Eric’s Note: This is article is part of an on-going weekly column by Japancamerahunter (Bellamy Hunt) where he talks about vintage cameras, film, and street photography. You can check out his part articles here or if you need to get hooked up with a lens or camera, contact him here!
Well well, good old Uncle Eric has asked me to write another article for you. This time on the joys of shooting street with a compact camera. Eric and many of us spend a lot of time shooting with rangefinders and DSLR’s, but I think it important for people to realize that there are other ways to shoot street. The compact camera is one of these ways (medium format is another, but that is a whole different barrel of fish and something I may talk about another time).
So, why shoot a compact camera for street? Well, there are several reasons, but let me start with the most obvious…
Compact cameras are small, that is why they are called compact cameras. Some of them are downright tiny. This is not going to be a discussion about film versus digital, I think we all know which side of the fence I stand on that issue. But I am going to give you a bit of camera snobbery:
Not all compact cameras are the same. And most digital compact cameras are not up to the job.
There, I said it. Film compact cameras come from an age when camera companies cared about what lens they put into their cameras, and this makes a big difference. They were also made by camera companies, not electronics companies trying to make a fast buck. The size makes them easy to handle, fast and quiet. You can go places that you could not go with a rangefinder or SLR. Which leads us to the next reason…
The size makes these the ultimate in discreet cameras. They are small, light and some of them are very quiet. Because of this people don’t really notice when you are shooting with one, which is a huge advantage when you are shooting street. When you have a large camera or a clearly visible camera you are automatically going to garner a reaction from people. Whilst shooting street this may not be a bad thing, as you are trying to be part of a scene, but if you prefer to merely observe then shooting with a compact camera if perfect for you. If you are shooting a situation where you really don’t want to be noticed then shooting with a compact is really going to help you a lot.
For me this is a big one. Some of you may be fast shooting in the street, but shooting with a compact camera can really make you lightning quick. Really good compact cameras can be set manually so that you have complete control over everything on the camera. This can help you to be able to shoot quickly and seamlessly, especially if you are carrying two cameras so that you don’t have to reload.
I find that when I am out shooting with a compact camera I can burn through a roll of film much much faster than I would with my Leica. There are a couple of reasons for this, mainly that the automatic wind on keeps me up to speed, but I am able to shoot at eye level without going through the viewfinder, so I can keep my eyes open for anything that may appeal to me. I think this is one of the main reasons why I like to shoot with a compact camera.
For me, really good compact cameras have a certain quality that you just cannot find in the throwaway items that are available nowadays. Your supermegawhotsit Panasonynon will be obsolete in less than 2 years, yet my Ricoh GR1s is 15 years old and still shooting without an issue. And it shoots on full frame…well…full frame 35mm film. There is still not a full frame digital compact camera, and there will probably never be one as the prices to make them would be insane.
Saying that, there are still some good compact digital cameras out there. My personal favorites are the Ricoh GRD range (such as the Ricoh GRDIII and Ricoh GRDIV). They carry on the tradition of the GR design, they have great lenses and they are well made (even if they do have a thumbnail sized sensor).
Never let it be said that I am not prepared to be objective. There are some drawbacks to compact cameras (as there are with all cameras, otherwise we would all shoot the same thing). The size can be an issue for some, some people like to be able to feel that they have a camera in their hand. These cameras are small and light, and that can make them easy to drop, god knows I have done before, so a strap is essential.
The control can be a factor for some people, as the cameras don’t have the same range of control as an SLR or RF camera. Lenses are limited on these cameras and are not interchangeable, which means that you are limited to the shooting distance that you have chosen for that camera.
So, now that I have convinced you that getting a decent compact camera is a great decision to make I should really show you what options you have.
This is not a comprehensive list of what is available, but these are high quality, easy to use and most of all easy to find cameras. I have used all of these cameras and I would consider them to be my personal favorites for shooting street. Though I would be happy to consider other suggestions from any readers:
Contax made a fantastic range of compact cameras, all featuring Carl Zeiss lenses. The company was acquired by Kyocera and stopped manufacturing cameras in 2005, which is a terrible shame. But there are still plenty of cameras available and for good prices too.
The Contax TVS range came with Vario Sonnar zoom lenses and great control, but the real stars of the show are the T2 and T3. The T2 features a titanium body autofocus and a retracting 5-element Sonnar 38/2.8 lens. Fast quiet and very easy to use.
The T3 is the daddy of the Contax range. Smaller than the T2, faster and sporting the amazing 6-element Carl Zeiss Sonnar 35/2.8 lens. The lens on this camera is seriously impressive and makes a mockery of many modern lenses. A personal favorite of mine.
Ricoh has a long history, in the 1930’s they started manufacturing cameras, so you know they have a fair bit of experience. History lesson over. Ricoh released the GR series of cameras in 1996 with the GR1 and scored a home run. Brilliantly designed, easy to use and with fantastic lenses. The GR1s is a brilliant camera which features a coated 28mm f/2.8 lens, several different shooting and focus modes and a lovely light magnesium body. The GR1v built on this with ISO override and extra features.
But the daddy of the range is the GR21. It was the first superwide 21mm compact camera in the world. This is an outstanding camera and the one camera that I would love to shoot on the street.
Minolta made a lot of compact cameras, but when it comes to high quality compacts then there is only one. The TC-1. This was a camera that was designed for the photographer to take the time to think about the exposure by using aperture priority. The main feature about this camera is the stunning lens, a 28mm f/3.5 Rokkor Aspherical lens. The lens has an f-stop selector dial on the front, so you can select the f-stop that you desire and features perfectly circular aperture holes, which gives very distinct character to the pictures. This is not strictly a street camera, as it is not terribly fast, but its lens makes it a firm choice for anyone wanting to try something a bit different.
Fujifilm is well known for making compact cameras, and now mainly make digital compacts. But they have made some cracking compact cameras, including their current range which features the Natura Classica and the Klasse range of cameras. But nothing comes close to the super special Natura S. The Natura S features the fastest lens on a compact film camera. At f/1.9 the 24mm lens is pretty wide too.
The camera was only available in Japan, and because of this the functions are only in Japanese. Added to this the camera is not all that great when it comes to exposures. It really is a bit of a gimmick, but a nice one nonetheless. If I had to make a choice it would be the Klasse W, with the 28mm lens is is a very capable camera.
Contact Japan Camera Hunter
Obviously this is not a complete list, but it contains cameras that I think are perfect for street photography. If you would like to get your hands on any of these cameras you can contact me and I can find them for you, I am Japancamerahunter after all. You can contact me through my e-mail: firstname.lastname@example.org or phone: +81 (0)80 5534 1977 and we have skype too: bellamy.camera
Thanks for reading and please comment or add something to this article. I love to hear from you all.
Cheers and happy shooting.
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