ERIC KIM MOOD Board 2016-2018

Visual mood board of what inspired me from 2016-2018:

Willem de Kooning

A saucer repaired with kintsugi. Kintsugi event, Daiwa Anglo-Japanese Foundation, London, UK, January 24, 2014. Kintsugi literally means “joining with gold”: a technique to piece together broken pottery or glass with lacquer, rice-glue and gold.

https://m.youtube.com/watch?v=aYL4TyV1YDk

CW070901a_APOC_ 336

Weeping Woman 1937 Pablo Picasso 1881-1973 Accepted by HM Government in lieu of tax with additional payment (Grant-in-Aid) made with assistance from the National Heritage Memorial Fund, the Art Fund and the Friends of the Tate Gallery 1987 http://www.tate.org.uk/art/work/T05010

OLYMPUS DIGITAL CAMERA

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Working Title/Artist: Dress
Department: Costume Institute
Culture/Period/Location:
HB/TOA Date Code: 11
Working Date: 1989
mma digital photo: DP108255

Issey Miyake Fahion Show Ready to Wear Collection Spring Summer 2016 in Paris

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US Debt Ceiling 2012 visualized

Working Title/Artist: Laurette in a Green Robe (Black Background)
Department: Modern Art
Culture/Period/Location:
HB/TOA Date Code:
Working Date: 1916
photography by mma 1988, transparency #4ad
scanned and retouched by film and media (jn) 1_13_05

Working Title/Artist: Snow Flowers
Department: Modern Art
Culture/Period/Location:
HB/TOA Date Code:
Working Date: 1951
photography by Malcolm Varon 1988, transparency #5ad
scanned and retouched by film and media (jn) 1_14_04

Working Title/Artist: Blue Nude
Department: Modern Art
Culture/Period/Location:
HB/TOA Date Code: 11
Working Date: 1952
mma digital photo #DP102810

Henri Matisse: Icarus, plate VIII in his book Jazz, 1947; from the Morgan Library and Museum’s recent exhibition ‘Graphic Passion: Matisse and the Book Arts’

Working Title/Artist: Tea infuser and strainer
Department: Modern Art
Culture/Period/Location:
HB/TOA Date Code:
Working Date: ca. 1924
photography by mma 2000, transparency #5
scanned and retouched by film and media (jn) 1_19_05

George Condo

ROTHKO

“I’m interested only in expressing basic human emotions— tragedy, ecstasy, doom, and so on. And the fact that a lot of people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions. If you are moved only by their color relationships, then you miss the point.” – Mark Rothko

Feel human emotions in color: