Street Photography Tips

1x1.trans 5 Tips When Entering a Street Photography Contest

The photos in this article are from my new “Detroit” series. 

I’ve had the pleasure of being a judge for a handful of street photography competitions: including the International Street Photography Awards 2012, the Urban Picnic Street Photography Contest in 2013, and the International Street Photography Awards 2014.

It was a fascinating experience being a judge– and it has taught me a lot of lessons in terms of how to judge others’ work. More than that, it has taught me to better judge my own work. Here are some lessons I’ve personally learned being a judge, and some tips I suggest when you enter a street photography contest:

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1x1.trans The 7 Deadly Sins of Mediocrity in Street Photography

Photos in this article are from my on-going “Colors” series.

I recently read a book titled: “Die Empty: Unleash your Best Work Everyday and found great inspiration in it. It is a great book in which the premise is easy: will you die with all of your dreams, aspirations, and talents inside of you– or will you work everyday towards emptying out your mind of al these great ideas and thoughts? Will you lie on your deathbed having any regrets? Or will you die empty having dedicated everyday towards your life work dying empty without any regrets. You certainly don’t want to die full of regrets.

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1x1.trans 12 Lessons Joel Meyerowitz Has Taught Me About Street Photography

All photos in this article are copyrighted by Joel Meyerowitz.

I am surprised I haven’t written an article about Joel Meyerowitz yet. He is one of the living legends and masters in street photography, currently at 75 years old. He shot in the streets with other legends such as Garry Winogrand, Tony Ray-Jones, and even bumped into Henri Cartier-Bresson on the streets once.

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On Expectations and Street Photography

by Eric Kim on January 6, 2014

1x1.trans On Expectations and Street Photography

East Lansing, 2013

Photos in this article are from my time in Michigan in 2013.

In life I have a certain strategy: I set very low (or no) expectations for myself and try my personal best.

I know often people say you should always set your ambitions and expectations high– but I find several faults with this strategy:

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On Consistency and Street Photography

by Eric Kim on January 3, 2014

1x1.trans On Consistency and Street Photography

Lansing, Michigan 2013

Photos in this article are from my on-going “Suits” project.

One of the things I notice a lot at my workshops and when I see work online is how there tends to be a lack of consistency in people’s images.

I think while it is great to experiment and try out new things– at the end of the day to create a personal style and vision– you need a sense of consistency.

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40 Street Photography Resolutions Ideas for 2014

by Eric Kim on January 2, 2014

1x1.trans 40 Street Photography Resolutions Ideas for 2014

San Francisco, 2013

Now that the new year is under way, I thought it would be a good idea that we could all choose a new year’s resolution in street photography.

I know how difficult it is to keep to a new year’s resolution, but I think it is something fun that we can all look forward to. I just came up with some ideas that we could try experimenting or doing for 2014. Feel free to pick and choose what appeals to you:

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My Top 10 Street Photography Lists for 2013

by Eric Kim on December 31, 2013

1x1.trans My Top 10 Street Photography Lists for 2013

Pittsburgh, 2013

I have never been the type of person to reflect on life. I generally tend to always live in the present moment– and don’t spend too much time thinking about the past or the future. But the quote that always comes to me from Socrates is: “The life unexamined is not a life worth living.”

Ever since I got laid off my job (June 13, 2011) life has been zooming past before my eyes ridiculously quickly. It has been around 2 years and 6 months since I have been doing street photography “full time.” and wanted to use this opportunity to just share some of my thoughts and what I am grateful for.

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1x1.trans 25 Practical Tips from Elliott Erwitt for Street Photographers

© Elliott Erwitt / Magnum Photos

I recently attended Elliot Erwitt’s “100+1″ exhibition at Fotografiska, which will be in Stockholm from December 6, 2013 to March 2, 2014. We were given a brochure with great practical advice for street photographers– which I have shared here. This text for the article is extracted from the foreword dedication written by Elliott Erwitt for the book “Personal Exposures.”

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In Praise of Slowness in Street Photography

by Eric Kim on December 5, 2013

1x1.trans In Praise of Slowness in Street Photography

Tucson, Arizona. 2013

Photos in this article are from my road trip from Michigan to California.

One thing I hate about the modern world is our addiction to speed. We want everything to be done faster, more efficiently, and better optimized. We are frustrated when we are loading up a website on our smartphones and it takes longer than a few seconds. We hardly have the patience to cook anymore, so we just pop something in the microwave. We then inhale our food in a few seconds so we can get back to work and be more “productive.”

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1x1.trans 5 Psychological Biases You Must Avoid in Street Photography

Mumbai, 2013

Besides street photography, I have a great interest in sociology, psychology, and philosophy. What I love about all these side-fields is that they overlap and add unto one another. Not only that, but I have probably learned more about street photography from these outside fields than from the field of photography itself.

A field I have been quite fascinated with is called “behavioral economics the idea that us humans act “predictably irrational”. This means that we all have similar cognitive biases in certain circumstances. Although we like to think of ourselves as rational beings– we are far less rational than we’d like to believe.

In this article I want to share some insights I have learned from “behavioral economics” (which tends to fit into the field of psychology and cognitive science).

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