1x1.trans 6 Lessons Jeff Mermelstein Has Taught Me About Street Photography

All photographs in this article are copyrighted by Jeff Mermelstein.

I love the street photography of Jeff Mermelstein. Hailing from New York City, he is one of the most prolific street photographers and photojournalists out there. Besides his personal street photography work, he has done major assignment work for Life Magazine, The New Yorker, and The New York Times Magazine.

When I first saw Jeff’s images, I was blown away by the simplicity but depth of emotions in his photographs. His photographs are very quirky, and intensely powerful as well.

I wanted to dedicate this article to Jeff– in terms of how he has inspired me in street photography. I also hope to share some of his philosophies, images, and experiences with you.

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1x1.trans Weekly Street Photography Assignment: Bad Weather

NYC, 2012. Part of my on-going “Suits” project.

After a long hiatus, I am excited to announce I am starting the weekly street photography assignments again!

This week’s street photography assignment is: “Bad Weather.”

Upload your best (1) street photograph directly to my Facebook fan page wall by Saturday midnight and I will announce the best image via Facebook by this Monday morning. Looking forward to seeing your images!

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1x1.trans Moving Quietly Along the Flock, Invisibly: Interview with Igor Rudenko from Kiev, Ukraine

Igor Rudenko is a street photographer who captures poetic and timeless monochromatic images from Kiev, Ukraine. This interview is by Mehdi Bouqua, a street photographer from Downtown LA.

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1x1.trans 10 Things I Have Learned About Street Photography From Eric Kim

This post is by Dan K, a writer, camera collector, and photographer from Hong Kong.

Dan: Today I have the pleasure of summarising Eric Kim’s contribution to street photography. At a loss for ideas, I threw the question open to my social media followers. Big mistake! All I got was flames and no tips at all about actual street photography.

When the seat of my pants had sufficiently cooled, I sat back and mulled it all over. Why is one of our generation’s best known street photographers so successful when opinion of his work is so… “divided”?

What can we learn from the way he works that would be useful to the modern street photographer keen to emulate his name recognition?

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“Shooting Street” Podcast Interview

by Eric Kim on March 30, 2014

1x1.trans Shooting Street Podcast Interview

Lansing, Michigan 2013. Part of my on-going “Suits” project.

Thanks a ton to Michael Meinhardt for interviewing me for the “Shooting Street” podcast. We talked about shooting street photography with flash, finding your own style, overcoming boredom, shooting film, photo books, and ideas for the future! Check out the hour-long interview below:

Podcast: Play in new window | Download

Past episodes to check out:

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Observe Collective Interview #5: Fadi Boukaram

by Eric Kim on March 29, 2014

1x1.trans Observe Collective Interview #5: Fadi Boukaram

OBSERVE is an international photography collective focused primarily on the practice of candid street photography. This week’s feature is Fadi Boukaram, a street photographer currently based in Broumana, Lebanon.

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1x1.trans Capturing Space, Color, and Light in Sao Paulo: Street Photography by Gustavo Minas

Gustavo Minas is a street photographer based in Sao Paulo, Brazil and part of the Street-Photographers and the SelvaSP collective.

Gustavo: Hi there, I’m a 32 years old guy born in Cassia, a small town in Brazilian countryside, now living in Sao Paulo. I first got interested in photography during my journalism course at uni, around 2001. Maybe a bit earlier, as I drew a lot as a child, roughly, and photographed school parties with a point and shoot.

After university, I lived in London for 1 year, working as a waiter and just spending time. I bought a handycam with miniDV tapes and started filming everything around, later editing with Windows Movie Maker. I was inspired by those late boring Godard movies, which are mostly about apparently random images. These were the origins of my street photography, as the process was about the same – wandering alone and watching people.
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1x1.trans The Culture: Documenting the Life of a Korean Tattoo Artist by Josh White

The Culture” © JT White

This guest blog post is by JT White, a street photographer currently based in Seoul, Korea.

JT: Eric and I often talk about projects as we work on them. We often help each other edit, sequence. He usually does the editing, me the sequencing. I suppose that is just what we’re good at. While editing my project, The Culture, Eric asked if I would write a short post about the project and how it came about.

As a bit of background, Eric and I have been friends for a long time. We taught a Leica Workshop together in Seoul a couple of years ago. Shortly after that workshop I came back to Canada. During that time I had four different Leica cameras and a bunch of lenses. I was like the king of gear. I had everything and bought and sold everything else.

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1x1.trans 5 Tips When Entering a Street Photography Contest

The photos in this article are from my new “Detroit” series. 

I’ve had the pleasure of being a judge for a handful of street photography competitions: including the International Street Photography Awards 2012, the Urban Picnic Street Photography Contest in 2013, and the International Street Photography Awards 2014.

It was a fascinating experience being a judge– and it has taught me a lot of lessons in terms of how to judge others’ work. More than that, it has taught me to better judge my own work. Here are some lessons I’ve personally learned being a judge, and some tips I suggest when you enter a street photography contest:

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1x1.trans 10 Lessons David Alan Harvey Has Taught Me About Street Photography

All photos in this article are copyrighted by David Alan Harvey / Magnum Photos

David Alan Harvey is one of the living legends in street photography. He is a member of the prestigious Magnum Photos agency, and also quite active in the contemporary photography world– featuring emerging photographers through burn magazine while teaching courses all around the world.

Close to 70 years old, he is still prolific in his photography–he travels constantly and takes photographs everyday. He still retains the passion for photography as he had as a 12 year old boy.

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