{"id":64438,"date":"2017-08-30T14:33:16","date_gmt":"2017-08-30T21:33:16","guid":{"rendered":"http:\/\/erickimphotography.com\/blog\/?p=64438"},"modified":"2017-08-30T15:11:16","modified_gmt":"2017-08-30T22:11:16","slug":"fundamentals-to-street-photography","status":"publish","type":"post","link":"https:\/\/erickimphotography.com\/blog\/2017\/08\/30\/fundamentals-to-street-photography\/","title":{"rendered":"Fundamentals to Street Photography"},"content":{"rendered":"
\"Kyoto,
Kyoto, 2017.<\/figcaption><\/figure>\n

Dear friend,<\/p>\n

If I started street photography all over again, this is advice I would have given myself:<\/p>\n

<\/p>\n

1. Shoot in P (program) mode<\/h2>\n
\"Night
Night time in Kyoto. P mode, iso 1600, 2017.<\/figcaption><\/figure>\n

Just stick to P (program) mode and keep your ISO at 1600. Why? You are less likely to miss the \u00e2\u20ac\u0153decisive moment.\u00e2\u20ac\u009d<\/p>\n

\"Legs
Legs and silhouette. P mode (program) mode. Kyoto, 2017.<\/figcaption><\/figure>\n

Honestly, over the years I\u00e2\u20ac\u2122ve experimented with all the street photography techniques<\/a> and technical settings<\/a>.<\/p>\n

2. Zone focusing for slow autofocus cameras<\/h2>\n
\"Zone
Zone focusing scale example from FILM NOTES<\/a><\/figcaption><\/figure>\n

If your camera has autofocus and it is quite reliable, just use center point autofocus. If your autofocus is very slow and unreliable, use \u00e2\u20ac\u0153zone focusing<\/a>\u00e2\u20ac\u009d, which is pre-focusing to a certain distance, and consistently shooting at that distance at a relatively small aperture like f8-f16.<\/p>\n

\"Zone
Zone focusing at f\/16 (notice the range of focus at f\/16) When lens is pre focused to around 1 meter. .7 meters to 1.5 meters are in focus.<\/figcaption><\/figure>\n

3. What camera should I use for street photography?<\/h2>\n
\"Stylish
Stylish woman outside of department store. Kyoto, 2017. RICOH GR II with P mode and flash.<\/figcaption><\/figure>\n

Just use the simplest, smallest, and most convenient camera for you. That might just be shooting with a phone<\/a>.<\/p>\n

4. Don\u00e2\u20ac\u2122t just take 1-2 photos and run away. Take a few shots and linger.<\/h2>\n

\"\"<\/p>\n

If you see a good street photography moment, take a few shots, and hang around and LINGER for a while, and keep shooting. The biggest mistake we make in Street Photography is to run away after just one or two shots.<\/p>\n

\"\"<\/p>\n

My practical suggestion:<\/p>\n

\n When in doubt, shoot 25% more pictures<\/a>.\n<\/p><\/blockquote>\n

\"Sweat.
Sweat. Downtown LA, 2016.<\/figcaption><\/figure>\n

Why? It will force you to push yourself forward, and push yourself outside of your comfort zone. Often, the more you shoot, the more your subject will notice you. Therefore, you are more likely to get eye contact, or some interaction with your subject, which often makes a more interesting image.<\/p>\n

\"Downtown
Downtown LA sweat contact sheet. 2016<\/figcaption><\/figure>\n

5. Integrate yourself into the crowd<\/h2>\n

\"\"<\/p>\n

I like shooting street pictures of many people. When doing this, I try to integrate myself in the crowd, and get lost in the sea of people.<\/p>\n

Strangely enough, the closer I am to people, the more relaxed I am. I feel one with the people.<\/p>\n

6. The closer you are, the less creepy you are<\/h2>\n

\"\"<\/p>\n

This is a strange lesson I learned:<\/p>\n

\n The closer you are to your subject in street photography, the less creepy you will be perceived. And the less creepy you will feel.\n<\/p><\/blockquote>\n

Why? If you\u00e2\u20ac\u2122re shooting at a close distance, you\u00e2\u20ac\u2122re signaling to your subject and yourself that you\u00e2\u20ac\u2122re not doing anything wrong. And you\u00e2\u20ac\u2122re not.<\/p>\n

\"\"<\/p>\n

So when in doubt, use a wide-angle lens, like a 28mm lens<\/a>, and get VERY CLOSE to your subjects, around 1 meter (two arm lengths away or closer). Also get close to your subjects not just physically, but EMOTIONALLY.<\/p>\n

\"Black
Black headless man with beer. Kyoto, 2017<\/figcaption><\/figure>\n

My saying:<\/p>\n

\n With physical proximity comes emotional proximity.<\/strong>\n<\/p><\/blockquote>\n

7. Ask for permission<\/h2>\n
\"Woman
Woman with self-portrait of herself. Downtown LA, 2011.<\/figcaption><\/figure>\n

A good lesson from STREET NOTES<\/a>:<\/p>\n

\n When in doubt, ask for permission.\n<\/p><\/blockquote>\n

Why permission? You empower your subject. You give them the option to say \u00e2\u20ac\u0153yes\u00e2\u20ac\u009d or \u00e2\u20ac\u0153no.\u00e2\u20ac\u009d<\/p>\n

Often, you also get interesting interactions. Sometimes you chat with them, and learn more about their life.<\/p>\n

\"Japanese
Japanese man. Kyoto street portrait, 2017. Shot with Ricoh GR II and 28mm<\/figcaption><\/figure>\n

For me, I prefer the conversation with a stranger over the picture. I use the picture-taking as an excuse to interact with strangers.<\/p>\n

\"Laughing
Laughing lady. NYC, 2016<\/figcaption><\/figure>\n
\"\"
LAUGHING LADY by Eric Kim Contact Sheets<\/figcaption><\/figure>\n

When asking for permission, tell your subject why<\/em> you want to photograph them. Tell them that you think they look beautiful. That you like their fashion, look, or how they carry themselves. Or that you like their face.<\/p>\n

\"Girl
Girl laughing with blue sunglasss. Kyoto, 2017.<\/figcaption><\/figure>\n

\"Contact<\/p>\n

8. Direct your subject<\/h2>\n
\"Melbourne,
Melbourne, 2016 street portrait.<\/figcaption><\/figure>\n

If you see an interesting subject, you can direct them. Ask them to look straight into the lens, up, down, left, or right. Shoot some pictures with flash, and some without.<\/p>\n

\"01-melbourne-up-<\/p>\n

\"\"
Melbourne, 3016<\/figcaption><\/figure>\n
\"\"
Melbourne, 2016<\/figcaption><\/figure>\n

9. Silhouette<\/h2>\n
\"\"
Melbourne, 2016<\/figcaption><\/figure>\n

To shoot a silhouette of your subject in street photography, use P mode, and use -1 or -2 exposure compensation, and shoot them against the sun, to get dramatic silhouettes.<\/p>\n

\"Kyoto
Kyoto Silhouette, 2017.<\/figcaption><\/figure>\n

Or shoot at night, through windows.<\/p>\n

10. Just shoot<\/h2>\n
\"Kyoto,
Kyoto, 2017.<\/figcaption><\/figure>\n

Don\u00e2\u20ac\u2122t think about composition<\/a> when you\u00e2\u20ac\u2122re out shooting street photography, if you\u00e2\u20ac\u2122re just starting off. Just shoot.<\/p>\n

\"Kid
Kid playing with red ball at night in Uji, Kyoto 2017.<\/figcaption><\/figure>\n

Often I hesitate too much before shooting, because I want to get the \u00e2\u20ac\u0153perfect\u00e2\u20ac\u009d composition.<\/p>\n

My tip:<\/p>\n

\n Better to capture the moment and have an imperfect composition, than to never capture it in the first place.\n<\/p><\/blockquote>\n

Just follow your instincts and guts. Just click.<\/p>\n

\"\"<\/p>\n

11. Tilt your camera<\/h2>\n
\"Tilted
Tilted Dutch angle composition. Kyoto, 2017.<\/figcaption><\/figure>\n

Another tip: for more dynamic compositions, tilt your camera, or try to integrate diagonals<\/a> into your compositions. They call this a \u00e2\u20ac\u0153Dutch angle<\/a>\u00e2\u20ac\u009d.<\/p>\n

\"Tilted
Tilted camera composition. Shot inside sushi restaurant with flash. Kyoto, 2017.<\/figcaption><\/figure>\n

Conclusion<\/h2>\n
\"Portrait
Portrait of ERIC KIM by CINDY NGUYEN. Kyoto, 2017<\/figcaption><\/figure>\n

Define street photography for yourself. Have fun. Don\u00e2\u20ac\u2122t take this too seriously.<\/p>\n

Ignore the definitions people give \u00e2\u20ac\u0153Street Photography\u00e2\u20ac\u009d online. Define it for yourself.<\/p>\n

\"eric
ERIC KIM x HENRI NECK STRAP<\/a><\/figcaption><\/figure>\n

Experiment, try out new compositions<\/a>, approaches, and innovate. DRIVE THE GENRE OF STREET PHOTOGRAPHY<\/a> FORWARD!<\/p>\n

BE STRONG,
\nERIC<\/p>\n

To join a supportive like-minded group of peers, join ERIC KIM FORUM<\/a>.<\/p>\n

\n

CONQUER YOUR FEARS AND MEET NEW PEERS<\/a><\/h2>\n
\"Red
Red cowboy, 2012 by ERIC KIM.<\/figcaption><\/figure>\n

To take your street photography to the next level, invest in ERIC KIM EXPERIENCE<\/a>.<\/p>\n

\n

STREET NOTES MOBILE EDITION<\/a><\/h2>\n

\"\"<\/a><\/p>\n

Hot off the digital press, we have now made our popular STREET NOTES available for your Amazon Kindle<\/strong><\/a>. A ‘Workshop in your pocket,’ STREET NOTES will take your photography to the next level with challenging assignments and lessons.<\/p>\n

Now Street Notes Mobile Edition<\/a><\/strong> in our shop will include two file formats (PDF for all devices and MOBI for Kindle).<\/p>\n

See all HAPTIC TOOLS in SHOP ><\/a><\/p>\n

\n

BOOKS by ERIC KIM<\/h2>\n

\"Eric<\/p>\n

Feed your hunger to learn:<\/p>\n

    \n
  1. PHOTOGRAPHY ENTREPRENEURSHIP MANUAL by ERIC KIM<\/a><\/li>\n
  2. STREET PHOTOGRAPHY MANUAL by ERIC KIM<\/a><\/li>\n
  3. THE PHOTOGRAPHER by ERIC KIM<\/a><\/li>\n
  4. The Photography Manual<\/a><\/li>\n
  5. The Art of Street Photography<\/a><\/li>\n
  6. 100 Lessons From the Masters of Street Photography<\/a><\/li>\n
  7. The Art of Photography<\/a><\/li>\n
  8. Zen Photography<\/a><\/li>\n
  9. Photography by Eric Kim<\/a><\/li>\n
  10. Street Photography by Eric Kim<\/a><\/li>\n
  11. Personal Photography Manual<\/a><\/li>\n
  12. Street Photography Contact Sheets Volume II<\/a><\/li>\n
  13. Street Photography Contact Sheets Volume I<\/a><\/li>\n
  14. Street Photography Composition Manual<\/a><\/li>\n
  15. Street Portrait Manual<\/a><\/li>\n
  16. How to Shoot Street Photography<\/a><\/li>\n
  17. Street Photography 101<\/a><\/li>\n
  18. Street Photography 102<\/a><\/li>\n
  19. Color Manual<\/a><\/li>\n
  20. Monochrome Manual<\/a><\/li>\n
  21. 31 Days to Overcome Your Fear in Street Photography<\/a><\/li>\n
  22. Letters From a Street Photographer<\/a><\/li>\n
  23. Street Photography Aphorisms, Heuristics, and Sayings<\/a><\/li>\n<\/ol>\n

    See all downloads ><\/a><\/strong><\/p>\n

    \n

    FILM NOTES \u00c2\u00bb<\/a><\/h2>\n
    \"\"<\/a>
    FILM NOTES by ERIC KIM x HAPTICPRESS<\/figcaption><\/figure>\n

    Take it back to the old-school: FILM NOTES<\/a> by HAPTICPRESS x ERIC KIM.<\/p>\n

    \n

    STREET NOTES \u00c2\u00bb<\/a><\/h2>\n

    \"eric-kim-street-notes-a-workbook-and-assignments-journal-for-street-photographers\"<\/a><\/p>\n

    STREET NOTES<\/em><\/strong><\/a> will take your street photography to the next level.<\/p>\n