I love typography. I played around with some new free font I picked up at Smashing Magazine and playing with color schemes from Colour Lovers and mashed this little piece up together. Leave me a comment below and let me know what ya think!
Whoever is looking for a bike, take this advice from my friend Miles’ step-dad. He was a competitive biker back in the day, and he still fixes bikes for a living. An amazing period, with a great wealth of information. Big thanks to him for helping me purchase my first road-bike, a Nishiki Prestige (pictured above) for only $175 (I talked the guy down from 200) ! It runs like a dream, and is in mint condition. Also it looks pretty sweet with the red tires and all.
Here is the original E-mail he sent me. Hopefully this will help other people who are looking for bikes themselves.
Hi Eric (I’m Tom),
I think we can do this, I’ll scour Los Angeles Westwood craigslist and send some ads to you so you can go out and look at bikes. The best deals are the late 1980s Japanese bikes, the ones you want have aluminum alloy wheels, but a steel lugged frame. I highly recommend Centurion “Iron Man”, Nishiki ‘Prestige”, Miyata 600 and higher to 1000, Fuji “Team”, Shogun “1000”, Univega several models with 700c wheels, Schwinn “Tempo” and a few other models made in Japan like”Prelude”
In the mid to late 1980s, the dollar was strong against a weak Yen, the Japanese were producing world class bikes and selling them in the U.S. at prices that other manufacturers couldn’t touch. This ended about 1990 and started about 1985 so you want to look for bikes from that time period only. After 1990, bikes became overly complicated and the frame quality declined as the Japanese economy was pulling ahead.
Another possibility is an American bike like a Trek, or a British bike like a Raleigh, but the chances of finding those (a good quality one)for $200 is slim. (keep in mind that all the companies made low-end or junky bikes during this period as well as fabulous bikes, so here are things to watch for.
#1 Frame tubing, The best Japanese steel was Tange #1 and Tange #2, there will be a sticker under the seat on the frame tube saying whatever the tubing is, Tange 1 and 2 are double-butted chrome-Moly and that is the lightest and strongest. Double butted means the inside diameter varies, towards the ends that need extra strength, the tubing walls are thicker because that’s where the stress is. The middles of the tubes are thin. You don’t want to buy bikes where the tubes are dented at all or repainted, original finish is a must. Paint scratches are O.K. but dents are a deal breaker.
At 5’11”, depending on leg length, I’d recommend a 56 to 60cm frame, the measurement is from the centerline of the crank axle up the mast to where the seat-post drops in. People selling bikes often give false measurements so you need to bring a metric tape measure.
Avoid bikes with 27” wheels, if the bike has 27” wheels, it means the bike is either cheap or too old. Make sure you get 700c wheels, on aluminum rims, with aluminum hubs, bring a magnet if you can’t tell the diff.
The deraillers should be Shimano, it’s possible that they could have SunTour, but those are most likely older than the time period we are looking for.
Bikes of this period have a head sticker, not a headbadge, (unless it’s a Schwinn)
#2, spin the wheels, there should be no wobble or hop, this is important, the wheels should spin for a long time, if the wheel stops after a couple seconds, something is wrong.
#3 don’t worry about bad handlebar tape or worn or rotted tires, those should be replaced anyway when you buy a used bike, you never know where the last owner’s hands have been and you don’t need gross stuff on yours.
#4 bring a 5mm and a 6mm Allen wrench, loosen the seat post and make sure it is still adjustable, same with handlebar neck, bikes left in the rain often get alumi-ferric corrosion in those areas and get stuck, and you don’t want that. The seat post clinch bolt is usually only turnable on the chainwheel side remember, one side does NOT spin. Sometimes people put the clinch bolt in backwards though, so carefully try the other side if the bolt on the chainwheel side does not spin easily.
Lately I have been trying to contact a bunch of Los Angeles art magazines to have them feature my work. One of the magazines that contacted me back was Juxtapoz magazine. I was lucky enough to get featured as their “pic of the day” on their site. Hopefully one day I could get featured in their paper-back magazine. Below is a screenshot of their site.
Hope you guys had a great weekend and are ready for the rest of the week!
Anyways recently, I had the great pleasure to write a guest blog post for a photography site called “7×5.” I wrote a somewhat easy-to-read post written very colloquially how a beginner can get started with street photography. Definitely not the most eloquent or comprehensive guide, but an interesting read I still think anyways! I got lots of great feedback on Twitter about this post at @erickimphoto as well!
Read the guest post here.
Inspiration from: Temujine.com
So on this day, I decided I would do something fun with my street photography, which was to ride around on my road bike and take photos. I have never done this before, but I thought– hell why not. I then pondered where I wanted to go take photos, and I settled upon going to Hollywood to take some photos. I then packed my Timbuk 2 Commute 2.0 messenger bag with some water and my camera, and hopped on my bike, not sure where this journey would lead me.
When heading toward Hollywood, I decided to ride down Westwood Blvd, and headed up Santa Monica Blvd toward Century City. The first thing I passed was this awesome wall on the side of a liquor store. I hopped off my bike and took a couple of snaps.
In front of the store.
I then headed to the back of the store (where there was more dots), hopped off my bike and thought it would be a great thing to model. It is a 1980’s Nishiki Road bike and it rides like a dream. Here it is lookin all purty with the awesome art in the BG.
A vertical shot.
Another mural I saw while riding by. Discrimination? HELL NAW!
I then headed into Beverly Hills, where I saw this awesome portrait of who I believe to be, Kobe Bryant.
As I kept on biking, I came upon a car rental in Beverly Hills. Supposedly it’s “Black and White” (ie full of ballin cars)
Some cool street art I also saw:
I love the dystopia-like look of the below image.
Man, American Apparel is getting more and more trashy.
Checked out some of the stores near Fairfax.
Lots of fun.
After biking around and taking so many photos all day, I was getting pretty damn hungry. I asked one of the locals where I should go to eat, and he highly recommended “Canters,” a local deli that has been around for more than fifty years. I went, and took a seat. The waitress asked me what I wanted, and I told her what was popular. Without even flinching, she struck my menu with her stubby and muscular pointing finer, which was aimed at the Pastrami Sandwich. Quite shocked, I jumped back and said I’d get one. She asked me what I wanted to drink and I automatically said “Coke.” Little did I know that Coke was going to cost me $2.50 (damn).
Anyways, the bad boy came out. And OMG… it was the most amazing pastrami sandwich I have ever had in my life. Perfectly juicy, and so soft and meaty. This photo just makes me drool thinking about it.
Oh yeah– I also wrote an essay about “Street Photography in Los Angeles.” I still gotta type it up and post it here.
After a bomb ass meal and getting a ton of writing done, I headed down Fairfax and came upon the Supreme store. Pretty sweet stuff in there.
Biked some more, and got my favorite image of the day below.
After a long days of biking and shooting, went back to “The Lab” where the magic happens. I still have so many photos to process…but stay tuned for more fresh street photography from Los Angeles.
An old image taken by Charles Choo while we were shooting street photography in Seoul, Korea last summer. I had tons of fun with the guy, and this is an image of us drinking a beer in the middle of the day in public outside a Korean “7-Eleven.” Got to miss the good times in Korea…
About a weekend or two ago, on a lazy Saturday morning, I decided that I was going to take photos that day–although not sure where or how I was going to get there. I therefore planned that I was going to check out the LA MOCA, and then took my stuff and jumped on the first bus that I could find.
However while I was on the bus, I saw something interesting on the side of the street, and got off my bus way too early. After taking my photograph of what I wanted to, I realized that I was lost in the middle of nowhere. However I just walked around the streets, meandering where I wanted to go next.
I then jumped on another bus and got off on the metro stop in the middle of Korea-town. I never took the subway in Los Angeles before, and I thought it would be the perfect opportunity to do so. Therefore I jumped on the subway, still not quite sure where I wanted to go. I looked at the map, and Chinatown was on the list. I had heard lots of interesting things about Chinatown in Los Angeles, yet never had the opportunity to go. I then thought to myself, “Why the hell not” and headed toward there.
I had never been to Chinatown before, so I kind of followed where the streets lead me. However I was quite pleased to say, it was a great opportunity for street photography. The Chinatown area was very quaint and quiet–with a few people strolling in and out of the area. If you look at the below images, you will also see they have an interesting “film” look to them. I recently made a new preset based on one that I downloaded online, and I quite like the look. I feel it gives that “dreamy” look that I felt when I was experiencing the place.
My full-series of Jacob Patterson, a Los Angeles based artist who specializes in graffiti, shoes, and street art. A truly amazing and inspirational artist and person. I look forward in collaborating with him more in the future.
I got in contact with Jacob, and he gave me a tour of the “ThinkTank” in Downtown Los Angeles, an art warehouse he is currently building up with fellow artists. We talked, chilled, grabbed a burrito (thanks Jacob!) and I told him that I would snap him a few photos before he left. This is the product of literally 5-10 minutes of shooting.
Check out his sites:
Serendipity. One of the most beautiful things about street photography. Stumbling upon something totally unexpected, but so intrinsically unique and beautiful it cannot be put into words. All of your sensations tingling, giving all of your sensory features a feast from a thing or a place that you have never known existed.
Serendipity. A reward for being adventurous and daring. Taking the road off the beaten path. Not being a dumb tourist and following everyone else like sheep. Being a nomad; thirsting for new sights and adventures.
Serendipity. Being in the present and on the prowl, like a jaguar in the streets. Disregarding your “common sense.” Taking the “scenic” rather the quickest route.
Serendipity. Your own little jewel. Taking it and forever keeping it in your box of memories. Taking a photo of it for a keepsake and making it immortal. Wanting to share it with the world, and wanting others to experience a small slice for themselves as well.
Serendipity. Living life without a map. Spinning around in a circle while closing your eyes, then throwing a dart on the map—determined to go wherever the hell it lands.
It is not the destination, stupid. It is about the adventure.
Serendipity. Taking your time and being patient. Not rushing to the nearest attractions but appreciating the beauty in the mundane. Looking for ordinary things, rather than the large and glamorous.
As a street photographer, you must jump into experiencing serendipity. Grab nothing but your camera and storm out into the streets, and letting your curiosity lead you.
Now it’s your turn.
Was able to meet up with the famous Jacob Patterson over in Downtown Los Angeles, in the Fashion District where he is working on his art. Was able to snap a few photos of him. Since I’m super tired right now and cannot process all of these images, I’d like to at least give you guys a sneak peak.
More to come…
To continue from my last post from Chicago,
Cindy and I took the bus from Chicago to Madison, where she is currently studying foVietnamese for the summer. I stayed there for a week, and was able to meet all of her friends as well as get amazing local food (thanks for the recommendations Cydney!) and check out some of the local sights.
Initial thoughts about going to Madison: “Wisconsin? What the hell is there? Just a bunch of cheese and cows.”
After coming home from Madison: “Damn I’m going to miss this place. I wish I could have stayed longer.”
Coming from LA, Madison was a complete 180 for me. Instead of being full of smog, traffic, and crazy drivers– Madison was full of fresh air, bikes, and friendly people. Whenever walking around, I would always get friendly “hello’s” from the locals while being able to soak in the feeling of “community” that permeated through Madison.
See Madison was a bit like a bubble…but a really nice and pleasant one. It is the ultimate college town, with students taking bikes and mopeds to class, hanging out at cafes and restaurants after class on State Street, which is a huge street which connects the campus of the University of Madison-Wisconsin to the Capitol Building. Interestingly enough, cars are not allowed to pass through this area, which makes it extremely pedestrian-friendly and bike-friendly as well.
Life seemed to run at a very comfortable pace in Madison. I never felt rushed or anxious during my time here. This brought me an inner-calm which I cannot put into words. I could easily see myself living there–grabbing an ice cream cone on a hot day, heading to the lake, and relaxing with a beer-in-hand, while reading a nice book with Cindy by my side.
Anyways daydreaming aside, I whole-heartedly enjoyed my experience there and highly encourage other people to go visit. It is right next to Chicago as well–so you could get a 2-for-1 experience! Anyways, onto the photos:
First place on the list: Husnu’s. A local favorite, and the first restaurant that Cindy took me to. A turkish-and-Mediterranean joint, and Cindy couldn’t quit talking about the olive oil there (which was divine).
Afterward, we went to “The Daily Scoup,” which is Madison’s most famous ice-cream place. Cindy kept on raving about the ice cream there, and it did not disappoint. Creamy and full of texture… oh man I already miss it.
Then we headed to Cindy’s dorm– where I was able to meet all of her friends and also make some food in the communal kitchen. We seriously hung out there 90% of the time, just cooking, talking, chilling, and hanging out.
While I was in Madison, I promised to meet Cydney over at Material Lives. We met over the internet and had never met in person, but we were down for the challenge! We met over at Dotty’s Dumplings, another of the local joints. It was a great pleasure meeting her, and I even documented my feelings about the experience over at my wordpress blog. Long story short, she was an awesome and amazing person, and she really gave awesome tips about Madison while we were there. She was even generous enough to lend Cindy one of her bikes!
Surprisingly enough, Madison is full of hipsters. And along with hipsters are lots of cool and trendy vintage shops. Me and Cindy were able to check out a few.. and had a great time in the process!
Getting fat at a Gyro’s joint (supposedly pronounced “Euros”– who knew that?)
Walking around State street….
Cindy and I going to eat–when suddenly it started to pour like hell.
Going to visit the Capitol Building.
Beautiful architecture inside.
Walking alongside State Street, checking out more of the sights.
A quaint little boutique shop Cindy and I came upon–full of color and life.
Words could not be truer:
Studying at the amazing library at the University of Madison-Wisconsin. They even have robotic shelves that move when you push a button!
In Madison, they have a bike recycling center in which they take old bikes, fix them up, and then paint them crimson-red and hand them out practically for free to students. Cindy was able to borrow this from one of her friends, and she let me ride it around for a day or two. Do not let the looks deceive you: although it looks broken-down, it actually rode very comfortably. A great way to check out the local sights of Madison.
I was biking down State Street, and decided to check out the Madison Museum of Contemporary Art.
One of the posters advertising their exhibit for the “Triennial” that they have–in which many Madison artists exhibit their best work.
Inside with their beautiful architecture.
Photos taken from the roof. Downloaded a few cool presets from PresetPond.com, a site with free Lightroom 3 and Aperture plugins.
A picture of the Orpheum, one of the classic old-school theaters.
More of the amazing architecture–with the light coming in.
A portrait of one of the helpful guides at the museum. I told her how impressed I was by the modern art at Madison and how it could rival some of the exhibits in Los Angeles.
What I especially loved at the Madison Museum of Contemporary Art was that it wasn’t too big, but not too small. At times museums can get so exhausting because there is that obligation to check out every single exhibit. However in about two hours, I was able to check out almost all of the exhibits pretty well-indepth, with some energy left to go exploring for the rest of the day.
The Orpheum Theater from outside. I love this old vintage look.
Buildings I found in an alleyway.
Grabbing a hot-dog at a local stand.
A cute kid who was “working” with his grandpa (in the background).
In front of the Capitol Building with Cindy, having a picnic after grabbing some Five Guys, which is one of the best burger joints that I have ever visited. The burgers and fries (imho) are 10x better than In-and-Out’s.
The Juicy Juicy Insides.
Ton of people out for Madison’s “Outdoor Concert.”
Cindy Posing outside.
A beautiful sunset on the way back to her place.
So long story short… Madison is pretty awesome. Go check it out.
Two weeks ago, I had the great pleasure of heading to Chicago for the first time in my life. My girlfriend Cindy at the time (and currently still is) studying Vietnamese at the University of Madison-Wisconsin, and after being away from one another for a month, decided to meet in Chicago. I flew over from Los Angeles and Cindy took a bus from Madison and we both rendezvoused at the airport. After that, we were able to spend an entire wonderful day in Chicago, while eating at the “Taste of Chicago“, which is one of the largest food festivals in all of Chicago which happens once a year. We also met up with my cousin Holly who lives in Chicago, and she was able to show us around Millennium Park as well as some local food places.
Anyways a quick rundown of my impressions of the city: It reminded me of a mini-Manhattan, except with more greenery and better-tasting food. I got a great vibe from the city, as it felt alive, dynamic, and full-of-soul. Also it was great to visit a place where two of my favorite rappers (Kanye West and Lupe Fiasco) are from. I can truly see where they got their inspiration from in creating their music about the city (Chi-town) that they love.
Didn’t have too much time to take photos, as I was busy eating the amazing food (the deep-dish pizza is not hype) as well as taking in the environment. However I was able to grab a few snapshots which illustrates my impressions of the city.
The next day Cindy and I headed to Madison, where I stayed there for about a week. Photos to come…
Something is a-brewing…
One thing that I have always wanted to do was design T-shirts and maybe have my own little “Street Photography” line. Maybe Urban Outfitters would eat this stuff up?
I always have been fascinated with design–especially typography. I still definitely am a huge noob at it, but I think that it is something that I enjoy doing. What do you guys think of these graphics that I made? Could they look good on a T-shirt?
Version 1: White
Version 2: Black
Tell me what you guys think! Leave a comment below :)
So I ran my first “Show Your Favorite Photos” mini-contest on my blog today, in which anybody could participate by uploading their favorite photos to my Facebook Fan Page. Here are the gorgeous images of the people who participated and links to their sites (if they had one).
Stay tuned for the next “Share Your Favorite Photos” contest! :)
Before you go out and shoot, you must decide where to go out and shoot. I usually go to an area with lots of people walking around. Museums, parks, or any downtown area work very well. The more people you have in a certain area, the more likely your chance of finding interesting subjects to shoot.
However you shouldn’t only limit yourself to heavily-populated areas. The beauty of street photography is that it has no limits. You can shoot photos anywhere; it doesn’t only have to pertain to the streets. You can probably find great subjects for photographs in very mundane places like the grocery market or even the library. The entire world is up for grabs.
Above all, the best way to go out and shoot is to pick a location and simply go out. Have a few places that you want to check out in mind, and let your curiosity guide the rest of your little mini-journeys. When I go out, I prefer to take an entire day walking around while taking public transportation to get to my location, be it the subway, bus, etc.
I also bring all of my stuff in a messenger bag, as it makes taking things easily accessible. I typically only carry around 2 prime lenses (my Canon 35mm f/2 and Canon 24mm f/2.8) along with some water and some food. Also just in case, I make sure to pack an extra battery and memory card along with any other random necessities I may need. However I try to always keep my bag as light as I can. Just for reference, I use the Timbuk2 Commute 2.0 bag which I highly recommend that holds nearly all of my stuff. Although it is a bit pricy, it is made out of fantastic materials and also has room to carry my laptop as well. Messenger bags don’t have to be expensive, however. There is a great deal for several in different colors on Amazon for under $20.
Once you walk, bus, or metro to your destination, just feel free to walk wherever you want. Lead yourself down barren alleys, into random stores, and toward strangers. Open up and talk to the local people in the area and strike up a conversation. Tell them about your photo journey and if they have any places that they recommend you check out. Don’t be too picky with what photos you decide to take. If something just attracts your eye for one reason or another, take a photo of it. Don’t feel obliged to only take photos of what you would consider “street photography.” Keep your mind and options open.
After a long day of shooting, go home, download your photos from your memory card to your computer, and have the fun of picking your best images, while reliving your exciting little adventure.
Something that is imperative to street photography is to get close. Street photography is not only about documenting life, but being an active participant. Therefore in order to capture the true essence of a scene, use a wide-angle lens and get really close to your participants to capture the scene and the mood of a scene. Wide-angle shots allow the viewer to be immersed in what you are shooting and “see it from your eyes.” Furthermore by shooting with a wide angle lens, you are able to capture more of a scene which gives your images better context and life.
But if I am shooting with a wide-angle lens, doesn’t that mean that I have to get close to people? That definitely is true. This may be uncomfortable to many people, but often the most interesting images are created when the subjects that you are capturing are aware of your presence and react. Getting the looks of shocked people looking straight into your camera can create images that captivate your audience—making them truly feel that they are a part of your scene, rather than a voyeur merely looking in.
Although I advocate using wide-angle lenses when it comes to street photography, I am not stating that it is the only way to participate in street photography. I know a great street photographer named Tom Kaszuba who uses telephoto lenses to isolate his subjects and get great candid portraits of them in moments of contemplation. These can make effective images which are nearly as moving. However I would avoid using telephoto lenses when shooting in the street merely because you are merely “afraid” of taking photos of people. I have noticed through my experience that it is much more awkward to get “caught” pointing a huge lens straight at a person, rather than getting caught shooting a portrait of a person right in front of their face with a wide-angle lens. The reason being is that because you are so close, people will assume that you are taking a photo of something behind them.
If you are still a bit timid of shooting wide-angle portraits of candid people in the streets, practice on your friends and family. If you don’t have a wide-angle prime lens (such as a 24mm or 35mm, which I use) but a wide-angle zoom lens, practice shooting pictures of people really close at your widest setting. This will typically mean that you are standing only 3 feet away from that person. Note how wide-angle images of people will capture their essence while pulling the viewer into the images themselves.
What are you waiting for? Get close! Don’t be afraid, and see what happens.
This is a general tip which is quintessential to photography. Like they say, you are strongest as your weakest link. The same applies to photography; your photography is only good as your worst photo. If your audience sees all your work and stumbles upon a photo that doesn’t seem “as good” as your other images, it lowers the legitimacy of your photography by a notch. You don’t want to show your audience a series of snapshots; you want to show them a gallery of your best work.
A common mistake many photographers do is have two images of the same scene in a series. Sometimes a scene can interest us and we will take several images of it, and we feel that they are all great. As difficult it is, you have to strive to only show your best image.
To determine which image is your best, try to be brutally honest with yourself and just make the decision. If you are in a huge rut, you could always ask a friend for a second opinion. I did this quite often with my girlfriend Cindy. I show her two different variations of the same image and ask for her honest opinion. The majority of the time I go with her opinion.
I know choosing between two photos is like choosing between two children. It is very difficult– but it is something that has to be done.
You might have heard the phrase “open source” tossed around. But what does it really mean? To state simply, it is a movement in which individuals wish to provide access to technology or knowledge for free to the masses. A great example of one of the most popular open source platforms in technology is Linux, which is a fully-functional operating system (created to compete with Windows) except that all of its code (as well as the entire software) is open and available to the public for free. In addition to Linux, there is OpenOffice (Microsoft Office alternative), Gimp (Photoshop alternative), as well as a plethora of other software which allows users to have access to software for free.
Piggy-backing off the idea of open source software, I am a huge proponent of “open source photography.” When I refer to photography as open source, I am talking less about the technical aspects and more of the philosophy behind it. In the realm of photography, there can be a lot of elitism amongst photographers who have the latest and most expensive cameras and lenses. This often causes many new photographers (or photographers on a budget) to be intimidated and not delve into photography worrying that their point and shoot cameras are simply not “good enough” and that they can’t get a decent photo without having a thousand dollar+ camera.
One of my visions about photography is to tear down these walls of discrimination and allow photography to be open to all, regardless of the experience, gear, or interests that somebody may have. This passion that I had inside me helped install some of the virtues to “The Photography Club at UCLA,” a photo club that me and two of my friends started. Nearly half of our club was made up of individuals who had point and shoot cameras, and they were able to take photos nearly as great as others in the club who sported DSLR cameras. As the president, I also encountered many fellow students who were interested in joining the club, but always were reluctant to join because they didn’t have a “pro camera.” However I would always encourage them to join regardless of their background with photography. The only thing I told them was required was a passion for photography.
With the boom of the digital age, photography is now much more accessible as the advance of technology has also driven down prices. When point and shoot cameras first came out with less than a megapixel sensor, they cost nearly $500. Nowadays, you could get a camera with a 12+ megapixel camera for around $100-$200 dollars. The same is with DSLRs (Digital Single Lens Refex Cameras—ie. the “pro” cameras). The first DSLR cameras that came out cost thousands of dollars, but now you can obtain a solid starter DSLR for around $500 (still not a small sum of money by any means, but much more accessible). Even for individuals on a budget, purchasing a camera is now affordable.
Getting back to the concept of open source photography, I wish to provide as many of my photographic insights to others for the pure advancement of photography as a whole. This means that I never keep any of my photographic techniques secret. I strive to share with people how I convert my images to black and white. I strive to teach people how to best utilize their cameras. I strive to spread the love of photography for anybody who has the passion for it. Furthermore, I also strive to provide a hub in which photographers from all over can feel free to share their images, their insights, and their techniques on photography as well. Hopefully my photography blog will achieve this in one way or another.
Photography allows anybody to become an artist. Not everybody is gifted with drawing, painting, or designing, but photography makes creating art as simple as clicking a button. Granted that creating a good photograph is more difficult than just clicking a button, the potential of creating a captivating image is indeed that easy. Photography allows the creation of something tangible in mere milliseconds, something that cannot be done in any other form or art. Even children with no formal training in art can pick up a camera and take snapshots of life which can move and impress adults.
I am not quite sure where this journey of mine of promoting open source photography will take me, but I know that my passion for photography is not something I can keep to myself. Help me achieve my vision and promote this idea of making photography available to all—whether it be to your friends, family, or to that nagging little cousin who always tugs at your shoulder, wanting to learn how to take photos. You’ve got nothing to lose—but everything to gain.
Here is an essay that I wrote on Street Photography that I plan on including in the introduction of my Street Photography Book that I plan on publishing. It is a bit long, but I hope you enjoy it:
I feel that street photography is the most pure out of all the forms of photography. In all other forms of photography, the photographer is always trying to strive to take a photo of something that is out of this world; be it a majestic sunset, a mysterious creature, or a flower so beautiful that we are shocked in awe by it.
However street photography does the exact opposite.
The photographer takes what is in this world, no matter how dull or mundane, and turns it into a piece of art. The man who is sipping a cup of coffee at the coffee shop, or the woman who is carrying her groceries home, or the couple who is sharing an embrace at the corner of a crosswalk. These are all very ordinary events and we all just let it pass by our very eyes. We don’t pay attention to these things, let alone see it as something “beautiful.”
That is where the role of the street photographer comes in. He captures that one instant and makes it immortal and frames it, and allows everyone to actually take a second out of their busy schedules and contemplate on it. Nobody truly notices these moments in their lives, and with the help of the street photographer, these people start cherishing these small yet wonderful things in their lives.
The idea to look at a very ordinary scene and to interpret it in a different way is the most difficult part of a street photographer. By paying special attention to lines, curves, shadows, light, and context, a photographer strives to make this ordinary scene into somewhat of a stage in which he wishes his actors to interact with somehow.
A street photographer has very little control over his images, as he simply tries to capture little bits and pieces of everyday life which are fleeting and once they disappear, they are gone forever. All a street photographer can do is frame his shot, check his camera settings, and click his shutter. He cannot control his environment as his stage is dynamic and constantly changing and evolving. The types of people who are constantly walking in and out or the way they act with the environment or other people are uncontrollable. So to take a truly great street photograph, the street photographer has to have a little bit of luck on his side to have the ideal conditions just when he hits that shutter.
This however, doesn’t mean that a street photographer doesn’t have skill and is simply “lucky” when taking images of his photographs. Granted that whatever scene a street photographer comes upon is beyond his control, a street photographer is the one who is able to creatively take with what he has and make it into a story.
If anything, a street photographer shouldn’t even be regarded as a photographer, but rather a storyteller of sorts who is able to capture a certain scene and have the viewer interpret it in a certain way. A true successful street photograph is one that piques the viewer’s interest, and has him or her constantly guessing and interpreting what “is going on” in the photo.
However the street photographer as a storyteller has the most difficult job of them all; to tell a story without having any control over it. Compared to a writer who makes up his own stories, a street photographer must work with what he has to tell a certain story or tale.
To be a successful street photographer, one must have a passion for seeing the world and exploring all the beauties behind it. How can one expect to capture great moments in life without actually going out to the world and seeing all of these things happening? Often individuals look at some of the world’s finest street photographs and mutter to themselves, “I could have taken that photo if I was there.” But the fact is, that the person was not there at that certain moment and if that person could not truly see like a street photographer, that person would have simply let that moment pass by.
If the street photographer is not at a certain place at a certain moment when something fantastic occurs, how can he not expect to capture it? It is metaphysically impossible not to do so.
While taking photographs in the streets, the street photographer is instilled with an incredible sense of freedom. He is like a lion to his jungle and is free to roam wherever he wishes. Nobody can tell him where to go, what to see, or what to do; he simply does as he likes. Only his instinct controls him where to go next.
While roaming around his urban jungle, he almost melds and becomes part of the environment. Although others are aware of his presence, nobody pays special attention to his motives or movements. The street photographer will be able to take multiple photos at incredibly close proximities to people, without having them even notice or without having them even caring. But to walk around and not be given notice to, he must be fluid in his movements and be careful not to disturb any of the life around him.
The street photographer is also adventurous and is willing to take the path less followed with the hopes of finding a moment of serendipity and genius. The street photographer will go down that mysterious alley or up those misleading stairs while others will not. The street photographer wishes to see new things and places and is not content with staying in the same place for much too long. When he finds himself in a foreign and daunting environment, he does not react with fear but rather with a sense of curiosity and is willing to explore.
A street photographer is also more preoccupied with his photographers rather than worrying about his gear. The fallacy of many photographers is that they often chase the newest cameras and lenses hoping that these expensive tools will help their shortcomings as a photographer. Granted that a point-and-shoot camera can have considerable lag when it comes to taking photos which makes it difficult to capture a certain moment in time, a simple DSLR or even film rangefinder can do the trick. The quality of his images are not dependent on how sharp they are, but rather the intrinsic quality of composition, genius, and creativity apparent.
However the only concern a street photographer must have when it comes to the question of camera equipment is by having his trusty primes nearby. Although zoom lenses may be more practical in other types of photography by allowing photographer to use multiple focal lengths, they are not as effective as tools when it comes to street photography. Their smaller aperture and larger size make them too slow for night settings and too conspicuous for street settings.
Prime lenses also help street photographers to be more creative with their work, by further imposing even more limits on what little control they have of their scenes. On top of not having control of the people around them, they are restricted to only a certain focal length which may invite them to think of more creative ways of capturing a certain scene which may have not been thought of before with a zoom lens. For example, if a street photographer had a zoom lens and saw something interesting in the distance, he may be simply tempted to zoom into the scene which disconnects him from the environment. However if a street photographer chose to use a wide-angle lens, it may invite him to become “part of the scene” and get closer to get stronger images which really put the viewers into the shoes of the photographer.
However all-in-all, a street photographer is a lover of life. He does not discriminate and sees all people as beautiful in their own inherent ways. He constantly pushes himself to immerse himself amongst people, and not only be a voyeur but a full-on participant. A street photographer cherishes every moment that he experiences and lives, and most importantly, strives to share those little slices of life with others.
In order to see more of your guys’ amazing photography, I decided to run a mini-competition for about a week (until Saturday) for people to contribute their images, which will get featured on this blog!
Next Saturday (July 17th) I will post all of the photos on my Facebook Fan Page to this blog! I will also give you guys credit and include a link to your Facebook, Twitter, Blog, or whatever.
Looking forward in seeing your guys’ entries!
Hey guys, In lieu of my popular post on the “100 Things I Have Learned about Photography,” I originally planned on writing a “100 things I have learned about traveling in Europe” post as well. However this time around, I decided to embellish more on each of the points that I presented. Therefore, I realized that I would cut my list short to “25 things I have learned while traveling in Europe.” Furthermore, I also have had a few friends asking me for pointers or tips for backpacking in Europe. So hopefully in the near future, I will be able to write (to the best of my knowledge) a comprehensive guide for students trying to backpack in Europe (on a limited budget). So until then, please read my post and feel free to share this list with anybody you want via Facebook, Twitter, Email, or IM. Also please leave me a comment below as I always love hearing feedback! :)
Click below to see more… My Europe Photos Slideshow
I’m going to be going to Chicago for this July 4th weekend to meet up with my girlfriend Cindy as well as heading to the University of Madison, Wisconsin, where we could also hopefully connect with Cydney Alexis! Have a wonderful weekend and see you guys soon :)
“The Decisive Moment” was a term coined by the pioneer of street photography, Henri Cartier-Bresson. During his time, photography was still a relatively new art medium and it wasn’t taken seriously. Furthermore, photographers were often criticized for not having the same discipline and creativity as traditional artists as photographers can create their images in a matter of seconds, not hours.
Anyways, Cartier-Bresson believed that “The Decisive Moment” was that split second of genius and inspiration that a photographer had to capture a certain moment. For example, that half of a second that you have when a man is jumping over a puddle, when a couple embraces for a kiss, or when a person points a finger at another. This moment is fleeting, meaning that once you miss that half of a second to capture that moment, it is gone forever. You can never recreate the same circumstances in terms of location and people.
So an important lesson about “The Decisive Moment” is that the best photo opportunities often flash before our eyes and we must be ready at all times to capture those moments. That means bringing around your camera everywhere you go. Street photography is built on the mundane and ordinary moments, so any moment is a potential for a great photograph. Some of the most disciplined photographers bring their cameras even to places like the bathroom or the grocery market.
You must constantly be looking for moments to capture, so be sure to always keep your eyes and camera ready. Have you ever seen a photo opportunity but you didn’t have your camera on hand and deeply regretted it afterwards? This happens very often, because the greatest photographs can be captured at the most unexpected times.
Also when capturing a “Decisive Moment,” timing is crucial. Capturing an image half a second too late or early can greatly influence the outcome of an image. In many of my images, I take photographs of advertisements which look like they are interacting with people on the street. So if I want it to appear if a woman in an advertisement is staring at a man walking by, I must pull the trigger at the exact moment when eye contact becomes apparent. Half a second too early or late can kill the effect of the image.
So always be quick and never miss those “Kodak Moments.” Once that moment is gone, it is gone forever.
To learn more, read: “7 Tips How to Capture ‘The Decisive Moment’“
One of the questions that I am asked quite often is, “How did you get over your fear of shooting in public?” To answer that question, I got over it by simply going out and constantly shooting in public. However it definitely does take a lot of practice and effort to build up that courage of shooting in the streets without feeling like a “creeper” or out-of-place.
For those of you who may not know, I recently graduated UCLA with a B.A. in Sociology. Therefore when it comes to photography, a lot of my sociological thoughts get intertwined as well. In many introduction sociology classes, teachers often assign students “breaching experiments,” which involve doing things which violate certain “social norms” which may make you and others feel uncomfortable. However I have found that by realizing that these social norms which govern everyday life are not concrete and can be bent to our whim, I quickly got over my fear of shooting in public.
Therefore these are some sociology breaching experiments that I have put together which could help you first get over your fear of looking “strange” or “awkward” in breaking social norms (such as taking photos of strangers in public). Although these may seem quite easy on the surface, doing them in practice is actually quite difficult. I have been making it a point to practice these breaching experiments as often as I could, and I can admit that I still have a long way to go until I could have enough courage like street photographer Bruce Gilden, who is famous of taking really up close and personal images of people. [YouTube].
Help get the word out there and share this list with your fellow photographer friends! Post it to Facebook, your blog, or even tweet it!
So if any of you guys are interested in street photography, the question might be on your mind: “Where do I start?”
Well, for starters you need a camera. The most important step is actually going out and taking photos . If you are new to photography, all you might have is a point-and-shoot (a regular digital camera). This is great when it comes to street photography, because street photography doesn’t require extremely complicated nor expensive gear. A point and shoot can actually be better than DSLRs in many ways because of the discrete body and almost silent shutter. If you have a DSLR or anything else that’s great. As long as you have something to shoot with.
So once you got your camera, you need to go out and start shooting. This is the phase in which the majority of budding photographers fail. People will always find excuses NOT to take photos rather than finding excuses TO take photos. The most popular ones I hear are: “I don’t have an expensive camera,” “I don’t have enough time,” or “I’m intimidated.” Don’t think so much about the details– just go out and do it.
The example I always use to counter the “I don’t have an expensive camera” argument is by telling them how much more convenient and effective even the point and shoots are today. The average Canon Powershot gives great image quality as well as giving instant results… and compare that with a film camera that has a steep learning curve and the inconvenience as well. Furthermore, most modern digital point and shoots have image sensors with such great image quality it is difficult to discern them from DSLR images under normal shooting conditions (during the day).
People will say “I don’t have enough time.” That is never an excuse because the beauty of street photography is that you can take great images of ordinary events, no matter where you are. So if you just carry around your camera with you everywhere you go, you can easily take photos while walking across the street, in a café, or even while walking to class. And I am also a firm believer in the idea that you can always find time for something you are truly passionate about, no matter how busy you are.
The last excuse I hear is that “I’m intimidated, and I don’t know where to start.” I have no idea what people can possibly be intimidated by. Unless you have someone peering over your shoulder every time you are taking a photo, you have nothing to worry about. And to simply start, you just go outside and start taking photos. It’s really that easy.
Just wanted to share with you that my “Eiffel” picture was featured in the Demand Studios blog! Check out the post here.
After a long hard week of work, I thought that I’d do something that I have been meaning to do for nearly a year but never went through with it: spend an entire day in Hollywood, just roaming the streets and taking photos. I never know why I never was able to find the time to do so when I was in school. Perhaps I was too busy with my clubs, work, research, and tests. But anyways on Friday night, I decided that on Saturday (today) I was going to go out and go exploring in Hollywood.
But before I went to go explore in Hollywood– of course I had to watch the Korea vs Uruguay game, so I headed over to my friend Jun’s place. After a painful 2-1 loss (we choked twice during the game during goal-scoring opportunities), I had some breakfast with my friend Kay-Won at Jack in the Box and then went home to pack my things.
I then went to my place and took my trusty messenger bag and packed the following things: my camera, my 35mm f/2 and 24mm f/2.8 lenses, a bottle of water, a peanut butter sandwich, my netbook, and some change for the bus. After waiting at the bus-stop for nearly an hour, I finally got on the bus and after a windy trip down Sunset Blvd, I got off the stop and started to explore.
Click on the link below to see the rest of the story….
So once I got off the bus and started to wander around, I honestly had no idea what I was going to do today. All I know is that I wanted to see the “You are the Star” mural on Wilcox and Hollywood Blvd (which I did end up seeing and took a photo of). Therefore I walked a few blocks north to hit Hollywood blvd and I started to make my way walking down East.
I finally got on Hollywood Blvd and passed by all the typical touristy stuff (The Wax Museum, the Chinese Theater, Hooters), etc. I then started to walk around, looking for great photo ops. The first one came to me. I saw this very fashionable guy (who looks pretty metro) casually standing in front of an American Apparel store. Low and behold, there was a mannequin almost mimicking his pose, but opposite. I also was attracted by the colorful swimsuits in the top-left corner. Therefore without any hesitation, I casually stepped back and shot this image with my 24mm (I was standing on the curb…but my wide-angle helped me capture this image).
After walking a few steps down, I saw another photo op. I got really close to this lady who was nicely juxtaposed against this sign, and snapped a photo. Nobody noticed me as all.
Walking down a bit more, I saw this dad patting his son’s head. Thought it was pretty cute.
After walking down a bit, I saw another photo op. The guy on the bottom right was actually smoking, and I wanted to grab an image of him. However once I picked up my camera, he immediately put his cigarette down. Photo fail.
Walking down a bit, I stepped into this little bar. They happened to be showing the USA vs Ghana game, so I sat down and watched a bit. However after feeling a bit antsy of wanting to take photos, I got up and continued my journey.
When I continued to walk down Hollywood blvd, I saw this picture of a woman eating (tofu?) super seductively with a pair of chopsticks, with red all throughout. Like a giddy schoolboy, I was fascinated by this image and rushed across the street, seeing that this woman (my perfect model) was about to pass through. I quickly rushed in front of her, and snapped a few photos, this one being my best one. I think it came out quite nicely–considering the awkward angle I had to shoot with my wide-angle.
I then crossed the street again, saw this awesome mural and snapped an image of it. Too bad I couldn’t get any interesting people in it.
I then see this woman, shooting a photo of a star. Man I gotta get this photo. Click.
I then continued to walk down, and suddenly a small gallery caught my eye. I entered in, and was first caught off-guard by this awesome mural on the wall. I talked to one of the ladies in front and she explained to me that this gallery was called “LACE“, which stands for Los Angeles Contemporary Exhibitions. It has been around for nearly 30 years, and was founded for artists to have a public space to show their work. Admission was free, and it was completely open to the public. They even sold sweet swag in the front as well.
I then stepped into the next exhibit, and out of nowhere I see this HUGE Hello Kitty outline on the wall. I wondered what the hell this was about, and one of the people sitting around told me that it was an exhibition in which the viewer was encouraged to participate. She then read me some “instructions” which were on the table. They went something like this: 1) Sit down 2) Listen to the headphones 3) Listen to what is being said, and trace it inside a hello kitty template (which was provided). Seemed simple enough. I then started to listen, and to my surprise, it was a chapter out of a Holocaust book. It described in detail how Jews were forced out of their homes and into concentration camps. Actually writing the words of the story inside the hello-kitty template made the words stick much more to me, and in this I was able to see the true irony that the author was trying to promote. Contrasting something so horrible as the Holocaust, while writing the words inside of something as innocent as Hello Kitty. I thoroughly enjoyed this exhibit.
After I was done, I slowly put away the headphones and stood up. I then saw a girl (who was watching over the room) sit alone in a chair in a corner of the room, obviously looking quite lonely. I then decided to talk to her, and introduced myself as a recent graduate from UCLA. To my surprise, she also happened to be from UCLA as well. She introduced herself as Mallory Venema, which I commented was an awesome name. She told me that she had often gotten comments that people made fun of her last name for sounding like “Venom”– but I assured her that it was something more mysterious and unique than negative. Mallory then told me that she was an Art-History major, and she was part of the Art-History Club on campus (which featured an exhibition I was featured in titled: “Lost Angeles”). I then yelled out “NO WAY!” and told her I was featured in it. She then realized that I was “The Eric Kim” whose photos everybody enjoyed. I felt quite flattered by this and then we got into a conversation which encompassed her deciding to teach English in France, my Sociology of Facebook class, as well as how I got into photography.
Somewhere along our conversation, Mallory also told me a bit about the exhibition. She described that the entire theme for the month was based on “Participation”– which I found fascinating. The exhibit (shown below) she described as an artist discussing the BP Oil Spill (or as I like to call it–the Oil Geyser–for reasons I will describe later). She told me about how people from the public were encouraged to take some chalk and write what they felt. Looking at the wall, there were some insightful stuff–while some others wrote irrelevant stuff like “Legalize Marijuana” and “420.” I then decided to participate and took a piece of chalk and wrote how I felt: “Fuck BP” as well as writing: “Oil Spill Geyser!” which is a better word to describe how thousands of barrels of oil is constantly erupting from the bottom of the ocean into the Gulf of Mexico everyday.
I then thanked Mallory for her little tour, and continued on my journey.
I then continued to walk down Hollywood Blvd for quite a bit, and finally found the mural I was dying to see! “You are the Star” I found this mural pure genius in the sense that the mural really makes you feel like you are on the stage, while also putting the interesting twist of having all the celebrities look at YOU for the change, not the other way around. In the mural there were many famous celebrities (I could only name a few). However I was a bit sad to see that Marilyn Monroe was graffitied over “Love Me.” Clever–kinda, but more vandalism than being artistic. Why would somebody deface such a beautiful piece like this? Quite a shame.
Check out the full-resolution version here! See all the stars you can spot, and leave a comment!
After admiring the fine mural, I then decided to continue on my Hollywood journey.
I then kept on walking and then saw an image that made me almost as excited as that previous “lustful image.” A flower painted on a wall out of nowhere? Perfect photo opp.
I then stuck around for a bit, waiting for interesting people to pass through. This one definitely has to be the best. A guy riding through on a pretty small bike… with a cowboy hat on. The image doesn’t really make a whole lot of sense, but the tension between the star, the man on the bike, and the flower interest me.
As I continued to walk down I saw a ton of soccer fans dressed in American apparel. I asked one of the bystanders if the US won. They told me that unfortunately they lost, 2-1 to Ghana. There were a ton of people just milling around, and I thought I would join the fun.
Walking and wandering a bit more, I came upon this crimson-red building. On the top I noticed it said, “Home is where the heart is,” which struck a personal chord with me. After backpacking and traveling through Europe, that was the one quote that stuck with me. Putting it on top of a apartment complex? Genius.
I then continued to walk around, and saw where all of the US soccer fans came out of, which was a huge sports bar/pub named “Dillon’s Irish Pub.” Simply curious, I stepped inside the door and observed the place. Tons of fans, beer, and TV screens. Sweet. They even had an upstairs! I hurried up the stairs and started to snap a few photos, when I saw a waitress walking up. Still using my wide-angle, she nearly bumped into my camera when taking this image below. Quite possibly my favorite photo I took all day.
I then left, and continued my journey. Saw some sweet double-decker parking action.
I then came upon a man on a ladder, putting up the letters for a premiere. I had never actually encountered anyone actually in the process of doing this, so I took a moment to simply stand and stare at this man do his job. Him, noticing me, yelled out to me, “How are you doing?” I replied that I was doing fine, and we struck up a conversation. He told me about some of the strategies that he used when centering the text, by calculating how many spaces were on the bottom vs on the top. He also told me that it was difficult to spell out the words, because he had to write the words “backwards” to get it to show up correctly. I also told him that it was interesting how he did everything by hand– something that looked almost like an art. He then commented and told me that some other people just stand on the bottom with a pole and hook and put up the letters like that, but he felt that it wasn’t as nearly personal as doing it by hand. He also commented that in putting that “personal touch” it ended up looking better anyways. I agreed and told him that it looked great.
He then realized that he was missing a few letters and quickly descended his ladder and went inside to fetch them. He wanted to continue our conversation, so he told me to “…just wait right there.” I stood around for about a minute, shifting my feet while looking at some of the posters outside. He then quickly hurried outside and we continued our conversation. Standing next to him, I was impressed by the strength that exhumed him. First of all, he was physically built. Huge bulging biceps, solid and protruding chest, as well as a square-chin which made him look like Rocky. However at the same time his old age peeked through, which was apparent through the few grey hairs peeking out of his jet-black hair, as well as the sun damage in his skin. However, he still permeated youth, as he was quick on his feet and ascended the ladder again quickly. I continued to talk to him for a bit, and then told him that I would be going on my way. He wished me the best, and I continued my journey.
I wish this journey was longer, but it soon ended afterward. I was quite tired, and hungry, and figured I had enough pictures and story to share. I walked back unto Sunset and started to wander around, looking for the bus back home. I ended up eating a hot pastrami sandwich at Togo’s before heading back to the bus stop.
If you read all of this and looked at all of these images, I congratulate you. Please leave a comment below and let me know what you think! Also if you liked this, feel free to “retweet”, “share on Facebook,” or “like” this!
Another huge obstacle you will face as a street photographer (and a general photographer) is that at times you are not going to feel a lack of inspiration to go out and take photos and let your camera collect dust on your shelf. Although it can be healthy to put down your camera at times and not to feel compelled to take images, I would say it is very detrimental to your photography if you go for around a month without taking any images.
Street photography is all about capturing the beauty in the mundane, which is every-day life. The ability to take a slice of life and capture it in an image. By not taking photographs for an extended period of time, you almost lose a part of yourself. I consider my camera an extension of my body, a 6th sense in which I am able to connect and interact with the world. It is as important as an appendage to my body as my arms or my eyes.
Imagine not using your arms for an entire month. Just visualize them losing strength and muscle as well as the ability to make precise movements. And after a month of not using your arms, they may feel foreign and unknown to you. But you soon realize how much you have been missing out in life without them; the inability to write, the inability to embrace others, and the inability to itch your face at will. Suddenly a surge of empowerment rushes through your body, and you swear to yourself that you will never live without your arms again.
Photography is very much the same thing. If you quit taking photographs and using your camera for a month, it might feel awkward and foreign to you. You try taking photos again, but they lose that precision and touch that you used to have. But once you start taking photos again and get in the groove, you realize how much you have been missing out on life. Those little slices of life that you were unable to capture such as the man waiting at the bus stop, the woman walking with her child, or the two elderly men playing chess in the park. Suddenly a huge sense of inspiration rushes through your body and you vow to yourself that you will never live without your camera again.
You don’t have to go to the most exotic places to take great photos. Often when it comes to street photography, we think of the masters like Henri Cartier-Bresson and Robert Doisneau who shot in the streets of Paris or hardcore street photographers such as Bruce Gilden in New York. However just because you do not live in a huge city like San Francisco, Los Angeles, New York, Paris, London doesn’t mean that you can’t take great photos. Sure you might not see as many people in the streets, but that is hardly an excuse.
I know a street photographer by the name of Tom Kaszuba who lives in a very small city in Norwich Connecticut where there are barely any people roaming the streets. Although it does make the process more difficult to find more people, it doesn’t deter him from still getting breathtaking images that convey the beauty of every-day life. He would go to street fairs or any other events in which had a large gathering of individuals and would take amazing candid portraits of individuals walking around the streets. His subjects come in all different colors, sexes, and sizes. Although he may not live in New York City or Los Angeles, his vision and determination to photography has helped him create memorable images of a seemingly “unmemorable” town.
Click below to read more…
So these are some presets that I made in Adobe Lightroom 3 and frequently use when converting my images into color or black and white. Granted that I will still do some fine-tweaking to each image after applying these presets, they are a great starting point for the starting Lightroom 3 user. Also make sure that your images in RAW when applying these presets, or they will come out really funky! Enjoy!
Applying “Eric Lomo Pop” preset:
Applying “Eric B/W Dramatic” preset
Download the Lightroom 3 Presets here:
Instructions how to import it into Lightroom 3:
So the other day when I stepped out of my office on 3rd street to go take some photos during my lunch break, I was spotted by a group of Christian missionaries handing out fake one-million dollar bills to passer-by’s. They had interesting caricatures of what I perceive to be famous celebrities in place of some of our beloved presidents. As they noticed at me gazing at them, one of their representatives walked up to me and asked me, “If you were going to die tomorrow, would you definitely be sure that you would be in heaven?” Wow–what a loaded question. I then casually responded, “Of course not.” The man then asked me for 2 of my minutes and during that split-second decision I thought to myself, “Sure, why the hell not.”
Click below to read more…
For the last year or so, I have actually been working on a “Street Photography 101” book that I plan on publishing into an ebook. However, considering that I don’t know how long it will take before I have a finished product, I plan on posting several bits and pieces of it into this blog for your critique and reading pleasure. First part of this series, a quick intro into Street Photography 101.
What is Street Photography?
There is not one definition which defines street photography. Depending on who you ask or where you find your information, you will come upon conflicting responses. Some street photographers will say that it is about capturing the emotion and expressions of people, while others may put a higher emphasis on the urban environment. However I believe that the most effective street photographs are the ones that synthesize both the human element as well as the urban environment. To capture a moment in which a person is interacting with the environment or in which the environment is interacting with the person is a true mark of a skilled street photographer.
But when it comes down to it, it is basically taking photos on the streets. So instead of chasing sunsets and exotic creatures, you look for ordinary places and ordinary people and creatively compose them in a clever way. Anybody can take a good picture of a sunset. Although there are many technical details which go into capturing a perfect sunset, anybody can simply point their camera and capture a sunset which is inspiring. But when it comes to street photography, you must constantly be looking for either contrasting elements in an environment which make a photograph interesting.
Simply put, the main focus of street photography is taking the everyday and the mundane and making it into something unique and beautiful.
Make sure to also read my other more recent list, “102 Things I Have Learned About Street Photography“.
So at the online advertising agency that I work (AKMG), the CEO there has a real great taste in art. He owns several Todd White pieces, who according to his website claims himself as the “critically acclaimed modern master and
portrait painter for the 21st century.”
This piece actually hangs in the bathroom, which is quite funny as some of my female co-workers have complained to him that is creepy that it looks like a bunch of photographers are taking photos of them while they use the bathroom. I, however, found it a quite fascinating piece (being a photographer and all). This image says a great deal about society and celebrity-worship, as the piece puts you in the shoes of a celebrity and shows you how it feels like to have all those cameras pointing at you. It definitely does make you feel a bit unnerved and uncomfortable, as the images of the photographers are abstract enough to actually portray face-less photographers. However as a photographer, I feel completely comfortable in front of a camera (as I am the one usually wielding it).
Hey guys, so this is going to be my new blog in which I will post photos, essays, tips, and insights about street photography and more. Don’t worry– erickimphotography.com will still be alive and well. Please leave a comment below and tell me what you think of the new look and what suggestions you think I could incorporate!