{"id":28993,"date":"2016-05-17T12:55:10","date_gmt":"2016-05-17T19:55:10","guid":{"rendered":"http:\/\/erickimphotography.com\/blog\/?p=28993"},"modified":"2016-05-17T12:56:11","modified_gmt":"2016-05-17T19:56:11","slug":"in-praise-of-shadows-in-photography","status":"publish","type":"post","link":"https:\/\/erickimphotography.com\/blog\/2016\/05\/17\/in-praise-of-shadows-in-photography\/","title":{"rendered":"In Praise of Shadows in Photography"},"content":{"rendered":"
\"Tokyo,
Tokyo, 2011<\/figcaption><\/figure>\n

Dear friend,<\/p>\n

I just read a book on Japanese Aesthetics titled: \u00e2\u20ac\u0153In Praise of Shadows.\u00e2\u20ac\u009d It was a beautiful book that helped me reflect on the beauty of darkness and shadows (Japanese aesthetics) while we in the west love white, the brightness, and light.<\/p>\n

<\/p>\n

Low-key; high-life<\/h2>\n
\"SF,
SF, 2016<\/figcaption><\/figure>\n

Lately I\u00e2\u20ac\u2122ve found my photos to become darker and darker. Photographers call this \u00e2\u20ac\u0153low-key.\u00e2\u20ac\u009d For me, I see a sense of beauty in the dark\u00e2\u20ac\u201d kind of a melancholic beauty.<\/p>\n

What I seek through my photography is to make some sort of connection to my subjects\u00e2\u20ac\u201d both emotionally and spiritually. As an extrovert at heart, I love talking and engaging with others. This is why I\u00e2\u20ac\u2122m shooting fewer and fewer candid photos\u00e2\u20ac\u201d and more photos with permission, while engaging with my subjects.<\/p>\n

How do I pick my subjects?<\/h2>\n
\"London,
London, 2015<\/figcaption><\/figure>\n

For me, finding an interesting or a unique subject is one of the key things I focus on.<\/p>\n

For me, I look for those who look alone, those who seem to emit some sort of inner-strength, as well as those who look isolated or lost.<\/p>\n

Even though I am an optimistic person at heart, I still feel a lot of the sadness, pain, and misery of people in the world. I feel one of the reasons why I\u00e2\u20ac\u2122m put on the earth is to promote strength and positivity\u00e2\u20ac\u201d through this blog, through teaching, and also through photography.<\/p>\n

People just want to feel acknowledged<\/h2>\n
\"Berkeley,
Berkeley, 2016<\/figcaption><\/figure>\n

I took a photograph of a guy named Mikey recently\u00e2\u20ac\u201d he was a security guard at the coffeeshop in Downtown Berkeley I was working at. I saw him instantly\u00e2\u20ac\u201d his braided hair, and the fact that one of his eyes were pitch-white.<\/p>\n

I found his face instantly interesting \u00e2\u20ac\u201d a bit spooky, but at the same time something showing strength.<\/p>\n

I first didn\u00e2\u20ac\u2122t know how to approach him, but I just took my camera, walked up to him, and said, \u00e2\u20ac\u0153Excuse me sir, I love your look\u00e2\u20ac\u201d do you mind if I made a few photos of you?\u00e2\u20ac\u009d He said yeah, sure, and I first took a series of images of him. I realized the background didn\u00e2\u20ac\u2122t look so good, and I asked him to move into the hallway, where there was more beautiful natural light.<\/p>\n

Through the whole process, Mikey got quite excited, and told me that he also rapped on the side, and if I could shoot a few photos for a mixtape cover. I told him I\u00e2\u20ac\u2122d email him the photos (and I did instantly afterwards); and the whole process made him feel excited and empowered.<\/p>\n

We all want love<\/h2>\n
\"Saigon,
Saigon, 2014<\/figcaption><\/figure>\n

I genuinely believe that a lot of people are just wanting to feel some sort of love, acknowledgement, or connection with the rest of the world. Many of us work jobs that we hate, and we feel like cogs in a machine\u00e2\u20ac\u201d especially those working minimum-wage jobs, those working service-industry jobs (where everyone treats you like a robot, not a human being), or \u00e2\u20ac\u0153knowledge workers\u00e2\u20ac\u009d (where we spend 8-10 hours a day in front of a computer, answering emails, and looking at Excel spreadsheets).<\/p>\n

Technology has advanced so quickly\u00e2\u20ac\u201d but human nature hasn\u00e2\u20ac\u2122t changed much.<\/p>\n

What we need is more love, intimacy, and connection with one another.<\/p>\n

The irony of the darkness and the light<\/h2>\n
\"Tokyo,
Tokyo, 2011<\/figcaption><\/figure>\n

One of the reasons why I find myself shooting more black and white recently is because I feel that there is some sort of aesthetic beauty and bliss that comes from the simplicity of a monochromatic image. I feel that distilling an image into black, white, and shades of grey is better able to convey emotion, mood, and the soul of a person.<\/p>\n

So the irony is that while the photos I shoot nowadays are quite dark and involve a lot of negative space, and shadows\u00e2\u20ac\u201d I feel that there is more<\/em> love, optimism, and soul in the images.<\/p>\n

Relish the spaces in-between<\/h2>\n
\"Berkeley,
Berkeley, 2016<\/figcaption><\/figure>\n

A lot of musicians say that music comes from the silences in-between the notes. A lot of the appeal of writing is the breaks in-between the words (punctuation marks, periods, commas).<\/p>\n

I feel in photography it is the darkness, the shadows, and the negative space which makes an image. The more negative space you have in a photograph, the more focus<\/em> you can give your subject in the frame.<\/p>\n

While the trend in photography is to make photos more and more complex; I am a lover of the simple, minimalist, and uncomplicated image. I like having one strong central subject in the frame, and few distractions. These images give me a sense of inner-calm, peace, and Zen.<\/p>\n

My favorite photographers are the simple yet emotional ones. I love the work of Josef Koudelka, Anders Petersen, and Richard Avedon. They employ the use of black-and-white, flash, and clean backgrounds to add focus to their subjects. Their images bleed of authenticity\u00e2\u20ac\u201d through the dark monochromatic film they imprint the souls of their subjects on.<\/p>\n

All black everything<\/h2>\n
\"NYC,
NYC, 2016<\/figcaption><\/figure>\n

\n \u00e2\u20ac\u0153Colors blind the eye.\u00e2\u20ac\u009d – Tao Te Ching\n<\/p><\/blockquote>\n

I want my life to be \u00e2\u20ac\u0153all black everything.\u00e2\u20ac\u009d<\/p>\n

I love wearing black clothes\u00e2\u20ac\u201d less complication in terms of \u00e2\u20ac\u0153matching\u00e2\u20ac\u009d outfits.<\/p>\n

Even with electronics nowadays\u00e2\u20ac\u201d we have too many choices<\/em>. Do we really need a \u00e2\u20ac\u0153rose gold\u00e2\u20ac\u009d iPhone?<\/p>\n

When buying cars\u00e2\u20ac\u201d too many models, makes, and colors.<\/p>\n

If you stick to \u00e2\u20ac\u0153black\u00e2\u20ac\u009d as a default option\u00e2\u20ac\u201d it helps you spend less on making these pointless decisions, and helps you focus on what is truly important.<\/p>\n

I feel the same goes with photography. While I do enjoy color photography (both shooting it and looking at it)\u00e2\u20ac\u201d one of the downsides I\u00e2\u20ac\u2122ve found with color is that you\u00e2\u20ac\u2122re more a slave to the light, as well as colors.<\/p>\n

For example, a colorless scene isn\u00e2\u20ac\u2122t very interesting when you are shooting color. If you want to make a great color photograph, you need great colors in a scene.<\/p>\n

When I focused shooting color photography (film, Kodak Portra 400), I found I was spending more time looking for interesting color-combinations (rather than scenes of people with emotion and soul).<\/p>\n

When I switched to shooting black and white, there were fewer complications to worry about. I was less dependent on having amazing light, interesting colors, and other factors like this. By having fewer<\/em> concerns\u00e2\u20ac\u201d I was able to focus<\/em> on emotion, composition, shapes, and forms \u00e2\u20ac\u201d which is what interests me the most in photography.<\/p>\n

Life isn\u00e2\u20ac\u2122t always so cookie-cutter<\/h2>\n
\"Berkeley,
Berkeley, 2016 #cindyproject<\/figcaption><\/figure>\n

What are some other ways we can embrace darkness and shadows in our photography, and life?<\/p>\n

First of all, if you\u00e2\u20ac\u2122re stuck in the office all day, you probably don\u00e2\u20ac\u2122t have nice light to shoot in when you finish work. So perhaps you can use this opportunity to shoot more night-time street photography (most modern cameras produced 2016 onwards have amazing high-ISO capabilities, 3200+ ISO no problem).<\/p>\n

I look at the work of Junku Nishimura<\/a>\u00e2\u20ac\u201d and I love how he photographs people at bars, and mostly at night. There is so much to explore at night, when it is dark\u00e2\u20ac\u201d and there is a kind of energy that comes out of the darkness (just think of bar culture and nightlife culture).<\/p>\n

I also think that in life, we always think that we need clarity and certainty. This is why we try to plan our days, create schedules, \u00e2\u20ac\u0153business plans\u00e2\u20ac\u009d, and other things to eliminate randomness and uncertainty from our lives.<\/p>\n

But I feel that having some darkness, confusion, and \u00e2\u20ac\u0153un-knowingness\u00e2\u20ac\u009d in life is what makes it so exciting and fun. Whenever my entire day is scheduled hour-by-hour; life seems less fun. It feels like eating meat without any salt.<\/p>\n

Even when traveling\u00e2\u20ac\u201d my favorite days are when I have no plan<\/em>\u00e2\u20ac\u201d that I take everything as it comes. Uncertainty, randomness, and chance is also what street photography is all about. Serendipity is about not<\/em> knowing what is going to happen, or what lies around the corner.<\/p>\n

So let us praise ambiguity in photography and life.<\/p>\n

We don\u00e2\u20ac\u2122t always know what direction we are heading in with our photography. We don\u00e2\u20ac\u2122t know what kind of \u00e2\u20ac\u0153style\u00e2\u20ac\u009d of photography we will shoot in 1-5 years from now. We don\u00e2\u20ac\u2122t know what kind of lifestyle changes we will have 1-5 years from now.<\/p>\n

The solution is to make the best of what we have now\u00e2\u20ac\u201d and to take each day as it comes.<\/p>\n

Embrace the darkness<\/h2>\n
\"BART,
BART, 2016<\/figcaption><\/figure>\n

So in terms of aesthetics, let us learn to love having more darkness in our images. Crank up the ISO, embrace monochrome, and love the grittiness that comes with grain. I feel the grittier an image, the more authentic and natural it feels. Uber-sharp and high-fidelity images lack a certain soul and naturalness to it.<\/p>\n

Furthermore, let us try to simplify<\/em> our images and lifestyle. Let us have fewer<\/em> complications, fewer<\/em> variables, and fewer<\/em> distractions. The less we have to concern ourselves with\u00e2\u20ac\u201d the more<\/em> focus, clarity, and purpose we can have in our photography and life.<\/p>\n

The blacker the berry, the sweeter the juice<\/h2>\n
\"Berkeley,
Berkeley, 2016 #cindyproject<\/figcaption><\/figure>\n

Let me end this letter with this thought-provoking verse from rapper Kendrick Lamar<\/a>:<\/p>\n

\n \u00e2\u20ac\u0153The blacker the berry, the sweeter the juice.\u00e2\u20ac\u009d\n<\/p><\/blockquote>\n

Always,
\nEric<\/p>\n","protected":false},"excerpt":{"rendered":"

Dear friend, I just read a book on Japanese Aesthetics titled: \u00e2\u20ac\u0153In Praise of Shadows.\u00e2\u20ac\u009d It was a beautiful book that helped me reflect on the beauty of darkness and shadows (Japanese aesthetics) while \u2026<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_ek_photo_artist_note":"","_ek_photo_thesis":"","_ek_photo_camera":"","_ek_photo_place":"","_ek_photo_human_moment":"","_ek_photo_sequence":"","_ek_photo_question":"","_ek_photo_canonical_claim":"","_ek_photo_ai_summary":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17],"tags":[],"class_list":["post-28993","post","type-post","status-publish","format-standard","hentry","category-posts"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/erickimphotography.com\/blog\/wp-json\/wp\/v2\/posts\/28993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/erickimphotography.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/erickimphotography.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/erickimphotography.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/erickimphotography.com\/blog\/wp-json\/wp\/v2\/comments?post=28993"}],"version-history":[{"count":0,"href":"https:\/\/erickimphotography.com\/blog\/wp-json\/wp\/v2\/posts\/28993\/revisions"}],"wp:attachment":[{"href":"https:\/\/erickimphotography.com\/blog\/wp-json\/wp\/v2\/media?parent=28993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/erickimphotography.com\/blog\/wp-json\/wp\/v2\/categories?post=28993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/erickimphotography.com\/blog\/wp-json\/wp\/v2\/tags?post=28993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}