Streettogs Academy Assignment No. 6

1x1.trans Streettogs Academy Assignment No. 6

The streettogs academy page is growing and bustling as we continue with our 6th assignment. To those who joined and have been there since the 1st assignment, thank you all! Our editor’s choice for Assignment No. 5, Enamul Kabir Rony got a simple theme for us today. It is straight forward but there are many possible interpretations:

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Streettogs Academy Assignment No. 5 “Fear” Results and Analysis

1x1.trans Streettogs Academy Assignment No. 5 Fear Results and Analysis

Our assignment no. 5 themed “Fear” came at an excellent timing. The Halloween period was ripe with opportunities on how to show our theme and it manifested well with the entries for this assignment. Excellent choice for an assignment from Assignment No. 4 winner, Florin Ghebosu.

I put a twist on how I present the selections for this assignment by identifying what type of fear is being shown or manifested on the images selected which may or may not be correct but hey my mistakes shouldn’t take away from the good images for this assignment. I think it would be fun so let’s check it out!

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6 Lessons I’ve Learned From “Photographers’ Sketchbooks”

1x1.trans 6 Lessons I’ve Learned From Photographers Sketchbooks

I recently picked up a copy of “Photographers’ Sketchbooks“, an excellent book written by Stephen McLaren (co-author of “Street Photography Now”) and Bryan Formhals (founder of LPV magazine and the popular Tumblr: Photographs on the Brain).

Alongside “The Photobook: A History Volume III” by Martin Parr and Gerry Badger it is the best resource for photobook making, the philosophies of editing and sequencing, the importance of collaboration, explaining the working methods of certain photographers, their philosophies, and advice and thoughts on publishing via the printed medium (and on social media).

It is a beautifully put-together book, with tons of great “behind-the-scenes” materials, via photocopies of the photographers’ actual “sketchbooks”, contact sheets, and personal notes. I highly recommend everyone to pick up the actual book — and use it as a great reference when putting together your own book or body of work.

I personally learned a lot from the book, and I wanted to share some of the personal lessons I’ve learned from ingesting this beautiful tome of information:

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Streettogs Academy Interview: Arnold Despi

1x1.trans Streettogs Academy Interview: Arnold Despi

(A.g.’s notes: Out of the 4 Assignments we have finished over at Streettogs Academy group, Arnold Despi got into the Honorable Mentions list 3 times. He is a very active photographer always shooting and always looking for suggestions on how to improve from other folks. I decided to talk to him to get some feedback on how he keep things consistent, his style, and the things he enjoys most with street photography. I hope you all enjoy! Photos by Arnold Despi)

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6 Lessons I’ve Learned from The Photobook: A History Volume III (3) by Martin Parr and Gerry Badger

1x1.trans 6 Lessons Ive Learned from The Photobook: A History Volume III (3) by Martin Parr and Gerry Badger

Here at the Photographer’s Gallery in London, I recently picked up “The Photobook: A History Volume III” by Martin Parr and Gerry Badger. I’d heard about the book before (the previous 2 volumes) but never had the chance to actually sit down, crack one open, and analyze it.

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Presentation: Capturing Emotions and Interacting with Subjects in Street Photography

I am teaching a two-day crash-course in street photography in Stockholm the next two days, and here is the presentation I am giving to my class. It is a collection of images from great Magnum and contemporary photographers (as well as some of my own work) in terms of capturing emotions on the streets, as well as how to interact with strangers. In each photograph, I ask each student: what makes the photograph memorable, great, and how does it capture emotion?

At the end of the presentation, I also share some of my contact sheets which I hope is a good educational behind-the-scenes look/tool.

Feel free to download, share, and distribute for any educational purposes.

See this presentation on Slideshare and see all of my street photography presentations.

5 Photography Friendly Places Where You Can Practice Street Photography

(A.g.’s note: I asked some of the folks over at Streettogs Academy what part of their street photography they want to improve on. One of the many things that popped up was people are still shy going out to shoot or finding interesting places to shoot in. Hopefully this article gives you new ideas on where to shoot)

The best way to become good at something is if it becomes second nature. You have to constantly build habits and the right attitudes so you can turn something on and be in the zone when you need to. That principle applies to street photography.

If you are still uncomfortable venturing out in the streets, here are some places that can be a great venue to take street photographs without the fear of being hollered upon or confronted so you can concentrate on practicing and making images and not be wary of other things.

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How to Show Empathy in Street Photography

1x1.trans How to Show Empathy in Street Photography

Detroit, 2013

I recently read a quote that went something like this: “If everyone knew how much suffering there was in the world, and how much pain, anxiety, and sadness that their enemies had (and also knew how much love they had in their lives), the world would be a much better place.”

Pretty much the concept was this: we are often suspicious, jealous, envious, and hateful of others. However if we realized that those we hated the most also went through pain and suffering in their lives, and also had joy, hope, and love in their lives— we would treat them with much more empathy, kindness, and love.

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Streettogs Academy Assignment No. 5

1x1.trans Streettogs Academy Assignment No. 5


The recently concluded Assignment No. 4 yielded a lot of great and creative executions which you can view again here. Thanks again to everyone who joined and to Bertrand Domas who gave us that assignment. Moving on, it’s Editor’s choice Florin Ghebosu‘s turn to give us our assignment for the coming weeks! It is something very timely that fits on the spooks and spoils that occur during the end of October:

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Advice for Aspiring Full-Time Photographers

1x1.trans Advice for Aspiring Full Time Photographers

Detroit, 2013

Recently I gave a short 2-hour presentation on street photography at one of the photography clubs at UC Berkeley. It was great being surrounded by students again– with all of the energy, enthusiasm, and passion that college kids have.

Some of the students asked me how I went from college to surviving off photography full-time as a living. I gave some of my personal experiences– and I had the realization: perhaps this was information that may be useful to other college students (who want to make photography their living), or anyone out there with a day-job who wants to make photography their living:

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