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DISCLARITY.
Interestingly enough, the most *DIS-CLEAR* (difficult to see, discern what is going on in an image), the better.
Why is this?
When things are DIS-CLEAR, you must squint a bit, use your brain a little to interpret what is going on in the frame. Also use your imagination.
Perhaps this is why abstract art is so enthralling to me — I *must* interpret it.
Nota bene (take good note):
- Blur is good
- Out of focus is good
- As dark as possible (monochrome) is good.
- Don’t show everything that is happening in the frame.
- *NOT* showing context is good.