Which is Better? Black and White vs Color for Street Photography

by Eric Kim on April 4, 2011

1x1.trans Which is Better? Black and White vs Color for Street Photography

Black and White vs Color for Street Photography.

I recently got an email from one of my readers, Kit Taylor, asking me the following question:

Color or B&W? What goes into the decision to finish a street/candid
photo as color or black and white? Some photographers have a strong
specialization. Some of us use both almost equally. Some photos are
obvious; often I have some that are difficult to decide on.

I’m really glad that Kit asked this question, as this is an issue that I grapple everyday as a street photographer. There are many pros and cons to both color and black and white street photography– which I will outline below.

A simple google image search for street photography, you get mostly black and white images. Furthermore, when people think about street photography, they always think about classic black and white images taken by the likes of Henri Cartier-Bresson, Robert Doisneau, and Robert Frank. Color street photography is not nearly as popular, or noted as black and white street photography as a whole.

I don’t believe that street photography is meant to be taken in either black and white or color. There are cases in which black and white are more appropriate, and times in which color is more appropriate. In this article, I will outline the differences between both mediums, while describing when it is appropriate to use either.

Black and White Street Photography

1x1.trans Which is Better? Black and White vs Color for Street Photography

Vancouver Hippy - Ted Grant

“When you photograph people in color, you photograph their clothes. But when you photograph people in Black and white, you photograph their souls!”
— Ted Grant

There is nothing more classic and nostalgic than black and white street photography. Black and white reminds us of our past, which we often romanticize and idealize. Not only that, but we don’t see the world in black and white, which makes these images more interesting to look at. However, I highly encourage everyone against converting all of their images in black and white simply for the sake of it. Rather, think about the purpose why you are trying to convert the image into black and white. What type of message or feeling are you trying to convey? I will briefly outline some points in which I think it is better to shoot black and white for street photography.

1. It has a timeless look

1x1.trans Which is Better? Black and White vs Color for Street Photography

Henri Cartier-Bresson

If you look at the street photography of all the great masters, they are all taken in black and white (as black and white was the only type of film available back then). Think about all the memorable images you see in postcards or posters– all of them are in black and white. When we think of the past, for some reason we always imagine the memories and pictures in our mind in black and white.

Therefore if you are trying to get a nostalgic type of feel in your images that pays an homage to the past, black and white is definitely a wonderful medium for that.

2. It is simple

1x1.trans Which is Better? Black and White vs Color for Street Photography

Stray Dog, Misawa, Aomori, 1971 - Daido Moriyama

The one thing that I love about black and white is that it allows you to concentrate on the image itself, rather than the color. You can pinpoint certain details in the composition, which may have been obscured by color. At times, I also notice that certain images can get far too busy when in color, and black and white allows you to cut back on some of the distractions.

Take for example this image by Japanese street photographer Daido Moriyama above. It is one of his most famous images which was taken after World War II, which shows the despair of life in Japan. The image itself is quite simple, and has a strong contrast between black and white. However its effectiveness is in the menacing stare of the dog, which is perfectly shown through the difference between the light and the dark. This image wouldn’t have been nearly as effective in color.

3. It has more drama

1x1.trans Which is Better? Black and White vs Color for Street Photography

The Fist of Detroit - Eric Kim Street Photography

With black and white, it is easier to emphasize drama by creating images which have strong contrast and heavy vignettes. For example the image above, I chose to keep it in black and white as it was able to make the smoke more apparent, while focusing the viewer’s attention on the fist which appears to be popping out at you. Not only that, but it helps the viewer concentrate on the visual punch of the image, when color could have been distracting in creating the same effect.

Color Street Photography

1x1.trans Which is Better? Black and White vs Color for Street Photography

Woman with Turquoise Dress, Laguna Beach, California, c.1952. - Paul Outerbridge

“One very important difference between color and monochromatic photography is this: in black and white you suggest; in color you state. Much can be implied by suggestion, but statement demands certainty… absolute certainty.” - Paul Outerbridge

Recently I have been shooting quite a bit of color street photography with my old Contax IIIa film rangefinder and I have been truly enjoying the experience. Color has a different feel and life to it when compared to street photography. In my opinion, it makes things come to life and feel more real and vivid. Not only that, but when you are shooting in color, you can color a variety of hues and tones that black and white cannot. Below are some reasons why it is better to shoot in color than in black and white for street photography.

1. It is underutilized

1x1.trans Which is Better? Black and White vs Color for Street Photography

Joel Meyerowitz - via In-Public

Within street photography, color is vastly underutilized. Although there is a plethora of great black and white street photographers out there, there is still a dearth of talented color street photographers out there. I feel that this is because there is a prejudice against color street photography, as it is not as nostalgic or “classic” as black and white.

However there is still a wonderful group of talented street photographers who do great work in color such as Nils Jorgensen, Matt Stuart, and Joel Meyerowitz. Check out some of their work for more inspiration.

2. It allows you to highlight certain elements in an image

1x1.trans Which is Better? Black and White vs Color for Street Photography

Matt Stuart - via In-Public

With color, you can highlight elements of an image which often get forgotten in black and white. For example in the above image by Matt Stuart, the juxtaposition between the red and the green helps add to the composition and balance of the image. Had this image been in black and white, the devil may have been obscured against the background. Not only that, but the color red is a strong symbol of mischief — which would have once again been lost in black and white.

3. It grabs your attention

1x1.trans Which is Better? Black and White vs Color for Street Photography

Trent Parke - via In-Public

In this image by Trent Parke, the red color of the sign almost screams at you for its attention. This is due to the fact that we have emotional and psychological connections with certain colors– especially with the color red that yells “look at me!” Therefore when shooting street photography and you really want your audience to look at something, color is definitely the way to go.

4. It has a richer dynamic range

1x1.trans Which is Better? Black and White vs Color for Street Photography

Narelle Autio - via In-Public

With color, you have much more access to a wider dynamic range in terms of colors, tones, and hues. For example in this above image by Narelle Autio, you can see a wonderful depth through color that black and white wouldn’t have been able to capture. You can see the warm tones in the sand, contrasted against the deep blue sky. Not only that, but you can see the pattern of the blue/yellow umbrella on the left (above the dog’s tail) and the subtle rainbow on the right side of the image. Had this image been in color, all of these small subtleties couldn’t have been viewed.

Whats your take on the subject of black and white vs color for street photography? When do you think it is better to use either? And do you think that color or black and white is inherently better than the other? Duke it out and tell your opinion by leaving a comment below!

  • http://blog.christakisphoto.com/ Christakis Schinis

    Colour, definitely colour. I like colours. Having said that, SOME images work much, much better in B/W. But only SOME! Technology has moved on… use it to your advantage, don’t stay stuck in the past…

  • http://photography.badlightgoodlight.com Nikhil Ramkarran

    When it comes to art, it is difficult to make any definitive pronouncements. Nor (I believe) should you. For me, taking colour out often calms some of the chaos that is inherent in street photography and also provides a level of abstraction that permits the story to sing.

    On the other hand, sometimes the colour is the story.

    I think this is one of those things where you just have to play it by ear.

  • http://www.kpraslowicz.com K. Praslowicz

    The obvious best solution is to blend them both and use selective desaturation on your street photography.

    Please nobody take that seriously.

    I actually prefer color. Used to do a lot in black & white. Now I look at those images and wish I hadn’t been a cheapskate and used color. Sure, black & white may be ‘timeless’, but isn’t the reason it is used since color film has been readily available because it was just so much cheaper? Look at what happens anytime someone finds street photos shot on color film during the heyday of black & white–instant viral blog post.

    Of course, now with digital technology making each one cost exactly the same, it is really just a choice in vision.

    • http://thegrabble.com king

      Is selective color taboo in the street photography world? maybe that can be the next question eric answers…

  • Henning Nilsen

    I can not pick one or the other.
    Some subjects just demands color and some black and white. To deny them that would be like cutting thesoul out of the shot, as cheesy as it may sound.

    Color is a lot more difficult to get just right though and as stated black and white was a lot easier back in the film days(cheaper too).
    I am a big Noir fan, but to limit one self to just one or the other disables ones potential if you ask me.

  • http://www.simwallphoto.com/ Simon Wallerstedt

    I prefer black and white most of the time. In my opinion it makes you focus more on the moment itself, without being distracted by all the colors.
    But of course this isn’t always the case. I like both color and black and white, and it really depends on each photo and what message the photographer wants to convey.

  • http://www.kerstenbeck.com Erik Kerstenbeck

    Hi

    Both color and B&W have their merits, but why not both?

    Here I used selective color of this shot of Time’s Square

    Hey, Yo! TAXI!: http://t.co/eMSOAaI

  • http://www.wanderinginalaska.com Stephen Cysewski

    I shoot in RAW+JPEG. The JPEG is usually set to Black and White. When I look at the photographs some of them resonate in Black and White and others in color. I am using a Panasonic G series camera for many of my photographs, being able to see the image in Black and White in the viewfinder is useful. If I share the color photographs it is because the color makes the photographs. I find though that I resonate with the Black and White photographs a majority of the time. What does resonate mean? It is the feeling that you get when you want to look at the photographs again, that it captures what you were feeling.
    Steve

  • http://www.jamesmaherphotography.com James Maher

    If color doesn’t add anything to the scene then take it out. Also, I find that faces or a good facial expression often works better in black and white.

  • http://www.iheartfilmphoto.com(intheworks!) Jason

    I think the most important thing is to choose one- either BW or color…don’t jump back and forth (I’m thinking as a film shooter, remember).
    Photographers jump around too much these days and sacrifice mastery as a result.
    I personally think BW is the ultimate photographic medium. Learning to “see” in BW only happens after thousands of frames of consistent BW photos have been made.
    Jason
    @iheartfilmphoto

  • http://tiarara.com tiara

    I agree with Stephen. It depends on the photo and the message you want the audience to feel. Some images convey the message more effectively if it’s in black and white while there are some that would be more effective if in color.

  • http://www.facesoflondon.co.uk Marco

    It takes a particular skill to think in black and white. Anyone can convert to black and white, but those that think in the form, shoot in colour with the intention to convert usually produce fantastic images. Things shouldn’t be automatically converted to B&W automatically because it’s street photography.

    There’s a time and place for everything!

  • http://robertkruyskamp.blogspot.com Robert

    Today I came across some quite unknown color shots by Garry Winogrand: http://www.sevensevennine.com/?p=2438

    The blogpost quotes Joel Meyerowitz, mentioning that Winogrand probably shot mainly B&W’s for practical (printing) reasons.

    Winogrand’s images show that you can do amazing street stuff in color as well.

  • http://martosc.posterous.com/ MartosC

    Like most of us have said, both works. Sometimes it looks better in color, sometimes in B/W. I personally prefer color. If it doesn’t work, or if B/W is better, I convert it.

    I don’t see the point that we should define SP in terms of color or B/W.

    PS: Eric, the title for third and fourth image is not right. It’s not supposed to be “Stray dog” and “The Fist of Detroit”, no?

  • http://photostry.com Kristi Hines

    I usually decide between black and white by looking at whether or not there is enough contrast in the B&W version to still have all of the clarity and details or if any meaning is lost with or without the color.

  • Klaus @ TechPatio

    FYI, the caption for photo #1 under B&W is wrong. It’s a Cartier-Bresson photo :)

    • http://www.erickimphotography.com Eric Kim

      Weird– my captions got all messed up. Thanks for pointing that out Klaus! :)

  • 57Andrew

    I shoot B&W – typically Tri X – in my M3 but with my M9 and X1 I shoot RAW and choose whichever has the most impact at the point of processing. Often I feel I can make an image less cluttered in B&W and draw the attention to what I want without the distractions colour sometimes brings.

  • http://www.flickr.com/photos/altcomix/sets/72157605947580408/ Andy Frazer

    Don’t forget about the compromise: semi-desaturated color!

    -Andy

  • http://calm7clear.tistory.com John Kim

    Nice post, Eric.
    I think shooting with B & W is a good way of learning photography as many people say. Not because it is easy, but because beginners can learn about light and framing first. And B & W images may “express” people’s emotions. In additon, it is somewhat easier to make effects that photographers wanted by controlling film process/printing process (B & W films). In contrast, I think color is quite different elements. I think color itself can function as a third element in the framing as shown in Matt Stuart and other color photographers’ images. So in my view point, color is one of elements of framing. However it is definately not a geometrical framing element, but psycological (or conceptual) framing elements so to speak. I always envy people who have a good sense of colors. I learned that even simple pictures with proper combination/framing can be great pictures. Many times I thought that I would like to carry two cameras, one for B & W and another for color images.

    I mostly shoot with B & W films, but for color images, I would like to bring a small digital p&s. I sold my DSLR and bought a GRD last month for this purpose.

    I think this topic bothers most of street photographers outthere at once in their photolife sometime. Thanks for sharing your idea.

  • http://www.flickr.com/photos/renekejlskovjorgensen/ Rene Kejlskov Jorgensen

    I thought about this very question a lot until i reached a decision. As much as i like the classic masterpieces of Cartier-Bresson, Frank, Kertesz etc. , black and white is just not contemporary technology. I decided that i will only use colour in my work.

    Rene
    —-
    http://www.flickr.com/photos/renekejlskovjorgensen/

  • Andrew

    I personally think a colour photograph has to be better to pull it off. Take an average colour shot, do a good conversion, and a lot of the times you elevate that medium shot into something more interesting. You’ll never make it great, but it certainly looks better to most people. I tested this out a few years back, maybe I’ll dig out the stuff and post it.

    I shoot colour now, simply because I’m trying to get better and colour forces you to see how bad you are!

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  • freick

    Black and wHite all the way

  • Towers_keith

    How can a photographer ask such a question? If we consider ourselves to be professional at our chosen craft then we should choose our pallet to suit the subject. Street is traditionally shot in b/w because colour wasn’t a choice in the early days. I happen to prefer b/w but do accept that colour might work best with certain images. With digital the choices are amazingly simple to work with, so why not explore all ways of presenting an image?

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  • http://www.facebook.com/keith.towers.77 Keith Towers

    Ansel Adams said of colour photography: ”
    I have done no color of consequence for thirty years! I have a problem
    with color—I cannot adjust to the limited controls of values and colors.
    With black-and-white I feel free and confident of results”. I feel much the same way as he myself. The reason I prefer to shoot for b/w (and especially ‘Street’) is that it strips the results bare of unnecessary detail. B/W focuses the mind on the intended subject matter far more graphically than colour. It is gritty, often stark and unfussy, and brings the viewer straight to the point. Not everyone will agree with my analysis, but for me I much prefer b/w to colour.

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