{"id":190986,"date":"2019-11-19T10:19:43","date_gmt":"2019-11-19T18:19:43","guid":{"rendered":"https:\/\/erickimphotography.com\/blog\/?p=190986"},"modified":"2019-11-19T10:43:08","modified_gmt":"2019-11-19T18:43:08","slug":"why-photographers-should-study-painting-2","status":"publish","type":"post","link":"https:\/\/erickimphotography.com\/blog\/2019\/11\/19\/why-photographers-should-study-painting-2\/","title":{"rendered":"Why Photographers Should Study Painting"},"content":{"rendered":"\n

Classic compositions reverberate throughout time:<\/p>\n\n\n\n\n\n\n\n

Side profile portraits <\/h2>\n\n\n\n
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Renaissance themes<\/h2>\n\n\n\n

Avedon<\/a> and Renaissance:<\/p>\n\n\n\n

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Pieta<\/h2>\n\n\n\n

The Pieta (Mary and dying Jesus) and W. Eugene Smith<\/a>:<\/p>\n\n\n\n

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Arabesque <\/h2>\n\n\n\n

The classic arabesque (curve) composition<\/a> and HENRI CARTIER BRESSON<\/a>:<\/p>\n\n\n\n