{"id":19810,"date":"2014-08-05T02:00:33","date_gmt":"2014-08-05T09:00:33","guid":{"rendered":"http:\/\/erickimphotography.com\/blog\/?p=19810"},"modified":"2014-08-04T22:49:51","modified_gmt":"2014-08-05T05:49:51","slug":"advice-for-young-street-photographers","status":"publish","type":"post","link":"https:\/\/erickimphotography.com\/blog\/2014\/08\/05\/advice-for-young-street-photographers\/","title":{"rendered":"Advice for Young Street Photographers"},"content":{"rendered":"
\"Toronto,
Toronto, 2012<\/figcaption><\/figure>\n

A few days ago I wrote a letter to my 18-year old self<\/a>, and gave myself some advice on if I started street photography all over again. I told myself things I learned in the 8 years I\u00e2\u20ac\u2122ve been taking street photos. I wish someone told me this when I started off.<\/p>\n

Similarly, I was inspired to write this post for young street photographers starting off. I think this can apply to both young photographers (age wise) and also street photographers just starting off (young, experience-wise).<\/p>\n

Here I go, I hope you enjoy :)<\/p>\n

<\/p>\n

1. Copy photographers you like<\/h2>\n

Hey there, when you start off in street photography you will be inspired by all these other photographers you see. You will look at their work and be amazed by their photos. You will want to be like them.<\/p>\n

You will hear advice from other photographers saying that you shouldn\u00e2\u20ac\u2122t copy them\u00e2\u20ac\u201c that you need to find your own style.<\/p>\n

However when you\u00e2\u20ac\u2122re starting off, you have no idea what your own \u00e2\u20ac\u0153style\u00e2\u20ac\u009d is.<\/p>\n

So my advice is this: start off copying the photographers whose work you admire. All the great renaissance painters started off as apprentices. They copied their masters for years, and learned all the basics and fundamentals. And once they mastered the basics, then they were able to go off and find their own voice.<\/p>\n

Similarly, see the master street photographers from the present and the past as your own teachers.<\/p>\n

Look and study their work. Ask yourself why you like their images. Is it their compositions? The subject matter they photograph? The emotions and feelings you get from the photographs? Identify this, and try to copy them to your best extent.<\/p>\n

However at a certain point\u00e2\u20ac\u201c you will become bored by copying them. Then go off and continue to follow your bliss. Photograph whatever interests you. Which gets me to point #2\u00e2\u20ac\u00a6<\/p>\n

2. Follow your curiosity<\/h2>\n

You will be interested in certain photographers for one reason or another. You might want to copy their work, but you quite don\u00e2\u20ac\u2122t know why.<\/p>\n

You also might want to experiment with black and white. You might want to try out color. You might want to try out film. You might want to try out using a flash.<\/p>\n

So my advice is this: follow your curiosity. Passion and interest cannot be faked. Your subconscious is wiser and smarter than you think. Follow what your subconscious tells you.<\/p>\n

If you want to pursue a certain photography project, just go and do it. If people think your idea is stupid, ignore them. Go out and pursue things on your own. You will never know how something is until you try it.<\/p>\n

3. Experiment<\/h2>\n

As a photographer you are a scientist. You experiment to find new results.<\/p>\n

When you\u00e2\u20ac\u2122re starting off, you\u00e2\u20ac\u2122re not going to have an idea of what really interests you in photography, or what approach suits you the best.<\/p>\n

It is good to ask other photographers for advice\u00e2\u20ac\u201c but take their advice with a pinch of salt. They\u00e2\u20ac\u2122re not you. There\u00e2\u20ac\u2122s only so much advice people can give you (including mine) which can apply to your own situation.<\/p>\n

So my suggestion is this: experiment. There is no other way of discovering new truths in the world without trying out a new approach.<\/p>\n

Another benefit of experimenting is that other peoples experiences will be different from yours.<\/p>\n

For example, let\u00e2\u20ac\u2122s say you want to try shooting film. Don\u00e2\u20ac\u2122t ask a bunch of other photographers whether you should try it or not. Just do it. Buy the cheapest film camera you can afford, buy some film, shoot, get it developed at the cheapest place you can find (and get it scanned), and see how you like it. You might like it, you might not like it. Based on this information, you can make a more educated guess of what interests you.<\/p>\n

If you have a new idea for a new approach or project, just do it. Experiment for 30 days, and write down your experiences in a blog post, and share your ideas with others. Which gets me to the next point..<\/p>\n

4. Start your own blog<\/h2>\n

You\u00e2\u20ac\u2122re lucky to be born in an age in which you have access to social media and blogs. This allows you to have unlimited reach to anybody in the world.<\/p>\n

If you want to reach a larger audience with your work, there is nothing better than starting your own blog.<\/p>\n

To start off, I recommend using WordPress.com or blogger.com. They are the two most robust and feature-heavy blogging platform that have been around the longest.<\/p>\n

I am also currently a big fan of tumblr.com, which is quite popular in in the photography community. However I feel that you have less control over customization and building it into a robust blog. So in that sense, I think tumblr is a great addition to WordPress or tumblr. However if you want to keep things really basic, tumblr is a great starting point.<\/p>\n

The great thing about blogging is that it will give you a personal diary and space to publish things that interest you. You can write about your photographic journey, share your images, and share the work of other photographers whose work inspires yours.<\/p>\n

The blog is something that you own. It is something that you can keep for many years, and look back on. After you blog for a while, it is refreshing to go back and look at your thoughts and images from the past.<\/p>\n

I think all the other social media platforms are great and I recommend you to get on all of them. This includes a Facebook fan page, Twitter, Instagram, and flickr. But don\u00e2\u20ac\u2122t get too swayed and suckered by \u00e2\u20ac\u0153likes\u00e2\u20ac\u009d and \u00e2\u20ac\u0153favorites\u00e2\u20ac\u009d. Just because you get a lot of likes on a photograph doesn\u00e2\u20ac\u2122t mean it\u00e2\u20ac\u2122s good. It simply means it is popular to a wide audience (which may be a good thing, or a bad thing).<\/p>\n

So in short, aim to please yourself with your work, and then let others decide whether they like it or not.<\/p>\n

Blogging will also open up doors that you never thought possible. Afte 4 years of blogging and 1000+ blog posts, I\u00e2\u20ac\u2122ve been able to make my photography my full-time career. None of this would have been possible without my blog.<\/p>\n

5. Stay hungry<\/h2>\n

One of my favorite quotes from Steve Jobs is, \u00e2\u20ac\u0153Stay hungry, stay foolish\u00e2\u20ac\u009d.<\/p>\n

Stay hungry for knowledge. Stay hungry for learning. Stay hungry for consuming great images. Stay hungry for creating great images.<\/p>\n

You want to let your passion and hunger drive you. Don\u00e2\u20ac\u2122t settle. Don\u00e2\u20ac\u2122t fall into mediocrity when you reach a point when you are \u00e2\u20ac\u0153satisfied\u00e2\u20ac\u009d. Know that there is always room for improvement.<\/p>\n

However when it comes to improvement, don\u00e2\u20ac\u2122t compare yourself to others. Rather, compete against yourself. Aim to become a little better photo-by-photo, day-by-day, week-by-week, month-by-month, and year-by-year.<\/p>\n

As long as you make steady and incremental progress\u00e2\u20ac\u201c nothing can stop you. Build your photographic snowball. Make the line of dominos tumble. Stir things up, stay hungry, stay foolish.<\/p>\n

6. Invest in education<\/h2>\n

I think education is the best investment money can buy. Education is something that will always stay with you, in your mind, thoughts, and actions.<\/p>\n

When I started photography I always thought it was my gear which held me back. I felt my camera or lens wasn\u00e2\u20ac\u2122t good enough. I felt the image quantity want up to par. I felt my lenses weren\u00e2\u20ac\u2122t sharp enough.<\/p>\n

But what I realized is that I was simply lacking education. I didn\u00e2\u20ac\u2122t know the work of the masters. I didn\u00e2\u20ac\u2122t own many photography books. I didn\u00e2\u20ac\u2122t dedicate myself to learn enough about photography. I simply thought that buying gear would help me become inspired, and therefore become a better photographer.<\/p>\n

Also know that use your money to invest in experiences, not material things. So travel, attend workshops, and go on adventures.<\/p>\n

Whenever you get tempted to buy a new camera ask yourself: how many photography books can I buy with this? How many rolls of film can I buy with this money? How many days can I travel abroad with this money?<\/p>\n

Conclusion<\/h2>\n

As a young photographer, the world is your oyster. You have no limits. You want to let your curiosity and passion lead you.<\/p>\n

Photograph what interests you. Aim to first please yourself before pleasing others. Put your work out there. Make yourself vulnerable. Don\u00e2\u20ac\u2122t be afraid of criticism or critique. Rather, embrace it\u00e2\u20ac\u201c and know that feedback is necessary for you to grow and develop.<\/p>\n

The limits of your photography are only limited by your dedication, energy, enthusiasm, and passion. Keep learning from the masters, investing in your education, and go out and hit the streets!<\/p>\n","protected":false},"excerpt":{"rendered":"

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