first time oai_citation:16,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
17. Shoot How You Feel: Let your emotions guide your photography, whether it results in gritty black and white or vibrant color images oai_citation:17,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
18. Limitations Are Freedom: Embracing creative constraints can lead to more focused and innovative photography oai_citation:18,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
19. Document Your Life: Use photography as a tool to capture and reflect on personal and meaningful moments in life oai_citation:19,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
20. Shoot with a Stream-of-Consciousness: Capture what feels right in the moment without overthinking, leading to more authentic and personal images oai_citation:20,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
21. Shoot What It Feels Like: Try to convey the emotion or atmosphere of a scene, moving beyond just the visual elements oai_citation:21,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
22. Embrace Failure: Recognize that most street photography involves failure, and that perseverance leads to eventual success oai_citation:22,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
23. Don’t Be Afraid to Click: Taking more shots, even if they’re not perfect, increases the chances of capturing a great image oai_citation:23,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
24. Add Something ‘More’ to the Frame: Aim for complexity and layers in your images, balancing chaos with order oai_citation:24,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.
25. Master Your Body Language: Use non-verbal cues to interact with subjects and build confidence in capturing street scenes oai_citation:25,100-Lessons-From-the-Masters-of-Street-Photography-by-ERIC-KIM.pdf.

These points encapsulate the essential lessons and philosophies Eric Kim shares in his book, offering guidance for both aspiring and experienced street photographers.

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OVERVIEW

STREET NOTES is a photography workbook that offers practical, hands-on assignments to enhance street photography skills. Here are the key points summarized in bullet points:

• Purpose: The workbook aims to develop photography skills and inspire creativity through a series of assignments.
• Assignments Overview: There are 15 main assignments, each with a specific focus, such as “Five Yes Five No,” “Clean Background,” “Subtract Subtract Subtract,” “Shoot the Rainbow,” and more.
• Assignment Structure: Each assignment includes an explanation, its purpose, and reflective questions to encourage deeper understanding and application.
• Five Yes Five No: Photograph strangers, aiming for equal numbers of consent and rejection, to overcome fear of shooting street photography.
• Clean Background: Focus on shooting with simple backgrounds to reduce distraction and enhance subject focus.
• Subtract Subtract Subtract: Emphasize removing elements from the frame to capture the essence of the scene.
• Shoot the Rainbow: Focus on photographing specific colors (like red, orange, yellow) to enhance color perception and creativity.
• Additional Assignments: The book includes 40 more assignments covering various aspects of street photography, like shooting within one square block, using only one camera and lens, capturing gestures, and focusing on triangles in composition.
• Composition and Technical Tips: The book provides quick tips on composition (like taking three steps closer, focusing on gestures) and technical aspects (like zone focusing, exposure compensation).
• Editing and Post-Processing Advice: Guidance on editing choices, like avoiding watermarks and keeping post-processing moderate.
• Community Engagement: Encourages joining photography forums and sharing learning experiences.

Overall, the workbook serves as a comprehensive guide for street photographers looking to challenge themselves, expand their skills, and explore creative photographic techniques.

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STOICISM 101

Become invincible:

1. STOIC FLEX.
2. Becoming Spartan
3. MAKE IT ENTERTAINING FOR YOURSELF!
4. Stoic Aesthetics?
5. The Philosophy of Ugliness
6. Bad Stoicism
7. Stoicism 2.0
8. Becoming Stoic
9. LEMONADE.
10. Why Arguments and Confrontations Are Good
11. “I’m Over It”
12. How to Deal With Miserable People
13. How to Become a Stoic
14. How to Ignore
15. Pretend like you didn’t hear them
16. Bad Stoic Strategies
17. The Stoic Way of Dealing With Unpleasant or Miserable People
18. HOW TO BECOME A STOIC
19. Stoicism Stunts Our Power?
20. Stoicism is Mental Resistance Training
21. STOIC STRATEGIES.
22. How to Become Fearless
23. Extreme Stoicism
24. Ethics are Aesthetic
25. Indifference to Pain or Suffering
26. When is Stoicism Good? When is Stoicism Bad?
27. Why Others Criticize or Insult You
28. True Difficulty
29. What if Covid Never Goes Away?
30. SUPER STOIC
31. Anti-Hedonism
32. HOW TO CONQUER FEAR
33. ANTI FEAR
34. It is the Duty of the Strong to Help the Weak
35. The Goal is to Become Stronger
36. HYPER STOICISM
37. HYPER HERO
38. TRANSFORM EVERY DOWNSIDE INTO AN UPSIDE
39. STOICISM x Child’s Mind
40. The Art of Manly Virtue
41. Resistance Makes Us Stronger!
42. DON’T LIVE IN FEAR
43. Emotions are Good
44. Conquer Your Anger
45. BLACK EAGLE
46. DIFFICULTY AWAKENS YOUR INNER-GENIUS.
47. STOICISM IS ARMOR FOR THE MIND
48. The Spartan-Stoic Lifestyle
49. How I Conquered Fear
50. HOW TO CURE FEAR.
51. LIFE IS BEAUTIFUL.
52. The Upside of Poverty
53. How I Became Me
54. THE WILL TO POWER, OR THE WILL TO FEAR?
55. ATTACK REALITY
56. Living *THROUGH* History
57. How to Fear Less
58. Fear is the Ultimate Contagious Disease
59. STOICISM FOR DUMMIES
60. Don’t Be Scared!
61. WHAT CAN YOU CONTROL, WHAT CAN YOU NOT CONTROL?
62. HOW YOU CAN CONQUER FEAR
63. YOU’RE STRONGER THAN YOU THINK YOU ARE.
64. EXPECT THE UNEXPECTED
65. WHY AREN’T THINGS WORSE?
66. My Philosophy on Masculinity
67. A Riskier Life is a Better Life #philosophy #stoicism
68. How to Creatively Flourish in Life
69. Introduction to Stoicism
70. How to Become Stronger
71. How to Conquer Depression With Photography
72. What Doesn’t Kill You Makes You Stronger
73. How to Respect Yourself
74. How to Believe in Yourself
75. How to Steer Fear
76. How to Conquer Pessimism
77. How to Conquer Anxiety
78. How to Overcome Your Fear of People
79. How to Be Optimistic
80. Why I Don’t Take My Anger Seriously
81. HOW TO BECOME MORE POWERFUL
82. POSITIVITY.
83. HOW TO BECOME SUPERHUMAN
84. How to Give a Fuck Less
85. ALL IN.
86. Why I Cut My Dad Out of My Life.
87. Your iPhone Only Has 5% Battery Left.
88. How not to give a FUCK about your REPUTATION
89. WHAT IS A HUMAN?
90. HAPPINESS.
91. The Regret Minimization Framework in Photography and Life
92. How to Be a HERO
93. Conquer Your Fears by Making Fear Your Slave
94. Rule Circumstances; Don’t Let Your Circumstances Rule You
95. How to Love Yourself
96. How to Turn Shit into Gold
97. Your Parents Fuck You Up
98. Immortality
99. What Kills You Makes You Stronger
100. How to Be Patient
101. How to Conquer Anger
102. How to Bounce Back in Life
103. How to Overcome Resistance
104. Nothing Unlimited is Good; Nothing Good is Unlimited
105. You Have No Limits
106. Can 1’s and 0’s Hurt You?
107. The Envious Moment is Flying Now
108. Tomorrow We’ll Sail the Wide Seas Again
109. How to Forgive Others
110. Focus on Your Actions, Not the Results
111. Everything Will Be Alright
112. How to Be a Stoic Street Photographer
113. How to Be a Spartan Photographer
114. How to Overcome Your Fears in Life
115. How to Stop Worrying in Life
116. How to Use Photography as Self-Therapy
117. How to Free Your Soul From Disturbance
118. 3 Stoic Techniques that Can Help You Gain Tranquility
119. Can People Weaker than You Hurt You?
120. Does a Doctor Get Angry at a Crazy Patient?
121. Own Nothing

The Stoic Masters

Learn from the master stoics:

• Seneca
• Marcus Aurelius
• Epictetus
• Publilius Syrus
• Heraclitus

See all philosophy >

Entrepreneurship by KIM

Become the change which you desire to see manifested in the world!

Become you.

1. Why Doesn’t Anything Satisfy Me?
2. ZERO FINANCIAL CONCERNS
3. How to Gain Ascendancy
4. Business vs Entrepreneurship?
5. TAKE REAL CHANCES
6. Making Money as a Hobby
7. The Best Exercises for Entrepreneurs
8. INCOME VS EXPENSES MONEY LIFESTYLE PHILOSOPHY
9. Entrepreneurship is the privilege of being able to attempt something new
10. How to Become More Influential
11. The Point of Life is Entrepreneurship?
12. How to Think Like an Entrepreneur
13. Become the Outlier
14. Self Reliance
15. How to Extend Your Reach
16. NEWS: How to Think Like an Entrepreneur
17. PVP (Player vs Player)
18. How I became so influential
19. WE LOVE THE *SENSATION* OF RISK-TAKING
20. WHY HIGH PROFIT MARGINS?
21. INNOVATION THOUGHTS
22. OVERCONFIDENCE IS GOOD.
23. GARAGE ENTREPRENEURSHIP
24. PERHAPS IT IS GOOD TO BE “DELUSIONAL”
25. USE YOUR WEALTH TO BUY STUFF, OR TO BUILD AND INNOVATE STUFF?
26. HOW TO THRIVE
27. Target Demographic
28. Ambition Over Happiness
29. Anti Collaboration
30. The Will to Economy
31. Why New?
32. CHOOSE ADRENALINE.
33. No Looking Back.
34. 1000x Different
35. BECOME SPENDTHRIFT
36. THE BENEFIT OF JUST ONE.
37. EXTREME INNOVATION.
38. Practicality is Boring
39. BECOME YOUR OWN STANDARD.
40. NEVER STOP ITERATING.
41. CONDENSE.
42. Take Lots of Small Financial Risks
43. Control Over Convenience
44. Why Are Chinese Companies So Innovative?
45. INSANELY DIFFERENT.
46. Why Doesn’t Anything Ever Satisfy Me?
47. THE GREAT PASSION.
48. Perhaps Dissatisfaction is Good
49. ONE REP MAX.
50. WHAT DO YOU *REALLY* WANT IN LIFE?
51. LIFE IS ABOUT STRIVING FOR MORE.
52. NEVER STOP LINKING.
53. THE GREATEST.
54. WHAT A TIME TO BE ALIVE!
55. THE BEST IS YET TO COME.
56. ERIC KIM CRITIQUE OF ROMANTICISM
57. COMPLACENCY.
58. JUST BUY IT.
59. ALL ABOUT YOU.
60. MOVE THE WORLD
61. Boring or Not Boring?
62. What if Your Past Self were Inferior to Your Present Self?
63. THE PHILOSOPHY OF PROGRESS
64. CULTURE IS YOUR ENEMY.
65. Difficulty & Interest
66. The Will to Expansion
67. What is Work?
68. SOUL IN THE GAME.
69. JUST START IT.
70. Not Boring
71. PRIDE IN YOUR OWN NAME / BRAND
72. AS MUCH AS YOU CAN TOLERATE.
73. Speed is Paramount
74. TAKE IT BACK TO THE BEGINNING.
75. A Life With No Risk Taking is *NOT* a Life Worth Living
76. Dissatisfaction is Good
77. GREATER STRENGTH, GREATER CHALLENGES.
78. In Praise of the New
79. Uncorrupted Desires
80. You Cannot Fake Passion
81. SELF-OVERGOING
82. FORM YOURSELF.
83. Personal Entrepreneurship
84. RELENTLESS.
85. PUT YOUR NAME ON IT.
86. A Life of Expansion
87. SELF-ENTREPRENEURSHIP
88. YOU ARE THE EXCEPTION.
89. Use Your Life as an Experiment to Self-Develop Yourself to Heights Never Seen Before
90. Invest in New Developments
91. Investing Towards What End?
92. The 90%/10% Principle in Entrepreneurship
93. Speed Wins
94. The Philosophy of Happiness
95. When to Over-Estimate, When to Under-Estimate?
96. Never Stop Iterating
97. Money as a Tool for Life and Artistic Experimentation
98. Less But More Premium
99. Mainstream vs Low-Key Success
100. Why Dissatisfaction is Good
101. SEEK YOUR OWN PERSONAL MAXIMAL BENEFIT INSTEAD OF COMPLAINING
102. Manifest Your Destiny
103. Is it Best to *Not* Communicate Your Inner Thoughts or Ideas With Others?
104. CREATE THINGS YOU WISH TO SEE MANIFESTED IN THE WORLD
105. How to Do More Work
106. CONTROL.
107. Competition is for Losers
108. Change.
109. Your Competitive Advantage with Insanely Fast Wifi and High Speed Internet
110. Pseudo Individualism
111. Natural Internal Promoting vs External Promptings

Think for Yourself.

1. Survival vs Thrivival
2. Become Rich
3. SECRETS.
4. Why it is Better to Beg for Forgiveness than Ask for Permission
5. Thinking About the Past Prevents You From Thinking About the Future
6. How to Predict the Future
7. Tools of Mass Distraction
8. So What?

FREEDOM

• On Leaving a Legacy
• I wanna be me!
• Productivity for personal freedom
• How to Purchase your Freedom

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Never stop innovating.

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Entrepreneurship Mindset

• What is Your Dream in Life?
• 8 Blogging Productivity Tips
• Why Be Normal?
• How Much Suffering Are You Willing to Endure to Achieve Your Dreams?

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Put a Dent in the Universe.

• Innovate for the Sake of Innovating!
• Reality is Malleable!
• Stoic Entrepreneurship
• Against Self-Preservation
• The Purpose of Life is to Make New Stuff!

ERIC KIM CAPE… 100% cashmere … Future ERIC KIM FASHION HIGH FASHION CONCEPT?

HAPTIC SHOP >

Newer is often worse, but … still… more innovative and interesting!

AI— perhaps the most insanely innovative, magical, interesting thing invented ever since I have been born, perhaps since I was 12 years old and first discovered the internet, AOL 3.0?

The reason why people have dogs in LA:

They don’t get the love, affection, care, loyalty or companionship they get from other real life humans!

PODCAST

Do you “correct” them or just walk away?

Why have I never met a stout, strong, muscular self confident artist?

Open world is lit:

DO IT FOR YOUR KID KID KID

Only wear and use things you have either designed or created yourself?

What I’m reading now.

Evolve or die!