Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

by Eric Kim on September 7, 2012

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

Anton Kawasaki is a member of The Mobile Photo Group and also a street photographer based in NYC. He uses the iPhone more or less exclusively for his work, and started shooting around the same time that Sion Fullana started as well. Coming from a nearly a 20-year background in the comic book industry and also being an editor, his photos of NYC are colorful, vivid, and introspective. He gets close both emotionally and physically to his subjects, and is able to capture those wonderful “decisive moments” which bring a little humanity and life into the crazy life of the big apple.

In this interview we discuss an article he wrote, “Is Instagram Defining, and Therefore Ruining, Mobile Photography?” and get more in-depth about his thoughts.

* Once again, the interview was done in a crowded and loud cafe (it is impossible to find anywhere quiet in NYC) so pardon the excessive noise! 

Photos by Anton

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

1x1.trans Video Interview with Anton Kawasaki about Instagram and the Future of Mobile Photography

 

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Do you think that Instagram is hurting or helping promote street photography? Let us know your thoughts by leaving a comment below! 

  • http://twitter.com/JiggyFly333 Joel Levin

    Great interview as was Sion’s. Totally agree with Anton on the very end of the video when he talks about things in the background that ruin “The Moment” of an image. That seems to happen to me alot. :-(

  • Mike Avina

    These are great images. I don’t care what kind of camera someone uses, I care about seeing their project, developed over weeks, months, years. Instagram stokes the fire of our collective interest in photography but fails to deliver on the long term project side–inevitably however some Instragramers will graduate to creating meaningful collections or essays, so it’s all good by me.

  • Joanna Casey

    Great set of images. It’s not about the camera, it’s about the vision and what you choose to notice or capture, and also being in the right place at the right time.

  • Stephan

    To start off, I would say that any kind of apps you use doing photography, be it using a digital product + software or a digital camera + editing software, doesn’t hurt photography at all. It’s kind of a silly question and concern here. I could use the quote of Bill Brandt, British photographer, saying that what’s more important is the result. Mobile phones are just another kind of gears we are now attracted to because it is available and a device that, commercially speaking, is able to rank among devices to take photographs. So talking about whether it is ethical photographically speaking is to talk about gears and not photography at all, be it street or else. Where boundaries can be drawn is whether markets, excluding internet windows which accept any kind of devices, will accept mobile phone photography to be displayed in a gallery or published in magazines and accepted as photography.
    In the hard news world we had non photographers recording relevant political unrest and civil wars events shown on Youtube, then shown on TV sets on a worldwide scale, and if not with a worldwide audience responding to it, So in my sense shared I would assume and not for legitimity by many others, mobile photopgraphy can’t be hurting photography, and least is to say street photography for which it has been designed.
    In the end we can only ask the users why they use it when cameras are available. What would you say to a mobile phone user if he replies saying that because i don’t have to buy a camear and carry it on top of my phone.
    I am not the one who would use such a device because the feel is definitely not the same.Control knobs and ergonomy are not the ones I feel confortable with, the quality of the file is not on par with digital nor film cameras, whichever post-treatment you have to go through.
    The final result is what matters most and beyond that is the outcome, the futrue you want to give to your photographs.
    And pertaining to that, it will all depend on who will accept to publish your work, if that is your objective, noting that with all the online publishers, if you are willing to use and pay some publishing services they will print your work no matter what devices you used.
    So the acceptance of mobile photography is not something that we, as photographers, purists or not, should debate on. It is far more important to assess whether the means we chose and the photography we make will find a way of being seen in the conservative ways and if not what are the means to achieve that to promote, not so much the device, but the things we have to say. The markets are already to crowded and dictated for us to wage war on which devices used are more eligible to have a voice in the world of photography. So focusing on the intent is more important than focusing on the recording device. It should speak to many to acknowledge the fact that since digital technology has been out there we never saw such a quick turnaround and development and thus a rate of obsolescence of the photographic equipment. And leica gears are not behind in doing that. It’s a market wars in the end and photography and its future somehow is at stake.

    Cheers.
    Stephan

  • http://imagesetpolitique.wordpress.com/ David

    I once found a blog of a photojournalist who documented the Libyan war with his iphone on instagram. It was brilliant. I think instagram instills the spontaneity that street photography is all about. As a photographer, it is a revolution for me now that I have a smartphone with the app, for I never miss a picture anymore due to the lack of camera!

  • http://stevesigloo.tumblr.com/ Steve Wood

    Eric, I love the ideo of the interview but the sound is awefull. I beleive the audio is more important that the video quality in these cases and you could really bump up your production with a better mic. Checkeout this video for mic solutions:

    https://vimeo.com/13715848
    Ideally you would have a H4N with 2 lav wireless mics. For cheaper check out this little (but high quality) shotgun Mic: http://www.amazon.com/Sennheiser-MKE-400-Shotgun-Microphone/dp/B0014YVAJG

    The advantage is it isolates the audio to what you are directing it at, and can be fitted into the hot shoe of the cam – eliminating all the ambient noise.

    just a friendly suggestion…

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