{"id":53833,"date":"2017-06-25T21:33:05","date_gmt":"2017-06-26T04:33:05","guid":{"rendered":"http:\/\/erickimphotography.com\/blog\/?p=53833"},"modified":"2017-06-25T21:58:11","modified_gmt":"2017-06-26T04:58:11","slug":"visual-sociology-street-photography","status":"publish","type":"post","link":"https:\/\/erickimphotography.com\/blog\/2017\/06\/25\/visual-sociology-street-photography\/","title":{"rendered":"Visual Sociology Street Photography"},"content":{"rendered":"
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Saigon, 2017<\/figcaption><\/figure>\n

You are a visual sociologist with a camera.<\/p>\n

<\/p>\n

Dear friend,<\/p>\n

What is a street photographer? My idea: a street photographer is a sociologist with a camera.<\/p>\n

Why shoot street photography?<\/h2>\n
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Saigon, 2017<\/figcaption><\/figure>\n

For example, if you shoot street photography I assume you do it because you are drawn to people. You are drawn to capturing human beings, their souls, and the constructed man-made human environment.<\/p>\n

What is “sociology”? To me it is the study of society, human beings, and communities. If you’re interested in understanding society, you’re a sociologist.<\/p>\n

Your camera is your research tool<\/h2>\n
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Saigon, 2017<\/figcaption><\/figure>\n

Therefore in the context of street photography, you’re using your camera as your research tool.<\/p>\n

In sociology, we often go “into the field” with a notebook and sometimes voice recorder. But in street photography, we go into the streets with our camera and intuition. We record, document, and analyze what we find interesting in the streets.<\/p>\n

What is “Visual Sociology?”<\/h2>\n
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Saigon, 2017<\/figcaption><\/figure>\n

Visual sociology to me is the hybrid of street photography and sociology.<\/p>\n

The cool thing of you considering yourself a “visual sociologist”– it isn’t just photography. It is studying, analyzing and seeking to understand anything visual.<\/p>\n

Visual things: photos, videos, architecture, abstract images, etc.<\/p>\n

Also, if you just see your camera as your sociology tool, you don’t fetishize the camera. The camera is just another research tool. Important, but not the most important thing.<\/p>\n

As a visual sociologist, your most important tool: your analytical eye.<\/strong><\/p>\n

What do you find interesting, unique, absurd, or fascinating? What leads you down a certain road or path? That is what dictates who you are, and where your personal research goes.<\/p>\n

Don’t take it too seriously.<\/h2>\n
\"\"
Saigon, 2017<\/figcaption><\/figure>\n

Even sociology is a new field. And to be honest sociology isn’t really a “science” like physics. It is just a philosophical way of seeing the world, and having a hunger of curiosity for understanding other human beings better.<\/p>\n

Sociology is just another tool, or lens of seeing the world.<\/p>\n

Visual Sociology Assignment Ideas<\/h2>\n
\"\"
Saigon, 2017<\/figcaption><\/figure>\n

So friend, as a visual sociologist, what are some things you can do?<\/p>\n

1. Analyze your own neighborhood:<\/h3>\n

\"\"<\/p>\n

what is the income disparity in your neighborhood? What wealth, class, or differences exist in your own neighborhood, city, or town? Use your camera as a tool, and document these differences and similarities.<\/p>\n

2 . Document gentrification:<\/h3>\n
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Saigon, 2017<\/figcaption><\/figure>\n

Gentrification is rich folks that take over a neighborhood and kick out poor people. For example, I have the “taco test”– how much did a taco cost before<\/em> and after<\/em> over a period of a time? In the Mission in SF (24th and Mission) a taco used to cost $1.50. Now it is $4. You can do this also with the prices with a cup of coffee.<\/p>\n

So with gentrification, it isn’t necessarily a bad thing. It is just a change. And as philosopher Heraclitus says, “All is in a perpetual state of flux, or change.” But it is sad when a lady who has lived in a neighborhood for 40 years can no longer afford the rent, and has to move.<\/p>\n

So ultimately, your photography project can document the gentrification change– and create your own opinion.<\/p>\n

Do you see gentrification as good, bad, or something in-between and grey? Show it through your photos.<\/p>\n

3. Urban landscapes<\/h3>\n
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Kyoto, 2015<\/figcaption><\/figure>\n

You can also document social change through urban landscapes<\/a>. I know in Toronto, my friend Neil Ta is doing a good job of documenting changing neighborhoods, like Alexandria Park, and collaborating with the city of Toronto to archive his images of the changing neighborhoods.<\/p>\n

If you live somewhere or near somewhere where you see a lot of construction and destruction, document that for 2-3 years. Then maybe publish a book, magazine of your 20 best images. Or have a small coffee shop exhibition with 7 images, and invite some folks from the neighborhood.<\/p>\n

Conclusion<\/h2>\n
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Berkeley, 2015<\/figcaption><\/figure>\n

See yourself as a visual sociologist, and document your own world.<\/p>\n

The best way to be a photographer is to photograph what is personal to you.<\/p>\n

Don’t just go into a poor neighborhood and photograph the poor and sad people. Maybe the rich people in your own neighborhood are the most miserable of them all?<\/p>\n

For more street photography assignments, pick up a copy of STREET NOTES<\/a> for on-the-go inspiration and direction.<\/p>\n

BE STRONG,
\nERIC<\/p>\n

\n

Street Photography 101<\/a><\/h1>\n

\"Tokyo,<\/p>\n

If you\u00e2\u20ac\u2122re new to street photography, start here:<\/p>\n