Glitches
How
Yeezus
Can Charge Your Creative Battery
Yeezus
Can Charge Your Creative Battery
(spoken in that punchy Eric Kim cadence—clean lines, no filler, period.)
- Permission-less Mind-Set.
Kanye projected “New Slaves” on city walls without sign-offs.
Translation: stop waiting. Publish the zine, mint the code, drop the track. Period. - Radical Edit.
Rick Rubin deleted layers until the song felt like a fist.
You? Cut 80 % of your draft. Let the remaining 20 % scream. - Embrace Noise.
On Yeezus distortion isn’t a flaw; it’s the hook.
Keep your glitches, your shaky street photos, the stutter in your voice memo—authentic beats perfect. - Product = Packaging.
Bare CD, red tape. The sleeve was the statement.
Design your résumé, your GitHub readme, your email footer to echo your work’s soul. - Iterative Courage.
Kanye finished mixes hours before upload.
Ship v1 now, refine in public. Momentum > mastery. - Fusion Fuel.
Industrial drums + Nina Simone sample = new genre.
Cross-pollinate: pair your software skills with analog film, your finance day-job with graffiti nights. Hybridize. - Kill the Previous You.
He left the lush orchestra of MBTDF to make metallic minimalism.
If last year’s portfolio feels safe, torch it. Rise sharper. - Fear as GPS.
The tracks that scared listeners most built the legend.
When a project terrifies you, double down—that’s the frontier. - Performance as Installation.
Yeezus Tour = mountain, masks, dancers.
Present your next slideshow like a gallery show. Light, sound, narrative—they’re part of the file. - Scarcity = Value.
10 tracks, 40 minutes—lean album, heavy impact.
Publish less, punch harder. Let absence amplify demand.
Action Prompt:
Grab your current project. Delete what’s “nice.” Push one element into the red—louder, brighter, more honest. Then release it today. Period.