printing

Why You Should Print Your Photos

by OllieGapper on December 16, 2011

1x1.trans Why You Should Print Your Photos

RA-4 processed prints from 4x5 Portra negatives.

Eric’s Note: This article is by Ollie Gapper, a street photographer based in the UK- and now a weekly contributor to the blog. Stay tuned for more of his “Ollie Gapper Thursday” posts!  

Over the past few months it’s fair to say I’ve spent a lot of time and money on printing. Though it wasn’t entirely through choice, it’s an element of my university course I absolutely would not change. It’s enlightened me, allowed me to look at my work in a totally different way. Being able to hold an image, move it around in the light, hold it close to my face and scrutinise every inch of it, it feels like its making me a better photographer. Seriously.

I’ve learnt a lot in terms of traditional, darkroom printing, both colour and black and white, and in doing so, I’ve learnt a lot about my film and my photographs.

Ive also been reading through the Ansel Adams technical guide books (The Camera, The Negative and The Print) which has taught me to reverse this method of only ever printing for your negative, it instead teaches you to expose your negative for your print. I shant go into the specifics of the Zone System or anything, as thats not what I want to say in this article.

What I want to say is simple: Print your images.

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