The 5 Most Common Questions about Street Photography (and the answers)

by Eric Kim on October 12, 2010

1x1.trans The 5 Most Common Questions about Street Photography (and the answers)

Hey guys,

I thought about writing this blog post after receiving many questions regarding street photography. I saw it as a great opportunity to help clear up some misconceptions about street photography, as well as answer questions from many aspiring street photographers from around the world! If you have any other general questions, feel free to leave a comment below and have either me or some other street photographer from the community answer your question!

1. Do I need a model release form when shooting people in the streets?

1x1.trans The 5 Most Common Questions about Street Photography (and the answers)

"3 Men"- note that although the man's face is visible, he is not identifiable. Thus I do not need a model release for this if I wanted to sell this print. Also I have no restrictions in posting this online.

No. As long as a person is in a public area and not on private property, you are free to take their photo without having a model release form. However the tricky part is when it comes to selling images of people shot in public areas. If the photo you are selling clearly defines a person’s face, then you need a model release form.

Edit: In the US, you are allowed to sell a recognizable photo of someone on the street as a work of art. What you are not allowed to do is to sell it for commercial photography — that is to say, photos being used to sell a product. This would prevent the sale of photos of a recognizable person to (let’s say) a stock photo service, but not as a work of art, or photojournalistic purposes.

Relevant reference:
http://en.wikipedia.org/wiki/Nussenzweig_v._DiCorcia

-Thanks Brandon!

(Note: This applies to the US–not sure about other places in the world. If you could chime in and leave a comment regarding anywhere else in the world, that would be awesome.)

2. What is the best camera/lens to use for street photography?

1x1.trans The 5 Most Common Questions about Street Photography (and the answers)

The Leica M9 Titanium is the best camera for street photography. Naw, just playing. It costs $26,500 USD (a street photographer could never afford this).

There is none. All the cameras out there have their own pros and cons, but the most important thing is actually taking the photos. However as a rule of thumb, the smaller your camera and wider your lens, the better. As I have heard online, “creepiness is directly proportional to focal length.”

I think that on a full-frame camera, 24-28mm or 35mm is ideal. Currently, I am shooting with my Canon 5D with my Canon 24mm f/2.8 and Canon 35mm f/2 lens. Both are relatively cheap, light, sharp, and non-threatening (compared to other massive zoom lenses). However as a note, many of the old masters of street photography such as Henri Cartier-Bresson or Robert Doisneau used rangefinders. For a break-down of the pros/cons of certain cameras for street photography, read more here.

3. What settings should I use when shooting street photography?

1x1.trans The 5 Most Common Questions about Street Photography (and the answers)

"Stilettos" - If my camera had not been in "P" mode when shooting this, no way I would have been able to get a manual exposure just in time to take this image. The woman noticed me a second after taking this shot.

Want to learn a secret? I mostly shoot in “P” mode with ISO 400 when I’m in the streets.

Wait what? Don’t only noobs shoot in “P” mode?

Hold up a second and let me explain myself. Shooting in “P” mode helps me concentrate on taking images, instead of fumbling around with my settings too much. If I need to change my exposure, I typically use the thumb wheel on the back of my 5D to either underexpose or overexpose my images quickly. I’m sure if I always shot in manual mode, I would have lost so many photo opportunities due to the fact that I might have not had the right settings at an unexpected time.

However when shooting in bright daylight, I like shooting at f/16, ISO 400, and 320ths of a second. Why? According to the Sunny 16 rule that many photographers used to use in the days of film, there are certain settings that are pretty “safe” in terms of getting a correct exposure.

Feel free to use any settings you are comfortable with when shooting in the streets, whether it be Av, P, M, or Tv mode. However generally I advise you to use a large depth-of-field when shooting from the hip to make sure that your subjects are in-focus.

4. Help! I feel awkward taking photos of people in the streets–what do I do?

1x1.trans The 5 Most Common Questions about Street Photography (and the answers)

"The Most Interesting Man in the World" - I saw this interesting man from afar, so I walked behind him, pointed the camera straight at him and took a photo. Surprisingly even after he noticed me taking his photo, he just casually looked away.

Don’t worry–all street photographers have felt that way in their lives at one point or another. Honestly the more you shoot, the less awkward it is going to be for you to shoot in public–especially of strangers. Have the mindset that you are not out there to be a creep, but that you are out there capturing the beauty of everyday life. And oh yeah if you’re wondering– I have only been approached twice by people in 4 years to not take their photo. That is a pretty damn low number, and I’m sure your experiences will be similar as well.

For further readings, read my guides on How NOT to Look like a Creep, as well as How to Overcome Your Fear of Shooting in Public.

5. How does one make money with street photography?

1x1.trans The 5 Most Common Questions about Street Photography (and the answers)

Shoot for the love of street photography, not the money.

Whoever is going into street photography for the money should perhaps look for another specialty. Most people who are passionate about street photography are not in it for the money, such as journalists around the world. Rather, it is about capturing the beauty in the mundane as well as feeling alive through the act of photography.

However that being said, you could make money selling prints or books. Although I am currently selling my prints to support my photographic endeavors, I can tell you that I am nowhere close to making enough money to buy a $26,500 Leica M9 Titanium.

What questions do you have about street photography? Leave a comment below and hopefully I or one of the other amazing street photographers in this community can answer your question!

  • http://www.chitragrahan.wordpress.com Kamal Aakarsh

    Such an amazing article.Gives a whole new perspective to street photography, removing all the cliched apprehensions. Enjoyed reading it.

    • http://www.erickimphotography.com Eric Kim

      Thank you for the kind words Kamal :D

  • http://www.hito.fr hito

    A question come in my mind after reading this great article.
    Do you need a model release if you want to sell the picture of “The Most Interesting Man in the World” for example ?
    And for children do you need a model release too (http://goo.gl/d3MG) ?
    Sometime kids can’t be a great subject but i’m always afraid of shooting them to fear to be mystaken by others…

    • http://www.erickimphotography.com Eric Kim

      You are right. If I wanted to sell the most interesting man in the world, I would need a model release. As for the kids, I took that in Europe so I assume it would be ok ;)

      And shooting kids can def be tough. Just don’t be suspicious-looking, and do it! :)

      • Toyo45gx

        I thought you just said you DON’T need a model release – what commercial product would you be selling with this photo ??

      • Toyo45gx

        I thought you just said you DON’T need a model release – what commercial product would you be selling with this photo ??

      • Toyo45gx

        I thought you just said you DON’T need a model release – what commercial product would you be selling with this photo ??

  • http://www.photographymojo.com Anna Patrick

    Another way of making money from your street photography is to publish your work on stock websites. It’s not a quick way of becoming a billionaire of course :-) , but it’s better than nothing, and moreover, you become visible for potential buyers, which is what really counts.

    • http://www.erickimphotography.com Eric Kim

      That is def a great point!

  • http://www.tomkaszuba.com Tom K.

    Clear, concise and to the point. A terrific article. Your work with the 5D and the 35 f/2 is enough to inspire many budding street photographers.

    Those folks who might want to jump in with high quality gear such as the 5D / 35mm combo should look to buy a used 5D. They are available in on-line buy/sell forums such as Fred Miranda and POTN for very reasonable prices.

    • http://www.erickimphotography.com Eric Kim

      Thanks for the feedback Tom! It is ridiculous how cheap the 5D is now…

  • http://www.photoasia.com.my Christopher Tvärne

    Great article! As I work in the stock photography industry, I can chime in on the model releases part. Generally speaking, a release is not required for recognizable people when used in an editorial manner, e.g. published in newspapers, books, magazines etc.

    If you do travel or street photography, it’s always safer to ask the subjects to sign a model release form even in a public place.

    Here’s a handy pocket release form that Scott Wyden uses: http://scottwyden.com/pocket-model-release-pad/

    ASMP also has a version of their own: http://asmp.org/tutorials/pocket-model-release.html

    It’s better than not having any release at all.

    • http://www.erickimphotography.com Eric Kim

      Thanks a ton Chris! :D

  • http://www.doncrossland.com Don Crossland

    Great Article. Keep the dream alive, don’t give up on the Leica.

    • http://www.erickimphotography.com Eric Kim

      Haha fashos Don!

  • http://endemoniada.org Martin

    Concerning #4: The very first time I ever went out to really shoot on the streets (not specifically shooting people, but just easing into shooting in a crowd at all), I was approached by an off-duty bus driver. Worst of it all, I wasn’t even photographing HIM. I was aiming my camera along a nice, curved bench and somewhere further down the street, there were apparently two people loading something into a car that this bus driver was VERY concerned about me photographing. He demanded to see my photos, and I quizzically showed him the back of my 35mm film camera. He muttered something and walked away.

    I’m not sure I was scared off street photography as much as just being angry at the stupid dicks that are everywhere, but it was a very uncomfortable moment.

    • http://www.erickimphotography.com Eric Kim

      What a dick indeed. Thanks for your feedback!

    • Chosunking

      I was using my long Sigma 80-400mm lens pointed in the general direction of some people and a man came up to me and asked why I was taking HIS photo.
      My mistake was try to explain that when using the lens at 400mm its impossible to take a photo of someone thats inches from the camera.
      And I offered to educate him…my bad..He did not want to hear an explanation and I continued to try, which was not a good idea. Finally, I realized that he was mentally challenged.
      best to walk away and I have to learn to take my own advice!!!!

  • http://endemoniada.org Martin

    Oh, and this is the shot, btw: http://www.flickr.com/photos/endemoniada/4852379351/in/set-72157624635765498/

    You can barely, kind-of see the people way off in the background.

  • http://theroadfromdamascus.blogspot.com Brandon

    My understanding on #1 is actually that the answer is more complicated than your answer makes it out to be.

    In the US, you are allowed to sell a recognizable photo of someone on the street as a work of art. What you are not allowed to do is to sell it for commercial photography — that is to say, photos being used to sell a product. This would prevent the sale of photos of a recognizable person to (let’s say) a stock photo service, but not as a work of art, or photojournalistic purposes.

    Relevant reference:
    http://en.wikipedia.org/wiki/Nussenzweig_v._DiCorcia

    • http://www.erickimphotography.com Eric Kim

      Hello Brandon,

      It appears that my knowledge of the subject was actually a bit wrong. I will update the information–thanks for the lookout!

  • Michael Slider

    Great article. As an amateur street photogrpaher, I was wondering if there were any “rules” for photographing homeless/beggars. Are you/should leave them a tip of some kind? Thank you so much.

    • http://www.erickimphotography.com Eric Kim

      Hi Michael,

      Typically I try not to take photos of beggars/homeless people. However it never hurts to donate them some money–as they can always use some help!

  • http://sofajockey.com John

    I’ve wandered NYC for over 15 years, at first with my Nikon F4 and a few rolls of Ilford and now with my DSLR. One warning I have for aspiring street photographers is to know your escape route before taking your photo. I lived in the Bronx and wandered into many unsavory areas and took photos of some unsavory characters. I didn’t realize until I was older that I was probably taking pictures of drug dealers or lookouts — two types of people who won’t understand that you’re trying to be an artist :) I’m a big guy and I’ve been threatened with bodily harm on many occasions. You need to be able to get away if a situation turns ugly. I’ve also deleted some great shots while a few toughs looked over my shoulder. Also, if you’re in an American urban setting, learn some polite phrases in Spanish so you can explain yourself when somebody looks angry and reaches in their pocket for god-knows-what :) “Hola. Yo sólo soy un fotógrafo. ¿Quieres ver la foto?” If somebody looks angry or confronts you, be polite and explain what you’re doing. If you’re caught by somebody, don’t just slink away like a creep. Occasionally somebody will notice I’ve snapped a picture and I smile, say hi, and often times I’ll show them the photo I took. Its better to own the situation than contribute to the awkwardness by pretending nothing happened. Get some business cards made up with your website or Flickr address — it’ll help you get some traffic or even sell a print.

    I see tons of tourist street photographers and the creepy ones are just depressing to watch. They wander the tourist traps, eyes darting back and forth, attempting to hide their cameras — its pathetic. Act casual and be confident! Its much creepier if you look like you’re trying to get away with something instead of being who you are — an artist trying to capture something interesting. Good luck and be careful!

    • http://www.erickimphotography.com Eric Kim

      Hey John,

      Thanks for telling your story on street photography! You definitely want to be safe (esp around shady areas). Glad to hear you didn’t get hurt, and thanks for the tips!

  • http://www.danieltwardowski.com Daniel

    Great article!
    My very first photo assignment in my first photography class was open ended, so I decided hit the local commuter rail. It was awkward at first, but I found a lot of people are really nice if you just talk to them. I would ask before I took some photos, or after others (for more natural shots).
    Some people say no, but those are few and far between. Just don’t be afraid, dress nicely (don’t look like a creep), and show due respect when photographing women and children (especially if you’re male).
    I definitely agree with the Program mode point, though I still prefer Av and Tv modes for a little more deliberate style to the shots. My first assignment, I did all manual shots, and I missed out on some good opportunities.

    • http://www.erickimphotography.com Eric Kim

      Hey Daniel,

      Glad to have heard your experiences! And Av/Tv mode definitely come in handy too!

  • http://www.flickr.com/photos/mattbharding/http://www.flickr.com/photos/mattbharding/ Matt

    Great article, Eric! Just when I am starting to lose my stoke, I can count on you to rekindle it.

    Thanks,
    Matt.

  • Mike

    Hi! I stumbled across your website from Reddit, and I want to thank you for your tips on how to get street photos. I always wondered if you asked people to snap their photos, or just did it without them noticing…however most of the people are looking straight at you! Haha!

    Anyways, I live in Victoria BC and here are my results so far from 2 days of shooting. I ended up with about 250 pictures, just walking through the streets for an hour each day while I was on lunch, but ended up with only less than 15 pictures that actually turned out.

    mike.ormazzi.com/2010/street/

    • http://www.erickimphotography.com Eric Kim

      Hey Mike,

      Just checked out your images and I was quite impressed! Solid compositions, B/W conversions look good (don’t dig the selective coloring too much). Keep up the street photography and come back often :D

      • Mike

        Thanks man! I’m never a fan of selective coloring, but that was the only thing that I noticed in that image :)

        Little old ladies are fun to photograph! :D

        • http://www.erickimphotography.com Eric Kim

          Glad that you enjoyed it Mike! :)

  • http://www.olhares.com/viniciusunicamp Vinicius Carneiro

    Another way to make money with your pictures is winning concurs.
    I have participated of some and I won 2 concurs. It’s dificult and most of than has entry fee. In the begin, focus in the entry free concurs.

    • http://www.erickimphotography.com Eric Kim

      That is another great idea!

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  • Carey Reynolds

    I understand the street being public and taking photos is no problem but what about at paid sporting events, malls, grocery stores, restaurants, and such?

  • http://www.paullanigan.net Paul Lanigan

    If you do end up deleting images because someone insists you do, remember that the file is fully recoverable with ome cheap software. No need to lose that great shot. Just make sure you remove your card from the camera after you delete the images. If you take more shots you risk overwriting the files you want to recover…….if it ever happens :-)

    • Jenifer

      utdkgftftfkkkkkkkkkkkkkkkkkkkkkkkkkkuyyyyyyyyyyyyyyyyyyrrrrrrrrrrrrrrrrrrrrsssssssssssssssssssgghg

  • http://www.fjlcontemporaryart.posterous.com Francisco Little

    agree abotu shooting in P mode – on the street there is no time to worry about manual settings – I’ve tried the 16 rule and it didnt work for me. I need to get in and out fast and P works – Nikon D300

    • http://www.erickimphotography.com Eric Kim

      x2- I am a huge fan of P mode when shooting with my Canon 5D DSLR ;)

  • Marvin

    “I have only been approached twice by people in 4 years to not take their photo. That is a pretty damn low number, and I’m sure your experiences will be similar as well.”

    … I’ve tried taking my first pic and I got told to delete it. Shame it was film.
    Really motivating to read this haha.

    Great post, thanks E.

  • http://www.facebook.com/kelli.moran1 Kelli Moran

    P mode, for “Professional”!

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  • Petefhopkins

    Thank you very much. I hope you get your Leica soon…. Will it take Better pic? I wonder…. Pete

  • Alatryste

    If I can say only a couple of things about this article.
    1) It is fantastic
    2) has been censored in facebook = I cannot share it with my contacts? WTF?

  • Ping_guerrero2000

    is it ok to photographed beggars, : it will help you with your portfolio for street photography

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