How to Shoot Street Portraits With Permission by Danny Santos

by Eric Kim on May 12, 2011

1x1.trans How to Shoot Street Portraits With Permission by Danny Santos

Danny Santos shooting Stranger #85 & Stranger #86 , taken by Paulo Legaspi

Eric’s Note: I am truly excited to have this guest post by Danny Santos, who is truly passionate about shooting portraits in the streets. I was fascinated and captivated by his work, and I asked him to write a guest post about how he shoots street portraits. Enjoy!


Danny: Shooting street portraits of strangers is a very daunting task. Often when you see a stranger you want to photograph, you find yourself between a rock and a hard place:  you can’t seem to ask them for their photo, yet you know you just have to.  Here are a few tips that may help you get over that hill. It won’t make it easy, but it may give you the push to start creating your own set of portraits of strangers.

1. Get used to the fear… coz it won’t go away

1x1.trans How to Shoot Street Portraits With Permission by Danny Santos

Stranger #100 by Danny Santos

There’s no magic formula to get rid of the fear. In fact, there’s a big chance that it will never go away. But that shouldn’t stop you from doing what you want to do. Don’t try to get rid it. Instead, try to shoot in spite of it.

When I was doing my strangers project, I was scared shitless most of the time. In fact, the fear I felt when I shot my 7th stranger was exactly the same when I shot my 100th stranger.  Yup, my hands were shaking in both instances, and in most other instances between them. But I guarantee you; the struggle to shoot through the fear will all be worth it as you start acquiring one keeper shot after another. Then you’ll want to shoot more.

2. Keep it simple

1x1.trans How to Shoot Street Portraits With Permission by Danny Santos

Stranger #77 by Danny Santos

“Is it ok if I take your picture?” Short, sweet, and direct to the point. Don’t start with a long explanation of what you want to do and why you’re doing it… this has the potential to intimidate your subject. If they’re curious, they’ll ask “what for?”  Otherwise , they’ll just say yes or no. This saves time and effort for both you and the subject.

3. Be honest

1x1.trans How to Shoot Street Portraits With Permission by Danny Santos

Stranger #57 by Danny Santos

When they do ask “what for?” sincerity will take you a long way. No need to come up with bogus scripted excuses. The last thing you want from the subject is a tinge of doubt or apprehension.  Just tell them exactly what you’re doing: whether you’re working on a personal project, or just practicing your photography skills. Just be totally honest about the whole thing. You’d be surprised how many people would be supportive of you.

4. Accept rejections… but stay positive

1x1.trans How to Shoot Street Portraits With Permission by Danny Santos

Stranger #35 by Danny Santos

They come in different shapes and sizes. Some people would be shy and polite when they say ‘no.’ Sometimes, they would even smile and say ‘thank you.’  But others are just downright nasty…  as if you were some outcast to society. There’s no denying that this kind of rejection will stick, but only for a short while. Before you know it, you’ll be back in your feet looking for your next keeper.  You need to accept the fact that rejection is an inevitable part of this whole process. But the exhilarating feeling of getting a series of keepers will more than make up for all the rejections you will get.

5. Hand out a card

This isn’t absolutely necessary, but it sure helps.  Bring a business card along that states your name, contact details, and the website address where you intend to post the portraits. This gives the subject a sense of security that their photo is not being taken by a shady character with malicious intent.

1x1.trans How to Shoot Street Portraits With Permission by Danny Santos

I always bring Moo cards that has my contact details and a sample photo at the back. It’s professionally printed, and it looks cool. One of the best things about shooting street portraits is getting positive feedback from the subjects after they saw your site.

Now that we’ve gone through some quick tips on how to approach strangers, let’s talk about the project itself. Getting a stranger to say ‘yes’ is only half the battle.  Getting a good portrait, and series of good portraits, is the next challenge.

6. Avoid the snapshot smile

You know… the smile that you’ve smiled a thousand times whenever you’re in front of the camera.  It’s almost always the automatic reaction. You may want to avoid this because more often than not, the snapshot smile looks contrived. You can either ask them not to smile… or if you really want that smile, make them laugh and capture the moment. The point is to capture the subject in their natural state. It makes for a better portrait.

Here’s an example of a great exemption from my personal ‘no smile’ rule:

1x1.trans How to Shoot Street Portraits With Permission by Danny Santos

Stranger #3 by Danny Santos

Stranger #3 by Danny Santos

7. Always be aware of the light

1x1.trans How to Shoot Street Portraits With Permission by Danny Santos

Stranger #29 by Danny Santos

As you walk in the streets looking for a subject to photograph, always be aware of where the light is coming from.  This way, when you encounter a subject, you know exactly how to quickly position him to get the best light. I’ve made the mistake of disregarding the light so many times because I was too excited that the subject said ‘yes’, I ended up with a portrait that should have been better.

8. Stay consistent

If you’re creating a series of street portraits, the set will be more interesting and meaningful if there’s a unifying factor amongst them. It can be as simple as consistent framing or lighting, or as profound as having a general human theme. It has to work as a series, rather than just having good individual keepers put together.

1x1.trans How to Shoot Street Portraits With Permission by Danny Santos

Portraits of Strangers by Danny Santos

9. Establish eye contact

1x1.trans How to Shoot Street Portraits With Permission by Danny Santos

Stranger #88 by Danny Santos

Rarely does a street portrait work when the subject is not looking at the camera. The viewer needs to feel an instant connection with the subject, and the most effective way is when the viewer feels like the subject is looking intently at him.

10. Have fun

1x1.trans How to Shoot Street Portraits With Permission by Danny Santos

Stranger #99 by Danny Santos

Most important of all :)

Links:

Make sure to check out more of Danny’s work on his blog and Flickr! Don’t forget to add him on Facebook and Twitter as well!

So how do you approach people when you want to take a street portrait? Let us know your 2 cents and also give Danny some love below for this great article by leaving a comment below!

  • http://photography.badlightgoodlight.com Nikhil Ramkarran

    Excellent advice from an excellent photographer. A few of these are familiar to me (always being nervous no matter how often you do it) but I considered this a valuable read. Bookmarked!

  • http://www.sergeys.us sergey

    Great advice and your portraits speak for them selves. It is true about the fear of rejection…. I think its human to have it.

  • karen

    Excellent advice! I have been wanting to try out street photography for so long… I’m petrified, gulp!

  • http://www.flickr.com/photos/rsimpson/ Rob Simpson

    Danny, your work is amazing! I’ll definitely be putting your advice to good use. My question is how many “keepers” do you usually find on an outing?

  • http://silentxpression.wordpress.com/ Simon Wallerstedt

    Really good and inspiring article. Makes me wanna go out and try making street portraits, even though I’m scared as hell!
    The images are excellent, great examples that “the eyes are the windows to the soul”. :)

  • http://alvonsi.us alvonsius

    great tips! I do really want to shot portrait in the street … but my fear is always come up. This one give me a bar over it ^^

  • http://www.wanderinglulu.com Ewanglee

    Great advice. I realize some people will say no but it doesn’t bother me. It’s part of life.

  • ILPARM

    Great work Danny! Makes me want to go back to my own 100 strangers project to finish it.

  • http://www.photosfromthetopfloor.blogspot.com Carsten / topfloor

    Most of my street portraits are candid, so I am not really qualified to answer. In Toronto and Brighton, being on photo workshops, I had to do the asked portraits as an assignement. Being honest was my try, I always offered to send the picture via eMail, and I always keept my promise to do so, although because of my analog approach it’ll take weeks to get the films developed and scanned. The explanation ‘assignement for a photo class I take’ took me a long way. Most of the times the reactions were friendly.

    When people approch me because of the camera gear I use (that ranges from teenagers to old people and happens at least once or twice a day when I walk a city) I often ask them if I may take their picture. As the ice has already been broken, I always have a ‘go ahead’. And sometimes a nice story gets told as well.

    Two examples of protraits I took after I was approached . . .
    http://www.flickr.com/photos/geopirat/5233966047/
    http://www.flickr.com/photos/geopirat/5458629423/

    And two examples for ‘asked for permission’ shots . . .
    http://www.flickr.com/photos/geopirat/3957677837/
    http://www.flickr.com/photos/geopirat/4915885884/

    Thank you for this cool post, I admire the quality of the portraits Danny took and takes. He is definitely a source of inspiration and I follow him for quite some time on the web.

    Carsten

  • http://viaflandria.be Steven De Baere

    Wow, fantastic portraits!

    Thanx for the tips, I’ll keep them in mind when I hit the streets!

  • http://www.tracyclayton.com/blog/ Tracy

    Great post Danny. Love your work. Thanks for sharing. I hope to tackle a street portrait project this spring. Wish me luck.

  • twocutedogs

    Good tips Danny.

    For me the whole is better than the parts. I much prefer the collage itself to the shots that make it up. Well done for completing it.

  • http://allcitysf.com/ Stuart

    A lot of these are excellent portraits.

  • http://mayank-p.blogspot.com Mayank

    Found Danny a few days back. I have always had a feeling that asking someone to pose it in a way adulterated form of street photography. but then Danny work does look impactful so in the end i would believe means justify the end. An inspiration for sure.

  • Kye

    I must say that I’ve “studied” Danny Santos’ work, as I’m doing a 100 Strangers portrait series. I’m greatly inspired by his portraits. Homie has mad skillz! Good job with getting a post from him.

    http://www.flickr.com/photos/kyerionp/sets/72157625925798425/

  • Buddy Gadiano

    Hi Danny,

    First of all big thanks for inspiring me taking street portrait…your works really amazing and am proud to be pinoy. Aside from above tips did you ask your subject to sign a release model as pormality that they’re aware about the shot? as I know, verbal permission is not the right way and there is a risk on it.

  • Pingback: How to Shoot Street Portraits | Danny Santos II - Street Photographer in Singapore

  • Joe Gallegos

    First of all, I loved the article. I just discovered Eric’s website and it’s immensely useful.

    One thing that really took away the fear for me was being employed for a while as a street canvasser in Portland. Once you get used to the idea of stopping people on the streets and asking them to fork over their credit card numbers, asking folks to take their picture becomes so much easier.

    I would actually recommend being a street canvasser, even if you only do it for a week or two then quit. Check craigslist, it seems that various nonprofits are always hiring for new street canvassers in most major cities.

    One of the key aspects of street canvassing (or portraits) is “the stop.” This is how you sort of reel people in. It’s a three phase process. Wave at them from an almost uncomfortably far distance with just a “hi.” If you get a friendly response to that, go on to a “how are you doing?” or something to that effect. If you again get a positive response, then go into something like “So, I’m a photographer and I was wondering if I could take your picture?”

    So yeah, just my thoughts. It seems to work pretty well for me. It helps you gauge people’s interest even before you tell them that you want to take their picture.

  • Loop

    How did you get them to agree to this without a model release of somesort? Especially since these images were posted online. Just curious, in case I get asked. Thanks :)

  • Raj

    its really nice article , the only thing that keep my mind spinning is that its not too easy for me to approach other people in the beginning but slowly i get used to it…….thanks for sharing danny :) …

  • http://www.facebook.com/profile.php?id=1599057770 Richelle Lumanog-Rubillos

    love all the advice and the pics! thank you for sharing it to to us. I really do appreciate it! thanks a lot sir dan.. God Bless!

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